Log in

Relevant bibliographies by topics / Sculpture, 20th century / Journal articles

To see the other types of publications on this topic, follow the link: Sculpture, 20th century.

Journal articles on the topic 'Sculpture, 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Sculpture, 20th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Portnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.

Full text

Abstract:

This article is concerned with the ratio of plastic arts as exemplified by sculptural works depicting dances of the early 20th century. Special attention is paid to the Greek motives in the Russian art of this period, which became the subject of inexhaustible aesthetic and artistic interest. The representation of ancient dance motifs, their figurative image and the nature of antiquity in sculptural plastics, various approaches to the interpretation of ancient plots and themes, the role and significance of the “antique” component in their artistic structure are considered in the article. The st

APA, Harvard, Vancouver, ISO, and other styles

2

Dzwonkowska, Paulina. "Photography and sculpture:The multifaceted relation of sculpture to photography and new media in the light of the evolving concept of sculpture." Journal of Education Culture and Society 1, no. 1 (2020): 26–36. http://dx.doi.org/10.15503/jecs20101.26.36.

Full text

Abstract:

The relationship between photography and sculpture, unlike the dialogue between the latter and painting, was long treated as a peripheral issue. Yet as early as the mid-20th century photography began to show potential that sculpture seemed to be lack. Aware of a large degree of overlap between the two forms of artistic expression, (e.g. with respect to materiality, spatiality, or accentuating frozen gestures) sculptors did not leave sculpture for photography, but attempted to create works that were interdisciplinary in structure. The rise of interest in photography displayed by Polish sculptor

APA, Harvard, Vancouver, ISO, and other styles

3

Villegas-Broncano, Maria A., and J. Alberto Durán-Suárez. "Historical and technical insight into the human motifs in the glass sculpture." Arte, Individuo y Sociedad 33, no. 2 (2021): 589–604. http://dx.doi.org/10.5209/aris.69159.

Full text

Abstract:

Although glass proto-sculptures were made with deep artistic value since the most remote times, in the late 19th century the glass sculpture was developed, and during the 20th century the Studio Glass Movement reached the maximum level of technical perfection and aesthetic variety. The scientific and technical glass knowledge contributed to achieve appropriate hot and cold working procedures, and the artists improved their designs and creations. This paper focuses on the binomial glass sculpture and human motifs. The historic evolution of the glass sculpture with human motifs is analyzed, taki

APA, Harvard, Vancouver, ISO, and other styles

4

Odrekhivskyi, Volodymyr, Vasyl Odrekhivskyi, and Roman Odrekhivskyi. "Ukrainian sculpture of the 20th century: main ideological and plastic transformations." LAPLAGE EM REVISTA 7, no. 3B (2021): 187–94. http://dx.doi.org/10.24115/s2446-6220202173b1534p.187-194.

Full text

Abstract:

In this article we attempt at demonstrating the inseparability of Ukrainian sculpture from global culture creating process despite cultural and political isolation as a component republic of the Soviet Union for over 70 years of the 20th century. There is a considerable difference in the character of creativity of Ukrainian sculptors, who lived and worked within the borders of the Soviet Union, and those, who migrated to Western Europe or America and had an opportunity to freely experiment with shape and ideas. In this article, particular attention is dedicated to those personalities that have

APA, Harvard, Vancouver, ISO, and other styles

5

Wang, Jun Xiao. "Study on Sculpture Based on New Materials." Applied Mechanics and Materials 340 (July 2013): 335–38. http://dx.doi.org/10.4028/www.scientific.net/amm.340.335.

Full text

Abstract:

In the field of sculpture, the material is a sculptor's medium for the expression of aesthetic ideas, presenting a visual image. In a strict sense, all of the sculptures in the world are reflected through the material. It is recorded in the history of Western civilization development that ancient man started the sculpture very early and they also learned to take advantage of them during the creation of the material. As time goes on, the material has been an extremely important role to play in the sculpture development. In China, traditional sculpture materials have thousands of years of develo

APA, Harvard, Vancouver, ISO, and other styles

6

Shkolna, Olha, and Alla Buigasheva. "Life and Work of Anhelina Zhdanova - Master of Porcelain Painting of the Second Half of the 20th Century." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (2022): 131–42. http://dx.doi.org/10.31866/2617-7951.5.1.2022.257488.

Full text

Abstract:

The aim is to identify the key porcelain works painted by the Honored Artist of Ukraine Angelina Zhdanova during the second half of the 20th century, to reveal the artistic features of her decoration of sculptures, utensils and vases. Research methods – ontological, axiological, hermeneutic, historical-chronological, historical-comparative, cultural, typological, art analysis. Their combination allows us to reveal the specifics of the creative method of Anhelina Zhdanova concerning the design of sculptures of small forms and design development of decors for fine ceramic ware and vases. Novelty

APA, Harvard, Vancouver, ISO, and other styles

7

Steklova, Irina A., and Olesya I. Raguzhina. "THE SCULPTURE PARKS OF THE MID-20TH CENTURY: UNDERLYING ARTISTIC CONCEPTS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 38 (2020): 107–24. http://dx.doi.org/10.17223/22220836/38/11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mosz, Jakub. "Ancient Patterns of the Sporting Body." Physical Culture and Sport. Studies and Research 47, no. 1 (2009): 137–43. http://dx.doi.org/10.2478/v10141-009-0041-x.

Full text

Abstract:

Ancient Patterns of the Sporting BodyIn the world of ancient culture you can find images of corporeality which may be recognised as patterns of the sporting body. They come from Greek sculpture and vase painting. Among the preserved Greek cultural artefacts there can be pointed out three examples of patterns of male corporeality and one example of female corporeality connected with the world of sport. These are Polyclitus's sculptures "Doryphorus" and "Diadoumenos", Myron's sculpture "Discus Thrower", Lysippus's sculpture of "Heracles Farnese" and painting presenting Atalanta. They constitute

APA, Harvard, Vancouver, ISO, and other styles

9

Alfakih, E. "Genres of urban sculpture in context of metropolis, Moscow, Tsvetnoy Boulevard." Vestnik of Saint Petersburg State University of Culture, no. 1 (30) (March 2017): 165–68. http://dx.doi.org/10.30725/2619-0303-2020-3-165-168.

Full text

Abstract:

The article examines multivariate saturation of limited locations (Tsvetnoy Boulevard) executed at different times and diff erent in the image and style of the sculptural works. Due to this Boulevard space takes the value exhibition area for the testing, presents not only free conglomeration of forms, but also time-varying ideas about the place of sculpture in the urban environment and its communication capabilities. A description and analysis of selected monuments of the second half of 20th – beginning of 21st century («Song», «Yuri Nikulin», «Circus Clown») in terms of their own aesthetic va

APA, Harvard, Vancouver, ISO, and other styles

10

Choi, Sun il. "Flow of Buddhist Sculpture in the First Half of the 20th Century." Dongak Art History 24 (December 31, 2018): 91–109. http://dx.doi.org/10.17300/dah.2018.24.4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Dobrolyubov, Peter V. "Unforgotten Names. Mikhail Belashov and Georgy Kranz." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 37–63. http://dx.doi.org/10.36340/2071-6818-2022-18-6-37-63.

Full text

Abstract:

The article “Unforgotten Names. Mikhail Belashov and Georgy Kranz” is the first in the cycle “VKHUTEIN, VKHUTEMAS. Sculptors. Teachers and Students”, dedicated to the unique creative and educational project, VKHUTEMAS - VKHUTEIN, which laid the foundation and within the framework of which a galaxy of outstanding Russian sculptors, who brought fame to our Fatherland in the fine arts immediately after the end of the Civil War in the country, was prepared. The author analyzes the work of outstanding sculptors. These masters of plastic art had a profound positive impact on the development of Russi

APA, Harvard, Vancouver, ISO, and other styles

12

Rychkov, A. V., and A. V. Vodyanitskaya. "Attribution and restoration of the monument of O. M. Manizer «1905»." Vestnik of Saint Petersburg State University of Culture, no. 4 (45) (December 2020): 98–103. http://dx.doi.org/10.30725/2619-0303-2020-4-98-103.

Full text

Abstract:

The article discusses issues related to the application of a comprehensive and comprehensive analysis of the main trends in the development of the national sculpture of the 20th century, which makes it possible to attribute and identify the nearest analogues of the sculptural monumental work, from the St. Petersburg military Institute of the national guard of the Russian Federation. During the research, the degree of preservation of the monument, the presence of defects, destruction, loss, possible changes in the works that were previously admitted during the implementation of restoration meas

APA, Harvard, Vancouver, ISO, and other styles

13

Manso, Marta, Ana Bidarra, Stéphane Longelin, et al. "Micro-Analytical Study of a Rare Papier-Mâché Sculpture." Microscopy and Microanalysis 21, no. 1 (2014): 56–62. http://dx.doi.org/10.1017/s1431927614013129.

Full text

Abstract:

AbstractThe analysis of a Portuguese “papier-mâché” sculpture depicting Saint Anthony is presented in this case study. Several questions were addressed such as the characteristics of the support, pigments used, and artistic technique in order to establish a possible timeline for its production. Qualitative analyses of the cross-sections and of the paper support were performed by optical microscopy using reflected light. Two polychrome layers from different periods and a rag pulped support were identified on the sculpture. The use of micro X-ray fluorescence and Raman microscopy techniques enab

APA, Harvard, Vancouver, ISO, and other styles

14

Steklova, Irina A., and Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.

Full text

Abstract:

The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied the

APA, Harvard, Vancouver, ISO, and other styles

15

Hotsaliuk, Alla. "Art of Sculpture and Its Development in Ukraine (Late 20th – Early 21st Century)." Ukrainian Studies, no. 1(70) (March 7, 2019): 67–75. http://dx.doi.org/10.30840/2413-7065.1(70).2019.164745.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Portnova, Irina V. "MODEL OF “WILD NATURE” IN THE PATRIOTIC ANIMALISTIC SCULPTURE OF THE 20th CENTURY." Historical and social-educational ideas 9, no. 5/1 (2017): 173–79. http://dx.doi.org/10.17748/2075-9908-2017-9-5/1-173-179.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Owczarek, Piotr. "Prace konserwatorskie przy kamiennej rzeźbie Matki Boskiej autorstwa Andrzeja Pruszyńskiego z elewacji kościoła pw. Matki Bożej Pocieszenia w Żyrardowie – wybrane zagadnienia historyczne i technologiczne." Artifex Novus, no. 3 (October 1, 2019): 158–67. http://dx.doi.org/10.21697/an.7072.

Full text

Abstract:

SUMMARY The stone sculpture of the Virgin Mary from the facade of the church Our Lady of Consolation in Żyrardów is one of the numerous sculptural implementations of Andrzej Pruszyński workshop. In 2018 the monument was under conservation and restoration works. Preliminary macroscopic examination of the monument showed that under the numerous secondary layers of paint on the stone sculpture there is a dark green, multi-deck colour layer that could imitate a statue had made in bronze casting technique. As a result samples were taken and subjected to laboratory analysis. The research carri

APA, Harvard, Vancouver, ISO, and other styles

18

Čebron Lipovec, Neža. "Homage to a New Town in an Old One: Dequel’s Bust of Pier Paolo Vergerio il Giovane." Ars & Humanitas 13, no. 1 (2019): 248–63. http://dx.doi.org/10.4312/ah.13.1.248-263.

Full text

Abstract:

The concept of collective memory raises fundamental questions regarding the assessment of heritage, especially of built heritage in contested spaces. The simultaneous presence of different groups in conflict introduces into the space parallel memory discourses that can be recognised both in the built environment as well as in public sculpture, and both can be read as a symbolic marking of space (Veschambre, 2008). The urban space of northern Istria, where the Italian and Slovene communities have become intertwined throughout history, were drastically marked by the political and historic events

APA, Harvard, Vancouver, ISO, and other styles

19

Čebron Lipovec, Neža. "Homage to a New Town in an Old One: Dequel’s Bust of Pier Paolo Vergerio il Giovane." Ars & Humanitas 13, no. 1 (2019): 248–63. http://dx.doi.org/10.4312/ars.13.1.248-263.

Full text

Abstract:

The concept of collective memory raises fundamental questions regarding the assessment of heritage, especially of built heritage in contested spaces. The simultaneous presence of different groups in conflict introduces into the space parallel memory discourses that can be recognised both in the built environment as well as in public sculpture, and both can be read as a symbolic marking of space (Veschambre, 2008). The urban space of northern Istria, where the Italian and Slovene communities have become intertwined throughout history, were drastically marked by the political and historic events

APA, Harvard, Vancouver, ISO, and other styles

20

Anisimov, K. V. "The “Living Statues” at Times of Mausoleums and Unknown Soldiers: New Commemorative Practices in the Mirror of Russian 20th Century Poetry." Critique and Semiotics 38, no. 1 (2020): 186–206. http://dx.doi.org/10.25205/2307-1737-2020-1-186-206.

Full text

Abstract:

The article traces the alterations of the “harmful statue” motif as it was conceptualized by Roman Jakobson. In the present research the author draws upon a number of representative verses by Russian 20 th century poets – V. Bryusov, I. Selvinsky, B. Slutsky. The theoretical juxtaposition of the metaphoric nature of a monument and strategies of overcoming this nature has been put in focus of this work. These strategies are represented in the convergence of sculpture and body (the reinforcement of iconicity), in implicating the metonymic, substitutional character in new monuments. The author sh

APA, Harvard, Vancouver, ISO, and other styles

21

Honcharuk, V. "Artistic explorations of Lviv artists of decorative and applied arts in small-scale plastics of the second half of the 20th century: image of a human being." Science and Education a New Dimension IX(258), no. 47 (2021): 10–14. http://dx.doi.org/10.31174/send-hs2021-258ix47-02.

Full text

Abstract:

The present article examines the special characteristics of the development of small-scale sculpture as an independent phenomenon in Lviv fine arts of the second half of the 20th century within the framework of the interpretation of a human being image, since the following problem has not been sufficiently studied in Ukrainian art criticism. In particular, the research focuses on the specific features of artistic experiments of the representatives of decorative and applied art in the field of anthropomorphic sculpture; traces characteristic features of conceptual and modelling solutions; ident

APA, Harvard, Vancouver, ISO, and other styles

22

Pouyet, Emeline, Monica Ganio, Aisha Motlani, Abhinav Saboo, Francesca Casadio, and Marc Walton. "Casting Light on 20th-Century Parisian Artistic Bronze: Insights from Compositional Studies of Sculptures Using Hand-Held X-ray Fluorescence Spectroscopy." Heritage 2, no. 1 (2019): 732–48. http://dx.doi.org/10.3390/heritage2010047.

Full text

Abstract:

In the 19th and early 20th centuries, Paris was home to scores of bronze foundries making it the primary European center for the production of artistic bronzes, or bronzes d’art. These foundries were competitive, employing different casting methods—either lost-wax or sand casting—as well as closely guarded alloy and patina recipes. Recent studies have demonstrated that accurate measurements of the metal composition of these casts can provide art historians of early 20th-century bronze sculpture with a richer understanding of an object’s biography, and help answer questions about provenance and

APA, Harvard, Vancouver, ISO, and other styles

23

Ridgway, Brunilde Sismondo, and Luigi Todisco. "Review Article: The Study of Classical Sculpture at the End of the 20th Century." American Journal of Archaeology 98, no. 4 (1994): 759. http://dx.doi.org/10.2307/506553.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Xu, Min. "Chinese art: A survey of collections and research materials in the United States." Art Libraries Journal 39, no. 2 (2014): 43–47. http://dx.doi.org/10.1017/s0307472200018319.

Full text

Abstract:

During the 20th century a range of museums in the United States were engaged in acquiring Chinese art objects, developing major collections of painting and calligraphy, ancient bronze, Buddhist sculpture, ceramics and other decorative arts. Research materials on Chinese art have been collected by art libraries in major museums and the East Asian libraries of the main research universities. The author surveys significant Chinese art collections in museums and research libraries in the United States today.

APA, Harvard, Vancouver, ISO, and other styles

25

ÖZDEMİR, Soner. "ARTIFICIAL LIGHT SOURCE AS A COMPONENT CONSTITUTING THE SCULPTURE." IEDSR Association 6, no. 15 (2021): 235–45. http://dx.doi.org/10.46872/pj.351.

Full text

Abstract:

Light, which is the main source in which plastic arts produce meaning by processing it, indirectly takes place in all works of art with its different colors and tones throughout the history of art. With the use of new materials and techniques in art with the modern period, it is seen that the light itself, that is, the light source, is also included in art works as a medium. This situation allowed the artists to create brand new perceptions and effects. With the second half of the 20th century, the use of artificial light source in sculpture as an element belonging to the sculpture is encounte

APA, Harvard, Vancouver, ISO, and other styles

26

Portnova, Irina V. "Russian Animalistic Art of the 20th Century as a Special Kind of Fine Art." Observatory of Culture 18, no. 5 (2021): 486–95. http://dx.doi.org/10.25281/2072-3156-2021-18-5-486-495.

Full text

Abstract:

This article aims at analyzing the genre features of the 20th century animalistic art as a special, original phenomenon of Russian artistic culture. There are highlighted the aspects that make up its content basis. The author considers the issues of human perception of an animal, attitude to it, the system of views on the world of flora and fauna, the methods of interpretation of animals and birds. Together, they form the specific characteristics of animalistic art, which appeared in their organized and integral form in the 20th century. The article is relevant because the relationship between

APA, Harvard, Vancouver, ISO, and other styles

27

Rovira, Sergi Cortiñas. "Metaphors of DNA: a review of the popularisation processes." Journal of Science Communication 07, no. 01 (2008): A02. http://dx.doi.org/10.22323/2.07010202.

Full text

Abstract:

This article offers a 1953-present day review of the models that have popularised DNA, one of the fundamental molecules of biochemistry. DNA has become an iconic concept over the 20th century, overcoming the boundaries of science and spreading into literature, painting, sculpture or religion. This work analyses the reasons why DNA has penetrated society so effectively and examines some of the main metaphors used by the scientists and scientific popularisers. Furthermore, this article, taken from the author's PhD thesis, describes some recent popularisation models for this molecule.

APA, Harvard, Vancouver, ISO, and other styles

28

Kim, Suk. "A Study of Expressive Feature of Facial Sculpture after 20th Century -to post-modernism art 1980s-." Journal of Basic Design & Art 19, no. 1 (2018): 81–100. http://dx.doi.org/10.47294/ksbda.19.1.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Mellby, Julie. "AMERICAN ART IN THE 20TH CENTURY, PAINTING AND SCULPTURE 1913–1993. Christos M. Joachimides , Norman Rosenthal." Art Documentation: Journal of the Art Libraries Society of North America 13, no. 1 (1994): 40. http://dx.doi.org/10.1086/adx.13.1.27948624.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Laïïdi, Adila. "Liberation Art of Palestine: Palestinian Painting and Sculpture in the Second Half of the 20th Century." Journal of Palestine Studies 34, no. 4 (2005): 110–12. http://dx.doi.org/10.1525/jps.2005.34.4.110.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Rzeczycka, Monika. "Biblical Symbols in the Works of Rudolf Steiner’s Followers: Initiation/Archangel Michael by Amalia Luna Drexler as an Example of an Anthroposophical Interpretation of the Spiritual Mission of the Slavs." Studia Religiologica 53, no. 1 (2020): 1–14. http://dx.doi.org/10.4467/20844077sr.20.001.12504.

Full text

Abstract:

At the beginning of the 20th century, national mythologies inscribed in the Christian tradition were held in high regard within the milieu of Polish and Russian followers of esotericism. The international anthroposophical movement initiated by the Austrian philosopher Rudolf Steiner is a special case. Among his Russian and Polish devotees sprang the common idea of the Slavic spiritual mission in the service of Archangel Michael. The author of this article explores this idea using the example of a sculpture entitled Initiation/Archangel Michael made in 1927 by the Polish artist Amalia Luna Drex

APA, Harvard, Vancouver, ISO, and other styles

32

Rozenberg, Nataliya Abramovna. "The Concept of a Romantic Hero in the Sculpture of Argentina in the 20–40s of the 20th Century." Общество: философия, история, культура, no. 12 (December 11, 2020): 140–45. http://dx.doi.org/10.24158/fik.2020.12.24.

Full text

Abstract:

The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and

APA, Harvard, Vancouver, ISO, and other styles

33

Heavers, Nathan. "Marking Sacred Ground through Imported Trees and Medieval European Sculpture at the Washington National Cathedral." Acta Horticulturae et Regiotecturae 22, no. 1 (2019): 19–22. http://dx.doi.org/10.2478/ahr-2019-0004.

Full text

Abstract:

Abstract The landscape of the Washington National Cathedral contains a variety of sacred objects imported from Europe and Asia. They include stone sculptures and living flora. Many of the stone objects came from the collection of George Grey Barnard, an American sculptor, trained in Paris, who travelled Europe in the early 20th century purchasing medieval antiquities (Weinberger, 1941). How do we understand these displaced pieces incorporated into this new context? On the one hand, their use in the landscape brings it significance, a physical and tangible connection to the roots of Christianit

APA, Harvard, Vancouver, ISO, and other styles

34

Iaţeşen, Mihai –. Cosmin. "10. Creativity and Innovation in Visual Arts through Form and Space Having Symbolic Value." Review of Artistic Education 14, no. 1 (2017): 207–16. http://dx.doi.org/10.1515/rae-2017-0026.

Full text

Abstract:

Abstract The numerous plastic approaches of form in the 20th century are characterized by creativity and innovation. Form, as expression of an artistic language, is the cause and effect for the cultural evolution of a particular spatial-temporal area. The invention of forms depending on the factors which will impose them in a particular socio-cultural context and location environment is not everything. The challenges of the act of creation are far more complex. For the art of the 20th century, the role of the type of expression in visual or gestural language proved much more convincing and mea

APA, Harvard, Vancouver, ISO, and other styles

35

Hudson, Martyn. "Schwitters’s Ursonate and the Merz Barn Wall." Leonardo Music Journal 25 (December 2015): 89–92. http://dx.doi.org/10.1162/lmj_a_00942.

Full text

Abstract:

This paper notes the importance of Kurt Schwitters’s Merz project to the modernist politics and poetics of exile of the 20th century. Placing the sound work of Schwitters within his full Merz project, the author assesses the relations between the Ursonate and the final Merzbau. He discusses three of these relations—collage, found objects and the structures of building materiality in language and sculpture—and presents Schwitters’s work as culminating in a vision of sound and building structures in what Brandon Taylor has called “intrusive new entities” of collage and assemblage that are themse

APA, Harvard, Vancouver, ISO, and other styles

36

Афанасьева, Анна Николаевна, and Сергей Евгеньевич Винокуров. "Meissen‘s porcelain sculpture «Flower-girl» of the xix century in the context of migration of models." Академический вестник УралНИИпроект РААСН, no. 1(52) (March 30, 2021): 65–71. http://dx.doi.org/10.25628/uniip.2022.52.1.011.

Full text

Abstract:

В статье представлен опыт атрибуции произведения фарфоровой пластики Мейсенской мануфактуры середины XIX века из собрания Екатеринбургского музея изобразительных искусств. Приводятся сведения об источнике модели рассматриваемого произведения и его художественных особенностях, раскрывается контекст практически одновременного появления в ассортименте как немецких, так и отечественных фарфоровых предприятий произведений, созданных по одной модели. Рассмотренный кейс позволяет сделать вывод о достаточно высокой степени условности художественных границ в европейском искусстве XVIII-XIX веков и акти

APA, Harvard, Vancouver, ISO, and other styles

37

Lavrentiev, Alexander N. "AVANT-GARDE DIALOGUES." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (2021): 104–8. http://dx.doi.org/10.36340/2071-6818-2021-17-5-104-108.

Full text

Abstract:

The article is dedicated to comparative analysis of spatial constructions created by the Russian Avant-Garde Artist Alexander Rodchenko and the famous kinetic European and American artist Alexander Calder in the first half of the 20-th century. For both artists technology played the decisive role in constructing spatial objects, both of them used line as a basic expressive element. Still there is a certain difference stressed by the author: Rodchenko used linear elements to express structural and constructive qualities of spatial objects, while Calder was more intending to represent emotion an

APA, Harvard, Vancouver, ISO, and other styles

38

Bulycheva, Elena I. "Sergey Timofeyevich Konenkov’s Mythopoetics." Observatory of Culture 18, no. 1 (2021): 55–65. http://dx.doi.org/10.25281/2072-3156-2021-18-1-55-65.

Full text

Abstract:

The article deals with the features of mythopoetic models in S.T. Konenkov’s sculpture. Despite the fact that monographs, albums, dozens of articles are devoted to the maestro’s works and they are quite well studied, the nature of the mythologism of S.T. Konenkov’s artistic thinking has not been fully revealed. In the ideological context of Soviet art studies, which were based on the methodology of the “social history of art”, only the fact of the sculptor’s deep interest in archaic folk traditions was noted, while this topic can be considered as a natural manifestation of the myth-making proc

APA, Harvard, Vancouver, ISO, and other styles

39

Melita, Lucia Noor, Katarzyna Węgłowska, Diego Tamburini, and Capucine Korenberg. "Investigating the Potential of the Er:YAG Laser for the Removal of Cemented Dust from Limestone and Painted Plaster." Coatings 10, no. 11 (2020): 1099. http://dx.doi.org/10.3390/coatings10111099.

Full text

Abstract:

A successful application of Er:YAG laser for the cleaning of a restored Assyrian relief sculpture from the British Museum collection is presented. Displayed in the gallery, the sculpture has darkened over time due to the natural deposition of dirt, in particular on restored parts. Since traditional cleaning methods have demonstrated to be unsuccessful, a scientific investigation was performed to identify the composition of the soiling and the materials used for the restoration. The analysis suggested the presence of gypsum, calcium oxalate, carbonates and alumino-silicates on the encrustation.

APA, Harvard, Vancouver, ISO, and other styles

40

Becker, Karin, and Geska Helena Brečević. "More Than a Portrait: Framing the Photograph as Sculpture and Video Animation." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 48–55. http://dx.doi.org/10.47659/m5.048.art.

Full text

Abstract:

This essay traces the resurrection of the fotoescultura, a three-dimensional photographic portrait popular in rural Mexico in the early 20th century, as interpreted in recent works by Performing Pictures, a contemporary Swedish artist duo. The early fotoesculturas were an augmented form of portraiture, commissioned by family members who supplied photographs that artisans in Mexico City converted into framed sculptural portraits for display on family altars. We compare these »traditional« photographic objects with “new” digital forms of video animation on screen and in the public space that cha

APA, Harvard, Vancouver, ISO, and other styles

41

Spalva, Rita. "Dance in Ancient Greek Culture." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 2 (May 9, 2015): 451. http://dx.doi.org/10.17770/sie2012vol2.523.

Full text

Abstract:

The greatness and harmony of ancient Greece has had an impact upon the development of the Western European culture to this day. The ancient Greek culture has influenced contemporary literature genres and systems of philosophy, principles of architecture, sculpture and drama and has formed basis for such sciences as astronomy and mathematics. The art of ancient Greece with its penchant for beauty and clarity has been the example of the humanity’s search for an aesthetic ideal. Despite only being preserved in its fragments, the dance of ancient Greece has become an example worthy of imitation in

APA, Harvard, Vancouver, ISO, and other styles

42

Svetlov, Igor. "Hungarian Sculpture of the Late Twentieth Century. At the Intersection of Romanticism and Pop Art." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (2019): 108–35. http://dx.doi.org/10.36340/2071-6818-2019-15-4-108-135.

Full text

Abstract:

Developing intensively and in its own way throughout the 20th century, Hungarian sculpture has gained recognition as one of the leading European schools. Much in its creative image was determined between the two world wars when romantic tonality, combining dynamic activity and plastic flexibility, became a high priority. Romantic pantheism made itself felt in the artistic works of the Hungarians, successfullyshown at the All-Union Art Exhibition in Moscow in 1957-1958. The appeal to the motives and forms of nature enriched the human modulus of Hungarian sculpture.The period between 1960-1970 i

APA, Harvard, Vancouver, ISO, and other styles

43

Субботина, Е. В. "Riza-covered icons of the late 18th – early 20th century in the collection of the Primorye State Art Gallery." Iskusstvo Evrazii [The Art of Eurasia], no. 2(25) (June 30, 2022): 150–65. http://dx.doi.org/10.46748/arteuras.2022.02.015.

Full text

Abstract:

Иконная живопись и оклад составляют общий комплекс, нередко единовременный с живописью. В утилитарном смысле оклад служит чехлом, сохраняющим живопись от повреждений. Статья обозревает темперные окладные иконы конца XVIII – начала XX века в собрании Приморской картинной галереи. Предложена их группировка по особенностям оформления окладов, которая имеет существенное значение в экспозиционной работе музеев. Рассмотрены особенности икон с басменными, шитыми, выполненными под влиянием стилей барокко и классицизма окладами, иконы-«подокладницы» и иконы с врезным крестом. Поднят вопрос об эстетичес

APA, Harvard, Vancouver, ISO, and other styles

44

Кукіль, Л. Л. "АНТРОПОМОРФНІ ОБРАЗИ МАСКАРОНІВ У ЛЬВІВСЬКІЙ АРХІТЕКТУРНО-ДЕКОРАТИВНІЙ ПЛАСТИЦІ ХІХ – ПОЧАТКУ ХХ СТОЛІТТЯ". Art and Design, № 3 (13 листопада 2020): 78–88. http://dx.doi.org/10.30857/2617-0272.2020.3.6.

Full text

Abstract:

The purpose of the study is to analyze the information load and plastic solutions of the anthropomorphic mascarons on the facades of Lviv buildings of the XIX – early XX centuries. Methodology. The article uses general scientific research methods: the historical and comparative method; the method of synthesis and the art history analysis. Research results. The Lviv architectural and decorative plastics of the 19th and early 20th century is characterized by a widespread typology of the mascarons on the facades of the buildings. Various types of faces of old Lviv street, paired male and female i

APA, Harvard, Vancouver, ISO, and other styles

45

Vasilevna-Portnova, Irina. "Russian scientific-animalistic images of the 20th century in the collection of biological museums. Their specific structure and meaning." Arte, Individuo y Sociedad 34, no. 4 (2022): 1517–42. http://dx.doi.org/10.5209/aris.79969.

Full text

Abstract:

The article dwells on scientific animalistic images of the XX century, which are stored in natural science museums of the country representing the special art of animal paintings. They are featured in the "scientific illustration" category with an emphasis on objectivity, accuracy of fixation of each form, what didn't exclude the spotting of the characteristic and the main thing in scientific works. Due to the fruitful interaction of animal painters with biologists, their common understanding of the goals of art, scientific illustration has acquired the quality of an artistic image, not ceasin

APA, Harvard, Vancouver, ISO, and other styles

46

Myer, Donald B., and Abba Lichtenstein. "Washington, a City of Beautiful Bridges: Paradigms to Emulate." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (1996): 18–34. http://dx.doi.org/10.1177/0361198196154900103.

Full text

Abstract:

Washington enjoys a unique international focus as a city planned for beauty. It incorporates a monumental baroque plan superimposed on a topography bordered by rivers and hills. Marble monuments and governmental structures carefully range a tree-lined formal landscape in the city's core. Fiercely protected height limits assure as a centerpiece the Capitol dome and monument-lined Mall. Conscious planning and architectural aesthetic effort have resulted in bridges that are an integral part of the nation's capital in 1996. Its structures reveal history, engineering excellence, and undeniable aest

APA, Harvard, Vancouver, ISO, and other styles

47

Chaszczewicz-Rydel, Marta. "Epidemie w przestrzeni Śródziemnomorza i ich świadectwa w literaturze i sztuce." Slavica Wratislaviensia 177 (December 30, 2022): 231–42. http://dx.doi.org/10.19195/0137-1150.177.20.

Full text

Abstract:

This article begins with a description of healthcare in ancient Greece, the origins of the concept of epidemic, and the assertion that infectious diseases have accompanied mankind since the Neolithic times, especially in urban areas. Then I present medieval customs related to plagues, places of seclusion, linguistic concepts and forms of material culture left over from historic epidemics — spas, field hospitals, thanksgiving churches, votive off erings, plague shrines, ossuaries. Next, I draw attention to the way of thinking about epidemics expressed in biblical texts, with particular emphasis

APA, Harvard, Vancouver, ISO, and other styles

48

مجدى محى الدین عبد الرحمن, هدیر, محمد حامد رسمی та حنا حبیب رملة حنا. "تطور المفهوم الجمالى للنحت الحدائقى فى القرن العشرین The Evolution of the Aesthetic Concept of Garden Sculpture In The 20th Century". مجلة الفنون التشکیلیة والتربیة الفنیة 2, № 2 (2018): 329–48. http://dx.doi.org/10.21608/jfea.2018.76120.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Rozenberg, Natalia Abramovna. "Argentine Period of the Stepan Erzia’s Creativity (1927–1950). Searching and Findings." Общество: философия, история, культура, no. 10 (October 2020): 87–94. http://dx.doi.org/10.24158/fik.2020.10.16.

Full text

Abstract:

Relevance: The problem of studying the work of one of the outstanding masters of the Russian Diaspora – Stephan Erzia, who created several hundred sculp-tures in Argentina, has been raised. Their specificity, connection with the culture of the country hasn’t been studied properly, and cultural and art history analysis has not been carried out. At the same time, identifying the reasons why the Argentineans per-ceive his art in relation to the Argentine one, is an essential research task. Moreover, Erzia’s exhibitions of recent years, held in Buenos Aires, Moscow and St. Petersburg, were success

APA, Harvard, Vancouver, ISO, and other styles

50

Duda, Vasile. "Armonia spațialității pozitive și negative în sculptura artistului Ingo Glass." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 185–220. http://dx.doi.org/10.24193/subbhistart.2020.10.

Full text

Abstract:

"Harmony of Positive and Negative Spaciousness in Ingo Glass sculpture. The aim of this article is to discuss issues regarding the ways spaciousness and harmony of positive and negative surfaces in Inglo Glass sculpture are valorized. The artist was born in 1941 in Timișoara, he studied at the Traditional School of Arts from Lugoj and then he attended the university in Cluj. Between 1967-71 he worked as curator at the Museum of Contemporary Arts from Galați and he established connections with visual artists from all over the country. Later on, between 1972-73 he worked as teaching assistant at

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!