Relevant bibliographies by topics / Sculpture Sculpture Nature in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Sculpture Sculpture Nature in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Sculpture Sculpture Nature in art"

1

Voss-Andreae, Julian. "Quantum Sculpture: Art Inspired by the Deeper Nature of Reality." Leonardo 44, no. 1 (2011): 14–20. http://dx.doi.org/10.1162/leon_a_00088.

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The author, a sculptor with a background in physics, describes sculptures he creates inspired by quantum physics. He argues that art such as the presented sculptures can indicate aspects of reality that science cannot and therefore has the potential to help liberate us from the deep impact the paradigm of classical physics continues to have on our every perception of reality.
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Portnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.

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This article is concerned with the ratio of plastic arts as exemplified by sculptural works depicting dances of the early 20th century. Special attention is paid to the Greek motives in the Russian art of this period, which became the subject of inexhaustible aesthetic and artistic interest. The representation of ancient dance motifs, their figurative image and the nature of antiquity in sculptural plastics, various approaches to the interpretation of ancient plots and themes, the role and significance of the “antique” component in their artistic structure are considered in the article. The st
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Simpson, Pamela H. "Butter Sculpture: The History of an Unconventional Medium." Sculpture Review 68, no. 4 (2019): 40–59. http://dx.doi.org/10.1177/0747528420901917.

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With its roots in ancient food molds and table art for Renaissance banquets, butter sculpture in the United States debuted during the centennial and flourished in the first quarter of the twentieth century. As the dairy industry moved from farm to regional cooperative creameries and eventually to national brands, butter sculpture appeared at fairs and expositions. Both amateur and professional sculptors used this unusual medium for busts and portraits, dairy-related subjects, and models of buildings. The ephemeral nature of the medium and the novelty of food as art drew crowds to exhibits adve
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Zheng, Jane. "“Aesthetic regime” in urban entrepreneurialism: public art venues in Shanghai." Asian Education and Development Studies 8, no. 2 (2019): 109–25. http://dx.doi.org/10.1108/aeds-03-2017-0026.

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Purpose The purpose of this paper is to understand urban sculpture venues that emerged in the recent decade and their connections to the on-going entrepreneurial urban policies and urban strategies in Shanghai. How does this phenomenon relate to Shanghai’s urban policies? How does urban sculpture development reflect the nature and characteristics of the urban sculpture authority? Design/methodology/approach Case study is the major research method used to achieve an in-depth understanding of the developmental processes, mechanisms and characteristics of urban sculpture projects. Three cases wer
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Sommer, Robert. "Art from Flotsam." Boom 3, no. 1 (2013): 56–62. http://dx.doi.org/10.1525/boom.2013.3.1.56.

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For thirty years Northern California hosted several informal galleries in which local people constructed unsigned sculpture from flotsam. The work received considerable media publicity. The premier gallery was in Emeryville, but several other locations around the Bay were used, along with subsidiary galleries in Arcata and North Bend, OR. All these tidal galleries have become state parks, nature reserves, or otherwise closed to sculpture-building. Given the creative energy of people in the area, future galleries in other tidal locations are likely to arise.
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Tagliaferro, Linda. "Blending Art and Nature the Nasher Sculpture Center." Sculpture Review 61, no. 2 (2012): 28–33. http://dx.doi.org/10.1177/074752841206100204.

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Gyurkovich, Magdalena. "THE CITY AS A FREE ART GALLERY. THE RELATIONSHIP BETWEEN THE EXHIBIT AND THE EXHIBITION SPACE." Space&FORM 2020, no. 46 (2021): 25–46. http://dx.doi.org/10.21005/pif.2021.46.b-02.

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The city is an artwork in itself, as its urban and architectural structure creates unique spaces that offer emotions and experiences on various scales. Details and sculptures are used to build the city’s nature and recognisability. The paper presents an approach to the city as an exhibition, where the relationship between the environment and the displayed object is created. What is the contemporary role of these works of art, such as sculpture, in urban space? Do they only fill the space or commemorate historical facts, or were they consciously arranged in relationship with their surroundings
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Chittenden, Tara. "Sculpture in a Spin: Surfaces in Deformation in Mat Collishaw’s The Centrifugal Soul." Art and Perception 7, no. 2-3 (2019): 211–37. http://dx.doi.org/10.1163/22134913-20191111.

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In The Centrifugal Soul, Mat Collishaw utilises the principles of the zoetrope to create a sculpture where birds and plants appear as ghostly forms suspended outside of the sculpture’s tangible base. The technique of the zoetrope allows for the temporal aspects of a 3D-printed topology to transform perceptions of movement from space to space and from form to form as well as to choreograph an overall composition of space and the dance of display. The intersection of the material arts with optical and natural sciences encourages a sophisticated choreography of viewer perceptions that calls not o
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Cheglakov, Aleksandr Dmitrievich. "The pursuance of naturalness as one of the key trends in the sphere of modern wooden sculpture: domestic practice." Культура и искусство, no. 6 (June 2021): 44–50. http://dx.doi.org/10.7256/2454-0625.2021.6.36004.

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This article is dedicated to modern trends in the art of wooden sculpture. The key question raised in the article consists in drawing the line between art and craft. The problem of distinguishing between these two terms is one of the crucial issues of the theory of art. Having examined the works of multiple contemporary artists in the genre of wooden sculpture, the author comes to the conclusion that the fundamental difference between craft and artistic wooden sculpture is the pursuance of naturalness by the artists, work with unfinished wood, fixation of the natural the beauty of the material
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Harissman, Harissman, Elvis Elvis, and Rica Rian. "ARBY SAMAH : MAESTRO SENI PATUNG ABSTRAK DI INDONESIA." Gorga : Jurnal Seni Rupa 8, no. 2 (2019): 445. http://dx.doi.org/10.24114/gr.v8i2.16143.

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AbstrakPenelitian ini membahas tentang penelusuran Arby Samah yang dikenal sebagai pelopor seni patung abstrak di Indonesia, serta mengungkap alasan Arby Samah memilih berkarya patung. Tujuan penelitian ini adalah untuk mengetahui sosok Arby Samah sebagai perintis seni patung abstrak di Indonesia, dan sangat berjasa dalam perkembangan seni patung di Indonesia serta Sumatera Barat khususnya. Kajian teori menggunakan seleksi dan fokus gejala berdasarkan jiwa zaman, menitikberatkan pada perspektif historis mempunyai dua dimensi: aspek masa kini, dan Aspek masa lampau. Metode yang digunakan dalam
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Dissertations / Theses on the topic "Sculpture Sculpture Nature in art"

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Ngo, Tuan Phong. "Les mouvements de la nature, sculpture." Paris 1, 2009. http://www.theses.fr/2009PA010699.

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"La Nature et I'Homme sont mes premières sources d'inspiration. Souvent, suivant le moment ou l'endroit je me laisse emporter et envelopper dans les vibrations des nuages, du vent et de la pluie, mouvements de la nature qui, à leur tour, mettent en branle mes émotions. Puis, au moment de créer, je vais puiser mes idées dans ces rêveries pour les transposer en langage sculptural selon différents plans, du visible à l'invisible, de l'immobile au mobile. Mes oeuvres prennent naissance et se situent à la jonction de la pensée philosophique traditionnelle d'Extrême-Orient et de la modernité contemp
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Krull, Bethany. "Manifestations of nature /." Online version of thesis, 2007. http://hdl.handle.net/1850/5441.

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Thorne, Katelyn M. "Quietude /." Online version of thesis, 1996. http://hdl.handle.net/1850/11899.

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Gevart, Louis. "La sculpture et la terre : histoire artistique et sociale du jardin de sculpture en Europe (1901-1968)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100016.

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Établir que la sculpture et le jardin suivent une longue histoire commune relève du lieucommun. Au XXe siècle pourtant, le jardin de sculpture est devenu un espace porteur dansl’évolution des arts plastiques. Lieu intermédiaire entre la ville et le paysage, le jardin est un champ d’expérimentation formelle pour les artistes en même temps qu’une propositionmuséale ouverte. La première partie de l’étude porte sur le temps des prototypes (1901-1945),marqué par la diversité des pratiques : le plein air attire autant les sculpteurs questionnant leur rapport à la tradition et à la nature que les col
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Poirier, Jeffrey. "Organicité en sculpture : les dimensions dynamiques de l'objet." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29349/29349.pdf.

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Damman, Erica L. "Watershed: collected thoughts." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/942.

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GONCALVES, FERNANDES MARIA GUILHERMINA. ""la ligne dans la sculpture : relation entre l'homme et le materiau." Paris 1, 1998. http://www.theses.fr/1998PA010594.

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Notre theme de dissertation, c'est : "la ligne dans la sculpture - relation entre l'homme et le materiau. Nous avons toujours ete passionnee par la beaute de la ligne. Pour cette raison, nous avons decide de faire une recherche plus profonde, en analysant les travaux d'autres sculpteurs, ainsi que le mien, tout en faisant une reference speciale a la philosophie de gaston bachelard et a la poetique. Nous prenons comme biais vassily kandinsky qui fait l'analyse de la ligne et du point sur le plan, c'est a dire, dans la peinture et le dessin. Nous aborderons la ligne et ses trois dimensions, dans
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Magnien, Aline. "La nature et l'antique, la chair et le contour : essai sur la sculpture française du XVIIIème siècle /." Oxford : Voltaire foundation, 2004. http://catalogue.bnf.fr/ark:/12148/cb391633713.

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Bothamley, Ryan J. "Pottery, the multi-sensual medium /." Online version of thesis, 2010. http://hdl.handle.net/1850/11887.

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Santamaria, Sylvia S. "Darwin or Frankenstein?" ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2639.

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Through sculpture and drawing, I create my own versions of natural specimens primarily based upon the visual unity of disparate organisms. Invented specimens are composed using a variety of processes employing a mixture of atypical materials following the (20th, 21st century) Postmodern shift away from formalist and traditional uses of any singular medium. As well as a variety of art materials, the specimens are hybrids of organic and biomorphic elements, blurring boundaries between botanical, animal, fungal, metal, and mineral. Is my approach perhaps like Charles Darwin, observant and studiou
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Books on the topic "Sculpture Sculpture Nature in art"

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Martin, Hill. Nature works: Sculpture & photography. Godwit, 1997.

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Comay, Rebecca. Machine myth nature: Recent sculpture by Stacey Spiegel. Art Gallery, Ford Centre for the Performing Arts, 1995.

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David, Nash. David Nash: Rückkehr der Kunst in die Natur = the return of art into nature. Scheffel, 2003.

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1934-, Morris Ann, and Seniuk Jake, eds. Sculpture woods: Studio grounds of Ann Morris. Museum of Northwest Art, 2008.

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C, Doran Valerie, ed. Art of the natural world: Resonances of wild nature in Chinese sculptural art. MFA Publications, 2001.

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Light, Patsy Pittman. Capturing nature: The cement sculpture of Dionicio Rodríguez. Texas A&M University Press, 2007.

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David, Nash. David Nash: Sculpture 1971-90. Serpentine Gallery, 1990.

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Art, Indianapolis Museum of. 100 Acres, The Virginia B. Fairbanks Art & Nature Park. Indianapolis Museum of Art, 2010.

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Roberta, Kefalos, Rosengarten Theodore, Jenshel Len, and Spoleto Festival U.S.A. (1997 : Charleston, S.C.), eds. Art and landscape in Charleston and the low country: A project of Spoleto Festival USA. Spacemaker Press, 1998.

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David, Nash. David Nash: Sculpture and projects 1986-1989. Annely Juda Fine Art, 1989.

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Book chapters on the topic "Sculpture Sculpture Nature in art"

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Voss-Andreae, Julian. "Quantum Sculpture: Art Inspired by the Deeper Nature of Reality." In Aesthetics of Interdisciplinarity: Art and Mathematics. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57259-8_15.

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Hartwig, Melinda K. "Sculpture." In A Companion to Ancient Egyptian Art. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch11.

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Wood, Robert E. "On Sculpture." In Nature, Artforms, and the World Around Us. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57090-7_5.

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Hornik, Heidi J. "Freestanding Sculpture." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-5.

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Nathanson, Alex. "Sculpture and Installation." In A History of Solar Power Art and Design. Routledge, 2021. http://dx.doi.org/10.4324/9781003030683-8.

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Braga, Francisco, and H. Sofia Pinto. "Sculpture Inspired Musical Composition." In Artificial Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72914-1_1.

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Hourihane, Colum. "Romanesque Sculpture in Northern Europe." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch18.

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Maxwell, Robert A. "Modern Origins of Romanesque Sculpture." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch19.

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Pierre, Caterina Y. "Sculpture and the Public Imagination." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch14.

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Roberts, Bill. "Rita McBride’s Sculpture of Flows." In Art, Design and Capital since the 1980s. Routledge, 2019. http://dx.doi.org/10.4324/9780429457449-3.

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Conference papers on the topic "Sculpture Sculpture Nature in art"

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Deng, Xijun. "Sculpture Bearing “Meanings”: Tradition of French Classical Sculpture and Modern Sculpture of Sichuan Province." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.108.

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"The Influence of Ancient Sculpture on Contemporary Sculpture Education." In 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.041.

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Eaton, Ed. "Wall Sculpture with Postits." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179011.

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O’Rourke, Michael. "REDEFINING SCULPTURE DIGITALLY." In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.12.

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Byrne, Valerie. "National Sculpture Factory." In Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.39.

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The purpose of the National Sculpture Factory, which speaks to our artistic policy and remit, is to support and nurture the production of art and the role of culture in society. We work to be the leading institution for identifying, nurturing and activating talent; for ambitious and fearless commissioning; promoting discourse on contemporary visual culture through public engagement activities; and engaging diverse audiences, driving more inclusion and accessibility. Primarily we are a factory of innovation in new technologies and artistic production in the expanded practice of sculpture.
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Van de Voorde, S., R. De Meyer, E. De Kooning, L. Taerwe, and R. Van De Walle. "Sculpture house in Belgium by Jacques Gillet." In COMPARING DESIGN IN NATURE WITH SCIENCE AND ENGINEERING 2006. WIT Press, 2006. http://dx.doi.org/10.2495/dn060051.

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"The Enlightenment of Installation Art to Sculpture Creation." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29116.

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Michalou(di)s, Ioannis. "Aer()sculpture, art made out of threatened sky." In the 3rd international conference. ACM Press, 2008. http://dx.doi.org/10.1145/1413634.1413638.

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Zhang, Yanxiang, Dong Dong, and Yanlong Guo. "3D Shadow Art Sculpture Based On Real Items." In C&C '17: Creativity and Cognition. ACM, 2017. http://dx.doi.org/10.1145/3059454.3078858.

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Zhang, Lili. "Study on Water Landscape Sculpture in City Square." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.97.

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Reports on the topic "Sculpture Sculpture Nature in art"

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Healey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Edited by Gerhard Bruyns. FIUWAC, 2020. http://dx.doi.org/10.31182/001.

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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Health hazard evaluation report: HETA-2007-0167-3078, evaluation of exposures in sculpture studios at a college art department, Brooklyn College, Brooklyn, New York. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2009. http://dx.doi.org/10.26616/nioshheta200701673078.

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