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Relevant bibliographies by topics / Sculpture materials

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Academic literature on the topic 'Sculpture materials'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 February 2023

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Journal articles on the topic "Sculpture materials"

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Luecking, Stephen. "Sculpture from Patchwise Modules." Mathematics 7, no. 2 (2019): 197. http://dx.doi.org/10.3390/math7020197.

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The sculptor adapts the geometry of spline surfaces commonly used in 3D modeling programs in order to translate some of the topological nature of these virtual surfaces into his sculpture. He realizes the patchwise geometry of such surfaces by gluing square modules of neoprene rubber edge to edge to define the surface which he then torques and bends into sculptures. While limited by the nature of actual materials, the finished sculptures successfully incorporate the expressive tension and flow of forms sought by the sculptor. He presents images of finished works and provides an analysis of the

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Elezović, Zvezdana. "Affirmation of Serbian sculptures in Kosovo and Metohija." Bastina, no. 56 (2022): 553–62. http://dx.doi.org/10.5937/bastina32-36832.

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The paper discusses the affirmation of Serbian sculptors in Kosovo and Metohija in the second half of the XX century. It began to develop in the province in parallel with painting, and the founding of the Academy of Arts in Pristina in 1973 can be taken as a turning point. Most artists have already been involved in current creative trends in fine arts in Kosovo and Metohija and beyond. Bužančić says that sculptural achievements, as well as facts from the art scene at the time and a promising future, reject any allusion that sculpture was still a less important sector of Kosovo's art. As the fo

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Dzwonkowska, Paulina. "Photography and sculpture:The multifaceted relation of sculpture to photography and new media in the light of the evolving concept of sculpture." Journal of Education Culture and Society 1, no. 1 (2020): 26–36. http://dx.doi.org/10.15503/jecs20101.26.36.

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The relationship between photography and sculpture, unlike the dialogue between the latter and painting, was long treated as a peripheral issue. Yet as early as the mid-20th century photography began to show potential that sculpture seemed to be lack. Aware of a large degree of overlap between the two forms of artistic expression, (e.g. with respect to materiality, spatiality, or accentuating frozen gestures) sculptors did not leave sculpture for photography, but attempted to create works that were interdisciplinary in structure. The rise of interest in photography displayed by Polish sculptor

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Wang, Jun Xiao. "Study on Sculpture Based on New Materials." Applied Mechanics and Materials 340 (July 2013): 335–38. http://dx.doi.org/10.4028/www.scientific.net/amm.340.335.

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In the field of sculpture, the material is a sculptor's medium for the expression of aesthetic ideas, presenting a visual image. In a strict sense, all of the sculptures in the world are reflected through the material. It is recorded in the history of Western civilization development that ancient man started the sculpture very early and they also learned to take advantage of them during the creation of the material. As time goes on, the material has been an extremely important role to play in the sculpture development. In China, traditional sculpture materials have thousands of years of develo

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Jinsin, Kun. "Chinese Buddhist Sculpture of the Early Period. Iconographic Features." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (2020): 114–26. http://dx.doi.org/10.36340/2071-6818-2020-16-2-114-126.

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Chinese Buddhist Sculpture of the Early Period. Iconographic Features The development period of the art of Buddhist sculpture from the mid and late era of Eastern Han to the era of Western Jin is addressed in this article. The Buddhist sculpture of this period is called early Chinese Buddhist sculpture. During this period, before individual Buddhist sculptures became official objects of worship, Buddha images were made on stone carvings in tombs, on money trees, bronze mirrors, hunping vessels, etc. They have many similarities between each other, and therefore are significantly different from

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Fuentes Pérez, Gerardo. "La escultura. Engañando a la gravedad." ACCADERE. Revista de Historia del Arte, no. 1 (2021): 69–85. http://dx.doi.org/10.25145/j.histarte.2021.01.04.

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Sculptures are not capable of creating as complex scenes as painting does, except sculptural relief that creates the illusion of perspective and narration through the different planes. And it is not a question of establishing conceptual criteria in the manner of El Paragone, but rather discovering the constructive possibilities of sculpture in certain proposals, such as the representation of content through mass, height and depth, that is, the three-dimensionality. Already in the past, sculptors made an effort to obtain complex results such as the challenge to gravity (deceiving gravity), by m

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Østergaard, Jan Stubbe. "Farven vender tilbage. Et “sandere billede” af antik skulptur." Periskop – Forum for kunsthistorisk debat, no. 18 (August 14, 2017): 118–37. http://dx.doi.org/10.7146/periskop.v15i18.105150.

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The Re-Emergence of Colour. A “Truer Picture” of the Sculpture of Classical AntiquityThough often held to be a well-known fact, the consequences of the re-emergence of polychromy of ancient Greek and Roman sculpture have not yet made themselves noticeably felt in the practice of disciplines most affected, namely classical archaeology and art history. Yet it challenges what we have long held to be “the true picture” of classical sculpture, as well as ideas on the aesthetics of later European sculpture. The absence of studies of the aesthetic dimension of polychrome sculptures of these later per

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Portnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.

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This article is concerned with the ratio of plastic arts as exemplified by sculptural works depicting dances of the early 20th century. Special attention is paid to the Greek motives in the Russian art of this period, which became the subject of inexhaustible aesthetic and artistic interest. The representation of ancient dance motifs, their figurative image and the nature of antiquity in sculptural plastics, various approaches to the interpretation of ancient plots and themes, the role and significance of the “antique” component in their artistic structure are considered in the article. The st

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Bentum, Samuel Adentwi, and Mercy Gyamea Atiemoh. "Sculpture and Catering Symbiosis: The Trade of Equals." International Journal of Vocational and Technical Education Research 8, no. 1 (2022): 23–38. http://dx.doi.org/10.37745/ijvter.15/vol8n1pp2338.

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This paper aims to explore the relationships between sculpture and catering in the area of tools, equipment, materials, and techniques in their exposition. It also aims to expose the health, safety, and environmental measures associated with the practices of these great trades. The methodology involves the use of descriptive and experiential methods. The study employed a descriptive method because the tools, equipment, materials and techniques required for these trades needed to be exposed and appreciated. Experiential method was adopted because the researchers were exploring a new merger. The

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Granzotto, Clara, Ken Sutherland, Young Ah Goo, and Amra Aksamija. "Characterization of surface materials on African sculptures: new insights from a multi-analytical study including proteomics." Analyst 146, no. 10 (2021): 3305–16. http://dx.doi.org/10.1039/d1an00228g.

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Multiple analytical techniques, including proteomics, were used to characterize materials from the surfaces of two African sculptures in the collection of the Art Institute of Chicago: a Bamana power object (boli), and a Yoruba wooden sculpture.

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Dissertations / Theses on the topic "Sculpture materials"

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Corigliano, Michael. "Materials and Meaning." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3270.

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Decisive moments and their fleeting experiences are born from an individual’s interaction within a defined physical space. It is here at the intersection of environment and context that my work in site-specific art begins. I endeavor to create an examination of socio-political and environmental issues through a manipulation of materials, thereby altering one’s private, communal, and cultural response to them. My installations are comprised of slip casted multiples which reference the human form. I place these forms in galleries and specific exterior locations, and incorporate materials tha

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Hazewinkel, Andrew Clemens. "Stone authority violence: relating body, materials, remembering." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13635.

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In this doctoral thesis I experiment with images of damaged ancient figurative sculpture, physical space and a specific set of materials in order to generate a fresh understanding of how one’s personal experiences mingle with the residues, presences and traces of others peoples’ pasts, presents and perhaps, futures. Two questions drive this thesis. How are materials and material culture caught up with remembering? And, how are the broken stone and bronze bodies of Antiquity entangled with our contemporary social dimension? First investigating early photography’s association with violence and t

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Petrillo, Lucido. "La cascarilla cerámica como material escultórico." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/104110.

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La cascarilla cerámica es un material que se emplea principalmente para la realización de moldes en fundición. Esta investigación demuestra que la cascarilla cerámica puede ser empleada para la realización de escultura con una definición excepcional en su acabado. La investigación ha permitido identificar una serie de ventajas que presenta el material para afrontar las dificultades de un artista durante la realización de una escultura. La investigación se ha desarrollado en cinco etapas: En la primera etapa se recogió información sobre la cascarilla como material de proceso. Este

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Nurmi, Kaela L. "Challenges Surrounding the Conservation and Replication of Eva Hesse’s Sculpture." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/709.

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The sculpture of German-born American artist, Eva Hesse (1936-1970), presents many conservation challenges. Hesse’s experimentations with latex and fiberglass created stunningly innovative works of art in the late 1960s bringing these unorthodox materials into the world of fine art; but now these materials are creating major conservation problems. Her artwork is an extreme example of the conservation challenges of contemporary art. This thesis examines the challenges surrounding the conservation and replication of Eva Hesse’s large-scale latex and fiberglass sculptures. The latex and fiberglas

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Taylor, Damian. "Busy working with materials : transposing form, re-exposing Medardo Rosso." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:29b3640a-a68e-45d1-8f42-130702bc9819.

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This thesis examines how making extends artists' thoughts beyond their conceptions. Central to this is consideration of how an artist's statements and their work relate: this thesis argues that the relationship is neither of identity nor contradiction, but of a productive tension from which emerges a richer understanding of thought. A similar approach underscores this doctorate's relationship of studio and written components, both of which desire self-sufficiency. The studio work consists of discrete yet mutually informing series, all engaged with the specificity of a moment of exposure, wheth

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Vallverdú, Jaume R. (Jaume Ros) 1954. "Reflexions sobre l'escultura en pedra: anàlisi, concepte i tècnica: la pròpia obra." Doctoral thesis, Universitat de Barcelona, 1988. http://hdl.handle.net/10803/672109.

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Este es el trabajo de un escultor que entre otras cosas explica cuáles son sus medios y materias. Se decanta claramente por la piedra y específicamente por el mármol, el cual es utilizado como materia prima en la realización de su obra. Podríamos diferenciar en la presente tesis diversos aspectos: 1.- Aquello que nos motiva (precedentes, material cultural, etc). 2.- Análisis de nuestras conductas y acciones escultóricas. En este bloque se tratan las cuestiones específicas de la aportación personal, así como una parte importante de asuntos que se refieren al apartado técnico y especifi

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Afonso, Luís Filipe Soares. "A relação da escultura com o som: as formas, os materiais e as técnicas." Doctoral thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/14708.

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A presente investigação tem como objecto de estudo a escultura sonora, centrando- se essencialmente na correlação de duas áreas, a escultura e o som. Procura analisar e definir a escultura sonora através de uma pesquisa interdisciplinar entre a ciência, a tecnologia e as artes visuais. Este estudo tem por objectivo analisar a origem do entrosamento entre a escultura e o som, caracterizando o que se pode definir como escultura sonora dentro do universo ambíguo das artes sonoras e o que a distingue de um instrumento musical. Neste âmbito, procura desvelar quais foram os agentes que geraram mudan

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Snowdon, Roger J. III. "Tension in Space." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461418173.

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Madanska, Dessislava. "New Rituals : Materials, Objects and Space." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7426.

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My project unfolds on three different scales: Materials, Objects and a Space. A research on materials and new technique for their transformation, a creation of functional objects out of the transformed materials, and finally, a spatial environment for the created objects. Real-life site visits to various factories and craftsmen, discussions with makers, sourcing leftover materials, transforming materials into borderline art/design objects are among the key elements of my research methodology. The three scales of my work are unified by the notion of Rituals. My understanding of rituals is not

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McNamee, Aaron. "Some Kind of Time." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1194.

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This critical analysis examines the progression and trajectory of my studio practices over the final two years of my graduate career. The pinnacle of my development became a meditation on time and its overall encompassing effects. The mundane and the fantastic are all bound by time. Many archetypes have ventured to escape the clutches of time. Found objects are remnants of time, linking past to present, present to future. Scars and blemishes are also vestiges of time, marking us like scratches on a record. The detritus of our lives defines our time, as it defines us. This thesis will elabo

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Books on the topic "Sculpture materials"

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The materials of sculpture. Yale University Press, 1993.

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Verhelst, Wilbert. Sculpture: Tools, materials, and techniques. 2nd ed. Prentice-Hall, 1988.

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Verhelst, Wilbert. Sculpture: Tools, materials, and techniques. 2nd ed. Prentice-Hall, 1988.

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Rich, Jack C. The materials and methods of sculpture. Dover, 1988.

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Kuhtz, Cleo. Sculpture: Materials, technique, styles, and practice. Britannica Educational Publishing in Association with Rosen Educational Services, 2016.

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Die Ordnung des Materials. Akadamie Verlag, 1999.

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The sculpture reference illustrated: Contemporary techniques, terms, tools, materials, and sculpture. Sculpture Books, 2005.

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Marjorie, Trusted, ed. The making of sculpture: The materials and techniques of European sculpture. V & A Publications, 2007.

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Schodek, Daniel L. Structure in sculpture. MIT Press, 1993.

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Widman, Lorraine Balmuth. Sculpture: A studioguide : concepts, methods and materials. Prentice Hall, 1989.

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Book chapters on the topic "Sculpture materials"

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Irvin, Sherri. "Materials and Meaning in Contemporary Sculpture." In Philosophy of Sculpture. Routledge, 2020. http://dx.doi.org/10.4324/9780429462573-10.

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Faltermeier, Robert B. "Modern Materials and Sculptures." In An Easy Guide to Care for Sculpture and Antique Art Collections. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-08897-6_9.

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Faltermeier, Robert B. "Wooden Materials." In An Easy Guide to Care for Sculpture and Antique Art Collections. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-08897-6_8.

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Abidin, Mursyidah Zainal, Mohd Razif Mohd Rathi, Clement Jimel, Zaidi Wasli, and Noraziah Mohd Razali. "Form and Meaning: Metal Feline Public Sculpture from Recyclables Materials at Kuching, Sarawak." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_29.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Marion Spielmann, British Sculpture and Sculptors of Today." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-38.

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Gilmore, Jonathan. "Material, Medium, and Sculptural Imagining." In Philosophy of Sculpture. Routledge, 2020. http://dx.doi.org/10.4324/9780429462573-9.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘Ancient and Modern Sculpture’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-50.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Harriet Hosmer, ‘The Process of Sculpture’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-42.

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Lakhtakia, Akhlesh, and Joseph B. Geddes. "Thin-Film Metamaterials Called Sculptured Thin Films." In Engineering Materials. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12070-1_3.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Edmund Gosse, ‘Sculpture at the Royal Academy’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-35.

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Conference papers on the topic "Sculpture materials"

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Liu, Maomao. "Application of Ceramic Materials in Modern Urban Sculpture." In 2017 3rd International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/essaeme-17.2017.348.

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Vuga, Martina. "Skin matters. Conservation-restoration treatment of a 16th Century polychrome wooden sculpture." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13509.

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This paper presents results of the preliminary examination and conservation-restoration treatment of polychrome wooden sculpture, Madonna and Child, dated around 1520 from the National Gallery of Slovenia. Extensive areas of paint loss, discoloration of old retouches and darkened coating on gildings disrupted the sculpture’s visual unity and balance. Overpaints have progressively and significantly changed its appearance. Prior to the intervention we conducted detailed technical examination. Treatment included surface cleaning and partial removal of materials. Decisions, methods, and materials

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Bieger, Isabel. "Making Art Through Textile." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001555.

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Art is an important point in our life. Show our culture, our ideas, our knowledge, our creativity and our sensibility. Through art we can Know what the people think in the time of history. Art is the manifestation of beliefs, showing what people demonstrating critical capacity of the history that we are living or lived in some time. For doing art artists using different kind of material. Someone paints, others do sculptures, or even many materials are possible to use together for manifestation art and opinions. Here we will talk about textile material. The many facets of the fabric, how it can

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Chen, Xuehui, Genfu Yuan, and Zhen Yu. "Model-making of building & sculpture based on Laser rapid prototyping technology." In PICALO 2008: 3rd Pacific International Conference on Laser Materials Processing, Micro, Nano and Ultrafast Fabrication. Laser Institute of America, 2008. http://dx.doi.org/10.2351/1.5057016.

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Schwerdtfeger, M., K. Krugener, W. Viol, M. Koch, and E. Castro-Camus. "Measuring a crack: Three-dimensional imaging of sub-wavelength fractures in sculpture and construction materials." In 2013 38th International Conference on Infrared, Millimeter, and Terahertz Waves (IRMMW-THz 2013). IEEE, 2013. http://dx.doi.org/10.1109/irmmw-thz.2013.6665872.

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García González, María Dolores. "El uso de Instagram en la formación del alumnado de arte como complemento a la docencia presencial y a la docencia online universitaria." In IN-RED 2020: VI Congreso de Innovación Educativa y Docencia en Red. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inred2020.2020.12015.

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This communication exposes the results of an ongoing study related to the use and potential of the Instagram social network as a complementary tool in the acquisition of competences for the students of the Sculpture II subject in face-to-face and online teaching. The objective of this research is to establish the theoretical foundations of a working model based on the use of ICT and social networks as possible propelling and inspiring elements of artistic practices, especially those oriented to the sculptural field. For this study, the group_f52 Instagram account has been created in order to e

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Avila Forero, Juan Sebastian. "Design of training materials for teaching anatomy." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.2955.

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The present work is part of the Doctoral Research in Design, Manufacturing and Industrial Projects Management of the Universidad Politecnica de Valencia (UPV) and is incorporated in the PhD project called ¨The implementation of digital design and manufacturing technologies in the teaching of anatomy¨. It is based on the experience as a thesis director in the Design Faculty of the University El Bosque in Bogota. The project discussed thereafter aims to strengthen the skills of students in Industrial design. With a strong technological component, the project’s method relies on the elaboration of

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Kumar, Goldy, and Vadim Shapiro. "Analysis of Multi-Material Bonded Assemblies on a Non-Conforming Mesh." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70748.

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Bonded multi-material assemblies arise frequently in design, manufacturing, architecture, and materials design. It is a common wisdom that finite element analysis of such assemblies usually requires all components to be represented by compatible finite element meshes; application of meshfree methods in such situations is often considered problematic due to the need to impose additional interface conditions. Neither approach scales to deal with realistically complex models arising in many applications. We propose a simple extension of meshfree analysis on a non-conforming mesh for linear struct

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Mirwa, Tety, Sugito Sugito, Nelson Tarigan, and Khaerul Saleh. "Visual Characteristics Of Monuments Statue And Monuments In Medan City As Enrichment Of Teaching Materials Sculpture In Fine Arts Department At State University Of Medan." In Proceedings of the 4th International Conference on Innovation in Education, Science and Culture, ICIESC 2022, 11 October 2022, Medan, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.11-10-2022.2325519.

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Tonini, Francesca. "With a little help of my friends. A hopeful educational methodology on retouching for conservation-restoration students on wooden sculpture." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13583.

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Is it possible to mix and match the theoretical foundations of Cesare Brandi - internationally recognized - with the new theories of Muñoz Viñas for a new ethics of restoration, taking into account the suggestions of Paul Philippot, who was the first to deal with the restoration of wooden sculpture? For educational purposes in restoration schools, is not easy to cover all these aspects of retouching, but it is important to find a method that allows students to acquire a solid foundation, and then to deepen the different aspects of the question, hopefully simple but at the same time effective.

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Reports on the topic "Sculpture materials"

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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electroma

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