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Journal articles on the topic 'Scudéry'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Blank, Juliane. "‘. . . But Is It Literature?’." European Comic Art 10, no. 1 (2017): 74–93. http://dx.doi.org/10.3167/eca.2017.100107.

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As a hybrid between ‘high’ literature and ‘trivial’ comics, graphic adaptations have been the subject of extensive debate in Germany. This article discusses the specific cultural conditions of graphic adaptation in Germany, which have been influenced by a process of emancipation from deeply rooted prejudice against comics as a medium of popular culture. To illustrate the changes brought about by the term ‘graphic novel’ around 2000, this article analyses two examples of a newer generation of graphic adaptation in detail. Flix’s Faust (2009–2010) and Drushba Pankow’s Das Fräulein von Scuderi [Mademoiselle de Scudery] (2011) represent a new self-confident approach to classic literature, but they also reflect on their own status as adaptations and thus contribute to ‘closing the gap’ between ‘high’ and popular culture.

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2

Brooks, William, and Eveline Dutertre. "Scudery dramaturge." Modern Language Review 85, no. 3 (1990): 730. http://dx.doi.org/10.2307/3732253.

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3

Allott, Terence, and Eveline Dutertre. "Scudery theoricien du classicisme." Modern Language Review 88, no. 4 (1993): 974. http://dx.doi.org/10.2307/3734467.

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4

DeJean, J. "Review: Madeleine de Scudery: Mathilde." French Studies 58, no. 1 (2004): 99–100. http://dx.doi.org/10.1093/fs/58.1.99.

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5

MALLINSON, G. J. "Review. Scudery, dramaturge. Dutertre, Eveline." French Studies 43, no. 4 (1989): 464. http://dx.doi.org/10.1093/fs/43.4.464-a.

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6

Hinrichsen, Dennis. "From "Scudera"." Chicago Review 42, no. 2 (1996): 74. http://dx.doi.org/10.2307/25304112.

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7

HAWCROFT, M. N. "Review. Scudery theoricien du classicisme. Dutertre, Eveline." French Studies 47, no. 1 (1993): 70. http://dx.doi.org/10.1093/fs/47.1.70.

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8

Biard, J. D., and James S. Munro. "Mademoiselle de Scudery and the Carte de Tendre." Modern Language Review 84, no. 4 (1989): 976. http://dx.doi.org/10.2307/3731216.

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9

Howarth, W. D. "Review: Georges de Scudery: La Comedie des comediens." French Studies 58, no. 1 (2004): 96–97. http://dx.doi.org/10.1093/fs/58.1.96.

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10

DeJean, J. "Review: Madeleine de Scudery: La Promenade de Versailles." French Studies 58, no. 1 (2004): 99–100. http://dx.doi.org/10.1093/fs/58.1.99-a.

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11

CANOVA-GREEN, M. C. "Review. Review. Le Cabinet de Monsieur de Scudery. Edition etablie et commente par Christian Biet et Dominique Moncond'huy. Scudery, Georges de." French Studies 47, no. 1 (1993): 71. http://dx.doi.org/10.1093/fs/47.1.71.

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12

J. Burch, Laura. "Madeleine de Scudery : peut-on parler de femme philosophe ?" Revue philosophique de la France et de l'étranger 138, no. 3 (2013): 361. http://dx.doi.org/10.3917/rphi.133.0361.

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13

Munro, James S. "Sensibility and the Subconscious: Marivaux and Mlle de Scudery." Romance Studies 8, no. 2 (1990): 89–97. http://dx.doi.org/10.1179/ros.1990.8.2.89.

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14

Munro, James S. "Sensibility and the Subconscious: Marivaux and Mlle de Scudery." Romance Studies 8, no. 1 (1990): 89–97. http://dx.doi.org/10.1179/026399090786620896.

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15

Rolla, Chiara. "Madeleine De Scudery, Clélie. Histoire romaine. Troisième partie - 1657." Studi Francesi, no. 143 (XLVIII | II) (December 1, 2004): 360. http://dx.doi.org/10.4000/studifrancesi.39286.

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16

Scuderi, Antonio. "Metatheatre and Character Dynamics in The Two-Headed Anomaly by Dario Fo." New Theatre Quarterly 21, no. 1 (2005): 13–22. http://dx.doi.org/10.1017/s0266464x04000296.

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Dario Fo has developed his own brand of epic theatre by adapting principles and techniques from various forms of popular performance and the oral tradition. He stays detached from the role he plays by frequently shifting in and out of character and by calling attention to the performance as such. This, argues Antonio Scuderi, allows him to emphasize the interpretive frame – the ‘messages’ he establishes in his prologue. His most recent play, The Two-Headed Anomaly, is thus at one level a farcical romp; but a closer look reveals an intricate metatheatrical structure that allows Dario Fo and his fellow-performer Franca Rame to deliver their political satire. Antonio Scuderi is Associate Professor of Italian at Truman State University in Missouri. He is the author of Dario Fo and Popular Performance (Legas, 1998) and with Joseph Farrell edited Dario Fo: Stage, Text and Tradition (Southern Illinois University Press, 2000). His most recent articles on Fo have appeared in Theatre Journal (2003) and Modern Language Review (2004).

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17

MACLEAN, I. "Review. Mademoiselle de Scudery and the Carte de Tendre. Munro, James S." French Studies 43, no. 1 (1989): 83. http://dx.doi.org/10.1093/fs/43.1.83.

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18

Scuderi, Antonio. "The Anthropology of Dario Fo: an Interdisciplinary Approach." New Theatre Quarterly 31, no. 3 (2015): 203–12. http://dx.doi.org/10.1017/s0266464x15000433.

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Anthropological issues concerning socio-cultural evolution were important in the development of Marxism and led to the theories of cultural materialism. Besides Marx and Engels, anthropology was an important subject for other seminal Marxist theorists, such as Plekhanov. For the Marxist playwright-performer Dario Fo, Gramsci’s theories of hegemony are fundamental to his ideas of the development of art from utilitarian activities, and explain his insistence on drawing from folk and popular forms of performance. In this article Antonio Scuderi investigates some of the major anthropological and folkloric themes in Fo’s theatre, including the influence of anthropologists such as Toschi and Lévi-Strauss. Antonio Scuderi is Professor of Italian at Truman State University in Missouri, where he founded the Italian programme. His interdisciplinary articles on Italian performance traditions have been published in leading journals of theatre, folklore, and literary studies, including Theatre Journal, Oral Tradition, and Modern Language Review. He is the author of Dario Fo and Popular Performance (Legas, 1998), Dario Fo: Framing, Festival, and the Folkloric Imagination (Lexington Books, 2011), and co-editor of Dario Fo: Stage, Text, and Tradition (Southern Illinois, 2000).

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19

TRETHEWEY, J. "Review. Mademoiselle de Scudery ou le voyage au Pays de Tendre. Aronson, Nicole." French Studies 42, no. 1 (1988): 79. http://dx.doi.org/10.1093/fs/42.1.79.

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20

Phillips, Ford, Ian Gilbert, Jean-Pierre Pirault, and Marc Megel. "Scuderi Split Cycle Research Engine: Overview, Architecture and Operation." SAE International Journal of Engines 4, no. 1 (2011): 450–66. http://dx.doi.org/10.4271/2011-01-0403.

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21

Meldolesi, Riccardo, George Bailey, Clive Lacy, Ian Gilbert, Jean-Pierre Pirault, and Anthony Perkins. "Scuderi Split Cycle Fast Acting Valvetrain: Architecture and Development." SAE International Journal of Engines 4, no. 1 (2011): 467–81. http://dx.doi.org/10.4271/2011-01-0404.

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22

Brullo, Cristian, Salvatore Brullo, Gianpietro Giusso Del Galdo, Pietro Minissale, and Saverio Sciandrello. "Silene peloritana (Caryophyllaceae) a new species from Sicily." Phytotaxa 172, no. 3 (2014): 256. http://dx.doi.org/10.11646/phytotaxa.172.3.6.

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Silene peloritana is described and illustrated as a narrow endemic circumscribed to Mt. Scuderi, an isolated peak of the Peloritani range (NE Sicily). The new species, belonging to S. sect. Dipterosperma, is a small therophyte growing on cacuminal carbonatic stands. It is well differentiated from the other Sicilian species of this section for its small size, shorter lower internodes, bracts and calyx teeth, petal lobes obovate, coronal scales purplish, and anthers pinkish-violet. A key of the Sicilian taxa belonging to Silene sect. Dipterosperma is provided.

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23

Ziegler, Vickie. "Der geistig gestörte Künstler im Werk E.T. A. Hoffmanns vor dem Hintergrund zeitgenössischer psychologischer Theorien." Gesnerus 48, no. 2 (1991): 171–84. http://dx.doi.org/10.1163/22977953-04802003.

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E. T. A. Hoffmann, einer der grössten Schriftsteller der deutschen Romantik, hat sehr viel zeitgenössisches psychologisch-psychiatrisches Wissen und Denken in sein dichterisches Werk eingearbeitet. Eine tiefsitzende Hypochondrie verstärkte seine Neigung zum Studium medizinischer Werke. In unserem Zusammenhang sind vor allem die Autoren Pinel, Reil, Kluge und G. H. Schubert wichtig. An der Figur des Goldschmiedes Cardillac aus dem «Fräulein von Scuderi», der seine Kunden ermordet, wird dargelegt, wie Hoffmann ivissenschaftliche Konzepte dichterisch gestaltet; bei dem ausgetvählten Beispiel geht es vor allem um den Mesmerismus und die Nachwirkung vorgeburtlicher Einflüsse.

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24

Kupczyńska, Kalina. "Intermedialität in nuce – „Das Fräulein von Scuderi” in der Comicfassung." Studia Germanica Posnaniensia, no. 35 (January 1, 2014): 9. http://dx.doi.org/10.14746/sgp.2014.35.02.

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25

Clarke, Jan, and Marc Vuillermoz. "Le Systeme des objets dans le theatre francais des annees 1625-1650: Corneille, Mairet, Rotrou, Scudery." Modern Language Review 98, no. 2 (2003): 458. http://dx.doi.org/10.2307/3737854.

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26

PHILLIPS, J. H. "Review. Les Trois Scudery. Actes du colloque du Havre (1-5 octobre 1991). Niderst, Alain (ed.)." French Studies 49, no. 3 (1995): 330. http://dx.doi.org/10.1093/fs/49.3.330-a.

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27

BRYSON, N. "Review. The Impact of Art on French Literature. From de Scudery to Proust. Borowitz, Helen Osterman." French Studies 41, no. 1 (1987): 113. http://dx.doi.org/10.1093/fs/41.1.113.

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28

Maeding, Linda. "Scuderi, Lucia: Wie fühlst du dich heute? ¿Cómo te sientes hoy?" Informationen Deutsch als Fremdsprache 40, no. 2-3 (2013): 336–37. http://dx.doi.org/10.1515/infodaf-2013-2-388.

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29

Mallinson, Jonathan, and Delphine Denis. "Madeleine de Scudery: 'De l'air galant' et autres Conversations (1653-1684). Pour une etude de l'archive galante." Modern Language Review 95, no. 2 (2000): 508. http://dx.doi.org/10.2307/3736185.

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30

Stupazzoni, Marco. "Attilio Scuderi, Proteo e il metamorfico romanzo: autori e personaggi “after” Balzac." Studi Francesi, no. 176 (LIX | II) (August 1, 2015): 386–87. http://dx.doi.org/10.4000/studifrancesi.880.

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31

Worth-Stylianou, V. "Bibliographie des ecrivains francais: Madeleine de Scudery. By Chantal Morlet Chantalat. (Bibliographica, 12). Paris--Rome, Memini, 1997. 138 pp." French Studies 54, no. 3 (2000): 359. http://dx.doi.org/10.1093/fs/54.3.359.

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32

MCGOWAN, M. "Review. Poesies diverses. Odes, poemes, epitres, II. Texte etabli, annote et presente par Rosa Galli Pellegrini. Scudery, Georges de." French Studies 41, no. 3 (1987): 330. http://dx.doi.org/10.1093/fs/41.3.330.

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33

Capasso, Ruth Carver, and Constant Venesoen. "Etudes sur la litterature feminine au XVII-siecle: Mademoiselle de Gournay, Mademoiselle de Scudery, Madame de Villedieu, Madame de Lafayette." Modern Language Studies 22, no. 1 (1992): 113. http://dx.doi.org/10.2307/3195007.

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34

Mallinson, J. "Poetiques du roman: Scudery, Huet, Du Plaisir, et autres textes theoriques et critiques du XVIIe siecle sur le genre romanesque." French Studies 61, no. 3 (2007): 367–68. http://dx.doi.org/10.1093/fs/knm088.

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35

WORTH-STYLIANOU, V. "Review. Le Prince deguise. La Mort de Cesar. Edition critique publiee par Eveline Dutertre et Dominique Moncond'Huy. Scudery, Georges de." French Studies 48, no. 1 (1994): 95. http://dx.doi.org/10.1093/fs/48.1.95.

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36

Riddle, Alfy. "Are Inductors Bad? [review of "Integrated Inductors and Transformers" (Scuderi, A. et al; 2011)]." IEEE Microwave Magazine 12, no. 5 (2011): 120. http://dx.doi.org/10.1109/mmm.2011.941419.

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37

DICKSON, SHEILA. "DEVIL'S ADVOCATE? THE ARTISTIC DETECTIVE IN E. T. A. HOFFMANN'S DAS FRÄlULEIN VON SCUDERI." Forum for Modern Language Studies XXIX, no. 3 (1993): 246–56. http://dx.doi.org/10.1093/fmls/xxix.3.246.

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38

Bannister, M. "La Lettre dans le recit: etude de l'oeuvre de Mlle de Scudery. By Marie-Gabrielle Lallemand. Tubingen, GNV, 2000. 446 pp." French Studies 55, no. 4 (2001): 540–41. http://dx.doi.org/10.1093/fs/55.4.540.

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39

LAURS, AXEL. "“ … NOCH EINMAL HINTER DIE GARDINEN ZU KUCICEN”: REFLECTIONS ON ABSOLUTISM IN E.T.A. HOFFMANN’SDAS FRÄULEIN VON SCUDERI." Journal of the Australasian Universities Language and Literature Association 94, no. 1 (2000): 1–18. http://dx.doi.org/10.1179/aulla.2000.94.1.002.

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40

Dohm, Burkhard. "Das unwahrscheinliche Wahrscheinliche Zur Plausibilisierung des Wunderbaren in E. T. A. Hoffmanns Das Fräulein von Scuderi." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 73, no. 2 (1999): 289–318. http://dx.doi.org/10.1007/bf03375616.

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41

MCGOWAN, M. M. "Review. Poesies diverses. Sonnets, Elegies, Stances, Madrigal, Epigrammes et Rondeaux. I. Texte etabli, annote et presente par Rosa Galli Pellegrini De Scudery, Georges." French Studies 40, no. 1 (1986): 68. http://dx.doi.org/10.1093/fs/40.1.68-a.

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42

BANNISTER, M. H. "Review. Etudes sur la litterature feminine au XVIIe siecle: Mademoiselle de Gournay. Mademoiselle de Scudery. Madame de Villedieu. Madame de Lafayette. Venesoen, Constant." French Studies 48, no. 2 (1994): 200. http://dx.doi.org/10.1093/fs/48.2.200.

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43

Müller-Dietz, Heinz. "Meier, Rolf, Dialog zwischen Jurisprudenz und Literatur. Richterliche Unabhängigkeit und Rechtsabbildung in Ε. T. A. Hoffmanns „Das Fräulein von Scuderi"". Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 119, № 1 (2002): 794–95. http://dx.doi.org/10.7767/zrgga.2002.119.1.794.

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44

Whitinger, R. G., and M. Herzog. "Hoffmann's Das Fraulein von Scuderi and Suskind's Das Parfum: Elements of Homage in a Postmodernist Parody of a Romantic Artist Story." German Quarterly 67, no. 2 (1994): 222. http://dx.doi.org/10.2307/408409.

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45

Scuderi, Antonio. "The Gospel According to Dario Fo." New Theatre Quarterly 28, no. 4 (2012): 334–42. http://dx.doi.org/10.1017/s0266464x12000632.

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For over half a century the Italian Nobel playwright and performer Dario Fo (b. 1926) developed a theatre that challenged the authority of hegemonic culture, while promoting the validity and dignity of folk and popular cultures. In his satire of the Catholic Church, Fo presents the paternalistic God the Father as an instrument of suppression, while showing Jesus as being closer to the hearts of the folk. His references to apocryphal gospels – the gospels of early Christianity that were rejected by the Roman Church – play into this schema. In two of his plays, First Miracle of the Christ Child (from Tale of a Tiger and Other Stories) and Johan Padan Discovers America, Fo borrows elements from various apocryphal texts as a basis to underscore his father/son dichotomy, and to contest hegemonic dominance. At the same time, he presents a human Jesus who is more akin to the Jesus of certain apocrypha than to official gospels. Antonio Scuderi is Professor of Italian at Truman State University in Missouri, where he founded the Italian programme. His interdisciplinary articles on Italian performance traditions have been published in leading journals of theatre, folklore and literary studies, and in essays for books. He is the author of Dario Fo and Popular Performance (Legas, 1998) and co-editor of Dario Fo: Stage, Text, and Tradition (Southern Illinois UP, 2000). His latest book, Dario Fo: Framing, Festival, and the Folkloric Imagination (Lexington Books, 2011), examines the influence of concepts derived from folk culture, anthropology, and Gramscian Marxism on the development of Fo's theatrical praxis.

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46

Bassnett, Susan. "Antonio Scuderi Dario Fo. Framing, Festival, and the Folkloric ImaginationLanham, MD; Plymouth: Lexington Books, 2011. 156 p. £35.14. ISBN: 978-0-7391-5111-2." New Theatre Quarterly 28, no. 2 (2012): 203. http://dx.doi.org/10.1017/s0266464x12000309.

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47

Vidal, Armando F. "Commentary on an article by Gaetano J. Scuderi, MD, et al.: “Identification of a Novel Fibronectin-Aggrecan Complex in the Synovial Fluid of Knees with Painful Meniscal Injury”." Journal of Bone and Joint Surgery-American Volume 93, no. 4 (2011): e13(1). http://dx.doi.org/10.2106/jbjs.j.01774.

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48

Clark, Charles R. "CURRENT CONCEPTS IN PRIMARY AND REVISION TOTAL KNEE ARTHROPLASTY. Edited by John N. Insall, W. Norman Scott, and Giles R. Scuderi. Philadelphia, Lippincott-Raven, 1996. $98.00, 286 pp." Journal of Bone & Joint Surgery 78, no. 9 (1996): 1453–4. http://dx.doi.org/10.2106/00004623-199609000-00033.

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49

Stepanova, Kristina V., Natalia M. Yakovleva, Alexander N. Kokatev та Håkan Pettersson. "Структура и свойства нанопористых анодных оксидных пленок на алюминиде титана". Kondensirovannye sredy i mezhfaznye granitsy = Condensed Matter and Interphases 21, № 1 (2019): 135–45. http://dx.doi.org/10.17308/kcmf.2019.21/724.

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Работа посвящена обобщению результатов исследования анодирования алюминида титана (γ-TiAl) во фторсодержащих электролитах. Установлены оптимальные условия анодирования, приводящие к формированию самоорганизованных нанопористых анодных оксидных пленок (АОП) на поверхности образцов, сплава Ti-40 wt. % Al. Показано, что при оптимальных условиях образуются рентгеноаморфные оксидные пленки гетерогенного состава (Al2O3:TiO2 @ 1:1) с размерами пор в диапазоне от 40 до 80 nm. Полученные результаты свидетельствуют о перспективности применения анодного наноструктурирования порошков Ti-40 wt. % Al для получения фотокаталитически активных материалов с расширенным до видимого света спектральным диапазоном поглощения.   ЛИТЕРАТУРА  Wang Y., Ma X., Li H., Yin S., Sato T. Advanced Catalytic materials - Photocatalysis and Other Current Trends, 2016, vol. 12, pp. 337–357. https://doi.org/10.5772/61864 Hashimoto K., Irie H., Fujishima A. Japanese Journal of Applied Physics, 2005, vol. 44, no. 12, pp. 8269–8285. https://doi.org/10.1143/jjap.44.8269 Uddin Md.T., Engg M. Sc. Dr. Rer. Nat. Technical University of Darmstadt, 2014, 222 p. URL: https://d-nb.info/1061050335/04 (accessed 28.11.2018) Batzill M. Energy Environ. Sci., 2011, vol. 4, pp. 3275–3286. https://doi.org/10.1039/c1ee01577j Marschall R. Funct. Mater., 2014. vol. 24. pp. 2421–2440. https://doi.org/10.1002/adfm.201303214 Ghicov A., Schmuki P. Commun., 2009, pp. 2791–2808. https://doi.org/10.1039/b822726h Li F., Zhao Y., Hao Y., Wang X., Liu R., Zhao D., Chen D. Journal of Hazardous Materials, 2012, vol. 239–240. pp. 118–127. https://doi.org/10.1016/j.jhazmat.2012.08.016 Morris S. M., Horton J. A., Jaroniec M. Mesopor. Mater., 2010, vol. 128, pp. 180–186. https://doi.org/10.1016/j.micromeso.2009.08.018 Ahmed M. A., Abdel-Messih M. F. Journal of Alloys and Compounds, 2011, vol. 509, pp. 2154–2159. https://doi.org/10.1016/j.jallcom.2010.10.172 Pakmehr M., Nourmohammadi A., Ghashang M., Saffar-Teluri A. Journal of Particle Science and Technology, 2015, pp. 31–38. https://doi.org/22104/JPST.2015.76 Pei J., Ma W., Li R., Li Y., Du H. Journal of Chemistry, 2015, pp. 1–7. https://doi.org/10.1155/2015/806568 Il'in, A. A., Kolachev, B. A., Pol'kin, I. S. Titanovye splavy. sostav, struktura, svoistva [Titanium alloys. Composition, structure, properties]. Moscow, VILS-MATI Publ., 2009, 520 p. (in Russ.) Tsuchiya, H., Berger, S., Macak, J.M., Ghicov, A., Schmuki, P. Comm., 2007, vol. 9, pp. 2397–2402. https://doi.org/10.1016/j.elecom.2007.07.013 Berger, S., Tsuchiya, H., Schmuki, P. Mater., 2008, vol. 20, pp. 3245–3247. https://doi.org/10.1021/cm8004024 Stepanova K. V., Yakovleva N. M., Kokatev A. N., Pettersson Kh. zap. PetrGU. Seriya Estestvennye i tekhnicheskie nauki, 2015, vol. 147, no. 2, pp. 81–86. (in Russ.) Stepanova К. V., Yakovleva N. M., Kokatev А. N., Pettersson H. Journal of Surface Investigation. X-ray, Synchrotron and Neutron Techniques, 2016, vol. 10, no. 5, pp. 933– https://doi.org/10.1134/S102745101605013X Stepanova K. V. Diss. kand. tekh. nauk. Petrozavodsk, 2016, 162 p. (in Russ.) Yakovleva N. M., Kokatev A. N., Chupakhina E. A., Stepanova K. V., Yakovlev A. N., Vasil'ev S. G., Shul'ga A. M. Condensed Matter and Interphases, 2016, vol. 18, no. 1, pp. 6− URL: http://www.kcmf.vsu.ru/resources/t_18_1_2016_001.pdf (in Russ.) Kokatev A. N. Diss. kand. tekh. nauk. Petrozavodsk, 2013, 170 p. Savchenko O. I., Yakovleva N. M., Yakovlev A. N., Kokatev A. N., Pettersson Kh. Condensed Matter and Interphases, 2012, vol. 14, no. 2, pp. 243–249. URL: http://www.kcmf.vsu.ru/resources/t_14_2_2012_018.pdf (in Russ.) Canulescu S., Rechendorff K., Borca C.N., Jones N.C., Bordo K., Schou J., Pleth Nielsen L., Hoffmann S. V., Ambat R. Applied Physics Letters, 2014, vol. 104, pp. 121910(1–4). https://doi.org/10.1063/1.4866901 Chen C., Liu J., Liu P., Yu B. Advances in Chemical Engineering and Science, 2011, vol. 1, pp. 9– https://doi.org/10.4236/aces.2011.11002 Rashed M. N., El-Amin A. A. International Journal of Physical Sciences, 2007, vol. 2 (3), pp. 073–081. URL: http://www.academicjournals.org/IJPS (accessed 28.11.2018) Ivanov V. M., Tsepkov M. G., Figurovskaya V. N. Vestnik Moskovskogo universiteta. Seriya 2: Khimiya [Moscow University Chemistry Bulletin], 2010, vol. 65, 6, pp. 370-373. https://link.springer.com/article/10.3103%2FS0027131410060076 Scuderi V., Impellizzeri G., Romano L., Scuderi M., Nicotra G., Bergum K., Irrera A., Svensson B.G., Privitera V. Nanoscale Research Letters, 2014, vol. 9, pp. 458–464. https://doi.org/10.1186/1556-276x-9-458  AbdElmoula M. Dr. Philosophy. Boston, 2011, 275 р. Lee K., Mazare A., Schmuki P. Rev., 2014, vol. 114, pp. 9385–9454. https://doi.org/10.1021/cr500061m Leyens C., Peters M. Titanium and Titanium Alloys. Fundamentals and Applications. Weinheim: WILEY-VCH Verlag GmbH & Co. KGaA, 2003, 532 p. 

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