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Journal articles on the topic 'Sculpture, Serbian'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Elezović, Zvezdana. "Affirmation of Serbian sculptures in Kosovo and Metohija." Bastina, no. 56 (2022): 553–62. http://dx.doi.org/10.5937/bastina32-36832.

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The paper discusses the affirmation of Serbian sculptors in Kosovo and Metohija in the second half of the XX century. It began to develop in the province in parallel with painting, and the founding of the Academy of Arts in Pristina in 1973 can be taken as a turning point. Most artists have already been involved in current creative trends in fine arts in Kosovo and Metohija and beyond. Bužančić says that sculptural achievements, as well as facts from the art scene at the time and a promising future, reject any allusion that sculpture was still a less important sector of Kosovo's art. As the fo

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2

Elezović, Zvezdana. "Identity themes in the works of Serbian artists in Kosovo and Metohija until the 1990." Bastina, no. 55 (2021): 503–9. http://dx.doi.org/10.5937/bastina31-34294.

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The paper discusses the issue of identity themes in the work of contemporary Serbian artists in Kosovo and Metohija, until the 1990s. Among Serbian artists were those who nurtured themes related to the Serbian cultural identity of the 1970s and 1980s. The painter Vlada Radovic' expressed this through the works of "The Patriarchate of Peć", "The Forest of Dečani with a view of the Visoki Dečan Monastery and "The Holy Virgin Ljeviška". After him, Sava Rakočevic', in his creative beginnings, also sought and found inspiration in the Kosovo pledge and in Kosovo as a space woven into Serbian cultura

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3

Frfulanović, Dragana. "On the military identity of the monument to King Peter I the Liberator." Vojno-istorijski glasnik, no. 1 (2024): 139–65. http://dx.doi.org/10.5937/vig2401139f.

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The representation of King Peter I in the public monument sculpture was designed to build a unique ideological symbol in the archeology of the memory of the new Yugoslav community. The visual narrative, modeled after the 19th-century model, was composed of military attributes through the military uniform, and its implementation began immediately after the king acceded to the throne. In the Kingdom of SHS/Yugoslavia, the existing narrative was inherited with the projection of King Peter I as the Liberator of all South Slavic peoples. King Petar I was depicted in the uniform of an officer of the

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Srhoj, Vinko. "Ivan Meštrović i politika kao prostor ahistorijskog idealizma." Ars Adriatica, no. 4 (January 1, 2014): 369. http://dx.doi.org/10.15291/ars.509.

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Meštrović’s political activity, reflected in his sculpture and architecture, was closely tied to the idea of a political union of the South Slavs which culminated on the eve of and during the First World War. As a political idealist and a person who always emphasized that he was first and foremost an artist, Meštrović had no inclination for classic political activism which meant that he was not interested in belonging to any contemporary political faction. Since his political activism was not tied to a specific political party and since, unlike the politicians with whom he socialized, he did n

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Babic, Valentina. "A sanctuary screen from the island of Kolocep." Zograf, no. 41 (2017): 51–75. http://dx.doi.org/10.2298/zog1741051b.

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The paper discusses the structure and carved decoration of the restored marble sanctuary screen from the island of Kolocep near Dubrovnik. Based on the early medieval history of present-day southern Dalmatia and the fragmentary inscription commemorating a queen as the donor of the screen, it may be concluded that she was one of the Serbian Doclean (Duklja) queens from the second half of the eleventh century. The inscription is the only evidence that the kings of Dioclea ruled over the Elaphite islands. The carved decoration is typical of the Middle Byzantine period (9th-12th century), with som

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Čairović, Ivica. "Education of church artists at the Academy for Fine Arts and Conservation of the Serbian Orthodox Church (1993-2023)." Kultura, no. 180 (2023): 185–94. http://dx.doi.org/10.5937/kultura2380185c.

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Education of Church artists at the Academy for Fine Arts and Conservation of the Serbian Orthodox Church in Belgrade has been going on for thirty years (1993-2023), under the auspices of the Holy Synod of Bishops of the Serbian Orthodox Church. The article presents relevant facts about the education of Church artists - icon painters, fresco painters, mosaicists, sculptors, conservators and restorers. The wealth of correlative knowledge and skills and the multidisciplinarity within the curricula of the Academy of SOC add to the recognition of the uniqueness of this higher education institution

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Pejovic, Roksanda. "Musical instruments depicted in medieval Serbian art under oriental and western influences." Muzikologija, no. 5 (2005): 15–26. http://dx.doi.org/10.2298/muz0505015p.

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Researching musical instruments on frescoes, miniatures, icons and sculptural decorations of mediaeval Serbian art, painted and sculptured in the manner of Byzantine art, we discover Oriental and Western influences. Musical instruments arriving from the Orient were unchanged for centuries and those from West Europe were mainly used in the Middle Ages or the Renaissance. Oriental and Western influences can be observed on instruments of all families-idiophones, membranophones, bowed and string instruments, as well as on aero phones. The same form of some crotales and cymbals can be found both in

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8

Stojic, Milorad. "Response to the contribution: On Neolithic authenticity of finds from Belica by Dragana Antonovic and Slavisa Peric." Starinar, no. 63 (2013): 301–12. http://dx.doi.org/10.2298/sta1363301s.

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In the last issue of Starinar (LXII/2012) a contribution On Neolithic Authenticity of Finds from Belica was published. The authors Dragana Antonovic and Slavisa Peric (further A-P), dispute the 'Neolithic' provenience of finds from the village Belica. The reason is based on two articles published by me and possibly the pending publication in T?bingen of my monograph Belica, the Greatest Group Find of Neolithic Artistic Cult Sculpture. A-P based their conclusion that the objects from Belica are not 'Neolithic' on the premise that the pit with these objects did not exist, that the objects are of

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9

Macukanovic-Jocic, Marina, and Snezana Jaric. "Pollen morphology of the Balkan-Carpathian endemic Campanula lingulata Waldst. & Kit. (Campanulaceae)." Zbornik Matice srpske za prirodne nauke, no. 130 (2016): 75–82. http://dx.doi.org/10.2298/zmspn1630075m.

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Palynomorphological characteristics of Campanula lingulata, the Balkan-Carpathian endemic species growing in Serbia, have been investigated using light microscopy and scanning electron microscopy for the first time, in order to provide some information helpful for a better understanding of the taxonomic position of this species within the genus, as well as to contribute to the pollen atlas of Serbian apiflora. The pollen grains are radially symmetrical, isopolar, 3-zonoporate and medium-sized monads oblate-sphaeroidal in shape. Mean of the polar axis (P) is 27.6?1.9 ?m, while the average lengt

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Borozan, Igor. "The national-dynastic monument in the Kingdom of Serbia the monument to Prince Milos Obrenovic in Pozarevac as a case study." Balcanica, no. 47 (2016): 157–75. http://dx.doi.org/10.2298/balc1647157b.

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The monument to Prince Milos Obrenovic unveiled in 1898 embodied the concept of national-dynastic monument in the Kingdom of Serbia at the end of the nine?teenth century. The statue in the manner of academic art by Djordje Jovanovic, a prominent Serbian sculptor, may be seen as a creative transfer of European practices in designing majestic monuments to rulers. Set up in downtown Pozarevac, the monument to Prince Milos was intended to act as a place of collective remembrance and a means of legitimation of King Alexander Obrenovic. Forming part of the process of constructing the cult of Prince

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Milovanović, Jovana. "Between national memory and oblivion: Monuments to Heroes of the sword József Schweidel in Sombor and Karađorđe Petrović in Belgrade." Nasledje, no. 23 (2022): 121–46. http://dx.doi.org/10.5937/nasledje2223121m.

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The removal of monuments from the public space - commemorating vožd Karađorđe Petrović and General József Schweidel in Belgrade and Sombor respectively - followed by the subsequent physical dematerialization of the sculptural solutions, for example the repurposing of the Sombor plinth, points to a civilizational practice known as damnatio memoriae (condemnation of memory) that has existed for millennia. The manifestation of this practice can serve as a basis for analysing Hungarian-Serbian relations in the period of the Great War and its immediate wake. At the dawn of the 20th century, a cult

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Petrović, Predrag. "Two Serbian Тravelogues about Soviet Russia". Stephanos Peer reviewed multilanguage scientific journal 45, № 1 (2021): 7–15. http://dx.doi.org/10.24249/2309-9917-2021-45-1-7-15.

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The paper presents two Serbian travelogues published in 1928 in Belgrade: Impressions from Russia (Утисци из Русије), by the writer Dragiša Vasic and Impressions from Russia (Импресије из Русије) by the sculptor Sreten Stojanovic. On the occasion of marking the tenth anniversary of the October Revolution, Vasic and Stojanovic, as journalists, had the opportunity to spend two months in Moscow and Leningrad. Driven by great respect and love for Russian culture, they wanted to acquaint the Serbian public with the social, political and cultural life in the new state. Both travelogues emphasize the

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13

Borozan, Igor. "Typology of public figural sculpture in the Kingdom of Serbia (1882-1914)." Nasledje, no. 20 (2019): 55–67. http://dx.doi.org/10.5937/nasledje1920055b.

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Basic, Ivana. "The concept of beauty in the Serbian language - iconicity of lexemes ‘lepo’ and ‘krasno’." Juznoslovenski filolog, no. 70 (2014): 173–87. http://dx.doi.org/10.2298/jfi1470173b.

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?Beauty? - the crucial aesthetic category is conceived in the Serbian language by two lexemes: ?lepo? and ?krasno?. Iconicity of lexeme ?lepo? (Old Church Slavonic - l?p'' ?something that is bonded with something; mud, mortar or most often mud mixed up with chuff to ?glue with? or ?spread over with?) is linked with the imagination of soil, while the concept of beautiful is conceived by lexeme ?krasno? (I.E.*(s)qer-, ?beacon fire?) and is defined by heavenly and divine splendour. The difference in iconicity of the two lexemes, in essence, is the difference between terrestrial and heavenly beaut

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Bila, Dubaić Jovana, Jovana Raičević, Milan Plećaš, et al. "FURTHER RANGE EXPANSION OF THE SCULPTURED RESIN BEE (MEGACHILE SCULPTURALIS) IN SERBIA AND BOSNIA & HERZEGOVINA." Acta Entomologica Serbica 26, no. 2 (2021): 37–63. https://doi.org/10.5281/zenodo.5537059.

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<em>Megachile sculpturalis</em> is the first non-native bee species established in Europe, originating from E-Asia. Since early detections in SW-Europe (2008–2010) its spreading resulted in a range currently spanning nearly 2,800 km x 1,100 km across the southern and central Europe. In SE-Europe establishment was confirmed since 2015 in NE-Hungary, followed by detection in N-Serbia (2017), and wider spreading across the eastern Pannonian Plain (2018–2019); eventually it was detected in NW-Bosnia & Herzegovina (2020). Accordingly, the repeated calls for monitoring of <

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16

Bila Dubaić, Jovana, Milan Plećaš, Jovana Raičević, Julia Lanner, and Aleksandar Ćetković. "Early-phase colonisation by introduced sculptured resin bee (Hymenoptera, Megachilidae, Megachile sculpturalis) revealed by local floral resource variability." NeoBiota 73 (May 11, 2022): 57–85. http://dx.doi.org/10.3897/neobiota.73.80343.

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There is a growing interest to document and better understand patterns and processes involved in non-native bee introductions and subsequent colonisation of new areas worldwide. We studied the spread of the East Asian bee Megachile sculpturalis in Serbia and south-eastern Europe; the bee was earlier established in the USA (since 1994) and western Europe (since 2008). Its establishment in Serbia remained dubious throughout most of 2017–2019, following its first detection. We hereby report on its establishment and spreading, which were corroborated in 2019 under specific circumstances. Owing to

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17

Bila, Dubaić Jovana, Milan Plećaš, Jovana Raičević, Julia Lanner, and Aleksandar Ćetković. "Early-phase colonisation by introduced sculptured resin bee (Hymenoptera, Megachilidae, Megachile sculpturalis) revealed by local floral resource variability." NeoBiota 73 (May 11, 2022): 57–85. https://doi.org/10.3897/neobiota.73.80343.

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There is a growing interest to document and better understand patterns and processes involved in non-native bee introductions and subsequent colonisation of new areas worldwide. We studied the spread of the East Asian bee Megachile sculpturalis in Serbia and south-eastern Europe; the bee was earlier established in the USA (since 1994) and western Europe (since 2008). Its establishment in Serbia remained dubious throughout most of 2017–2019, following its first detection. We hereby report on its establishment and spreading, which were corroborated in 2019 under specific circumstances. Owing to

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18

Prosen, Milan. "The Participation of Russian Architects and Sculptors in Making the Art Deco Architecture in Serbia." Actual Problems of Theory and History of Art 6 (2016): 624–34. http://dx.doi.org/10.18688/aa166-8-67.

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19

Zlydneva, Nataliya. "In Anticipation of Disaster: The Beginnings of Croatian Modernism and the End of the Empire." Stephanos Peer reviewed multilanguage scientific journal 46, no. 2 (2021): 10–25. http://dx.doi.org/10.24249/2309-9917-2021-46-2-10-25.

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The essay deals with the history of the first steps of modernism in Croatian visual arts in the 1910s – beginnings of the 1920s, which took the form of expressionism. In the aspect of early expressionism, the work of the most significant Croatian painters and graphic artists (L. Babić, M. Trepse and others), as well as sculptors (I. Meštrović), considered in the context of the art of the Balkan region (Serbian and Slovenian artists) as a whole, is observed. A number of theoretical issues are touched upon – the typology of symbolism and impressionism, closely related to Croatian expressionism,

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20

Tilinger, Dezire. "Between planned and executed: A multiscale spatial analysis of the monument Prozivka." SAJ - Serbian Architectural Journal 16, no. 3 (2024): 355–82. https://doi.org/10.5937/saj2403355t.

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This research delves into the dialogue between monuments and their context, focusing on the Prozivka monument, a socialist Yugoslav monument dedicated to the People's Liberation Struggle. Created by renowned sculptor Oto Logo, the monument was erected in 1977 as a centrepiece in Prozivka, the largest socialist mass housing neighbourhood in Subotica, Serbia. The analysis follows the monument from its conception to the current state and takes a multi-scale approach, examining the monument's relationship with its material and immaterial context, from the urban plan to the level of detail. The stu

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Milošević, Predrag, Vladimir Milošević, and Grigor Milošević. "Investigation Architecture and Environmental Planning in Prehistory for Designing an Ecologically Sustainable Tourist Resort." Journal of Human, Earth, and Future 3, no. 1 (2022): 99–128. http://dx.doi.org/10.28991/hef-2022-03-01-08.

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Lepenski Vir is an archaeological site of extraordinary international significance; an area where exceptional culture and specific art, which took place within organized social and religious life, emerged as unique in Central and South-Eastern Europe (6800-5400 BC, according to the date C14). The methods and complexity of the architecture of these buildings, their sustainability and energy efficiency, as well as the treatment of the associated monumental sculptures, clearly define the stages of settlement over a period of at least two thousand years. Today, it is even possible to say that peop

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Marković, Ivan, and Milan Milovanović. "Architect Dušan Babić: Reconstruction of identity." Nasledje, no. 21 (2020): 61–79. http://dx.doi.org/10.5937/nasledje2021061m.

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To this day, the Belgrade oeuvre of architect Dušan Babić has not been subjected to broader historiographic research, making the elements of his architectural vocabulary all the more difficult to define and evaluate. The available archival material does provide valuable insights into the life of architect Babić and his works in the capital of the Kingdom of Yugoslavia between 1927 and 1946. He produced over fifty designs for residential and mixed use buildings (comprising both commercial and residential space), several churches and the crematorium in Belgrade, simultaneously participating in a

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Pilkevych, Viktoriia. "Cultural and Natural Sites of Europe According to UNESCO List of World Heritage in Danger." European Historical Studies, no. 12 (2019): 125–35. http://dx.doi.org/10.17721/2524-048x.2019.12.125-135.

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The author studies UNESCO’s activities in the cultural sphere, especially the protection and preservation of cultural heritage around the world. There is World Heritage List. Sites must be of outstanding universal value and meet the special criteria to be included on this List. Countries are trying to include their cultural objects for protection. Cultural heritage is architectural works, works of monumental sculpture and painting, elements or structures of an archaeological nature groups of buildings which are of outstanding universal value. The World Heritage Committee is responsible for the

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Neskovic, Jovan. "Portals of the Church of Saint Nicholas in Bari." Zograf, no. 29 (2002): 21–34. http://dx.doi.org/10.2298/zog0329021n.

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The Church of Saint Nicolas in Bari, in southern Italy, is known as a church of great renown and importance, in view of the fact that it was built to receive the remains of Saint Nicholas, which are still kept in the church?s crypt, in the part of the building from where its construction began, at the end of the XI century. This church played a highly significant role in the creation of the specific, Romanic style of architecture in this region, so several important buildings were constructed using the basic typological and stylistic characteristics of the Church of Saint Nicholas. It was buil

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Alfirevic, Djordje, and Sanja Simonovic-Alfirevic. "Urban housing experiments in Yugoslavia 1948-1970." Spatium, no. 34 (2015): 1–9. http://dx.doi.org/10.2298/spat1534001a.

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In the period from 1948 to 1970 urban housing architecture in Yugoslavia had a distinctly experimental character as it strived intensively towards research and establishment of new architectural patterns and values that would mark the period of economic growth of the country. In conditions of mass housing construction, initiated by the devastated urban housing fund after the Second World War, significant influx of population to towns and the state directed its socialist aspirations at alloting every family acceptable living space. The period of the so-called ?directed housing construction?, wh

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Nikolić, Dušan. "On the division of things into immovable and movable." Zbornik radova Pravnog fakulteta, Novi Sad 59, no. 1 (2025): 1–21. https://doi.org/10.5937/zrpfns59-57620.

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Legal theory has long been dominated by the opinion that immovable things are those that cannot be moved from one place to another without damaging their essence. Scientific achievements and technical progress have made that traditional notions anachronistic. There are devices, equipment and processes that make it possible to transmit what once could not be transmitted without breaking it down into components (elements). Of essential importance is not the possibility of physical transfer of thing, but the determination of its place, i.e., locating (locus). According to the laws of classical ph

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Iașin, Sașa. "Geneza iconostasului Catedralei ortodoxe sârbe din Timișoara / The genesis of the iconostasis of the Serbian orthodox cathedral from Timișoara." Analele Banatului XVIII 2020, January 1, 2020. http://dx.doi.org/10.55201/ceri6979.

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Searching the archive of the Serbian Orthodox Episcopate of Timișoara, one can observe an abundance of data regarding the most important events related to the works that were undertaken at the Serbian Orthodox Cathedral in Timișoara. Exceptional names in the field of church art and sculpture competed for the beautification of the most important edifice of Orthodoxy in Banat in the middle of the 19th century. The results of art historians research and the conclusions they came to, indisputable in terms of the authors’ professionalism, brought many novelties, and the stated theme only wants to c

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Jovanović, Jelena. "SERBIAN LITERARY MODERNA ‘CAUGHT’ IN THE PROCESS OF COMMUNICATION." TEME, July 21, 2024, 461. http://dx.doi.org/10.22190/teme230928026j.

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Beginning with today’s widely accepted thesis about literature as an act of communication, the paper presents a part of the results of a wider study of that process in a diachronic overview of recent Serbian literature. The base of the research is the question of the historicity of literature, including the problematization of the concept of development as the key determinant of a group of authors dealing with literary-historical processuality, and simultaneously rejecting the final consequence of the poststructuralist demand for the deconstruction of history. In so posited a frame, the study

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Cvjetićanin, Tatjana B. "Identity Crises and Confusions: Metamorphosis Constantiniana." Etnoantropološki problemi / Issues in Ethnology and Anthropology 17, no. 3 (2022). http://dx.doi.org/10.21301/eap.v17i3.10.

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Public monuments are the materialization of historical events or persons chosen to be remembered by a society, official factors of collective and cultural memory, elements of the chosen identity and the ways in which the community aims to be perceived by the outsiders. In the series of identity searches of the current representative monument culture in Serbia, rare are the examples that include the archaeological imagery. The paper examines the ideas and motifs of one such sculpture – Metamorphosis Constantiniana, not from the artistic perspective, but from the viewpoint of archaeology and cul

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Bila Dubaić, Jovana Bila, Julia Lanner, Christa Rohrbach, et al. "Towards a real-time tracking of an expanding alien bee species in Southeast Europe through citizen science and floral host monitoring." Environmental Research Communications, July 22, 2022. http://dx.doi.org/10.1088/2515-7620/ac8398.

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Abstract Citizen science, a practice of public participation in scientific projects, is popular in Western countries, however, it is still a relatively novel approach in Southeast Europe. In this region, citizen science can be a useful tool for increasing the understanding of alien species. One such species is the sculptured resin bee, Megachile sculpturalis, a putatively invasive alien pollinator native to East Asia. It was introduced to France in 2008, from where it quickly spread across West and Central Europe. However, our knowledge of its eastern distribution is scarce since it is based m

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Miklósik, Elena. "Anton Schmidt (1786-1863), constructorul uitat al Timisoarei moderne / Anton Schmidt (1786-1863), the long-forgotten builder of modern Timisoara." Analele Banatului XXI 2013, January 1, 2013. http://dx.doi.org/10.55201/pjxu1435.

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At the beginning of the 19th century, caught within the ring of the massive walls of the fortress, Timişoara town had been hardly defining its new profile. From 21 military buildings, 20 were situated in the inner side of the fortress. In 1807 this town and its church represented the target of the orations of one young bricklayer who had arrived from Arad: he was also asking for a house in this settlement. e story turned real: for four decades the builder had built princely houses, administrative palaces, barracks, hospitals, churches and record houses throughout the historical Banat. His name

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Cei, Luca. "Geo-referenced database for the architectural heritage: a tool for the study and enhancement of the medieval churches in the municipalities of southern Albania." Scientific Journal of the Observatory of Mediterranean Basin, Issue 9 (September 5, 2024). http://dx.doi.org/10.37199/o41009109.

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The municipality of Finiq, as well as the adjacent ones - Delvinë, Sarandë, Koni- spol, and Dropull - is populated by a large group of sacred buildings dating back to the early Middle Ages. We define the architectonic style of these churches as Byzantine, although actu- ally the component closely related to the architecture of Byzantium is flanked by construc- tional, spatial, and decorative types peculiar to the Epirus territory. The specificities of this built heritage are mainly due to the geographical location of Epirus as a frontier site between the Latin, Serbian, and Greek areas of infl

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Marina, Toumpouri. "Basilica of Saint Demetrios." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573575.

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The cross-transept basilica dedicated to saint Demetrios the Myroblyte (the myrrh-gusher), located in the centre of the city of Thessaloniki (Northern Greece), was considered a major pilgrimage. It is believed that it was built by the Roman governor named Leontios in the third quarter of the 5th century CE, following the transfer of the cult of Saint Demetrios from Sirmium (present day city of Sremska Mitrovica, Serbia) to Thessaloniki. The first church on the site was constructed in the early 4th century on a complex of Roman buildings, including a bath that was incorporated in the crypt, und

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Wilken, Rowan. "Walkie-Talkies, Wandering, and Sonic Intimacy." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1581.

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IntroductionThis short article examines contemporary artistic use of walkie-talkies across two projects: Saturday (2002) by Sabrina Raaf and Walk That Sound (2014) by Lukatoyboy. Drawing on Dominic Pettman’s notion of sonic intimacy, I argue that both artists incorporate walkie-talkies as part of their explorations of mediated wandering, and in ways that seek to capture sonic ambiances and intimacies. One thing that is striking about both these works is that they rethink what’s possible with walkie-talkies; both artists use them not just as low-tech, portable devices for one-to-one communicati

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