Relevant bibliographies by topics / Sculpture, Modern 20th century Australia

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sculpture, Modern 20th century Australia'

Author: Grafiati
Published: 10 December 2022
Last updated: 19 July 2025

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Journal articles on the topic "Sculpture, Modern 20th century Australia"

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Steklova, Irina A., and Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.

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The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied the
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Fang, Zhiyu. "CONTEMPORARY CHINESE SCULPTURE OVERVIEW." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (2023): 49–59. http://dx.doi.org/10.36340/2071-6818-2023-19-3-49-59.

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In the past century, China has experienced significant cultural and societal transformations, transitioning from a culturally isolated and largely illiterate nation to one that is actively developing alongside the rest of the world and presents a unique blend of cultural tradition and modern civilization. Over the years China has seen several generations of sculptors who have been both actively and passively influenced by various schools of sculpture and ideas from France, the Soviet Union, Europe, and the US. In other words, the development of contemporary Chinese sculpture is closely tied to
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PODOLSKAYA, KSENYA S. "YSTEM-STRUCTURAL ANALYSIS OF CONTEMPORARY INTERACTIVE SCULPTURE." Университетский научный журнал, no. 83 (December 29, 2024): 156–60. https://doi.org/10.25807/22225064_2024_83_156.

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The article is devoted to the features of the application of system-structural analysis in works of modern interactive sculpture. Changes in approaches to the creation of sculptural objects in the second half of the 20th century and early 21st century, the use of new materials, the development of methods of communication of the work with the surrounding space and the recipient led to the actualisation of the issues of the methodology of studying works of modern art. The article reveals the advantages of system-structural analysis in the study of interactive sculpture. It is noted that the use
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Dr., T.G Jyothilal. "The Evolution of Indian Sculptural Art: Interaction with Western Styles and Development of Modernism." Kiraṇāvalī 16, no. 1-4 (2024): 49–54. https://doi.org/10.5281/zenodo.14633689.

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This paper explores the evolution of Indian sculpture from the early interactions with Western academic styles to the rise of unique and diverse forms in the mid-20th century. It examines how early Indian sculptors were influenced by Western techniques and aesthetics, and how modern Indian sculptors, such as V.P. Karmarkar, Ram Kinker Baij, Pradosh Dasgupta, Dhanraj Bhagat, and Sankho Choudhury, began to incorporate local materials and indigenous themes while embracing modernist principles. Through an analysis of their works and techniques, the paper highlights the transformation of Indian scu
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Huang, Weiwei. "REALIST SCULPTURE IN CHINA - DISCOVERY AND FORMATION OF ART METHOD." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (2023): 39–48. http://dx.doi.org/10.36340/2071-6818-2023-19-3-39-48.

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Chinese sculpture has a long history and is a world-renowned art treasure and cultural heritage. With the changes in the global political structure and China's internal social system in the past two hundred years, they have directly affected the development direction of Chinese sculpture. The traditional Chinese sculpture system has gradually weakened. In line with the trend of 'learning from the West' at the end of the Qing Dynasty, students, policymakers, and practitioners of sculpture-related industries began to reach a tacit agreement, with many factors contributing to a new choice for Chi
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Bokotei, Mykhailo. "Blown glass vase design features of Lviv art glass of 70-80 years of the 20th century." Bulletin of Lviv National Academy of Arts, no. 45 (April 10, 2021): 43–51. https://doi.org/10.37131/2524-0943-2021-45-6.

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Ukrainian blown glass as an independent phenomenon in the domestic decorative and applied art reached its most prosperity at the end of the 20th century. The centre of the glass blowing, formation of national identity, heart of tradition preservation and improving, education of next generations of glass blowing masters and glass artists is Lviv region. Just here the glass department of Lviv Experimental Ceramic and Sculpture Factory existed for about half a century where a wide range of blown glass goods made by free forming method was produced. Among the range of limited blown glass products
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Petrova, Olga. "Open Form, Its Psychological, Civilizational, and Aesthetic Foundations in the Works of Modern Ukrainian Artists." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 156–60. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306925.

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The paper presents the concept of an “open work” (according to the idea of Umberto Eco) as a meaningfully undefined, and even non-finito work, which appeared in the artistic practice of the 20th century, at the time of revolutionary and military disasters. The events of the early 20th century in the social, psychological, and artistic consciousness of the leading avant-garde figures caused emotional and psychological shifts and contributed to the emergence of new ways of artistic expression. In art, works with different vector characteristics emerged: palimpsest, simulacrum, deconstruction, et
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ÖZDEMİR, Soner. "ARTIFICIAL LIGHT SOURCE AS A COMPONENT CONSTITUTING THE SCULPTURE." IEDSR Association 6, no. 15 (2021): 235–45. http://dx.doi.org/10.46872/pj.351.

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Light, which is the main source in which plastic arts produce meaning by processing it, indirectly takes place in all works of art with its different colors and tones throughout the history of art. With the use of new materials and techniques in art with the modern period, it is seen that the light itself, that is, the light source, is also included in art works as a medium. This situation allowed the artists to create brand new perceptions and effects. With the second half of the 20th century, the use of artificial light source in sculpture as an element belonging to the sculpture is encounte
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 Цветкова, Н. Н. "АБСТРАКТНЫЕ ГЕОМЕТРИЧЕСКИЕ ФОРМЫ В СОВРЕМЕННЫХ ТЕКСТИЛЬНЫХ АРТ-ОБЪЕКТАХ И ИНСТАЛЛЯЦИЯХ". Terra artis. Art and Design, № 2 (10 вересня 2022): 110–16. https://doi.org/10.53273/27128768_2022_2_110.

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Использование абстрактных геометрических форм в произведениях современного художественного текстиля (арт-объектах и инсталляциях) представляется актуальным приемом. Художественный текстиль первой половины ХХ в. развивался параллельно с новыми авангардными живописными тенденциями. В настоящее время вопросы взаимного влияния абстрактной живописи и декоративного оформления в художественном текстиле рассматриваются искусствоведами, однако этой проблеме все еще уделяется недостаточно внимания. Во второй половине ХХ в. текстиль вышел с плоскости в пространство. Появились скульптуры, арт-объекты и ин
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Cheng, Christopher. "Beacons of modern learning: Diaspora-funded schools in the China-Australia corridor." Asian and Pacific Migration Journal 29, no. 2 (2020): 139–62. http://dx.doi.org/10.1177/0117196820930309.

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In the early 20th century, modern school curricula and new-style schools mushroomed in the Chinese remittance landscape of southern China. Breaking away from the two-and-a-half millennia of Confucian tradition, their creation marked a pivotal point of departure between the nation’s past and future. Since overseas migration and modern education both provide a fruitful context for the circulation of new objects and a cross-fertilization of ideas, new schools serve as barometers of social-material change. Research in the present-day cities of Zhongshan and Zhuhai (formerly Heung San County) sugge
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Dissertations / Theses on the topic "Sculpture, Modern 20th century Australia"

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Lang, Graham Charles. "Aspects of brutality : anxious concepts in sculpture since 1950." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012724.

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It would be wrong to suggest that this essay is in any way a comprehensive study of brutal sculpture. Certainly not. There have been many deliberate omissions for reasons which become clear in the text. Very briefly, omissions of certain sculptors and their work are largely due to my wish to avoid repetitive ideas and images. My view in this essay is to provide a cross-section of ideas and works, whereby the reader might gain some insight into the varied nature of this kind of sculpture. Thus, there seemed very little need for endless similarities of concept and expression. It was the diversit
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Nasifoglu, Yelda. "Walter Pichler : the modern Prometheus." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32821.

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The ritualistic aspect of Walter Pichler's work greatly problematizes the traditional view of the art object as the locus of aesthetic contemplation. Yet how are we to approach such art in our secularized world? For it to maintain its meaningfulness, does not ritual require a shared symbolic system?<br>Indirectly guided by Pichler's work, this thesis is an exploration of the contemporary status of the work of art. An investigation into the myth of Prometheus reveals that art and ritual share the same origin. Further inquiries into early Greek sculpture, as well as the concepts of techne and mi
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Hardwick, Carole. "The dissemination and influence of Willem M. Dudok's work in the climate of modernism in architecture in Australia, 1930-1955." Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/18154.

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The thesis studies the role of the European modem architect, the Dutchman Willem Marinus Dudok, in the dissemination of certain aspects of the concepts of architectural modernism in Australia from 1930 to the mid-1950s, and examines the manner in which his works and ideas were actually transferred. The thesis establishes the significance of Dudok's role in the Australian architectural context. An introductory discussion of European architectural modernism is presented so that Dudok's position can be understood in relation to it. This is followed by an examination of Dudok's professional life a
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Lamb, Jacquelyn R. "The Patsy and Raymond Nasher Collection of Twentieth-Century Sculpture, 1967 to 1987." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501252/.

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Over a period of two decades, Raymond D. Nasher, a Dallas-based real estate developer, and his late wife Patsy amassed a collection of significant modern sculptures. For years, pieces from the private collection--numbering over 300 as of 1990--were on display in various museums and civic institutions, and they were installed on a rotating basis at Northpark Center, a Dallas shopping mall developed by Nasher. Since the 1987 Dallas Museum of Art exhibition, the collection has been shown in several major international museums. This study documents the formative period of the collection, the Nashe
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Waldmann, Anna. "Desiderius Orban: an Australian romantic." Thesis, The University of Sydney, 1987. https://hdl.handle.net/2123/26267.

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Desiderius Orban (1884-1986) was born in Hungary. He had been a successful painter and teacher in his country of origin and came to Australia in 1939 as a mature and formed artist. He gained recognition in the Sydney art circles relatively soon after his arrival, had a large number of exhibitions, took part in numerous competitions, became a member of various art groups. Orban published three books and ran an art school from 1941 until his death in October 1986. In an unpublished autobiography written in 1965, Orban commented about his artistic career: I always had doubt of my achievements.
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Williams, Court. "Sensitive skin." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28932.

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The work being considered for examination will be my gallery installation Affliction. Consisting of approximately six hundred digitally printed and hand constructed three dimensional models, it will be installed on the gallery floor as a part of the Postgraduate Degree show at Sydney College of the Arts (Tuesday December 9th through to Wednesday December 17th). My masters project explores the isolation and dislocation experienced in the urban environment and situates un-commissioned street art as a construct that potentially generates modes of plurality through immediate encounter, co
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Robb, Charles. "The Self as Subject and Sculpture." Thesis, Monash University, 2008. https://eprints.qut.edu.au/16903/1/16903.pdf.

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This paper analyses and contextualises the artist’s exploration of self-portraiture through the sculptural bust format. Conventionally, the portrait bust epitomises an antiquated view of the human subject as fixed, finite and knowable. The classicistic allusion of the form seems the perfect embodiment of a pre-modern and hopelessly idealised view of subjectivity and its capacity to be represented. This paper will show how, despite these impressions, the portrait bust is in fact a highly volatile sculptural form in which presence and absence are brought into question. When used as a vehicle
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Aramendía, Manuel. "Alternativa personal para el estudio del proceso escultórico : precedentes históricos y debate actual." Doctoral thesis, Universitat de Barcelona, 1990. http://hdl.handle.net/10803/405419.

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Esta tesis da una visión sintética de las diferentes corrientes escultóricas internacionales que confluyen en el panorama actual español. Una vez contextualizada nuestra joven escultura se pasa a estudiar las reacciones individuales concretas de nuestros escultores, dejando claro que estos análisis individuales son solo una fase de la metodología sin que constituyan una finalidad por sí mismos. A través del análisis de las posiciones individuales se detectan una serie de planteamientos que rebasan las posturas particulares concretas y que se expresan mediante unos "ejes de discusión". Es
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Dawson, Louisa Art College of Fine Arts UNSW. "Moving house: the renovation of the everyday." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43084.

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This paper describes my research project and body of work, which investigates social inequalities through the different language and functions of everyday objects. The research moves on from my previous Honours research project on the dou ble nature of caravan parks in NSW and looked at the changing demographics of these locations. I noted the increase of semi-permanent, residential 'homes' for low income earners and the unemployed, in these holiday locations. This paper examines broader social issues of homelessness and social inequalities within our society. I look at the complexities in t
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Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting
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Books on the topic "Sculpture, Modern 20th century Australia"

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Antonia, Boström, ed. Encyclopedia of 20th century sculpture. Fitzroy Dearborn, 2004.

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Art, Columbus Museum of, ed. Modern sculpture. Columbus Museum of Art, 1986.

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Hunter, Sam. Modern art: Painting, sculpture, architecture. 3rd ed. Prentice Hall and Harry N. Abrams, 2000.

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Sam, Hunter. Modern art: Painting, sculpture, architecture. 3rd ed. Prentice Hall, 1992.

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Sam, Hunter. Modern art: Painting, sculpture, architecture. 3rd ed. Harry N. Abrams, 2000.

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1946-, Harper Glenn, and Moyer Twylene 1966-, eds. Conversations on sculpture. isc Press, 2007.

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1946-, Harper Glenn, and Moyer Twylene, eds. Conversations on sculpture. ISC Press, 2007.

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Sam, Hunter. Modern art: Painting, sculpture, architecture. 3rd ed. H.N. Abrams, 1992.

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Perrell, Franklin Hill, and Constance Schwartz. 20th century sculpture: March 28, 1999-May 31, 1999. Nassau County Museum of Art, 1999.

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(expression), Wilde Jonty photographer, KAWS 1974-, and Yorkshire Sculpture Park, eds. KAWS: Yorkshire Sculpture Park. Yorkshire Sculpture Park, 2016.

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Book chapters on the topic "Sculpture, Modern 20th century Australia"

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Mishchenko, I. I. "TENDENCIES OF THE DEVELOPMENT OF THE BUKOVYNIAN SCULPTURE FROM THE MIDDLE OF THE 20TH TO THE BEGINNING OF THE 21TH CENTURY." In UROPEAN VECTOR OF MODERN CULTURAL STUDIES AND ART CRITICISM: THE EXPERIENCE OF UKRAINE AND THE REPUBLIC OF POLAND. Izdevniecība “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-588-41-9/73-89.

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Nguyễn, Thị Tú Anh. "Enquiring the two transcendent Buddha statues of Cham art belonging to the Vijaya state in the 11th to 13th centuries | Tìm hiểu hai pho tượng Phật Chàm bằng đá thuộc Tiểu quốc Vijaya thế kỷ 11-13." In From Megaliths to Maritime Landscapes: Perspectives on Indo-Pacific Archaeology. SEAMEO SPAFA, 2024. http://dx.doi.org/10.26721/spafa.p663o83rkr-5.

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Although the stone sitting Buddha statue from the Thủ Thiện temple has been documented by French scholars since the early 20th century, the Buddha figure currently on display at the Đà Nẵng Museum of Cham Sculpture remains a mystery in Cham Buddhist art from the 11th to 13th centuries. In addition to the other stone Buddha statue in meditation position on display at the Museum of Fine Arts in Ho Chi Minh City, these masterpieces are a challenge for modern Cham Buddhist art historians. This paper will argue that the Thủ Thiện’s Buddha image is Amoghasiddhi based on his hand gesture in abhaya-mudrā (gesture of fearlessness); while the other one is Vairocana with his hand gesture in bodhyāgrī-mudrā (the fist of wisdom). These two transcendent Buddhas may lead to the assumption that esoteric Buddhism was once practiced in the Campā kingdom during the Vijaya art period in the 11th to 13th centuries. It may also indicate the cultural relationships between Campā and the other Buddhist states during the time of esoteric Buddhism spreading throughout the entire Maritime Asia. Pho tượng Phật ngồi bằng đá thuộc di tích Thủ Thiện, Bình Định, đã được các học giả Pháp tìm thấy vào đầu thế kỷ 20; sau đó, tuyệt phẩm này đã được chuyển về trưng bày tại Bảo tàng Điêu khắc Chăm Đà Nẵng, tuy nhiên pho tượng này vẫn ẩn chứa nhiều bí ẩn chưa được tìm hiểu cho đến nay. Ngoài ra, một tuyệt tác điêu khắc đá khác cũng thể hiện đức Phật ngồi trong tư thế thiền định, đang trưng bày tại Bảo tàng Mỹ thuật Thành phố Hồ Chí Minh cũng thuộc thời kỳ Vijaya vào thế kỷ 11-13. Cả hai pho tượng vẫn còn là một thử thách đối với các nhà nghiên cứu nghệ thuật Campā trong việc thẩm định nội hàm của chúng. Tiểu luận này đặt giả thiết bức tượng Thủ Thiện là hình ảnh của đức Phật Amoghasiddhi dựa trên tạo hình ấn quyết abhaya-mudrā (vô uý thí); đồng thời giả định rằng đức Phật của Bảo tàng Mỹ Thuật TPHCM là Vairocana dựa trên ấn quyết bodhyāgrī-mudrā (trí huệ ấn). Hai pho tượng Phật này đưa đến nhận định rằng Phật giáo Mật tông từng được thực hành phổ biến tại vương quốc Campā vào thời kỳ Vijaya thế kỷ 11-13. Nhận định đó đồng thời phác họa mối liên hệ Phật giáo giữa Campā và các quốc gia khác trong suốt thời kỳ Phật giáo Mật tông phát triển, dựa trên mạng lưới hải thương châu Á đương thời.
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Conference papers on the topic "Sculpture, Modern 20th century Australia"

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Subbotina, O. S. "THE ORIGINS OF THE MODERN SOUVENIR IN THE LAMPWORK TECHNIQUE: MINIATURE GLASS SCULPTURE IN THE SECOND HALF OF THE 20th CENTURY." In ОБРАЗ, ЗНАК И СИМВОЛ СУВЕНИРА. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604936320_120.

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Moghassemi, Golshan, and Peyman Akhgar. "The Advent of Modern Construction Techniques in Iran: Trans-Iranian Railway Stations (1933-1938)." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3986pe808.

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It was only in the early 20th century that the concept of ‘architect’, as defined in Europe, was introduced in Iran. During the nineteenth century, Iranian architects were traditional master builders (me’mars) who would learn architecture after years of working with a master. This unique change in the conception of architecture in Iran took place during the interwar period. In 1926, when Reza Shah founded the Pahlavi dynasty, his policies toward rapid modernisation transformed the way architectural design and practice was performed in Iran. Among Reza Shah’s earliest programs was the construct
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Котломанов, А. О. "TECHNOLOGIES OF METAMODERNISM: PROJECTIONS OF THE THEORETICAL ASPECTS. HENRY MOORE’S “IDEAS FOR SCULPTURE” – BETWEEN ART AND DESIGN." In Искусство и дизайн: история и практика. Crossref, 2024. http://dx.doi.org/10.54874/9785605162995.2024.9.06.

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В контексте антиномии искусства и дизайна представляется уместным критически взглянуть на художественное наследие XX столетия с позиции метамодернистского подхода (в буквальном смысле этого понятия). Таким образом, наследие модернизма, его практики и теоретические позиции будут переосмыслены относительно, с одной стороны, традиции, с другой стороны — терминологии прикладного искусства и дизайна. В этом отношении ярким примером синтеза искусства и дизайна представляются рисунки выдающегося британского скульптора Генри Мура, известные как «идеи для скульптуры». In the context of the antinomy of
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Reports on the topic "Sculpture, Modern 20th century Australia"

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Two Visions of El Salvador. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006436.

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29 paintings and 1 sculpture by artists (including two women) from the early to late modern period of the 20th century, and 36 contemporary folk objects form this exhibition which juxtaposes the art of two different sectors of society ­the formally trained and the spontaneous, reflecting the circumstances and the social environments of each, but making all part of the national memory. The works come from the National Collection, the Julia Díaz Foundation-Museo Forma, and the INAR Foundation collection.
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