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Journal articles on the topic 'Sculpture, Modern 20th century Australia'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Steklova, Irina A., and Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.

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The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied the

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Fang, Zhiyu. "CONTEMPORARY CHINESE SCULPTURE OVERVIEW." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (2023): 49–59. http://dx.doi.org/10.36340/2071-6818-2023-19-3-49-59.

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In the past century, China has experienced significant cultural and societal transformations, transitioning from a culturally isolated and largely illiterate nation to one that is actively developing alongside the rest of the world and presents a unique blend of cultural tradition and modern civilization. Over the years China has seen several generations of sculptors who have been both actively and passively influenced by various schools of sculpture and ideas from France, the Soviet Union, Europe, and the US. In other words, the development of contemporary Chinese sculpture is closely tied to

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PODOLSKAYA, KSENYA S. "YSTEM-STRUCTURAL ANALYSIS OF CONTEMPORARY INTERACTIVE SCULPTURE." Университетский научный журнал, no. 83 (December 29, 2024): 156–60. https://doi.org/10.25807/22225064_2024_83_156.

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The article is devoted to the features of the application of system-structural analysis in works of modern interactive sculpture. Changes in approaches to the creation of sculptural objects in the second half of the 20th century and early 21st century, the use of new materials, the development of methods of communication of the work with the surrounding space and the recipient led to the actualisation of the issues of the methodology of studying works of modern art. The article reveals the advantages of system-structural analysis in the study of interactive sculpture. It is noted that the use

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Dr., T.G Jyothilal. "The Evolution of Indian Sculptural Art: Interaction with Western Styles and Development of Modernism." Kiraṇāvalī 16, no. 1-4 (2024): 49–54. https://doi.org/10.5281/zenodo.14633689.

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This paper explores the evolution of Indian sculpture from the early interactions with Western academic styles to the rise of unique and diverse forms in the mid-20th century. It examines how early Indian sculptors were influenced by Western techniques and aesthetics, and how modern Indian sculptors, such as V.P. Karmarkar, Ram Kinker Baij, Pradosh Dasgupta, Dhanraj Bhagat, and Sankho Choudhury, began to incorporate local materials and indigenous themes while embracing modernist principles. Through an analysis of their works and techniques, the paper highlights the transformation of Indian scu

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Huang, Weiwei. "REALIST SCULPTURE IN CHINA - DISCOVERY AND FORMATION OF ART METHOD." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (2023): 39–48. http://dx.doi.org/10.36340/2071-6818-2023-19-3-39-48.

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Chinese sculpture has a long history and is a world-renowned art treasure and cultural heritage. With the changes in the global political structure and China's internal social system in the past two hundred years, they have directly affected the development direction of Chinese sculpture. The traditional Chinese sculpture system has gradually weakened. In line with the trend of 'learning from the West' at the end of the Qing Dynasty, students, policymakers, and practitioners of sculpture-related industries began to reach a tacit agreement, with many factors contributing to a new choice for Chi

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Bokotei, Mykhailo. "Blown glass vase design features of Lviv art glass of 70-80 years of the 20th century." Bulletin of Lviv National Academy of Arts, no. 45 (April 10, 2021): 43–51. https://doi.org/10.37131/2524-0943-2021-45-6.

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Ukrainian blown glass as an independent phenomenon in the domestic decorative and applied art reached its most prosperity at the end of the 20th century. The centre of the glass blowing, formation of national identity, heart of tradition preservation and improving, education of next generations of glass blowing masters and glass artists is Lviv region. Just here the glass department of Lviv Experimental Ceramic and Sculpture Factory existed for about half a century where a wide range of blown glass goods made by free forming method was produced. Among the range of limited blown glass products

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Petrova, Olga. "Open Form, Its Psychological, Civilizational, and Aesthetic Foundations in the Works of Modern Ukrainian Artists." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 156–60. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306925.

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The paper presents the concept of an “open work” (according to the idea of Umberto Eco) as a meaningfully undefined, and even non-finito work, which appeared in the artistic practice of the 20th century, at the time of revolutionary and military disasters. The events of the early 20th century in the social, psychological, and artistic consciousness of the leading avant-garde figures caused emotional and psychological shifts and contributed to the emergence of new ways of artistic expression. In art, works with different vector characteristics emerged: palimpsest, simulacrum, deconstruction, et

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ÖZDEMİR, Soner. "ARTIFICIAL LIGHT SOURCE AS A COMPONENT CONSTITUTING THE SCULPTURE." IEDSR Association 6, no. 15 (2021): 235–45. http://dx.doi.org/10.46872/pj.351.

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Light, which is the main source in which plastic arts produce meaning by processing it, indirectly takes place in all works of art with its different colors and tones throughout the history of art. With the use of new materials and techniques in art with the modern period, it is seen that the light itself, that is, the light source, is also included in art works as a medium. This situation allowed the artists to create brand new perceptions and effects. With the second half of the 20th century, the use of artificial light source in sculpture as an element belonging to the sculpture is encounte

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Цветкова, Н. Н. "АБСТРАКТНЫЕ ГЕОМЕТРИЧЕСКИЕ ФОРМЫ В СОВРЕМЕННЫХ ТЕКСТИЛЬНЫХ АРТ-ОБЪЕКТАХ И ИНСТАЛЛЯЦИЯХ". Terra artis. Art and Design, № 2 (10 вересня 2022): 110–16. https://doi.org/10.53273/27128768_2022_2_110.

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Использование абстрактных геометрических форм в произведениях современного художественного текстиля (арт-объектах и инсталляциях) представляется актуальным приемом. Художественный текстиль первой половины ХХ в. развивался параллельно с новыми авангардными живописными тенденциями. В настоящее время вопросы взаимного влияния абстрактной живописи и декоративного оформления в художественном текстиле рассматриваются искусствоведами, однако этой проблеме все еще уделяется недостаточно внимания. Во второй половине ХХ в. текстиль вышел с плоскости в пространство. Появились скульптуры, арт-объекты и ин

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Rusu, Marinela. "THE ROLE OF WOMEN IN ART – MODERNISM AND ABSTRACTION IN THE PERIOD 1910-1925." Review of Artistic Education 30 (May 30, 2025): 197–207. https://doi.org/10.35218/rae-2025-0028.

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Abstract: Abstraction in painting and sculpture developed simultaneously in several European capitals in the first decade of the 20th century. This phenomenon was, of course, inextricably linked to the formal developments of post-impressionism and cubism, implying the desire to separate from nature but also to give the resulting new art a deep spiritual content, thus becoming a characteristic of the modernist period. This paper analyzes the defining aspects of the development of abstraction in art at the beginning of the 20th century. On the one hand, we will present the way in which the visua

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Cheng, Christopher. "Beacons of modern learning: Diaspora-funded schools in the China-Australia corridor." Asian and Pacific Migration Journal 29, no. 2 (2020): 139–62. http://dx.doi.org/10.1177/0117196820930309.

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In the early 20th century, modern school curricula and new-style schools mushroomed in the Chinese remittance landscape of southern China. Breaking away from the two-and-a-half millennia of Confucian tradition, their creation marked a pivotal point of departure between the nation’s past and future. Since overseas migration and modern education both provide a fruitful context for the circulation of new objects and a cross-fertilization of ideas, new schools serve as barometers of social-material change. Research in the present-day cities of Zhongshan and Zhuhai (formerly Heung San County) sugge

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Mammadova, L. "TOKAY MAMEDOV - THE UNRIVALED MASTER OF PORTRAIT AND MONUMENTAL SCULPTURE." Slovak international scientific journal, no. 86 (August 12, 2024): 27–29. https://doi.org/10.5281/zenodo.13299410.

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The article discusses the work of outstanding Azerbaijan sculptor Tokay Mamedov, as well as an analysis of the artist's sculptural works. At the beginning of the 20th century, a large national school of sculpture was formed in Azerbaijan with its own traditions and themes. The wide and multifaceted creative search of sculptors not only contributed to the birth of these traditions but also created the preconditions for the development of new characteristics and qualities of modern Azerbaijani plastic art. This is the most acute sense of modernity and aspiration to monumentality. Among the works

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Zhou, Xiao. "The symbolic meaning of the sculpture "Faceless Buddha" in the work of Tsiu Tsitsing." Bulletin of Lviv National Academy of Arts, no. 51 (October 10, 2023): 146–54. http://dx.doi.org/10.37131/2524-0943-2023-51-14.

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History of development of Chinese jade carving art is dating back some 8000 years into Neolithic period The development of the ideas of Chinese jade carving, the change of their external forms, reflects the close relationships between reality (the objective world) and the inner world of man. The difference between contemporary and traditional jade carvings lies in the artist’s conscious desire to convey and disseminate his own worldview in society. The purpose of contemporary jade carving does not stop at the description of the traditional image and form by the artist, but also, through embodi

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Melita, Lucia Noor, Katarzyna Węgłowska, Diego Tamburini, and Capucine Korenberg. "Investigating the Potential of the Er:YAG Laser for the Removal of Cemented Dust from Limestone and Painted Plaster." Coatings 10, no. 11 (2020): 1099. http://dx.doi.org/10.3390/coatings10111099.

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A successful application of Er:YAG laser for the cleaning of a restored Assyrian relief sculpture from the British Museum collection is presented. Displayed in the gallery, the sculpture has darkened over time due to the natural deposition of dirt, in particular on restored parts. Since traditional cleaning methods have demonstrated to be unsuccessful, a scientific investigation was performed to identify the composition of the soiling and the materials used for the restoration. The analysis suggested the presence of gypsum, calcium oxalate, carbonates and alumino-silicates on the encrustation.

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Spalva, Rita. "Dance in Ancient Greek Culture." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 2 (May 9, 2015): 451. http://dx.doi.org/10.17770/sie2012vol2.523.

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The greatness and harmony of ancient Greece has had an impact upon the development of the Western European culture to this day. The ancient Greek culture has influenced contemporary literature genres and systems of philosophy, principles of architecture, sculpture and drama and has formed basis for such sciences as astronomy and mathematics. The art of ancient Greece with its penchant for beauty and clarity has been the example of the humanity’s search for an aesthetic ideal. Despite only being preserved in its fragments, the dance of ancient Greece has become an example worthy of imitation in

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Skorobogatykh, Natalia. "The Evolution of the Liberal Party of Australia Political Culture: from Classical Dogmas to Neoliberalism." ISTORIYA 16, no. 3 (149) (2025): 0. https://doi.org/10.18254/s207987840035136-8.

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The paper traces the main milestones in the history of liberal ideas and the political parties that arose on their basis in Australia. The process of shaping the ideology of the Australian bourgeoisie has been strongly influenced mainly by British and American political models and practices of the 19th and 20th centuries, adapted to local needs. As a result, by the beginning of the 21st century, the Australian liberals, turning to the neoliberal paradigm, completed the cycle in their development, returning, in fact, to those postulates that conservative by Australian standards politicians defe

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Cortes Casarrubios, William. "'Dino, Mirko, Afro Basaldella' a Udine. Storia di una mostra tra museo e spazio urbano." Opus Incertum 10 (December 24, 2024): 104–13. https://doi.org/10.36253/opus-15839.

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In 1987, the significant retrospective exhibition held in Udine and titled Dino, Mirko, Afro Basaldella marked the rediscovery of the three Basaldella brothers within the context of 20th-century European art. Curated primarily by the sculpture historian Enrico Crispolti, the exhibition sought to comprehensively reassess the careers of the three artists. Enrico Crispolti leveraged his expertise in public art exhibitions to orchestrate an event that engaged the entire historical context of the city, spanning from the Castle – the main venue – to the Gallery of Modern Art. The exhibition design w

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Ermolenko, Elena V. "Daylighting of the Newest Christian Churches." Light & Engineering, no. 04-2021 (August 2021): 107–15. http://dx.doi.org/10.33383/2021-037.

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Semantic and spatial changes in the options for using daylight compared to tradition are presented, based on the analysis of the architectural solutions applied in a number of modern Christian churches. According to popular belief, sunlight is used in most modern temples only as an architectural technique proving the skill of an architect, and as a means of interior decoration. The study showed that behind the abstract modern methods of illumination a temple, there is a deep connection with the earlier cultural tradition. Sunlight was one of the key means used for decorating interiors of Chris

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Spanier, Ehud, Kari L. Lavalli, Jason S. Goldstein, et al. "A concise review of lobster utilization by worldwide human populations from prehistory to the modern era." ICES Journal of Marine Science 72, suppl_1 (2015): i7—i21. http://dx.doi.org/10.1093/icesjms/fsv066.

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Abstract Lobsters are important resources throughout the world's oceans, providing food security, employment, and a trading commodity. Whereas marine biologists generally focus on modern impacts of fisheries, here we explore the deep history of lobster exploitation by prehistorical humans and ancient civilizations, through the first half of the 20th century. Evidence of lobster use comprises midden remains, artwork, artefacts, writings about lobsters, and written sources describing the fishing practices of indigenous peoples. Evidence from archaeological dig sites is potentially biased because

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Day, Cheryl. "Does my bum look big in this? Reconsidering anorexia nervosa within the culture context of 20th century Australia." Surveillance & Society 6, no. 2 (2009): 142–50. http://dx.doi.org/10.24908/ss.v6i2.3254.

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Anorexia Nervosa is a mental health issue that has a history over many centuries, but has relatively recently been identified as a ‘real’ mental illness. A condition that predominantly afflicts young, middle class women it had long been subsumed among the ‘natural weaknesses’ of women, not unlike the manner in which ‘Hysteria’ was diagnosed within the Freudian understanding of women’s health. However, since the 1970s, and especially with the deaths of some high profile young women it has undergone a reassessment. While clinical understandings of Anorexia Nervosa remain contentious, there is an

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Mitrović, Slađana. "The Wound in Visual Art." Monitor ISH 17, no. 2 (2015): 73–94. http://dx.doi.org/10.33700/1580-7118.17.2.73-94(2015).

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The fine arts abound in images of the pierced, wounded, tortured, dismembered, crippled or decapitated body in all historical periods. The iconography of the wound is of long standing, and the passion for depicting open bodies can only be compared to the enthusiasm for the nude. In the history of painting and sculpture, the wounded body is most often represented in renditions of Christ’s Passion and Christian martyrs, as well as of Biblical stories about decapitation and slaughter. The topic of the wound has proved relevant to modern and contemporary art as well. In the second half of the 20th

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Szafrański, Wojciech. "‘NATIONAL COLLECTIONS OF CONTEMPORARY ART’: PROGRAMME OF THE MINISTER OF CULTURE AND NATIONAL HERITAGE TO FINANCE PURCHASES OF CONTEMPORARY ART WORKS IN 2011–2019 PART 1. HISTORY: FINANCING." Muzealnictwo 62 (September 13, 2021): 227–35. http://dx.doi.org/10.5604/01.3001.0015.2686.

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The ‘National Collections of Contemporary Art’ Programme run by the Ministry of Culture and National Heritage (MKiDN) in 2011–2019 constituted the most important since 1989 financing scheme for purchasing works of contemporary art to create and develop museum collections. Almost PLN 57 million from the MKiDN budget were allocated by means of a competition to purchasing works for such institutions as the Museum of Modern Art in Warsaw (MSN), Museum of Art in Lodz (MSŁ), Wroclaw Contemporary Museum (MNW), Museum of Contemporary Art in Cracow (MOCAK), or the Centre of Polish Sculpture in Orońsko

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Škoda, Zdeněk. "Art competitions at the Olympic Games 1912-1948 and the Czechoslovak participation." Studia sportiva 14, no. 1 (2020): 42–46. http://dx.doi.org/10.5817/sts2020-1-5.

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The article deals with the art competitions that appeared on the program of modern Olympic Games between 1912 and 1948. It reveals the philosophical background of their existence within the Summer Olympics and their relation to the idea of kalokagathia. The article describes the reasons for their origin and how the founder of the modern Olympic movement Pierre de Coubertin succeeded in pushing this idea forward. There were five artistic disciplines: fine arts, music, sculpture, literature, and architecture. I will briefly introduce the history of art competitions in chronological order, show h

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Leskinen, M. V. "Among Bogatyrs and Maidens: Visual Images of the Mother Russia in Mikhail O. Mikeshin’s Work." Art & Culture Studies, no. 2 (June 2023): 268–303. http://dx.doi.org/10.51678/2226-0072-2023-2-268-303.

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The article considers a number of visual personifications of Russia in works by Mikhail O. Mikeshin (1835–1896). Their detailed interpretation in the context of the study of feminine national allegories in historiography has not been undertaken before. The author has offered an explanation of two key anthropomorphic allegories (the Maiden Russia and the Bogatyr / Vityaz) in a little-known painting by Mikeshin, The Coronation of Alexander III (1883). The article reconstructs the evolution of the image of the Maiden Russia in Mikeshin’s sculpture and graphics of the 1860s-1890s, which influenced

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Gulrena, Mirza. "ELMIRA HUSEYNOVA - 90." Problems of Arts and Culture International scientific journal 17, no. 2 (2023): 61–68. https://doi.org/10.5281/zenodo.8105908.

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The paper is dedicated to 90th anniversary of the Honoured artist of Azerbaijan Elmira Huseynova who immensely contributed to artistic culture of the country in 20th century. First part of the paper describes youth period of artist, her education and initial period of creativity as sculptress - artist. Middle part of the article analyses formation of sculptress’s personal creative artistic language. A number of creativity stages are being reviewed, genres in which searches of her idiolect are described. Also the article shows the unique, interesting and creative family of artist, th

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BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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Suzdaltsev, Ilya. "Modern English Historiography of the Communist International: A General Overview." Novaia i noveishaia istoriia, no. 4 (2021): 18. http://dx.doi.org/10.31857/s013038640013465-9.

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The article is devoted to the analysis of the 21st-century English-language historiography of the Communist International. Contemporary historians are showing increasing interest in the study of this international organization. Three available conceptual approaches to this topic (“traditionalist”, “revisionist”, and “post-revisionist”) are considered and characterized, the works of historians from Great Britain, the USA, Canada, Ireland, Australia, New Zealand are analyzed. The article demonstrates an increase in research interest in the Communist International. In a fairly large volume of stu

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Kuo, Mei-fen. "The Making of a Diasporic Identity: The Case of the Sydney Chinese Commercial Elite, 1890s-1900s." Journal of Chinese Overseas 5, no. 2 (2009): 336–63. http://dx.doi.org/10.1163/179303909x12489373183091.

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AbstractThis article is about a short moment in Chinese-Australian history at the turn of the 20th century when Chinese fruit and vegetable traders in Sydney were on the verge of major international success. The concerns of this new urban elite can be gleaned from their Chinese-language newspapers and civil societies which played an important role in the evolution of the diasporic identity of the Chinese in “White-Australia” — an experience involving more than merely a refinement of native kinship practices and inherited identities — in a process that invoked a distinctively modern sense of ti

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Паньок, Тетяна, та Валентина Гриньова. "Методика викладання образотворчого мистецтва як чинник становлення художньо-педагогічної освіти в Україні початку ХХ століття". Professional Art Education 6, № 1 (2025): 54–67. https://doi.org/10.34142/27091805.2025.6.01.06.

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The article explores the development of teaching methods in fine arts as a key factor in the formation of art-pedagogical education in Ukraine at the beginning of the 20th century. During this period, the issue of teaching methodology in Ukrainian art institutes became the subject of profound reflection and professional analysis in the publications of prominent artist-educators. The revolutionary events of the early 20th century encouraged the construction of a higher art-pedagogical education system based on the foundations of Ukrainian national culture. Methods and methodology. To address th

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Василь, Косів. "У тіні образотворчого мистецтва: історіографія графічного дизайну української діаспори 1945–1989 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 140–58. https://doi.org/10.5281/zenodo.1313132.

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Professional careers of the Ukrainian diaspora artists from 1945–1989 are reflected in foreign magazines and newspapers articles, exhibitions catalogs, illustrated monographs and albums. Over the past decades, their names have become known in Ukraine as well. Publications of a different genre, aimed at different audiences, were published at different times in different countries, but almost all of them show a common tendency. Painting and sculpture are considered to be the greatest achievements, etching and book illustration follow, sometimes bookplates and applied art are presented. Rar

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HAMILTON, REBECCA, and DAN PENNY. "Ecological history of Lachlan Nature Reserve, Centennial Park, Sydney, Australia: a palaeoecological approach to conservation." Environmental Conservation 42, no. 1 (2014): 84–94. http://dx.doi.org/10.1017/s0376892914000083.

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SUMMARYReconstructing the environmental history of protected areas permits an empirically-based assessment of the conservation values ascribed to these sites. Ideally, this long-term view can contribute to evidence-based management policy that is both ecologically ‘realistic’ and pragmatically feasible. Lachlan Nature Reserve, a protected wetland in Centennial Park, Sydney, is claimed to be the final remnant of early and pre-European swamplands that were once extensive in the area, and the site is thus considered to have indigenous cultural and natural conservation significance. This study use

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Francis, Roger. "Duplex Stainless Steels: The Versatile Alloys." Corrosion 76, no. 5 (2019): 500–510. http://dx.doi.org/10.5006/3403.

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Duplex stainless steels were first manufactured early in the 20th century, but it was the invention of argon oxygen decarburization melting and the addition of nitrogen that made the alloys stronger, more weldable, and more corrosion resistant. Today, there is a family of duplex stainless steels covering a range of compositions and properties, but they all share high strength and good corrosion resistance, especially to stress corrosion cracking, compared with similar austenitic stainless steels. This paper briefly reviews the range of modern duplex stainless steels and why they are widely use

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Uttpal, Anand, and Soni Sourabh. "A Glimpse of Science, Technology, and Mathematics in Ancient India: Social and Cultural Perspective." Journal of Social and Political Sciences 1, no. 2 (2018): 225–31. https://doi.org/10.31014/aior.1991.01.02.16.

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India is one of the world’s oldest countries, and its civilization is among the most ancient. In its philosophical literature and the practice of dance, music, sculpture, painting, and fine arts; India has totally excelled across the world. India has a highly rich legacy of scientific ideas. We are the ones who generated and created science and did not borrow it from anywhere. Present day technology is greatly based on yesterday’s science, and tomorrow’s technology would be totally based on today’s science. Thanks to the work of the Indian Council of Historical Research

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Tesdell, Omar Imseeh. "Territoriality and the Technics of Drylands Science in Palestine and North America." International Journal of Middle East Studies 47, no. 3 (2015): 570–73. http://dx.doi.org/10.1017/s0020743815000586.

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At the turn of the 20th century, agricultural experts in several countries assembled a new agro-scientific field: dryland farming. Their agricultural research practices concomitantly fashioned a new agro-ecological zone—the drylands—as the site of agronomic intervention. As part of this effort, American scientists worked in concert with colleagues in the emerging Zionist movement to investigate agricultural practices and crops in Palestine and neighboring regions, where nonirrigated or rainfed agriculture had long been practiced. In my larger manuscript project, I consider how the reorganizati

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Zhang, Xinzhong, Yu Li, Wangting Ye, et al. "Wet–dry status change in global closed basins between the mid-Holocene and the Last Glacial Maximum and its implication for future projection." Climate of the Past 16, no. 5 (2020): 1987–98. http://dx.doi.org/10.5194/cp-16-1987-2020.

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Abstract. Closed basins, mainly located in subtropical and temperate drylands, have experienced alarming declines in water storage in recent years. An assessment of long-term hydroclimate change in those regions remains unquantified at a global scale as of yet. By integrating lake records, PMIP3–CMIP5 simulations and modern observations, we assess the wet–dry status of global closed basins during the Last Glacial Maximum, mid-Holocene, pre-industrial, and 20th and 21st century periods. Results show comparable patterns of general wetter climate during the mid-Holocene and near-future warm perio

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Rane, Halim. "“Cogent Religious Instruction”: A Response to the Phenomenon of Radical Islamist Terrorism in Australia." Religions 10, no. 4 (2019): 246. http://dx.doi.org/10.3390/rel10040246.

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Over the past 15 years, 47 Muslim Australians have been convicted for terrorism offences. Australian courts have determined that these acts were motivated by the offenders’ “Islamic” religious beliefs and that interpretations of Quranic verses concerning jihad, in relation to shariah, caliphate, will of God and religious duty contributed to the commission of these crimes. This paper argues that these ideas, derived from certain classical-era Islamic jurisprudence and modern Islamist thought, contradict other classical-era interpretations and, arguably, the original teachings of Islam in the ti

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Pomortsev, O. A., and E. P. Kashkarov. "Peculiarities of the modern global warming." Vestnik of North-Eastern Federal University Series "Earth Sciences", no. 3 (September 21, 2023): 42–52. http://dx.doi.org/10.25587/svfu.2023.31.3.006.

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The peculiarities of modern climate warming and the influence of global atmospheric circulation on it are considered from the position of solar-terrestrial relations. The role of the main atmospheric currents between the equator and both poles of the Earth is so great that for four decades it has caused unprecedentedly strong forest fires and other natural disasters which affected not only Siberia and Southern Europe (Spain, Portugal, France, Italy, Greece and others) but also the USA, Canada and Australia. Another phenomenon of the modern climate is a paradoxically high winter warming in the

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Laming, Alice, Michael-Shawn Fletcher, Anthony Romano, et al. "The Curse of Conservation: Empirical Evidence Demonstrating That Changes in Land-Use Legislation Drove Catastrophic Bushfires in Southeast Australia." Fire 5, no. 6 (2022): 175. http://dx.doi.org/10.3390/fire5060175.

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Protecting “wilderness” and removing human involvement in “nature” was a core pillar of the modern conservation movement through the 20th century. Conservation approaches and legislation informed by this narrative fail to recognise that Aboriginal people have long valued, used, and shaped most landscapes on Earth. Aboriginal people curated open and fire-safe Country for millennia with fire in what are now forested and fire-prone regions. Settler land holders recognised the importance of this and mimicked these practices. The Land Conservation Act of 1970 in Victoria, Australia, prohibited burn

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Shevchuk, Kateryna. "THE ORIGINS AND PREREQUISITES OF FORMATION OF AVANT-GARDE ART: AESTHETIC AND PHILOSOPHICAL ANALYSIS." Scientific notes of the National University "Ostroh Academy". Series: Philosophy 1, no. 24 (2023): 15–20. http://dx.doi.org/10.25264/2312-7112-2023-24-15-20.

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The article is devoted to analyzing the formation and appearance of modern avant-garde art. The author focuses on the study of the main prerequisites for the emergence of the avant-garde while paying attention to the coverage of transformations in the socio-economic and cultural sphere from the end of the 19th century, which impacted the changes in the artistic creativity of that time. The article analyzes the ontological and existential aspects of the formation of works of modern art. Also, it characterizes the socio-cultural background of transformations in the field of artistic practice in

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Shulgina, O. M. "A.L. Gorbunkov and Iconographic Sources of the Walrus Ivory Carving Art of the Chukchi and Asian Eskimos in the First Third of the 20th Century." Art & Culture Studies, no. 3 (August 2022): 184–219. http://dx.doi.org/10.51678/2226-0072-2022-3-184-219.

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This article traces the history of the establishment and development of the walrus ivory carving art of the Chukchi and Asian Eskimos through the lens of the question of “the far” and “the near”. This question is examined based on a range of sources used by A.L. Gorbunkov, the first art director of ivory carving workshops in Chukotka, during his interaction with local artists. The novelty of the research topic and the introduction of Gorbunkov’s diary entries into scientific circulation prove the relevance of the selected problem, which has not been sufficiently covered in the research literat

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Iaţeşen, Mihai –. Cosmin. "10. Creativity and Innovation in Visual Arts through Form and Space Having Symbolic Value." Review of Artistic Education 14, no. 1 (2017): 207–16. http://dx.doi.org/10.1515/rae-2017-0026.

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Abstract The numerous plastic approaches of form in the 20th century are characterized by creativity and innovation. Form, as expression of an artistic language, is the cause and effect for the cultural evolution of a particular spatial-temporal area. The invention of forms depending on the factors which will impose them in a particular socio-cultural context and location environment is not everything. The challenges of the act of creation are far more complex. For the art of the 20th century, the role of the type of expression in visual or gestural language proved much more convincing and mea

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Odishvili, Manana. "Herculaneum, Oplontis, Pompeii, Life before Chatastrophe." Kadmos 8 (2016): 365–93. https://doi.org/10.32859/kadmos/8/365-393.

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The eruption of Mount Vesuvius in AD 79 changed the life of a prosperous region of the Roman Empire forever. Pliny the Younger described the catastrophic event in letters addressed to the historian Tacitus. Many people lost their lives during the eruption; the majority of the deceased were buried under a thick layer of ash inside the buildings of Pompeii and killed by pyroclastic flows in the bay of Herculaneum. Archaeological excavations began in the late 16th century and were renewed in the 18th century mainly to extract art objects. Proper archaeological surveys conducted during the 20th ce

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BELIMOVA, Tetiana. "MEMORY IN MODERN REFUGEE POETRY: ENGLISH AND UKRAINIAN CONTEXTS." Astraea 4, no. 1 (2023): 10–33. http://dx.doi.org/10.34142/astraea.2023.4.1.01.

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The concept of “refugee poetry” or “poetry of migrants” is quite new for both English and Ukrainian literature. However, in the modern world, the phenomenon of migration, or even forced migration, is well known and researched. It is primarily about the social, political and economic dimensions of the movement of people from one continent / region / country to another. Most often, the countries that actively accepted migrants in the 19th, 20thand 21stcentury were the USA, Canada, Australia, partly Great Britain, in fact the entire English-speaking world (we are talking about different periods a

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Al-Jazaeri, Mohammed К. "Traditions in the System of art Education in Iraq." Siberian Pedagogical Journal, no. 3 (July 3, 2023): 36–45. http://dx.doi.org/10.15293/1813-4718.2303.04.

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The article presents the results of a study of the system of Iraqi art education by including objectively existing and expedient traditions in it in various historical periods of its development. Attention is drawn to the creative searches of artists in the many art schools that appeared in Iraq at the beginning of the 20th century, whose professional activities reflected the implementation of the ideas of modernity or/and its reconciliation with the cultural heritage of the country. As an example in the field of sculpture, the D. Selim Freedom Monument is given, the embodiment of which was ba

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Saladžinskas, Sigitas Vladas, and Kristina Vaisvalavičiene. "Professional activities of Latvian born Lithuanian architect and engineer Karolis Reisonas (1894–1981) in Šiauliai." History of Engineering Sciences and Institutions of Higher Education 2 (November 1, 2018): 100–116. http://dx.doi.org/10.7250/hesihe.2018.008.

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The article introduces the life of not well-known in Latvia Latvian born Lithuanian Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) and his professional activities in Šiauliai city, as well as highlights the main features of the architect’s creative work and the importance of his work in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern architecture of the 20th century during interwar period in Lithuania. He is the author and co-author of representative buildings in the cities of Lithuania, as well as in Riga and Adelaide (Australia).

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Mitsuguchi, Takehiro, Nobuaki Okabe, Yusuke Yokoyama та ін. "129I/127I and Δ14C records in a modern coral from Rowley Shoals off northwestern Australia reflect the 20th-century human nuclear activities and ocean/atmosphere circulations". Journal of Environmental Radioactivity 235-236 (вересень 2021): 106593. http://dx.doi.org/10.1016/j.jenvrad.2021.106593.

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Aksenova, Irina A., and Alena G. Bulgakova. "Museum in the modern virtual world (on the example of the Vasiliy Aksenov Museum)." Issues of Museology 14, no. 2 (2024): 268–74. http://dx.doi.org/10.21638/spbu27.2023.210.

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In the modern world, a museum is a multidimensional dynamic space that actualises the potential of cultural heritage. As an illustration of this statement, it is interesting to consider the space of the Vasily Aksenov Museum in Kazan. The purpose of this article is to analyse the experience of virtualisation as a means of interacting with the audience in an existing museum, and to formulate practice-oriented vectors for further research on the basis of the V. P. Aksenov Museum in accordance with the identified trends. Since its opening in 2009, the Vasily Aksenov Museum has become a full-fledg

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Li, Chenhong, Shannon Corrigan, Lei Yang, et al. "DNA capture reveals transoceanic gene flow in endangered river sharks." Proceedings of the National Academy of Sciences 112, no. 43 (2015): 13302–7. http://dx.doi.org/10.1073/pnas.1508735112.

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For over a hundred years, the “river sharks” of the genus Glyphis were only known from the type specimens of species that had been collected in the 19th century. They were widely considered extinct until populations of Glyphis-like sharks were rediscovered in remote regions of Borneo and Northern Australia at the end of the 20th century. However, the genetic affinities between the newly discovered Glyphis-like populations and the poorly preserved, original museum-type specimens have never been established. Here, we present the first (to our knowledge) fully resolved, complete phylogeny of Glyp

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Астраханцева, Т. Л. "«Мифологическая линия» в современной скульптуре". Iskusstvo Evrazii [The Art of Eurasia], № 1(36) (31 березня 2025): 56–69. https://doi.org/10.46748/arteuras.2025.01.004.

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Статья посвящена скульптурной экспозиции академического проекта «Мифы. Легенды. Сказания». Цель исследования — проанализировать произведения современной отечественной скульптуры в контексте мифологического мышления в творчестве художников-академиков Российской академии художеств, выявить характерные формы и приемы, используемые ими. Тема мифологии вводится через философские основания — идеи А.Ф. Лосева и современных теоретиков искусства. Ключевой тезис состоит в том, что миф здесь представлен не как история, которую рассказывают, а как реальность, которой живут. Методология основана на синтезе

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Saladžinskas, Sigitas Vladas, and Kristina Vaisvalavičienė. "Professional Activities (1930–1981) of Latvian-Born Lithuanian Architect and Engineer Karolis Reisonas (1894–1981) in Kaunas, Panevėžys and Adelaide Cities." History of Engineering Sciences and Institutions of Higher Education 3 (October 15, 2019): 35–51. http://dx.doi.org/10.7250/hesihe.2019.003.

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The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings

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