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Academic literature on the topic 'Scriabin, Aleksandr Nikolayevich, 1872-1915'
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Dissertations / Theses on the topic "Scriabin, Aleksandr Nikolayevich, 1872-1915"
Shergold, Roderick. "Harmony and voice leading in late Scriabin." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69565.
Full textThe thesis proposes that a structural, ten-note, harmonic matrix (formed through the summation of the octatonic and whole-tone scales) is the key to an understanding of the harmonic language in Scriabin's final works. Graphic illustrations are an important feature of the various analyses presented; these depict both horizontal and vertical aspects of Scriabin' s musical language in his final works, specifically, selections from the piano compositions op.71-74. The analyses also present an evaluation of the importance of the octatonic scale, believed by George Perle, Jay Reise, and Claude Herndon, among other theorists, to be the structural matrix in the late Scriabin oeuvre.
Sukhina, Nataliya. "Alexander Scriabin (1871-1915) piano miniature as chronicle of his creative evolution, complexity of interpretive approach and its implications /." Thesis, Recital, recorded Feb. 27, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6048.
Full textSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 22, 2004, Mar. 28, 2005, Feb. 27, 2006, and Nov. 26, 2007. Includes bibliographical references (p. 82-86).
McVay, Michael (Michael Jones). "Scriabin: A New Theory of Harmony and Structure." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc501031/.
Full textDe, Castro Martins Amaro Olga Maria. "An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2705.
Full textThe work presented herewith is an orchestration of one of the most idiomatic piano pieces composed by Alexander Scriabin: the Sonata no.3 in F‐sharp minor, Op. 23. This particular orchestration involved a process of profound examination and comprehension of the form of the sonata, as well as understanding the role of each instrument of the symphony orchestra, and how they could contribute to an orchestral reconstruction of Scriabin’s work. The re‐creation of the piano part, and the whole experience that supported this challenge, resulted in the individual production in which my particular interpretation of Scriabin’s music reflects the maturity of an absorbed investigation of his style of composition.
Dejos, Virginie. "Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040224/document.
Full textThe following thesis focuses on the six final piano sonatas by Alexander Scriabin from the point of view of pianistic interpretation. The first part reconstitutes Scriabin’s unique musical and image-oriented universe from the basis of the listener’s perspective. The second part analyses the works from a musicological stand-point, taking into consideration indications on interpretation found in the scores. In order to more clearly identify the logic and structure of the musical language, which is marked by the usage of extended tonality, the analyses presented are inspired from Schenkerian traditions. The third part, directly linked to performance practises, explores the pianistic writing style as well as the timbral and temporal parameters, with an important place given to historical recordings
Chang, Chia-lun. "Five Preludes opus 74 by Alexander Scriabin : the Mystic Chord as basis for new means of harmonic progression." Thesis, 2006. http://hdl.handle.net/2152/3449.
Full textLee, Hwa-Young. "Tradition and innovation in the twenty-four preludes, Opus 11 of Alexander Scriabin." Thesis, 2006. http://hdl.handle.net/2152/2563.
Full textBooks on the topic "Scriabin, Aleksandr Nikolayevich, 1872-1915"
Marina, Scriabine, and Slonimsky Nicolas 1894-, eds. Scriabin: Artist and mystic. Berkeley: University of California Press, 1987.
Find full textM, Baker James. The music of Alexander Scriabin. New Haven, [Conn.]: Yale University Press, 1986.
Find full textScriabin, Aleksandr Nikolayevich. Mazurkas, poèmes, impromptus and other works forpiano. New York: Dover, 1991.
Find full textDas Auge hört mit: Die Idee der Farblichtmusik und ihre Problematik, beispielhaft dargestellt an Werken von Alexander Skrjabin und Arnold Schönberg. Frankfurt am Main: P. Lang, 1996.
Find full textModernism in Russian piano music: Skriabin, Prokofiev, and their Russian contemporaries. Bloomington, Ind: Indiana University Press, 1993.
Find full textBook chapters on the topic "Scriabin, Aleksandr Nikolayevich, 1872-1915"
"Alexander Scriabin (Aleksandr Nikolayevich Skryabin) (1872–1915)." In The Classical Music Lover's Companion to Orchestral Music, 692–97. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300242720-054.
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