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1

Gerasimova, I͡U J. The iconostasis of Peter the Great in the Peter and Paul Cathedral in St Petersburg (1722-1729). Alexandros Press, 2004.

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2

Wheeler, Richard. The medieval church screens of the Southern Marches. Logaston Press, 2006.

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3

Carmona, j. (Jesús) Rivas. Los Trascoros de las catedrales españolas: Estudio de una tipología arquitectónica. Universidad de Murcia, 1994.

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4

I͡Urkevych, I͡Uriĭ. T͡Sarsʹki vrata ukraïnsʹkykh ikonostasiv: Royal doors in the Ukrainian iconostases. Instytut kolekt͡sionerstva ukraïnsʹkykh mystet͡sʹkykh pam'i͡atok pri NTSh, 2012.

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5

Schmelzer, Monika. Der mittelalterliche Lettner im deutschsprachigen Raum: Typologie und Funktion. Imhof, 2004.

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6

1964-, Ludwig Matthias, ed. Der Westlettner des Naumburger Doms. Michael Imhof Verlag, 2012.

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7

Wachsmann, Ute. Die Chorschrankenmalereien im Kölner Dom: Untersuchungen zur Ikonologie. [s.n.], 1985.

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8

Luisa, Herrero García Ma. Rejería en Segovia. Excma. Diputación Provincial de Segovia, 1993.

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9

Catholic Church. Archdiocese of Freiburg im Breisgau (Germany). Das Freiburger Fastentuch 1612-2012. Herder, 2012.

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10

Lázaro, María Luz Rokiski. Rejería del siglo XVI en Cuenca. Diputación de Cuenca, Departamento de Cultura, 1998.

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11

Moreau, Bernard. Les jubés des églises de l'Yonne: Du XIIIe siècle au XXe siècle : etude historique et architecturale précédée d'éléments d'ambonologie. Société des sciences historiques et naturelles de l'Yonne, 2004.

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12

Run, Anton van. Het doksaal van de Cunerakerk in Rhenen. Uitgererij Matrijs, 2019.

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13

Fraternity of the Friends of St. Albans Abbey., ed. The high alter screen of the Cathedral and Abbey Church of St Alban. Fraternity of the Friends of Saint Albans Abbey, 1999.

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14

Heise, Karin. Der Lettner des Hildesheimer Domes. G. Olms, 1998.

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15

Ḥavas, Li-Hi. Omanut tavliṭe ha-seragim bi-khenesiyot uve-vate keneset be-Erets-Yiśraʼel ba-teḳufah ha-Bizanṭit: Nituaḥ signoni-iḳonografi : ṭeḳsṭ. ḥ. mo. l., 1994.

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16

Dudziński, Ilona Katharina. Der Westlettner des Naumburger Doms: Historische Bauforschung an Architektur und Skulptur. Verlag Friedrich Pustet, 2018.

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17

Imesch, Kornelia. Die Kirchen der Franziskanerobservanten in der Lombardei, im Piemont und im Tessin und ihre "Lettnerwände": Architektur und Dekoration. Verlag Die Blaue Eule, 1991.

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18

M, Borrás Gualis Gonzalo, and Conde y Delgado de Molina, Rafael., eds. Blasco de Grañén, pintor de retablos (1422-1459). Institución Fernando el Católico, 2004.

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19

Fragua, Luis Miguel Muñoz. Las rejas de Villalpando de la Catedral de Toledo: Una obra maestra del damasquinado. Almud Ediciones, 2021.

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20

Wachsmann, Ute. Die Chorschrankenmalereien im Kölner Dom: Untersuchungen zur Ikonologie. Rheinische Friedrich-Wilhelms-Universität, 1985.

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21

Zuleta, Pilar Jaramillo de. Coro alto de Santa Clara. El Navegante Editores, 1991.

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22

Ann, Ballantyne, and Plummer Pauline, eds. English panel paintings, 1400-1558: A survey of figure paintings on East Anglian rood screens. Archetype Pub., 2011.

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23

Imesch, Kornelia. Franziskanische Ordenspolitik und Bildprogrammatik: Die Leben-Jesu-Fresken von Santa Maria delle Grazie in Bellinzona. Athena, 1998.

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24

Chancel de Saint-Pierre-aux-Nonnains, problematique complexe pour un ensemble exceptionnel (Conference) (2017 Metz, France). Le chancel de Saint-Pierre-aux-Nonnains: Actes du colloque. Silvana editoriale, 2021.

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25

Oehrey, Kornelia Imesch. Franziskanische Ordenspolitik und Bildprogrammatik: Die Leben-Jesu-Fresken von Santa Maria della Grazie in Bellinzona. Athena-Verlag, 1998.

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26

Schedl, Michaela. Tafelmalerei der Spätgotik am südlichen Mittelrhein. Selbstverlag der Gesellschaft für mittelrheinische Kirchengeschichte, 2016.

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27

Freysoldt, Bernadett. Kunsttechnologische Untersuchung der Polychromie der Bildwerke des Naumburger Westlettners: Erhebung, Sicherung und Interpretation der Befunde. Verlag Friedrich Pustet, 2015.

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28

Michel, Escourbiac, ed. Sainte-Cécile d'Albi.: Sculptures. Odyssée, 1997.

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29

Biget, Jean-Louis. Sainte-Cécile d'Albi.: Peintures. Odyssée, 1994.

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30

Lichte, Claudia. Die Inszenierung einer Wallfahrt: Der Lettner im Havelberger Dom und das Wilsnacker Wunderblut. Werner, 1990.

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31

Art and Science of Medieval Church Screens in Medieval Europe. Boydell & Brewer, Incorporated, 2017.

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32

Iconostasis of Sts. Peter and Paul Cathedral. Committee for culture of the government of Saint-Petersburg, 2004.

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33

Richard, Marks, Spike Bucklow, and Lucy Wrapson. Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving. Boydell & Brewer, Incorporated, 2017.

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34

Der Lettner im Dom zu Münster: Geschichte und liturgische Funktion. Books on Demand, 2005.

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35

Jung, Jacqueline E. Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, Ca. 1200-1400. Cambridge University Press, 2012.

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36

Jung, Jacqueline E. Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, Ca. 1200-1400. Cambridge University Press, 2017.

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37

Jung, Jacqueline E. Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, Ca. 1200-1400. Cambridge University Press, 2013.

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38

Jung, Jacqueline E. Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, Ca. 1200–1400. Cambridge University Press, 2012.

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39

Die Halberstadter Chorschranken: Ein Hauptwerk der niedersachsischen Kunst um 1200 (Neue Forschungen zur deutschen Kunst). Deutscher Verlag fur Kunstwissenschaft, 2000.

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40

Die Chorschranke der Kathedrale von Amiens: Funktion und Krise eines mittelalterlichen Ausstattungstypus. Deutscher Kunstverlag, 2001.

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41

Joubert, Fabienne. Le jubé de Bourges (Les Dossiers du Musée du Louvre. Exposition dossier du département des sculptures). Distribution Seuil, 1994.

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42

Het doksaal van de Grote of St. Bartholomeuskerk te Schoonhoven. De Bataafsche Leeuw, 2004.

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43

Biget, Jean-Louis. Sainte-Cécile d'Albi: Peintures. Odyssée, 1994.

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