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Journal articles on the topic 'Script writer'
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1
Nisa, Kholifah Wahidatun. "Al-Tanāṣ al-Adabī fī Masraḥiyah Muḥammad Ṣallā Allāh ʽAlaih wa Sallam li Taufīq al-Ḥakīm." JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) 5, no. 1 (April 29, 2021): 52–67. http://dx.doi.org/10.15642/jilsa.2021.5.1.52-67.
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One of the Egyptian famous writer is Taufiq Al-Hakim. Of the many drama scripts that he wrote, namely "Muhammad SAW" which is a biography of the life of the Prophet SAW which is outlined in the form of a drama. Of course a writer has the inspiration to be the main idea during the writing of his literary work. This is what is commonly referred to as intertextual. The problems examined in this research are: First, what are the forms of intertext in the drama script "Muhammad SAW" by Taufiq Al-Hakim? Second, what are the influences that arise on the drama script "Muhammad SAW?. The method used in this research is a qualitative descriptive method with a literature study approach. From the research results, it is founded that in the drama script "Muhammad SAW" there are 22 direct intertext and 9 indirect intertext. As for the influence of the previous texts on the drama script "Muhammad”, namely the value of the Islamic religion and the Al-quran as the foundation of drama script writing.
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BIADSY, FADI, RAID SAABNI, and JIHAD EL-SANA. "SEGMENTATION-FREE ONLINE ARABIC HANDWRITING RECOGNITION." International Journal of Pattern Recognition and Artificial Intelligence 25, no. 07 (November 2011): 1009–33. http://dx.doi.org/10.1142/s0218001411008956.
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Arabic script is naturally cursive and unconstrained and, as a result, an automatic recognition of its handwriting is a challenging problem. The analysis of Arabic script is further complicated in comparison to Latin script due to obligatory dots/stokes that are placed above or below most letters. In this paper, we introduce a new approach that performs online Arabic word recognition on a continuous word-part level, while performing training on the letter level. In addition, we appropriately handle delayed strokes by first detecting them and then integrating them into the word-part body. Our current implementation is based on Hidden Markov Models (HMM) and correctly handles most of the Arabic script recognition difficulties. We have tested our implementation using various dictionaries and multiple writers and have achieved encouraging results for both writer-dependent and writer-independent recognition.
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Halder, Chayan, Sk Md Obaidullah, K. C. Santosh, and Kaushik Roy. "Content Independent Writer Identification on Bangla Script: A Document Level Approach." International Journal of Pattern Recognition and Artificial Intelligence 32, no. 09 (May 27, 2018): 1856011. http://dx.doi.org/10.1142/s0218001418560116.
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Offline writer identification is one of the major fields of study in behavioral biometric. It is a process of matching a questioned document with other documents of known writers to find the appropriate writer. In this paper, local handwriting-based attributes are used as features, and multi-layer perceptron and simple logistic classifiers are used for decision making. The method is tested on an unconstrained handwritten Bangla database of 1383 documents with variable number of datasets from 190 writers. Experimental results show the effectiveness of our system, since it outperforms the state-of-the-art methods by approximately 3% (top-3 and top-4 choices). Further, our method is approximately 27 times faster than conventional segmentation-based methods.
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Tampubolon, Trihartina. "A Conversation Analysis of Adjacency Pairs in the Ellen DeGeneres’s Talk Show with Malala Yousafzai." Journal of Language Learning and Research (JOLLAR) 2, no. 1 (May 20, 2019): 24–40. http://dx.doi.org/10.22236/jollar.v2i1.3492.
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This research aims to find out the application of the types of adjacency pairs in a conversation script “Malala Yousafzai” in talk show of Ellen DeGeneres. The writers used the conversation analysis approach to support research in analyzing data. Conversation analysis (CA) is the natural conversation that has participants two or more. Adjacency pairs is paired utterances by two different speakers. The method used is qualitative descriptive. The writer took the data from the “Malala Yousafzai” conversation script on Ellen DeGeneres’s talk show. The data containing video and script, the duration is 8:09 minutes. This video is downloaded from http://www.eamus.it/videos/malala-at-ellens.htm. The writer analyzed the data by reading the script of the conversation and then classified the data according to the types of adjacency pairs. And then drawn conclusion. Adjacency pairs creates an obvious meaning in social interaction through conversation. Adjacency pairs has types and patterns. The pattern determines the meaning being delivered and minimize the misunderstanding between participants. And help people understand what people want to make particular language choices and what people mean. There are six types of the adjacency pairs found in “Malala Yousafzai” conversation script in Ellen DeGeneres’s talk show.
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Kaur, Amanpreet, Mohinder Singh, and Om Prakash Jasuja. "Interscript comparison of handwriting features leading to their identification and authorship." Nowa Kodyfikacja Prawa Karnego 45 (December 29, 2017): 15–36. http://dx.doi.org/10.19195/2084-5065.45.3.
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Identification of handwriting found on the disputed document by comparison with the known handwriting samples of the suspect still comprise the problem which is most commonly referred to a forensic document examiner. One of the important scientifically established principles which govern such analysis and identification is the ‘Principle of Comparison’ which explicitly states that, for obtaining correct results, like has to be compared with like; meaning thereby that the expert has to analyze and rely upon similar letters and combinations between the questioned and the standard handwriting samples and, consequently, the problems where similar handwriting samples in the same script have not been provided for comparison; usually fall outside the scope of forensic document examination. However, in this field, like any other human activity; perfect and ideal conditions are hard to achieve. Handwriting, being acquired skill and neuro-muscular controlled motor activity, its basic elements like the horizontal stroke, vertical stroke, loops, curves and arches etc., are combined together to form letters and alphabets of all the scripts. The question then arises — whether inter-script comparison of handwriting samples can be attempted leading to some limited or qualified conclusions. Thus, if it becomes possible and practicable to examine and compare the basic elements of questioned handwriting in one script, say Devanagri with the similar elements found in specimen/ admitted handwriting samples in another script by the same writer, say Gurmukhi, because sample handwritings in Devanagri could not be procured for whatsoever reasons; the scope of examination can be widened further and expert may be in a position to express some opinion regarding their common authorship or otherwise, which may be found worthwhile to the investigating agency or the court of law, thereby helping in the administration of justice ultimately.To the best of our knowledge, not much research is available, where writings produced in different scripts by the same writer could be compared, thereby leading to a definite opinion on the issue of their common authorship or otherwise. In the present study, an attempt has been made to explore this issue by taking writing samples of the same writer in three scripts, having knowledge of all the three commonly used languages, i.e., English, Hindi, and Punjabi, corresponding to the said scripts i.e., Roman, Devanagari and Gurumukhi. Three hundred sixty 360 writing samples were obtained from as many as 40 individuals appropriately skilled in writing, reading and speaking these languages/ scripts. Careful study and evaluation of the basic elements of written strokes whose execution were found to be similar in all the three scripts has been carried out indicating the possibility of ‘Script Independent Comparison’. Limitations of the proposed study have also been discussed in the paper.
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Solehah, Maratu, Anita Anita, and Tatu Siti Rohbiah. "An Analysis of Presupposition on The Main Characters of Frozen Movie Script." Wanastra : Jurnal Bahasa dan Sastra 14, no. 1 (March 31, 2022): 72–76. http://dx.doi.org/10.31294/wanastra.v14i1.10990.
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This study was conducted to investigate kind and the meaning of presupposition that occur in Frozen Movie Script by using pragmatics approach. The objectives of this study are 1) To find the types of the presupposition that used in the main characters in frozen movie script. 2) To describe the interpretation meaning of the presuppositions that found in Frozen movie script. This study is qualitative research applying content analysis. The data analysis was conducted by watching the movie from beginning until the end. In this research, the writer used distributional method to select utterance in the movie script to classify the data into kinds of presupposition and writer also used distributional method to analyze the data. The findings of this research are 50 utterance were found, there are 15 existential presupposition, 4 factive presupposition, 2 non factive presupposition,9 lexical presupposition, 17 structural presupposition, and 3 counterfactual presupposition. To know the interpretation meaning of presupposition the writer watching the movie from the beginning until the end of the movie, she read and analyze the script of the movie, then she relates to the situation and context that occurs in the storyline. Therefor she concluded that every presupposition produce it has meaning that want to send by speaker to listener, every presupposition it can depends on the condition or the situation when the speaker said the utterance.
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Sudarma, Made. "Analysis of M42SP-7P on the Balinese Papyrus Script Printing Control System." IAES International Journal of Robotics and Automation (IJRA) 5, no. 3 (September 1, 2016): 199. http://dx.doi.org/10.11591/ijra.v5i3.pp199-204.
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Script writing art in the lives of Balinese people has a very important function, particularly in terms of writing a sacred script such as writing an inscription on copper plate, bronze, silver, and gold, by using a penknife which required a persistence, patience, skill and experience by itself, since not all Balinese people is able to do this very complicated work. Considering the difficulty in writing a script on papyrus and the rarity of script writer experts, therefore the researcher gives appreciation on papyrus preservation and conservation. In the present time, sophisticated technology has replaced manual equipments which required a lot of manpower to be operated. Maybe also the inscription writing model with ancient language and writing has been done so many times with computer technology by using the printer as the interface for printing. In this research the Balinese script printing tools will be designed namely a penknife using robotic technology which mimicking human hand’s motion when writing a script on papyrus. Thought the script tool printer design through robotic technology in order to write a script on palm leaves is an important role of technology as an innovation strategy that is able to create new thinking, new ideas and inovation creative products. Eventually is also expected to satisfy the user as consumer and a new creative market.
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Rini, Setia. "The Error Analysis on the Students of English Department Speaking Scripts." Register Journal 7, no. 2 (November 1, 2014): 225. http://dx.doi.org/10.18326/rgt.v7i2.216.
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Speaking skill is different from writing skill. Writing is a formal skill, soas a writer he or she must be consistently follow the formal procedures.It is different from the speaking skill which doesn‘t so strict inaccommodating the formal rules. The Writing of script at Speaking 2lecture is the focus of this study because the scripts are presented afterthey prepare for having conversation. Through writing the speakingscript the students learn carefully of khow to deliver a conversationpurposefully and use the language features correctly even in oralcommunication. Moreover, in speaking they are able to convey theirfeeling, emotion and thought. The purposes of this study are to know thekind of grammatical errors made by the students of the EnglishDepartment in writing their speaking scripts and the sources of studentsin making error in writing the speaking scripts. The researcher takes thesubjects of students of the second semester of the English DepartmentSTAIN Salatiga in academic year of 2012/2013 as they took Speaking 2subject. And to collect the data the researcher used test anddocumentation. The result of this study explains that the writer analyzedthe errors made by the students included the use of grammatical rules,vocabulary choice by implementing error analysis. In addition, the errors are analyzed such as the use of preposition, subject pronoun, objectpronoun, verbs and nouns, irregular verbs, tenses, pronouns andpossessive case, word choice, writing questions, and conditionalsentence.Keywords: error analysis ; Speaking skills ; writing and script
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Rini, Setia. "The Error Analysis on the Students of English Department Speaking Scripts." Register Journal 7, no. 2 (November 1, 2014): 225. http://dx.doi.org/10.18326/rgt.v7i2.225-244.
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Speaking skill is different from writing skill. Writing is a formal skill, soas a writer he or she must be consistently follow the formal procedures.It is different from the speaking skill which doesn‘t so strict inaccommodating the formal rules. The Writing of script at Speaking 2lecture is the focus of this study because the scripts are presented afterthey prepare for having conversation. Through writing the speakingscript the students learn carefully of khow to deliver a conversationpurposefully and use the language features correctly even in oralcommunication. Moreover, in speaking they are able to convey theirfeeling, emotion and thought. The purposes of this study are to know thekind of grammatical errors made by the students of the EnglishDepartment in writing their speaking scripts and the sources of studentsin making error in writing the speaking scripts. The researcher takes thesubjects of students of the second semester of the English DepartmentSTAIN Salatiga in academic year of 2012/2013 as they took Speaking 2subject. And to collect the data the researcher used test anddocumentation. The result of this study explains that the writer analyzedthe errors made by the students included the use of grammatical rules,vocabulary choice by implementing error analysis. In addition, the errors are analyzed such as the use of preposition, subject pronoun, objectpronoun, verbs and nouns, irregular verbs, tenses, pronouns andpossessive case, word choice, writing questions, and conditionalsentence.Keywords: error analysis ; Speaking skills ; writing and script
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Djeddi, Chawki, Imran Siddiqi, Labiba Souici-Meslati, and Abdellatif Ennaji. "Text-independent writer recognition using multi-script handwritten texts." Pattern Recognition Letters 34, no. 10 (July 2013): 1196–202. http://dx.doi.org/10.1016/j.patrec.2013.03.020.
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Ahmed, Ahmed Abdullah, Harith Raad Hasan, Fariaa Abdalmajeed Hameed, and Omar Ismael Al-Sanjary. "Writer Identification on Multi-Script Handwritten Using Optimum Features." Kurdistan Journal of Applied Research 2, no. 3 (August 27, 2017): 178–85. http://dx.doi.org/10.24017/science.2017.3.64.
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Recognizing the writer of a text that has been handwritten is a very intriguing research problem in the field of document analysis and recognition. This study tables an automatic way of recognizing the writer from handwritten samples. Even though much has been done in previous researches that have presented other various methods, it is still clear that the field has a room for improvement. This particular method uses Optimum Features based writer characterization. Here, each of the samples written is grouped according to their set of features that are acquired from a computed codebook. This proposed codebook is different from the others which segment the samples into graphemes by fragmenting a certain part of the writing known as ending strokes. The proposed technique is employed to a locate and extract the handwriting fragments from ending zone and then grouped the similar fragments to generate a new cluster known as ending cluster. The cluster that comes in handy in the process of coming up with the ending codebook through picking out the center of the same fragment group. The process is finalized by evaluating the proposed method on four datasets of the various languages. This method being proposed had an impressive 97.12% identification rate which is rates the best result on the ICFHR dataset.
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Dwipayani, Ni Made, I. Ketut Subagia, and Anak Agung Gede Suarjaya. "DEIXIS FOUND IN MOVIE SCRIPT SING." KULTURISTIK: Jurnal Bahasa dan Budaya 4, no. 1 (January 20, 2020): 44. http://dx.doi.org/10.22225/kulturistik.4.1.1574.
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The title of this paper is Deixis found in Movie Script Sing. In this paper, the writers try to analyze and discuss about the type, class words, and the use of deixis found in the movie script Sing. Data were collected from the movie script of Sing. The data were classified based on the types to Levinson’s Theory (1983). The specific aim of this paper is to describe and analyze the types of deixis in the movie script, analyze sentence by sentence. By doing this research it will be able to know more details about the types of deixis. Then analyzed, it was the types, class words and the use of deixis in the movie Sing. In collecting the data, observation method was applied. First the writer watched the movie than observed the subtitle in the movie. Then were quoted the selected data, and classified in accordance with their types of deixis. Based on the result of analysis, it was found there are five types of deixis, namely person deixis (including I, my, me, she, her, his, she, he, we, you, they), time deixis (including now), place deixis (including here), discourse deixis (including this, that), and social deixis (including mommy and grandpa).
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Roesmiati, Dian. "Memahami Drama Jaka Tarub Karya Akhudiat." ATAVISME 10, no. 2 (December 31, 2007): 75–85. http://dx.doi.org/10.24257/atavisme.v10i2.242.75-85.
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Drama is one of literature genres that shows significant progress. This paper is driven by the lack of drama scripts, particularly those of local scriptwriters who brought about local distinctiveness. Jaka Tarub is one of Akhudiat's works which won the drama script writing contest in Dewan Kesenian Jakarta (DKJ) in 1974. The aims of this paper are to discover Akhudiat's profile as a writer, along with his creative process, as well as the structure of Jaka Tarub as a drama. The drama of Jaka Tarub is interesting to study because the plot is unique and the central figures are deconstructed, thus it is no longer the same as that of before. As a writer, Akhudiat has given today's style and taste into the drama.
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Lissamustika, Nurfatimah, Ansor Putra, and Arman Arman. "Intrinsic and Extrinsic Value in Erin Brockovich Movie Script." ELITE: Journal of English Language and Literature 4, no. 1 (June 30, 2021): 202–11. http://dx.doi.org/10.33772/elite.v4i1.1145.
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This study focused on analyzing intrinsic and extrinsic value in “Erin Brockovich” by Susanah Grant. This study aimed to describe a character's utterance that contains intrinsic and extrinsic values in Erin Brockovich's movie script. There are two sources of data in this study, they are movie scripts from Erin Brockovich's movie as primary data and audiovisual movies as secondary data. Data is collected through Searching and downloading the movie script of Erin Brockovich, reading the script, looking for sentences containing the intrinsic and extrinsic value, taking note of Intrinsic value and extrinsic value, coding the data and rechecking the data. Techniques of Data analysis are done through the presentation of data, explaining and interpreting data, and concluding data. This study indicated that the Erin Brockovich movie script has two values as intrinsic and extrinsic value. First, the intrinsic value is presented in the form of Erin's care to the people at Hinkley. Second, the extrinsic value is presented in the form of PG&E's selfish attitude towards the people at Hinckley. The writer obtained 21 data. 18 intrinsic value data and 3 extrinsic data of intrinsic value found in this movie script meaning that intrinsic value is more dominant than extrinsic value. Intrinsic value is more dominant than the extrinsic value because in this movie script the focus is more on discussing positive actions carried out by the characters in the movie that are helping people by overcoming cases of water pollution.
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Arias, Cuauhtémoc Blanco, Greg Haddrick, and Gillian Arnold. "Creating Social Reality: Template or Mirror? An Industry Perspective." Media International Australia 106, no. 1 (February 2003): 61–70. http://dx.doi.org/10.1177/1329878x0310600108.
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While much has been written by academics about television strip serials and telenovelas, a perspective less frequently discussed is that of these programs' writers and creators. What aspects of social realities do the writers, story editors and script producers of soap operas and telenovelas invest in their writing? This article draws together the views of practitioners from three very different backgrounds. Cuauhtémoc Blanco, a leading Mexican writer of telenovelas, Felicity Packard and Greg Haddrick of Home and Away, and Gillian Arnold of Going Home discuss their understanding of the ways they create social reality on television.
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Jamaluddin, Ahmad Fauzi, Maryadi Maryadi, and Siti Zuhriah Ariatmi. "A PRAGMATIC STUDY OF FIGURATIVE LANGUAGE IN ANONYMOUS MOVIE SCRIPT." Academy of Education Journal 8, no. 1 (January 1, 2017): 82–92. http://dx.doi.org/10.47200/aoej.v8i1.336.
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The research aims at describing the types of figurative language, implicature, and flouting maxim of Anonymous movie. The research employs the descriptive qualitative as the type of the research. The data source of this research is the script of Anonymous movie. Techniques of collecting data are watching the Anonymous movie, searching then downloading the Anonymous movie script, reading the Anonymous movie script, identifying the types of figurative languages in the movie script and underlying them, typing those figurative languages in paper, describing the types of figurative language by using Perrine theory and coding the data. The techniques of data analysis are describing the types of figurative language found in the Anonymous Movie Script, the writer uses Perrine theory (1977), describing the types the implicature, the writer refers to the theory of Grice (1989), and drawing discussion, describing the flouting maxim, the writer uses Cutting’s theory (2002). The data are shown with the italic, bold and underline words. One datum analysis presents figurative language, implicature and flouting maxim analysis. So, it doesn’t analyze separately. The result of the study shows that 1) the types of figurative language are: Metaphor (30.56%) which always uses an implicit comparison at the movie’s mind. The second position is Hyperbole (27.78%), and the third position is Simile (19.44%) and the fourth position is Personification (16.67%). Based on the frequency of occurrence, Irony (5.56%) is in the last position. 2) The all implicature of figurative languages cover conversational implicature (100%) and none of them are conventional implicature (0%). The conversational implicature divided into: particularized conversational implicature (94.44%) and generalized conversational implicature (5.56%) (3) The flouting maxim are used by the characters: flouting maxim of quality (86.11%), flouting maxim of relation (5.56%), flouting maxim of manner (5.56%), flouting maxim of quantity (2.78%).
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Mukaromah, Asviea Suci. "AN ANALYSIS OF DEIXIS IN “HOW TO TRAIN YOUR DRAGON 2” MOVIE SCRIPT." PROJECT (Professional Journal of English Education) 5, no. 2 (March 7, 2022): 295. http://dx.doi.org/10.22460/project.v5i2.p295-299.
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This research aimed to analyze the type of deixis in “How to Train Your Dragon” movie script by Dean DeBlois. This research method used descriptive qualitative. The collected data used movie script. Based on this research, the writer found that person deixis is the most dominant than the others. Person deixis used in this movie script is 789 times or 87.36%, consisting of the first person used 358 times or 39.64%, the second person 314 times or 34.77%, and the third person 117 times or 12.95%. The next spatial deixis was used 90 times or 9.96% and the last temporal deixis was used 24 times or 2.65%. Keywords: Pragmatics, Deixis, Movie Script
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Reichmann, Brunilda Tempel. "“Tá dificil competir": Adaptação da trilogia de Michael Dobbs, House of Cards, pela BBC e pela Netflix." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (February 1, 2019): 213–34. http://dx.doi.org/10.5007/2175-8026.2019v72n1p213.
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This paper presents a reading of the political trilogy House of Cards, To Play the King e The Final Cut, by Michael Dobbs, an English writer; and their adaptation by the BBC and Netflix series. I try to demonstrate how novelists, script writers and directors of series celebrate the unparalleled art of Shakespeare by reworking themes, updating contexts and rebuilding personality traits of his unforgettable characters. In short, this text aims to analyze the series and to recover some of the genetic characteristics of Shakespeare’s plays in contemporary artistic/mediatic production.
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Wagner, Esther-Miriam, and Magdalen Connolly. "Code-switching in Judaeo-Arabic documents from the Cairo Geniza." Multilingua 37, no. 1 (January 26, 2018): 1–23. http://dx.doi.org/10.1515/multi-2017-0050.
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AbstractThis paper investigates code-switching and script-switching in medieval documents from the Cairo Geniza, written in Judaeo-Arabic (Arabic in Hebrew script), Hebrew, Arabic and Aramaic. Legal documents regularly show a macaronic style of Judaeo-Arabic, Aramaic and Hebrew, while in letters code-switching from Judaeo-Arabic to Hebrew is tied in with various socio-linguistic circumstances and indicates how markedly Jewish the sort of text is. Merchants in particular employed a style of writing devoid of Hebrew elements, whereas community dignitaries are much more prone to mixing of Hebrew and Judaeo-Arabic (and Arabic), although the degree of mixing also depends on a number of other factors, such as on the individual education. Analyses show great variation within the repertoire of single authors, as shown on the example of Daniel b. ʿAzariah, according to the purpose of the correspondence, with religious affairs attracting the highest Hebrew content, whereas letters pertaining to trade exhibit the lowest Hebrew content. Script-switching between Hebrew and Arabic may be prompted by convenience of individual writers, or occur as an idiosyncratic quirk, but reveal the close familiarity of the writer with both alphabets.
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Purnama, Yogi, Kartono Kartono, and Sohibul Anwar. "THE MAIN CHARACTER INNER CONFLICT ELEMENT IN DRAMA MANUSCRIPT NYANYIAN ANGSA CREATION BY ANTON CHEKOV AND THE IMPLICATIONS TOWARD LITERATURE TEACHING." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 4, no. 1 (July 16, 2020): 73–85. http://dx.doi.org/10.30998/jh.v4i1.320.
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Abstract: The inner conflict element which happen to main character in the drama script nyanyian angsa creation by Anton Chekov. The research method which using for analysis the script is qualitative method that description analysis. Research focus internal conflict element in drama script nyanyian angsa creation by Anton Chekov with subject focus element Id >< Ego, Id >< Eros and Superego >< Thanatos. The research instruments analyze scene that have an element of inner conflict in the script nyanyian angsa creation by Anton Chekov. To get the results the writer using presentation table from the element of inner conflict that accumulated. The impact of implications for students, the students must be directly involved actively in literary learning activities that is drama script in the school. The student also required to understand the contents of the drama script very well. To improve literature learning that is drama script, students must improve own learning method outside of school hours, for example be part of theatre extracurricular activities. This is intended so that the ability of students can be channel properly. Key words: inner conflict, drama script, literature teaching.
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Vinciarelli, Alessandro, and Samy Bengio. "Writer adaptation techniques in HMM based Off-Line Cursive Script Recognition." Pattern Recognition Letters 23, no. 8 (June 2002): 905–16. http://dx.doi.org/10.1016/s0167-8655(02)00021-1.
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Tobin, Michael J., and Eileen W. Hill. "Harnessing the community: moon script, the Moon-Writer and sighted volunteers." British Journal of Visual Impairment 7, no. 1 (April 1989): 3–5. http://dx.doi.org/10.1177/026461968900700101.
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Abbas, Faycel, Abdeljalil Gattal, Chawki Djeddi, Imran Siddiqi, Ameur Bensefia, and Kamel Saoudi. "Texture feature column scheme for single‐ and multi‐script writer identification." IET Biometrics 10, no. 2 (February 14, 2021): 179–93. http://dx.doi.org/10.1049/bme2.12010.
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Konstantinova, E. I., and L. E. Ulitskaya. "‘Graphomania is a writer’s first and indispensable prerequisite’." Voprosy literatury, no. 6 (December 28, 2020): 97–111. http://dx.doi.org/10.31425/0042-8795-2020-6-97-111.
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The interview of E. Konstantinova with the prose and script writer and social activist L. Ulitskaya mainly focuses on the latter’s books, their origins and unique features and principles. In particular, Konstantinova brings up the fate of screen adaptations of Ulitskaya’s works, including the scripts for the episode A Hundred Buttons [Sto pugovits] in the almanac A Joyful Roundabout [Vesyolaya karusel] (1983) and for the cartoons The Toys’ Secret [Tayna igrushek] (1986) and A Lazy Dress [Lenivoe platie] (1987), which became a sort of springboard for her career in grown-up literature. Also mentioned are films: This Queen of Spades [Eta pikovaya dama] (2003), The Kukotsky Case [Kazus Kukotskogo] (2005), and others. As the interview was conducted remotely due to the pandemic, it also discusses the ways in which the novel coronavirus may change the world (if at all). Ulitskaya also shares her opinion on what a writer should do in these changing times.
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Sasongko, Hario. "Menciptakan Karakter yang Menarik dalam Penulisan Naskah Film." Humaniora 4, no. 2 (October 31, 2013): 1176. http://dx.doi.org/10.21512/humaniora.v4i2.3559.
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The main character in a movie is the central to the film itself. Generally, a movie tells the story of a specific character. The character can be drawn from figures that exist in the real world or a fictional character. Thus, the success of a movie is always directly proportional to the success of a movie script writer in formulating the main character in the movie. By the increasing of techniques of writing a story, it can be determined how to make characters to be interesting in a movie script.
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Safiuddin, Lisnawati, Ansor Putra, and Neil Amstrong. "Affective Meaning in "The Kissing Booth" Movie Script Movie." ELITE: Journal of English Language and Literature 4, no. 1 (June 29, 2021): 178–91. http://dx.doi.org/10.33772/elite.v4i1.1140.
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This study aims to analyze “The Kissing Booth movie script” in terms of semantic study. The research question of this study is “How is Affective meaning used in The Kissing Booth Movie Script by Beth Reekles?”. The objective of this study is to describe affective meaning is used in ‘The Kissing Booth’ Movie Script by Beth Reekles. The source of data is taken from the movie script by Beth Reekles. This study uses the descriptive qualitative method. The data are collected by searching and downloading, watching the movie, reading the script, classifying, and coding the data. Based on the analysis the writer finds affective meaning such as positive and negative affective meaning. Positive affective meaning consists of three data was (happy data 1 and 2, flattered data 3) and negative affective meaning consists of 12 data that are (angry data 4, 6, 9, 11, 12, shocked data 8 and 13, disappointed data 7 and 14, unhappy data 10, sad data15). The most dominant implication in the movie script objects is the emotion of negative affective meaning. The use of affective meaning depends on the context of the situation that occurs when the utterances stated.
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Rolandi, Alexandro, Ni Made Verayanti Utami, and I. Wayan Juniartha. "The types of illocutionary acts found in lean on me movie." Journal of Language and Applied Linguistics 3, no. 1 (January 24, 2022): 20–30. http://dx.doi.org/10.22334/traverse.v3i1.52.
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This study aimed at identifying the types illocutionary acts found in a movie entitled Lean On Me. The problems of this study is What types of illocutionary acts are found in the movie entitled Lean On Me?. This study employed descriptive and qualitative method to provide a well-organized description regarding the problems being identified. The data of this study were obtained by observation method through five steps, namely watching the Lean On Me movie. Then, finding out the movie script of Lean On Me. Furthermore, the writer read the movie script and took note of the illocutionary acts spoken by the characters in the movie Lean On Me. Eventually, the writer classified the data collected. There were five types of illocutionary act encountered they are, assertive, directive, commissive, expressive, and declarative. The result of the research indicates that there are 9 data of illocutionary act found in Lean On Me movie covering 2 assertive, 3 directive, 2 commissive, 1 expressive, and 1 declarative.
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Simamora, Benget, Yessy Yerta Situngkir, and Engga Saputra. "PROMOTION ON BOOKS OF HEAVEN ON THE EARTH OF SRIWIJAYA BY USING SOCIAL MEDIA." Jurnal Ilmiah Publipreneur 7, no. 2 (September 5, 2020): 1–8. http://dx.doi.org/10.46961/jip.v7i2.83.
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Book promotion is the most important part in marketing activities.in the business world,promotional activities are carried to support marketing and sales activities “Surga di Bumi Sriwijaya”. In this finnal project report,the writer has the goal of explaining how to use Instagram and Facebook social media to promote the book’s script ‘Surga di Bumi Sriwijaya” by novice writers. The author uses the promotional mix theory is the Interactive internet marketing. Social media used by the authors are Instagram and Facebook. In final project,the author uses Quantitative descriptive method that explains in detail and validity the promotion of the book “Surga di Bumi Sriwijaya” Using social media Istagram and Facebook is an easy and inexpensive effective step for novice writers who are introducing works accroding to target market already determine
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Inayatusshalihah, Inayatusshalihah. "Aksara Jawi dalam Naskah Sarana Walio." Buletin Al-Turas 23, no. 1 (January 31, 2017): 21–36. http://dx.doi.org/10.15408/bat.v23i1.4794.
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Abstract Buton was a maritim sultanate in Southeast Sulawesi. It had a strategic location because it was a centre of transit and trade in Nusantara and Asia. This situation caused cultural contact and arose new Butonese culture. A kind of cultural product is literate tradition using such as Jawi script (Arabic-Malay) that appeared from interaction of local culture, the Butonese, with islam. In history of Buton many kitab was writen in Jawi script including Kitab Sarana Walio. Taking descriptive-qualitative method, the writer analyze Jawi script that was used in Sarana Walio text. This analyze was related with cultural context that underlied the appearance of this script. This research has found the system of writing with Jawi script in this manuscript. Based on ortographic system, Jawi script in Sarana Walio is not different from ortography of Arabic-Malay system in Nusantara. Graphem consist of consonant and vocal which is symbolized by huruf saksi, not punctuation. Meanwhile, there’s inconsistence in the case of word writing in manuscript. ---Abstrak Buton merupakan kesultanan maritim di Sulawesi Tenggara yang memiliki letak strategis karena menjadi pusat persinggahan dan perdagangan Nusantara dan Asia. Hal ini tentu saja menyebabkan terjadinya kontak budaya yang memunculkan bentuk-bentuk kebudayaan baru di masyarakat Buton. Salah satunya adalah tradisi tulis aksara Jawi (Arab-Melayu) yang lahir dari interaksi budaya lokal masyarakat Buton dengan Islam. Banyak kitab dalam sejarah Buton yang ditulis dalam aksara Jawi, di antaranya Kitab Sarana Walio. Dengan menggunakan metode deskriptif-kualitatif, penulis mengkaji aksara Jawi dalam teks Sarana Walio, dihubungkan dengan konteks budaya yang melatari munculnya aksara tersebut. Penelitian telah menemukan adanya sistem penulisan aksara Jawi dalam naskah tersebut. Ditinjau dari ortografinya, aksara Jawi dalam Sarana Walio tidak berbeda dengan sistem ejaan Arab-Melayu pada umumnya di Nusantara. Grafem terdiri atas grafem konsonan dan grafem vokal yang dilambangkan dengan huruf saksi, tidak dengan tanda baca. Selain itu, ada inkonsistensi penyalin naskah dalam penulisan beberapa kata.DOI: 10.15408/al-turas.v23i1.4794
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Kirimov, Tair Nuridinovich. "Historiography of life and creative path of the devotee of the Crimean Tatar literature and enlightenment Y. N. Baiburtlu." Филология: научные исследования, no. 7 (July 2021): 84–90. http://dx.doi.org/10.7256/2454-0749.2021.7.36067.
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This article gives a brief overview of the life and creative heritage of the figure of Crimean Tatar literature and enlightenment of the early XX century Yahya-Naji Bayburtlu (1876-1943). The author introduces into the scientific discourse the poorly studied biographical and bibliographic archival materials, which include the prewar literary and historiographical texts transliterated from the Arabic script to the Roman script. The article also employs the reminiscences of the relatives and contemporaries of Y. N. Baiburtlu that have been published in modern national press and give a better perspective of the creative path and environment of Y. N. Baiburtlu: the newspaper article of the writer's daughter Niyara Baiburtlu, autobiographical texts of the prominent Crimean Tatar publicistic writer Shamil Alyadinov. The methodological framework is comprised of the biographical, comparative-typological, and meta-critical analysis. The theoretical framework is based on the works of Arslan Krichinsky, Cemil Kermenchikli, Ismail Kerimov, Dmitry Ursu, Natalia Yablonovskaya, Mukhiddin Khairuddinov, Enisa Abibullayeva. Therefore, the overview of the life and literary-enlightenment activity of Y. N. Baiburtlu reveals his creative personality, outlines the prospects for the aspectual research of his biography as a writer and playwright, translator of literary works, public figure, and enlightener of his time. The author believes that the examination of the versatile literary-pedagogical heritage may significantly enrich the scientific representations of the traditions, factors of development and formation of the Crimean Tatar literary elite of the prewar period in Crimea.
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Angraini, Yuli. "The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler." ANGLO-SAXON: Jurnal Ilmiah Program Studi Pendidikan Bahasa Inggris 6, no. 2 (December 20, 2016): 139. http://dx.doi.org/10.33373/anglo.v7i2.503.
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The writer chose one of literary works—film entitled “The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler” to be anlyzed. The writer interested to analyze the main character in this film—Louis who used all people around him for the sake of his own intention. He even did not care if people whom he used finally dead. He even recorded the murded scene as calm as it was nothing just casual events that could happen anytime. The purpose of this study was to analyze the types of sociopath character in Louis Bloom and to describe how it can affect his perspective towards his goal. The method of this study was a descriptive. The writer watched Nightcrawler movie to observe the main chharacter and he manipulated people to smooth his way. The writer also read the movie script to understand Louis’ character deeper.To analyze the sociopath of main character, the writer used the psychological approach of Grossman’s theory of psychoanalysis Keywords: sociopath character and psychological approach
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Bogatyreva, Nataliya Yu. "“I Believe in SevenString Guitar”: On the Occasion of Yury Vizbor’s 80th birthday." Observatory of Culture, no. 4 (August 28, 2014): 95–101. http://dx.doi.org/10.25281/2072-3156-2014-0-4-95-101.
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Is dedicated to diverse artistic and creative work of this singersongwriter, journalist, script writer and actor. The author analyses Vizbor’s poetics and evolution of his creativity from his students’ songs and to philosophical lyrics imbued with existential feelings and evaluates Vizbor’s contribution to Russian culture as that of a man of the sixties.
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Juanda, Juanda. "INDIRECT SPEECH ACTS OF QUESTIONING IN GONE GIRL MOVIE SCRIPT: A STUDY OF PRAGMATICS." Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris 7, no. 2 (August 14, 2018): 53–66. http://dx.doi.org/10.34010/apollo.v7i2.2097.
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The research entitled “Indirect Speech Acts of Questioning in Gone Girl Movie Script: A Study of Pragmatics” analyses kinds of speech acts that is used to convey question. However, this research only focuses on indirect speech acts that speaker used to convey their question. In the research, the writer uses the theory of Speech acts and speech event in Pragmatics and The Study of Language written by George Yule (1996, 2010). Yule reveals that based on the relationship between grammatical structure and the communicative function, sentence can be direct and indirect. Moreover, it also influences by context where the conversation takes place. The research uses descriptive method. The writer collected the data found in Gone Girl movie script and then analyzed the sentences that has a function to make question. After doing the analyses, it can be concluded that to convey their questions, people do not only use interrogative sentence, but also declarative sentence. This is called as indirect speech acts. Indirect speech acts happens when there is an indirect relationship between grammatical structure and its communicative function.
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Rosalia, Sasa, Siti Noerazizah, and Anita Anggraeni. "An Analysis of Idioms in “Guardian of the Galaxy Vol.2” Movie." PROJECT (Professional Journal of English Education) 1, no. 4 (June 30, 2018): 332. http://dx.doi.org/10.22460/project.v1i4.p332-336.
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The aims of this research is to find out the types of idiom which is used in Guardian of Galaxy Vol.2 Movie and type of idiom which mostly presented in the movie. In this research, the writer used qualitative method. In collecting data, the writer used a movie script which downloaded from the internet and the writer analyzed it based on O’Dell & McCarthy theory. O’Dell & McCarthy argued that idioms are divided into 6 types; simile, binomials, proverbs, euphemism, clichès and fixed statement, and other language. The result of the analyzed data showed that from 6 types of idiom, only three types of idioms appear in this movie, which are; simile (4), binomial (6), and fixed statement (9). Keyword: Idiom, Movie
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Popović, Mladen, Maruf A. Dhali, and Lambert Schomaker. "Artificial intelligence based writer identification generates new evidence for the unknown scribes of the Dead Sea Scrolls exemplified by the Great Isaiah Scroll (1QIsaa)." PLOS ONE 16, no. 4 (April 21, 2021): e0249769. http://dx.doi.org/10.1371/journal.pone.0249769.
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The Dead Sea Scrolls are tangible evidence of the Bible’s ancient scribal culture. This study takes an innovative approach to palaeography—the study of ancient handwriting—as a new entry point to access this scribal culture. One of the problems of palaeography is to determine writer identity or difference when the writing style is near uniform. This is exemplified by the Great Isaiah Scroll (1QIsaa). To this end, we use pattern recognition and artificial intelligence techniques to innovate the palaeography of the scrolls and to pioneer the microlevel of individual scribes to open access to the Bible’s ancient scribal culture. We report new evidence for a breaking point in the series of columns in this scroll. Without prior assumption of writer identity, based on point clouds of the reduced-dimensionality feature-space, we found that columns from the first and second halves of the manuscript ended up in two distinct zones of such scatter plots, notably for a range of digital palaeography tools, each addressing very different featural aspects of the script samples. In a secondary, independent, analysis, now assuming writer difference and using yet another independent feature method and several different types of statistical testing, a switching point was found in the column series. A clear phase transition is apparent in columns 27–29. We also demonstrated a difference in distance variances such that the variance is higher in the second part of the manuscript. Given the statistically significant differences between the two halves, a tertiary, post-hoc analysis was performed using visual inspection of character heatmaps and of the most discriminative Fraglet sets in the script. Demonstrating that two main scribes, each showing different writing patterns, were responsible for the Great Isaiah Scroll, this study sheds new light on the Bible’s ancient scribal culture by providing new, tangible evidence that ancient biblical texts were not copied by a single scribe only but that multiple scribes, while carefully mirroring another scribe’s writing style, could closely collaborate on one particular manuscript.
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Mildon, Valery I. "Involuntary Behavior of Gogol’s Heroes." Journal of Flm Arts and Film Studies 10, no. 4 (December 15, 2018): 54–61. http://dx.doi.org/10.17816/vgik10454-61.
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Taking Nikolai Gogols work as an example, the article searches into literary characters, points out to the difficulties of translating literature to screen, reveals the aesthetic incompatibility of literature and cinema. Special attention is paid to the psychological and behavioral motivation of the characters, which is particularly vital for the work of the script-writer and director working with literary source material.
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Budiarto, Budiarto. "BIMODAL INPUT IN TEACHING LISTENING COMPREHENSION EXERCISES." Journal of English Language and Literature (JELL) 1, no. 01 (August 21, 2018): 21–40. http://dx.doi.org/10.37110/jell.v1i01.5.
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The objective of this study was to see whether bimodal input (audio and its tape-script) can increase students’ listening comprehension in TOEIC listening section. Three groups of freshmen were involved in this study. Before the experiment began, three groups took the same TOEIC listening pre-test. They were selected and put into three groups with roughly equal level based on pre-test scores. All of the three groups trained in the same listening comprehension skills and strategies, and after that they did the same TOEIC listening post-test. There were two experimental groups, one group was shown the tape-script during the listening exercises) and the other experimental group was provided tape-script in the post listening comprehension practices, while the control is not shown the tape-script at all. By using a projector, presentation slides of tape-script were shown to the two experimental groups, one group was exposed the tape-script and at the same time the students were reading the script, and the other group was exposed with the tape-script after they finished listening, in order to check and analyze some parts in the listening to make sure about they heard and to see the relevant information needed. The pre-test and post-test comparisons showed that all three groups performed better as indicated by the increase of the listening comprehension scores in the post test, so it may show that each group is eager to learn the language. Each has to deal with the test which consists of 100 questions broken down into four parts, photographs, questions and responses, conversations, and talks. The writer does not specify the results based on each part, but on basis of the whole listening section result instead.
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Eccles, Christine. "The Unsolicited Playscript…and Its Almost Inevitable Return." New Theatre Quarterly 3, no. 9 (February 1987): 24–28. http://dx.doi.org/10.1017/s0266464x00008484.
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If the playwright is the most written about of all theatre practitioners, he or she is also, financially, the least underwritten. Despite the emergence of a Theatre Writers' Union during the 'seventies, the path for the novice writer into the profession remains as uncertain as ever, and security is tenuous even for the established dramatist. Christine Eccles has worked in the theatre both as a director and as a member of that elusive species, the playreader, and is currently reviewing for Time Out and Plays International. Here, she looks at the various ways in which a script may – or, more probably, may not – reach the stage, and at the few sources of financial support for the aspiring playwright. NTQ will be looking in depth at each of the major areas here outlined in future issues.
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Alina, Aluaș. "Le potentiel théâtral chez David Foenkinos. Analyse du roman, du scénario et du film La Délicatesse." Studia Universitatis Babeş-Bolyai Dramatica 65, no. 2 (October 30, 2020): 297–319. http://dx.doi.org/10.24193/subbdrama.2020.2.15.
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"The Theatrical Potential in David Foenkinos’ Work. Analysis of the Novel, the Scenario and the Film “La Délicatesse”. Our interest, especially when it comes to the subject of literature, is to show the manner in which the text processing done by the author (script writer/director) brings to light the guidelines of the novelistic text’s semantics, which under careful analysis reveals a kind of personal myth of the novelist. The skewed, syncopated, interrupted writing which disrupts the chronotope serves the needs of the script as well as the director’s selective vision. Unconsciously, the novel seems to follow the structure of the theatrical model. These traits can also be found in the cinematographic structure of the film. Keywords: love, eroticism, delicacy, theatricality, scenario, film. "
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Stevenson, Randall. "Ferris Wheels, Faust, and Forms of Influence in Malcolm Lowry and Graham Greene." American, British and Canadian Studies 36, no. 1 (June 1, 2021): 175–86. http://dx.doi.org/10.2478/abcsj-2021-0010.
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Abstract Ferris Wheels seem to fascinate film-directors – notably Carol Reed in The Third Man (1949), based on Graham Greene’s story and script. Though Ferris Wheels figure less conspicuously in twentieth-century novels, Malcolm Lowry provides an exception in Under the Volcano (1947), a novel also comparable to The Third Man in other ways. One explanation might be that Greene simply drew on Lowry’s example when developing his film-script (later published as a novella) – work begun very shortly after Under the Volcano had appeared. More plausibly, each writer might be understood to have responded separately, though similarly, to the unique pressures of their age. Identifying how these stresses were represented in their work, through cognate symbologies, may suggest some productive ways of reading historically.
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Fauzia, Fauzia, and Isnaini Jalu Rakhmat Prakoso. "A Study of Implicature in Daredevil Web Series Movie." English Language Teaching Educational Journal 1, no. 2 (May 21, 2019): 106. http://dx.doi.org/10.12928/eltej.v1i2.54.
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This study is aimed to identify the implicature and their maxim violation and find out how the violating maxims occur in the movie. The study is conducted by using the qualitative method. The research object of this study is about implicature and the violation of the maxim. The subject of this study is a web series movie script entitled Daredevil, the scripts are taken from season 1 episode 1 until 3. To collect the data, the writer uses note taking technique. The writer uses pragmatic referential method (metode padan pragmatis) to analyze the data. The result shows 25 implicatures in Daredevil web series movie that occur because of its violation of the maxim. There are 20% implicature by violating the maxim of quantity, 36% implicature by violating the maxim of quality, 26% implicature by violating the maxim of relation, 18% implicature by violating the maxim of manner. By violating the maxim, the characters produce some implied meanings which can be used to misleading the hearer. The implied meaning of the utterances refers to an expression of agreement, denial, refusal, acceptance and indirect sentence, it depends on how the character uses the implicature. Key words: Pragmatics, Context, Cooperative Principle, Implicature, Violating Maxim
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Ihsan, Pramudana, and Okta Reyna Dwi Tanaya. "NARCISSISM ANALYSIS OF RUPERT IN PAUL HOWARD SURRIDGE’S ALL IN THE MIND." Humanities & Social Sciences Reviews 7, no. 3 (April 10, 2019): 115–20. http://dx.doi.org/10.18510/hssr.2019.7318.
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Purpose: Psychological disorder topics are being a common topic in a lot of discussions lately, moreover for the narcissism as the one of the most common disorder in psychology but with the least intention to taking care of. Thus, this study will focus on narcissism disorder in the main character named Rupert Digby in the drama script All in the Mi by Paul Howard Surridge. This analysis will apply psychoanalysis theory, especially in Narcissism Disorder as the most common mental disorder among society which has a lack of awareness from people nowadays.
Methodology: The methodology that the writer has used is qualitative research which needs a deep analysis of the literary work that used by the writers of this study based on the theory that had been chosen.
Results: This analysis aims at finding illustrations and proofs in the drama script All in The Mind’s main character, which can illustrate the narcissism disorder. In this study, we find that the main character Rupert Digby in the drama can be diagnosed as possessing the narcissism disorder.
Implications: His behaviors such as his big ego, his superiority, and the feeling of exclusiveness among others, clarify that Rupert is a narcissist. Besides, this research also finds the trigger that makes Rupert turned into a narcissist.
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Manggalasari, Dwi Sakti, and Dian Luthfiyati. "AN ANALYSIS THE CHARACTER OF FORREST GUMP MOVIE BY ROBERT ZEMECKIS VIEWED FROM BIG FIVE PERSONALITY TRAITS THEORY." Jurnal ELink 5, no. 2 (December 29, 2018): 89. http://dx.doi.org/10.30736/e-link.v5i2.65.
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The purpose of this research is to know the character and characterization of Forrest Gump as main character in the movie by analyzing the evidence from the dialogues and his actions in the movie. To know what the character and characterization of Forrest, the writer used the method descriptive-qualitative. The writer employs himself to collect the data by reading script, watching the movie and classifying them. The writer focused the dialogues of the movie, and then followed by classifying and analyzing the character and characterization through the big five personality theory The writer found that The Character in the movie are Forrest as Protagonist Character and Forrest as mayor Character. The Forrest character in the movie viewed the Big Five personality, Forrest have all the type of the character such as Openness, Contentiousness, Extraversion or Introversion, Agreeableness, and Neuroticism, but the dominate of Forrest character is Agreeableness. Forrest have high agreeableness, he have the character flexible, trusting, cooperative, forgiving, empathic, soft-hearted, tolerant. Keywords: Character, big five personality
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Aurelia, Ananda Winda, Dasep Suprijadi, and Hendra Husnussalam. "PERSONAL AND SPATIAL DEIXIS ON THE SONG LYRICS OF “SUNDAY BEST” BY SURFACES." PROJECT (Professional Journal of English Education) 5, no. 2 (March 7, 2022): 262. http://dx.doi.org/10.22460/project.v5i2.p262-266.
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This study aimed to find out the use of personal and spatial deixis on the song lyrics of “Sunday Best” by Surfaces, and also to describe the meaning of this song. This study used the qualitative method. The writer used document analysis as the instrument of this study, while the data collection techniques that have been conducted listened to that music, collecting that song lyrics script on the internet, then analyzing the use of personal and spatial deixis on that song. The results of this study showed that personal deixis became the dominant type of spatial deixis. There are 30 data of personal deixis consisting of first, second, and third person deixis. Meanwhile, the writer only found 6 data of spatial deixis. The meaning has been found after the writer listened to this song and analyzed it using personal and spatial deixis. The writer notes that by using personal and spatial deixis it will make easily to catch the reference meaning that include who, where and why the utterance is uttered. Keywords: Pragmatics, Deixis, Song Lyrics
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Kartikasari, Erlin. "Nilai Budaya dalam Serat Ajisaka." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 4, no. 2 (June 1, 2021): 177–88. http://dx.doi.org/10.30872/diglosia.v4i2.139.
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One of Javanese literature attached to Javanese people is the story of Ajisaka, which was published among the people in verbal and writing. Ajisaka is a Javanese figure whom the Javanese people consider as the originator of Javanese script. One of the recorded of the story of Ajisaka was the Serat Ajisaka written by J. Kats using Javanese script. Serat Ajisaka is one of the stories from a collection of stories in the book entitled Serat Jawi Tanpa Sekar written by J. Kats, a Dutch writer in 1942. This research aims to describe the cultural values in Serat Ajisaka by J. Kats in 1942 using philology studies. This research uses the descriptive method conducted in three stages, the first stage transcribing data, the second stage transliterating Latin script containing Javanese into Indonesian, then analyzing the cultural value in Serat Ajisaka. Serat Ajisaka has several concepts of cultural values, namely: 1) educational values, 2) religious values, 3) leadership values, 4) heroism values, 5) courage values, 6) simplicity values, 7) mutual-cooperation values, 8) moral values, and 9) the value of sacrifice for others.
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Sawtell, Louise, Stayci Taylor, and Helen Jacey. "An interview with Helen Jacey." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 2 (June 14, 2017): 14–18. http://dx.doi.org/10.31165/nk.2017.102.503.
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Dr Helen Jacey is a screenwriter and script consultant, and teaches scriptwriting at Bournemouth University, UK. Her research interests include creative and critical approaches to screenwriting, screenwriting and gender, and screenwriting genre theory. Her book The Woman in the Story: Writing Memorable Female Characters (2010) was the first screenwriting guide for writers developing female driven projects. As a professional writer, she has written numerous film, television and radio projects for UK, US and European production companies and is currently developing a series of crime fiction novels, Elvira Slate Investigations. She is a story consultant for international filmmakers and film agencies.Editors Louise Sawtell and Dr Stayci Taylor asked Dr Jacey a series of questions relating specifically to the themes explored by the special issue: gendered practices, processes and perspectives in screenwriting. The following are the insights generously offered by this leader in the field.
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Davies, Abigail. "Expanding practice: Script development with new Deaf screenwriting talent." Journal of Screenwriting 11, no. 2 (June 1, 2020): 157–74. http://dx.doi.org/10.1386/josc_00023_1.
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In Deaf1 film and television, modest production budgets and limited training opportunities present considerable challenges for emerging screenwriting talent. This article argues that orthodox approaches to developing screenplays must be expanded when working in this context. The analysis focuses on an individual case study: the development of a half-hour television drama between a professional hearing script editor and a novice Deaf screenwriter. The article discusses the creative and cultural complexity of the editor‐writer relationship, drawing on Schon’s ‘reflective practitioner’ concept, Ladd’s analysis of Deaf culture, Gramsci’s elaboration of the subaltern and the theories of Bourdieu, Foucault and Freire. More specifically, Macdonald’s Screen Idea Work Group is employed to explore the dialogical process of shared creation, which expands out to include production team, actors and interpreters via a uniquely adapted ‘table read’ situated at the heart of the development process. Reflecting on the value of this powerful encounter, the aim of the study is to address a gap in knowledge about this practice phenomenon and to contribute to Deaf filmmaking practice by proposing an original methodology. Overall, it is contended that greater investment is required to develop assured screenwriting voices to serve Deaf film and television audiences.
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Fakhruddin, Dimas, Agus Sachari, and Naomi Haswanto. "Pengembangan Desain Informasi dan Pembelajaran Aksara Jawa melalui Media Website." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 5, no. 01 (February 28, 2019): 1–23. http://dx.doi.org/10.33633/andharupa.v5i01.1990.
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AbstrakAksara Jawa merupakan salah satu warisan budaya Indonesia, khususnya budaya masyarakat Jawa. Seiring dengan digunakannya huruf Latin sebagai sistem penulisan resmi, aksara Jawa perlahan mulai dilupakan oleh masyarakat, khususnya generasi muda. Upaya pelestarian dalam bidang pendidikan melalui mata pelajaran muatan lokal bahasa daerah pada jenjang sekolah, khususnya SMA dan sederajat, dirasa kurang dari segi alokasi waktu serta cara pembelajaran yang cenderung masih monoton. Untuk menanggulangi hal itu, dibutuhkan sebuah desain informasi yang bisa dimanfaatkan sebagai sarana pembelajaran aksara Jawa. Untuk mencapai hal tersebut, terlebih dahulu dilakukan proses penelitian dengan menggunakan pendekatan etnografi yang berangkat dari fenomena aksara Jawa yang ada di masyarakat. Proses pengumpulan data dilakukan dengan cara observasi, studi literatur, dan wawancara etnografi. Kemudian dilakukan analisa anatomi aksara Jawa untuk mendeskripsikan elemen-elemen aksara Jawa sesuai dengan terminologi yang relevan dengan konteks tipografi yang berlaku di Indonesia. Data tersebut menjadi dasar dalam perancangan desain informasi aksara Jawa yang berisi informasi tentang sejarah, ragam bentuk aksara, dan cara penulisannya yang ditampilkan melalui media website dengan nama “Hanacara”. Hasil uji coba yang telah dilakukan menunjukkan bahwa dari aspek visual, komunikasi, pembelajaran, dan apresiasi, website “Hanacara” merupakan solusi yang efektif sebagai media alternatif untuk mengenal dan mempelajari aksara Jawa. Kata kunci: aksara Jawa, desain informasi, website AbstractJavanese script is considered as one of many of Indonesia’s cultural heritage, especially Javanese culture. Due to the application of Latin script as the official writing of the country, Javanese Script slowly began to be forgotten by people, especially the younger generations. The effort to preserve through educational system by establishing the lesson of Local Content includes the Local-Vernacular Language in school, especially High school and equivalent, is considered lack in terms of time-framing and the monotonous method of teaching. To aim the goal, the writer started with conducting research using ethnography approach taken from the phenomenon of Javanese Script in the community. Observation, literature studies and ethnographic interviews were carried out as the process of gathering the data. Furthermore, the anatomical analysis of the Javanese Script’s typography is applied to describe the element of Javanese Script based on the relevancy of its terminology and typography context that prevails in Indonesia. This data becomes the basis in creating the information design of Javanese Script that would be able to give information regarding history, the variety of script forms, and how to write the letters displayed through the website with the name “Hanacara”. The test process was once held, and the result shows that by the aspect of visual, communication, learning, and appreciation, the website “Hanacara” is considered as the effective solution so as the alternative media to know and to learn Javanese Script.Keywords: information design, Javanese script, website
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Schomaker, L., and M. Bulacu. "Automatic writer identification using connected-component contours and edge-based features of uppercase Western script." IEEE Transactions on Pattern Analysis and Machine Intelligence 26, no. 6 (June 2004): 787–98. http://dx.doi.org/10.1109/tpami.2004.18.
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Deepani, Vijit, A. K. Kapoor, and Monika Saini. "Age Related Variation in Feminine Handwriting among Population Groups of Delhi, India." Journal of Forensic Science & Criminology 6, no. 1 (March 2018): 1–6. http://dx.doi.org/10.15744/2348-9804.6.104.
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Background: Handwriting is a uniquely human trait which progresses and evolves during lifetime and declines with age. The aim of the present paper is to assess variation in handwriting features with age among female writers of select population groups of Delhi, India (for roman script). Method: A total of 405 handwritten samples were obtained from female (n=405) writers in the age range of 14-60 years. Writers were stratified into three age groups (≤ 18 years, 19-38 years and ≥39 years) in accordance to population group. Macro- and micro-features of handwriting were extracted from the scanned handwritten samples. These features were subjected to statistical analysis in the objective driven research. Result: The mean difference among age groups for pen pressure, height of handwriting and handwriting connectivity was statistically significant (p < 0.001). Significant difference was also observed among age groups for all micro-features of handwriting selected in the present study, namely, nature of ‘i’ – dot (p < 0.001), nature of lower loop of ‘g’ (p < 0.01); nature of‘d’- stem (p < 0.01), nature of ‘m’-hump (p < 0.05) and ‘r’- shape (p < 0.001). Conclusion: The present study showed that there was a significant variation in both macro- and micro- features of handwriting with respect to age of the writer. Pen pressure, height of handwriting and handwriting connectivity were prominent macro-features that addressed age related variation in handwriting. In addition, significant variation was observed among age groups for all micro-features of handwriting selected in the present study. The present study has immense forensic significance as it can assist to analyze age of the writer on the basis of handwriting characteristics.