Relevant bibliographies by topics / Sculpturalim

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sculpturalim'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Sculpturalim"

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Stace, Sonia M. "The Use of Sculptural Lifelines in Art Psychotherapy (L'utilisation des lignes de vie sculpturales en art-thérapie)." Canadian Art Therapy Association Journal 29, no. 1 (January 2, 2016): 21–29. http://dx.doi.org/10.1080/08322473.2016.1176813.

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Bailey, Rowan. "Sculptural Plasticity." Philosophy Today 63, no. 4 (2019): 1093–109. http://dx.doi.org/10.5840/philtoday2020128313.

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This essay explores “sculptural plasticity” through neuronal matterings of the brainbody in philosophy, literature, and art. It focuses on Socrates’s cataleptic condition as evidenced in Plato’s Symposium, the plasticities at work in Jean-Paul Sartre’s Nausea, and morphogenetic acts of cell formation in the sculptural installation of Pierre Huyghe’s After ALife Ahead.
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Mills, Cynthia. "Sculptural Thematics." American Art 24, no. 1 (March 2010): 2–8. http://dx.doi.org/10.1086/652735.

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Bogart, Bram. "Sculptural Paintings." Leonardo 19, no. 2 (1986): 113. http://dx.doi.org/10.2307/1578272.

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Bailey, Rowan, and Hester Reeve. "Sculptural substance." Journal of Writing in Creative Practice 7, no. 3 (September 1, 2014): 545–56. http://dx.doi.org/10.1386/jwcp.7.3.545_1.

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Bailey, Rowan. "Herder's Sculptural Thinking." Parallax 17, no. 2 (March 31, 2011): 71–83. http://dx.doi.org/10.1080/13534645.2011.559357.

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Le Féon, Violette, David Genoud, and Benoît Geslin. "Actualisation des connaissances sur l’abeille Megachile sculpturalis SMITH, 1853 en France et en Europe (Hymenoptera : Megachilidae)." Osmia 9 (July 12, 2021): 25–36. http://dx.doi.org/10.47446/osmia9.4.

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Update of knowledge on the bee Megachile sculpturalis SMITH, 1853 in France and Europe (Hymenoptera: Megachilidae). - Megachile sculpturalis is a bee native to eastern Asia that is now also present in North America and Europe. This article follows the first synthesis on the ecology and geographical distribution in Europe of this species published in this same journal in 2018 and updates their knowledge. Megachile sculpturalis has been observed in 13 European countries. Its range now extends from the French Atlantic coast in the west to the Crimean Peninsula in the east. It has also been recorded on two Mediterranean islands, Elba (Italy) and Mallorca (Spain). In France, between 2008 and 2020, it was observed in 259 communes in 46 departments. The most northerly French observation was made in 2020 near Reims in the Marne department. Concerning feeding behaviour, new pollen analyses corroborate the results of previous ones which suggested a polylectic diet with a marked preference for shrubs of Asian origin (especially Sophora japonica and Ligustrum sp.). Regarding nesting behaviour, M. sculpturalis makes extensive use of bee hotels. However, a range of diameters (holes in logs or sections of plant stems) between 4 and 8 mm is suitable for the main native species likely to nest in the hotels, while limiting the establishment of M. sculpturalis. New observations have confirmed the tendency of M. sculpturalis to empty the nests of other species in order to establish its own larval cells. In addition, in Switzerland, a female was observed killing a bee of the genus Heriades. Such events, if frequent, could have negative impacts on native bees, but data are currently insufficient to quantify these impacts on populations.
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Molina, Jesús. "El hormigón como materia moldeable en la construcción de esculturas." Informes de la Construcción 48, no. 443 (June 30, 1996): 35–41. http://dx.doi.org/10.3989/ic.1996.v48.i443.1005.

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변재규. "Measurement and Sculptural activity." Korean Journal of Art and Media 16, no. 1 (May 2017): 119–38. http://dx.doi.org/10.36726/cammp.2017.16.1.119.

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klein, Jean-François. "Apologia for “Sculptural engineering”." IABSE Symposium Report 105, no. 41 (September 23, 2015): 1–8. http://dx.doi.org/10.2749/222137815818357557.

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Dissertations / Theses on the topic "Sculpturalim"

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Perotto, Émilie. "La sculpture contemporaine envisagée comme une situation : modes de production, usages et objets." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3052.

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Ce travail de recherche doctorale tend à définir précisément ce que j’appelle une situation sculpturale, en envisageant le médium de la sculpture, historiquement immobile et pérenne, comme le médium de la rencontre tributaire de temporalités diverses. Pour ce faire, ma pratique plastique a été mon terrain premier d’investigation, au sein duquel j’ai pu tester un certain nombre d’hypothèses, dont certaines se sont concrétisées dans mes sculptures les plus récentes, citées dans ce texte. Aussi, une attention particulière à la sculpture contemporaine m’a permis d’ouvrir plus largement mes prospections, qui se sont aussi nourries de pratiques d’artistes et de pensées théoriques historiques. Mes recherches se sont appuyées sur l’étude du rapport que la sculpture peut entretenir avec la vie quotidienne, et les rapports particuliers au temps que cela peut engendrer, aussi bien dans la conception des œuvres, que dans leur perception. Cette réflexion m’a permise d’aborder la sculpture dans son rapport aux objets du quotidien, que ce soit dans leur introduction directe dans les sculptures, dans leur reproduction, mais aussi dans l’usage. En effet, ce dernier point m’a amenée à établir une typologie de ce que je nomme la sculpture d’usage, dont la fonctionnalité n’est pas la finalité, mais une appréhension possible de l’œuvre
This doctorate research tries to define precisely what I term a sculptural situation considering sculpture – ie historically still & perennial – as the meeting point of multiple temporalities. To elaborate this research I took my artistic pratice as a ground to inquire into. I did test several assumptions which have informed my latest works thereafter described. Furthermore, a greater attention was given to contemporary sculpture so as to open wider perspectives drawn from historical artistic practives & theories. I studied the relationship between sculpture & daily life and most specifically their being time-based experiences, as much during the making of the works as when perceived by a spectator. I was then able to study sculpture in relation to everyday objects : either through the introduction of the later in sculptures themselves or their possible reproduction or even the use that can be made of them. I thus established a typology of what I name usable sculpture, whose functionality is not an end in itself but is nevertheless a possible way of experiencing the work of art
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Whaley, Christopher S. "Sculptural forms and furniture." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1204204.

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The primary objective of this creative project was the exploration into designing and creating sculptures that combine various materials in a visually pleasing way. Could these sculptures emphasize excellence in craftsmanship and sophistication of surface? Could the inherent properties of these materials be manipulated and combined in an engaging manner, which would enhance the beauty of both materials?This body of work required a variety of metalsmithing techniques including forging, mokumegane, and metal forming. This body of work also required various woodworking skills such as lathe turning and wood joint construction. There were several materials used such as exotic and domestic woods, and ferrous and non-ferrous metals. This body of work challenged my technical and conceptual abilities making me a better artist and designer, not only in metalsmithing, but also woodworking.
Department of Art
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Morse, Evan. "Objectified : a sculptural study /." Norton, Mass. : Wheaton College, 2009. http://hdl.handle.net/10090/8397.

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Jazayeri, Statira. "Sculptural Textiles : Exploring sculptural possibilities in woven textiles through construction and contrasting yarns." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11104.

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Sculptural Textiles is a material investigation exploring sculptural possibilities for machine woven textiles. Two important factors are yarn combinations and textile construction, and how these two together can result in fabrics that can be manipulated by hand into shapes and thus adaptable to various settings. The essence of this project is in the meeting between contrasts such as shiny-dull, elastic-stiff, transparent-opaque, natural and synthetic and how these meetings can create sculptural qualities. The project is aiming to create a range of sculptural textiles as well as being an exploration in material. Construction and density are tools to bring forth the beauty and function of the materials. The result is a range of textiles showing that small changes in material and construction can lead to different sculptural characteristics.
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Won, Jaesun. "Sculptural jewelry in line composition /." Online version of thesis, 2008. http://hdl.handle.net/1850/6247.

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Lykins, Victoria L. "Painting in a sculptural manner." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864931.

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Burris, Sarah M. "Creatures series of sculptural costumes /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227280056.

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Thesis (M.F.A.)--Kent State University, 2008.
Title from PDF t.p. (viewed Jan. 5, 2010). Advisor: Paul O'Keeffe. Keywords: sculpture, performance, fabric, beauty, sewing, feminine. Includes bibliographical references (p. 28).
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Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

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Tugcu, Ayse. "Yesemek Stone Quarry And Sculptural Workshop." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614223/index.pdf.

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The significance of Yesemek Stone Quarry and Sculptural Workshop in Gaziantep Islahiye province is rooted in its basalt quarry and stone sculptures found at the site. Yesemek was first discovered by Felix Von Luschan in 1890 while he was excavating Zincirli (Sam&rsquo
al). Between 1958 and 1961, the site was excavated by a team under the leadership of Prof. Dr. Bahadir Alkim. The excavations at the site yielded approximately three hundred finished or unfinished lion, sphinx and mountain god sculptures. While the exact function of these sculptures are still not known, the thesis will explore the function of these sculptures by examining the architectural structures where the sculptures could have been used as architectural decoration. Another issue that will be discussed in the thesis is the date of Yesemek workshop and sculptures. To that end, Yesemek sculptures will be stylistically compared to Late Bronze and Iron Age sculptures.
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Leon, Zamuco Eric de Calvin James H. "Banal sculptural meditations on the unfamiliar /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2009. http://hdl.handle.net/10355/6722.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on March 24, 2010). Thesis advisor: Professor James H. Calvin. Includes bibliographical references.
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Books on the topic "Sculpturalim"

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Boulet, Suzie. Sculpturales marées. Cap-Saint-Ignace, Québec: La Plume d'oie, 1997.

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Roberts, Antonius. Sculptural forms. [Bahamas?: [s.n.], 2001.

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Ian, Gregory. Sculptural ceramics. Radnor, PA: Chilton Book Company, 1992.

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Uphoff, Joe. Dance: Sculptural kinematics. Colorado Springs, CO: Arjuna Library Press, 1995.

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The sculptural idea. 4th ed. Long Grove, Ill: Waveland Press, 2004.

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Raby, June. Coasting, sculptural work. [England: the artist?, 1990.

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Noguchi, Isamu. Isamu Noguchi: Sculptural design. Weil am Rhein: Vitra Design Museum, 2001.

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Isamu, Noguchi. Isamu Noguchi: Sculptural design. [Weil am Rhein, Germany]: Vitra Design Museum, 2001.

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Norton, Deborah L. Albert Paley: Sculptural adornment. Washington, D.C: Renwick Gallery of the National Museum of American Art, Smithsonian Institution in association with the University of Washington Press, 1991.

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Steven, Hammer, ed. Succulents: Nature's sculptural wonders. New York: Rizzoli International, 2001.

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Book chapters on the topic "Sculpturalim"

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Boerner, Bruno. "Sculptural Programs." In A Companion to Medieval Art, 801–21. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch33.

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Ellison, Elizabeth, and Michelle Thompson. "Sculptural coastlines." In Regional Cultures, Economies, and Creativity, 244–58. London ; New York, NY : Routledge/Taylor & Francis Group, 2020. | Series: Routledge advances in sociology ; 272: Routledge, 2019. http://dx.doi.org/10.4324/9780429459290-13.

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Beuys, Joseph. "The sculptural arena." In Sculptural Materiality in the Age of Conceptualism, 126–64. New York : Routledge, 2016. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315088297-5.

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Bjone, Christian. "Sculptural Space Becomes Architectural Space." In Art and Architecture, 128–45. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0377-5_8.

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Pollick, G. David. "The Sculptural Work of Art." In On the Aesthetics of Roman Ingarden, 255–81. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2257-0_10.

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Gilmore, Jonathan. "Material, Medium, and Sculptural Imagining." In Philosophy of Sculpture, 149–64. New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429462573-9.

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Cirulli, Franco. "Hemsterhuis and Herder: Sculptural Theo-humanism." In Boston Studies in Philosophy, Religion and Public Life, 57–83. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-10000-5_3.

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Mallin, Samuel B. "Drawing Out Prehistory: Sculptural Archaic Thought." In Contributions To Phenomenology, 49–80. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1594-7_2.

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Hooper, Richard. "Plastics’ Value as a Sculptural Medium." In Provocative Plastics, 49–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55882-6_3.

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Hart, George. "Sculptural presentation of the icosahedral rotation group." In CRM Proceedings and Lecture Notes, 211–14. Providence, Rhode Island: American Mathematical Society, 2009. http://dx.doi.org/10.1090/crmp/047/13.

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Conference papers on the topic "Sculpturalim"

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Bernstein, Mark, David E. Millard, and Mark J. Weal. "On writing sculptural Hypertext." In the thirteenth ACM conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/513338.513355.

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Hooper, Clare J., and Mark J. Weal. "The StorySpinner sculptural reader." In the sixteenth ACM conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1083356.1083425.

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Strobl, Wolfgang. "A Walkable Sculptural Structure." In Footbridge 2017 Berlin. Chair of Conceptual and Structural Design, Fachgebiet Entwerfen und Konstruieren – Massivbau, Technische Universität Berlin, 2017. http://dx.doi.org/10.24904/footbridge2017.09764.

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Rolinson, Esther, and Sean M. Clark. ""Flown" Sculptural Light Installation." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2891098.

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Rosenberg, Jim, Mark Bernstein, Cathy Marshall, Paul de Bra, David Millard, and Frank Shipman. "Chain saws for sculptural Hypertext." In the thirteenth ACM conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/513338.513341.

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Hart, George W. "Sculptural forms from hyperbolic tessellations." In 2008 IEEE International Conference on Shape Modeling and Applications (SMI). IEEE, 2008. http://dx.doi.org/10.1109/smi.2008.4547963.

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Freeman, McArthur. "Round-trip development for sculptural forms." In SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2992133.3002168.

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Siang See, Zi, Una Rey, Faye Neilson, Michael Cuneo, Alexander Barnes-Keoghan, Luke O'Donnell, Donovan Jones, Lizbeth Goodman, and Sarah Johnson. "Sodeisha Sculptural Ceramics: Digitalization and VR Interaction." In VRCAI '19: The 17th International Conference on Virtual-Reality Continuum and its Applications in Industry. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359997.3365741.

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Willis, Alfred. "Engineering and the Sculptural Program of Hoover Dam." In Hoover Dam 75th Anniversary History Symposium. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41141(390)16.

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Hargood, Charlie, Verity Hunt, Mark J. Weal, and David E. Millard. "Patterns of Sculptural Hypertext in Location Based Narratives." In HT '16: 27th ACM Conference on Hypertext and Social Media. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2914586.2914595.

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Reports on the topic "Sculpturalim"

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Caro, Andrea. Sculptural Chartreuse. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-682.

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Perry. Sculptural Fashion. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1228.

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Corcoran, Cristine. Dudelsacks : sculptural extensions in blown glass. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5747.

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Smith, Philip. Introducing the secondary student to sculptural design and form in metal : welding sheet steel using the oxyacetylene torch. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2887.

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