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1

ICOM Congress. (1993 Washington, D.C.). Polychrome sculpture = Sculpture polychrome. [Washington, D.C.?: ICOM, 1993.

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2

Abrahams, Ivor. Polychrome sculpture. London: Mayor Gallery, 1989.

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3

Runggaldier, Astrid. Classic Maya polychrome stucco sculptures from Louisville, Belize. Oxford, England: John and Erica Hedges, 2004.

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4

Coleman, Carter Joseph, and University of Texas at Austin. Institute of Classical Archaeology, eds. The polychrome grave stelai from the early Hellenistic necropolis. Austin: University of Texas Press, 2011.

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5

Hellmuth, Nicholas M. Ballgame iconography and playing gear: Late Classic Maya polychrome vases and stone sculpture of Peten, Guatemala. Culver City, CA: International Photographic Archive of Pre-Columbian Art, Foundation for Latin American Anthropological Research, 1986.

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6

Polychrome Steinskulptur des 13. Jahrhunderts: Beiträge zur Tagung des Naumburg Kollegs vom 13. bis 15. Oktober 2011 in Naumburg/Saale. Görlitz: Verlag Gunter Oettel, 2012.

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7

Mills, John S. Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture : preprints of the contributions to the Brussels congress, 3-7 September 1990. London: International Institute for Conservation of Historic and Artistic Works, 1990.

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8

Laporte, Gilles. Flickinger: Peintures, sculptures, bois polychrome, bijoux. [Metz]: Editions Serpenoise, 1992.

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9

Brinkmann, Vinzenz. Die Polychromie der archaischen und frühklassischen Skulptur. München: Biering & Brinkmann, 2003.

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10

Polychromie hellenistischer Skulptur: Ausführung, Instandhaltung und Botschaften. Petersberg: Michael Imhof Verlag, 2015.

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11

Manzelli, Valentina. La policromia nella statuaria greca arcaica. Roma: Erma Di Bretschneider, 1994.

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12

Ruiz, Clementina Calero. Escultura barroca en Canarias (1600-1750). [Santa Cruz de Tenerife]: Excmo. Cabildo Insular de Tenerife, 1987.

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13

Luke, Yvonne. Quatremère de Quincy's role in the revival of polychromy in sculpture. Leeds: Henry Moore Institute, 1996.

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14

1957-, Balkenhol Stephan, Hirshhorn Museum and Sculpture Garden., and Montreal Museum of Fine Arts., eds. Stephan Balkenhol: Sculptures and drawings. Washington, D.C: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution in association with Cantz Publishers, Stuttgart, 1995.

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15

Maquívar, María del Consuelo. El imaginero novohispano y su obra: Las esculturas de Tepotzotlán. México: Instituto Nacional de Antropología e Historia, 1995.

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16

Museum, Arthur M. Sackler, Bavaria (Germany). Staatliche Antikensammlungen und Glyptothek, and Stiftung Archäologie (Munich Germany), eds. Gods in color: Painted sculpture of classical antiquity. Munich: Stiftung Archäologie, 2007.

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17

G, Brijder H. A., Allard Pierson Museum (Universiteit van Amsterdam), and Glyptothek München, eds. Kleur!: Bij Grieken en Etrusken : Allard Pierson Museum Amsterdam, 2 december 2005-25 maart 2006. Zwolle: Waanders, 2006.

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18

Obra Social y Cultural CajaSur. and Museo Provincial de Bellas Artes (Seville, Spain), eds. Alonso Cano, 1601-1667: Y la escultura andaluza hacia 1600 : Córdoba, sala de exposiciones museísticas CajaSur, 25 de octubre a 26 de noviembre de 2000 : Sevilla, Museo de Bellas Artes de Sevilla, 1 de diciembre de 2000 a 7 de enero de 2001. Córdoba: Publicaciones Obra Social y Cultural CajaSur, 2000.

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19

Gelao, Clara. Stefano da Putignano nella scultura pugliese del Rinascimento. [Fasano]: Schena, 1990.

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20

Sweden), Medelshavsmuseet (Stockholm, ed. Vita lögner. Malmö: Arena, 2010.

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21

Duff, John. John Duff: San Jose Museum of Art, January 13 through March 31, 1991. San Jose, Calif: The Museum, 1991.

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22

Fratelli, Maria. La scultura colorata: Il colore del vero. Milano: Skira, 2001.

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23

Terán, Celia. Técnicas de la imaginería en el arte hispanoamericano. San Miguel de Tucumán: Ediciones del Gabinete, Secretaría de Post-Grado, Universidad Nacional de Tucumán, 1993.

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24

Theotókos: Vírgenes medievales de la Diócesis de León. León, España: Edilesa, 1996.

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25

Iglesia de la Magdalena (Córdoba, Spain) and Obra Social y Cultural CajaSur, eds. Bendita tú eres: Exposición mariana con motivo de la coronación canónica de Nuestra Señora del Socorro : Iglesia de la Magdalena, Córdoba, 2 al 30 de junio de 2003. Córdoba: Publicaciones Obra Social y Cultural CajaSur, 2003.

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26

Studien zu Farbe und Raum in der Plastik des 20. Jahrhunderts. Frankfurt am Main: P. Lang, 1987.

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27

Muñoz, Juan Jesús López-Guadalupe. Imágenes elocuentes: Estudios sobre patrimonio escultórico. Granada: Atrio, 2008.

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28

Orski, Ryszard. Ryszard Orski. Edited by Anna Szczucka. Zakopane: Orski Gallery, 2002.

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29

Salzillo y Alcaraz, Francisco, 1707-1783., ed. Francisco Salzillo y la escultura salzillesca en la provincia de Albacete. Albacete: Instituto de Estudios Albacetenses, 1985.

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30

Rosenfeld, Jörg. Die nichtpolychromierte Retabelskulptur als bildreformerisches Phänomen im ausgehenden Mittelalter und in der beginnenden Neuzeit. Ammersbek bei Hamburg: Verlag an der Lottbek, 1990.

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31

Terán, Celia. Técnicas de la imaginería en el arte hispanoamericano. San Miguel de Tucumán: Ediciones del Gabinete, Secretaría de Post-Grado, Universidad Nacional de Tucumán, 1993.

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32

Pérez, Gerardo Fuentes. Canarias, el clasicismo en la escultura. Santa Cruz de Tenerife: Aula de Cultura de Tenerife, Cabildo de Tenerife, 1990.

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33

La policromia della scultura lapidea in Toscana tra XIII e XV secolo. Firenze: Polistampa, 2008.

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34

Asselin, Olivier. Dédales: Parcours de l'œuvre de Roland Poulin. Valcourt, Québec: Fondation J. Armand Bombardier, 2002.

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35

Hornbostel, Wilhelm, Vinzenz Brinkmann, and Raimund Wünsche. Bunte Götter: Die Farbigkeit antiker Skulptur. 4th ed. Hamburg: Museum für Kunst und Gewerbe, 2007.

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36

Restany, Pierre. Farhi. Paris: La Différence, 1995.

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37

Porter, John R. La sculpture ancienne au Québec: Trois siècles d'art religieux et profane. Montréal, Canada: Editions de l'Homme, 1986.

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38

Vaquero, María Dolores Díaz. Imagineros andaluces contemporáneos. Córdoba: Publicaciones de la Caja de Ahorros y Monte de Piedad de Córdoba-CajaSur, 1995.

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39

Musées royaux d'art et d'histoire (Belgium), ed. La sculpture des Pays-Bas méridionaux et de la Principauté de Liége: XVe et XVIe siècles. Bruxelles: Museés royaux d'art et d'histoire, 2000.

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40

Burganova, Marii︠a︡. Spas Polunoshchnyĭ: Russkiĭ Khristos. Moskva: Moskovskiĭ gos. muzeĭ "Dom Burganova", 2002.

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41

Kulturali, Malta Sovrintendenza Tal-Patrimonju, ed. Imago Dei: Sculpted images of the Crucifix in the art of early modern Malta. Valletta: Superintendence of Cultural Heritage, 2005.

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42

Ballbona, Joan Bosch. Alba daurada: L'art del retaule a Catalunya, 1600-1792 circa. [Girona]: Museu d'Art de Girona, 2006.

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43

Goñi, Pedro Echeverría. Policromía del Renacimiento en Navarra. [Navarra]: Gobierno de Navarra, Departamento de Educación, Cultura y Deporte, 1990.

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44

Koller, Manfred, and Rainer Prandtstetten. Gefasste Skulpturen--Mittelalter. Edited by Knall-Brskovsky Ulrike and International Institute for Conservation of Historic and Artistic Works. Österreichische Sektion. Klosterneuburg: M & C, Meyer & Comp., 1997.

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45

Maier-Lörcher, Barbara. Ulmer Kunst in aller Welt: Plastische Bildwerke des 15. und 16. Jahrhunderts. Ulm: Süddeutsche Verlagsgesellschaft, 1996.

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46

Medina, Constantino Gañán. Técnicas y evolución de la imaginería policroma en Sevilla. Sevilla: Universidad de Sevilla, Secretariado de Publicaciones, 1999.

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47

Barbolini, Marina Armandi, and Giuliano Centrodi. La bellezza del sacro: Sculture medievali policrome. Arezzo]: Provincia di Arezzo, Camera di commercio industria, artigianato, agricoltura di Arezzo, 2002.

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48

Täube, Dagmar R. Monochrome gemalte Plastik: Entwicklung, Verbreitung und Bedeutung eines Phänomens niederländischer Malerei der Gotik. Essen: Die Blaue Eule, 1991.

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49

Angeles, enigma y belleza: La angelología colonial y sus antiguos orígenes espirituales. [Cuenca, Ecuador]: Ediciones del Banco Central del Ecuador, 2002.

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50

Heil, Axel. Yoruba. [Randegg, Germany: T. Koch, 1987.

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