Relevant bibliographies by topics / Sculptures and paintings

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sculptures and paintings'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Sculptures and paintings"

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Yang, Zeyin. "Interoperability Analysis between Traditional Chinese Sculpture and Painting Modeling from the Perspective of Big Data Management." Mathematical Problems in Engineering 2022 (August 8, 2022): 1–9. http://dx.doi.org/10.1155/2022/3237282.

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Chinese traditional sculpture and painting have strong interoperability in terms of patterns, colors, and lines. Chinese sculpture and painting art are traditional Chinese works of art. The art of painting is often the basis for sculptural art. A good sculptural work of art often requires the pattern and color foundation of the painting. Moreover, Chinese traditional sculpture artworks often reflect certain historical information and humanistic spirit. Traditional artificial methods are often difficult to discover the intercommunication between cultural information between Chinese sculpture an
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Stepanenkova, V. M. "On Locating Paintings, Graphics, and Sculptures Defended as Creative Theses on Art History in the USSR." Secreta Artis 7, no. 1 (2024): 91–102. http://dx.doi.org/10.51236/2618-7140-2024-7-1-91-102.

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The article summarizes the initial findings of research aimed at identifying the locations of paintings, graphics, and sculptures that were defended as creative theses for the degree of Candidate of Art History in the period from 1950 to 1955. These dissertations were defended at the Repin Institute of Painting, Sculpture and Architecture and Surikov Moscow State Art Institute. The inquiry has identified works of painting and graphic art present in the State Museum Fund of the Russian Federation, along with the locations of sculptures, including monumental artworks.
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Shkolna, Olha, and Alla Buigasheva. "Life and Work of Anhelina Zhdanova - Master of Porcelain Painting of the Second Half of the 20th Century." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (2022): 131–42. http://dx.doi.org/10.31866/2617-7951.5.1.2022.257488.

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The aim is to identify the key porcelain works painted by the Honored Artist of Ukraine Angelina Zhdanova during the second half of the 20th century, to reveal the artistic features of her decoration of sculptures, utensils and vases. Research methods – ontological, axiological, hermeneutic, historical-chronological, historical-comparative, cultural, typological, art analysis. Their combination allows us to reveal the specifics of the creative method of Anhelina Zhdanova concerning the design of sculptures of small forms and design development of decors for fine ceramic ware and vases. Novelty
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Shkolna, Olha, and Alla Buigasheva. "Life and Work of Anhelina Zhdanova - Master of Porcelain Painting of the Second Half of the 20th Century." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (2022): 131–42. https://doi.org/10.31866/2617-7951.5.1.2022.257488.

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The aim is to identify the key porcelain works painted by the Honored Artist of Ukraine Angelina Zhdanova during the second half of the 20th century, to reveal the artistic features of her decoration of sculptures, utensils and vases. Research methods – ontological, axiological, hermeneutic, historical-chronological, historical-comparative, cultural, typological, art analysis. Their combination allows us to reveal the specifics of the creative method of Anhelina Zhdanova concerning the design of sculptures of small forms and design development of decors for fine ceramic ware and vases. N
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Wolstenholme, Gordon. "Portraits, Paintings and Sculptures." Journal of the Royal College of Physicians of London 23, no. 1 (1989): 58. https://doi.org/10.1016/s0035-8819(25)02248-2.

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Saleh, Hamsatu, and Irokanulo Ikemefula Emmanuel. "Yoruba Aesthetic Objects in Grillo's Discursive Paintings: A Phenomenological Inquiry." ISSRA Journal of Arts, Humanities, and Social Studies 3, no. 1 (2024): 12–20. https://doi.org/10.5281/zenodo.10628660.

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<strong>Abstract: </strong>This paper explores objects of aesthetics in Yoruba culture from the artistic standpoint of Yusuf Grillo, with a view to explaining the creativity that underscores its rich cultural heritage. Objects of aesthetics in this culture are used as tools which seek a socio-cultural re-definition of the contemporary meaning of their heritage. The new path has gained expressive traction by exposing the object to some form of phenomenological possibilities in the area of vision in order to unmask the possibilities within the body of &lsquo;Dasein&rsquo; of the cultural aesthet
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Sharma, Yam Prasad. "Contemporary Nepali Arts: Blurring the Boundaries among Art Genres." Curriculum Development Journal, no. 42 (December 4, 2020): 48–56. http://dx.doi.org/10.3126/cdj.v0i42.33212.

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Some contemporary Nepali artworks have blurred the boundaries among different art genres like sculpture, painting, music, drama, photography and literature. In a single artwork, we can view the elements of two or more art forms. Three dimensional real objects are put on the two dimensional surface like canvas. Three dimensions are the special characteristics of sculpture whereas there are only two dimensions in painting. Three dimensions in the painting are illusions created by the use of light and shade, and gradation of colors. Artists use photographs and paintings simultaneously in the same
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Van Halem, Ludo. "Recent Acquistions Paintings and Sculptures." Rijksmuseum Bulletin 63, no. 3 (2015): 294–315. http://dx.doi.org/10.52476/trb.9833.

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Swami, Viren, Nina Grant, Adrian Furnham, and I. Christopher McManus. "Perfectly Formed? The Effect of Manipulating the Waist-to-Hip Ratios of Famous Paintings and Sculptures." Imagination, Cognition and Personality 27, no. 1 (2007): 47–62. http://dx.doi.org/10.2190/ic.27.1.e.

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Forty-three women and 45 men rated a series of images of selected paintings and sculptures for aesthetic appeal and originality. For each painting or sculpture, there were three versions: the original image and two manipulated images, one displaying a lower waist-to-hip ratio (WHR) and the other displaying a higher WHR than in the original. The results showed that, in general, both male and female participants considered the original and, in some cases, the image with the higher WHR as the most aesthetically pleasing. The results also showed that participants were generally able to discern the
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Andersen, Elisabeth, and Susanne Kaun. "Shadow Paintings: A Neglected Type of Wall Painting." ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 3-4 (May 14, 2019): 40–56. https://doi.org/10.69945/ico.vi3-4.25637.

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The article presents the results of a pilot study focusing on what are called shadow paintings in Norwegian church interiors from the 17th and 18th centuries. Among the many Baroque illusionistic wall paintings in churches, painted shadows are probably the least known and considered. Shadow paintings are grey or black paintings that surround church furnishings, such as altarpieces, epitaphs and sculptures, as well as pulpits and stalls. They create an illusion of light by “casting” a shadow behind an object, thus enlarging and accentuating the object. Most of the original shadow paintings were
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Dissertations / Theses on the topic "Sculptures and paintings"

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Leyva-Perez, Irina. "Alchemy and Symbolism in the Work of Carlos Estevez." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/740.

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The purpose of this thesis was to explore how alchemy has influenced Carlos Estevez’s work through a study of the symbolic repertoire and the philosophical concepts associated with it in his art, particularly how these are expressed in his artworks and how alchemy has evolved thematically in his oeuvre. The study of alchemy influenced this artist so deeply that even pieces that were not primarily inspired by this philosophical system show traces of it, essentially by representing the concept of transformation, crucial to understanding the alchemical process. This thesis is based on Carl Gustav
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Dabat, Amandine. "Hàm Nghi (1871-1944) : empereur en exil, artiste à Alger." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040138.

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Hàm Nghi (1871-1944), empereur patriote selon l’historiographie vietnamienne, victime ou acteur de la résistance anticoloniale selon les historiens français, fut exilé à Alger dans l’espoir de mettre fin au mouvement Cần Vương. Déporté à l’âge de dix-huit ans, pion sur l’échiquier politique de l’Indochine, il était considéré par une partie des autorités françaises comme un homme politique influent. Il fut surveillé toute sa vie et ne fut jamais autorisé à entrer en contact avec l’Indochine. Cependant, celui qui était désormais appelé « prince d’Annam », noua des amitiés avec des élèves vietnam
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Streeter, Stephanie. "Stray: Paintings, Drawings, and Sculpture." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/18.

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The artist discusses her Bachelor of Fine Arts Exhibition, Stray, held at Slocumb Galleries, East Tennessee State University, from April 4th to April 8th. The show exhibit consists largely of self-portraits derived from the artist’s dreams, in an array of media including mixed media on paper, oil on canvas, and wire frame sculpture, all completed in the Spring of 2011, with the exception of one sculpture. Ideas explored include the influence of dreams, representation of the self, masking, disguising, the loss of home, and the tendency of memory to fade. Influences discussed include the written
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Keffer, Mark. "Sculpture < painting < boxing." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314217573.

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Lykins, Victoria L. "Painting in a sculptural manner." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864931.

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Baker, Charles. "An Exhibition of Painting, Sculpture and Video." Thesis, Waterloo, Ont. : University of Waterloo [Dept. of Fine Arts], 1997. http://etd.uwaterloo.ca/etd/cbaker1997.pdf.

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Thesis (M.F.A.)-University of Waterloo, 1997.<br>Includes bibliographical references (p. 65). Issued also in PDF format and available via the World Wide Web. Requires Internet connectivity, World Wide Web browser, and Adobe Acrobat Reader.
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O'Brien, Kelly A. "Putting Lipstick on a Sculpture." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/107.

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Putting Lipstick on a Sculpture is a mixed body of sculptural and two-dimensional work investigating our society’s superficial expectations of beauty. The glitzy covers of glitter and spandex are used over more traditional structural materials to confuse the viewer’s expectations, much like labels categorizing usual fine art. The sculptures are on display for the audience’s aesthetic judgments, while paintings blur lines of what is classified as traditional and acceptable for emphasis.
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Borders, James D. "Spontaneous strategies /." Online version of thesis, 2009. http://hdl.handle.net/1850/10878.

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Sakoda, Maho. "George Eliot and Pre-Raphaelitism : literature, painting, sculpture and photography." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/64074/.

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This thesis explores the multi‐layered inter-relationships between the works of George Eliot and those of the Pre‐Raphaelites. Taking up the very different mediums of painting, sculpture, and photography as they emerge in Pre‐Raphaelitism, it assesses their relation to Eliot's novels as reinforcing a web of Victorian visual art and literature. The discussion begins by examining proximities between the paintings of Dante Gabriel Rossetti and Eliot's Adam Bede and Daniel Deronda. I explore, in particular, their shared interest in dichotomies of female representation in the nineteenth century, an
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Richards, Christopher. "Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772.

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Books on the topic "Sculptures and paintings"

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Soul, Gallery Art and, ed. Transcending eternity: Sculptures, paintings & sculpture paintings, January-March 2013. Gallery Art & Soul, 2013.

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Wind, Chris. Paintings and sculptures. Chris Wind/Magenta, 1991.

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Ltd, Jean-Luc Baroni. Paintings, sculptures, drawings. Jean-Luc Baroni Ltd., 2014.

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Wind, Chris. Paintings and sculptures. Chris Wind/Magenta, 1991.

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Pierre Bergé & associés. Tableaux, sculptures modernes: Modern paintings, sculptures. Pierre Bergé & associés, 2003.

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Delfin, Victor. Delfin: Paintings and sculptures. IMADIS Comunicadores, 2001.

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Sumukha, Gallery, and Wei-Ling Contemporary (Gallery), eds. Drawings, paintings, sculptures, installations. Gallery Sumukha, 2011.

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Misra, Umesh Chandra. Tribal paintings and sculptures. B.R. Pub. Corp., 1989.

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Rothbort, Samuel. Samuel Rothbort: Paintings, sculptures, watercolors. Chassidic Art Institute, 1996.

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Aronson, David. David Aronson: Paintings and sculptures. Pucker Gallery, 2005.

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Book chapters on the topic "Sculptures and paintings"

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Seille, Magali, and Zoi Kapoula. "How Do We Look at Sculptures? Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_5.

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Seille, Magali, and Zoi Kapoula. "How Do Children Look at the Paintings ? Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_4.

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Seille, Magali, and Zoi Kapoula. "This Study—Methods. Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_2.

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Seille, Magali, and Zoi Kapoula. "Attraction to the Center. Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_3.

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Seille, Magali, and Zoi Kapoula. "Synthesis Theoretical. Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_6.

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Seille, Magali, and Zoi Kapoula. "Prior Studies of Eye Movement Exploration of Artwork. Magali Seille." In Paintings and Sculptures: Where Do We Look First? Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31135-2_1.

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Dillon, Lorna. "Surrealism, Pop Art and Modern Aesthetics in Violeta Parra’s Papier-Mâché Sculptures, Paintings and Embroideries." In Violeta Parra’s Visual Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38407-4_3.

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Murray, Peter. "Painting and Sculpture." In Handbook for History Teachers. Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-174.

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Staff, Craig. "Painting into Sculpture." In Weak Painting After Modernism. Routledge, 2023. http://dx.doi.org/10.4324/9781003203179-3.

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Vodopivec, Aleš, and Rok Šnidaršič. "Architecture, Sculpture and Painting." In Edvard Ravnikar. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99204-3_32.

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Conference papers on the topic "Sculptures and paintings"

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Sarzyński, A., W. Skrzeczanowski, and J. Marczak. "Laser induced breakdown spectroscopy in paintings and sculptures research." In Optical Metrology, edited by Costas Fotakis, Luca Pezzati, and Renzo Salimbeni. SPIE, 2007. http://dx.doi.org/10.1117/12.726151.

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Hermon, Sorin. "BUILDING DIGILAB – TOWARDS A DATA-DRIVEN RESEARCH IN CULTURAL HERITAGE." In VIRTUAL ARCHAEOLOGY. SIBERIAN FEDERAL UNIVERSITY, 2021. http://dx.doi.org/10.17516/sibvirarch-012.

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E-RIHS – The European Research Infrastructure on Heritage Science, aims at providing new knowledge on the research, conservation and restoration of works of art, heritage assets, monuments and sites. As such, the target of its scientific investigation (paintings, sculptures, manuscripts, frescoes, icons, archaeological artefacts, building facades, architectural remains or heritage buildings, coins or ancient musical instruments, just to name a few) are stored in the hundreds of museums, art galleries, private collections and various other institutions, scattered all over Europe.
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Savage, Victor. "As One With Nature: Sputheast Asian Aesthetic Expressions | เป็นหนึ่ง เดียวกับธรรมชาติ: การแสดงออกทางสุนทรียะของชาวเอเชียตะวันออก เฉียงใต้". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-25.

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Given the many artistic manifestations in the region which range from architecture to wooden sculptures, one wonders whether there are some guiding aesthetic principles in Southeast Asia. Using food, tattoos, bas reliefs, paintings, textiles, pottery, and architecture, this article is concerned with the salient underpinnings of aesthetic displays in the region. Regional aesthetics manifests itself in many cultural practices ranging from royal traditions, spiritual rituals and practices and quotidian rites of passage. Aesthetic expressions drew their inspiration from nature, cosmic perceptions
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Nuriman, Harry, Nia Kurniasih, Setiawan Sabana, Intan R. Mutiaz, and Rikrik K. Andryanto. "From Verbal to Three-dimensional Digital Visual Texts: A Construction of a Javanese Prince." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.13-2.

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Visualizations of the body of the famous Javanese Prince Diponegoro appears in various media, ranging across sketches, paintings, sculptures, banknotes and coins, shadow puppets, stamps, theatrical performances and electronic devices. All these visualizations mostly follow previous visualizations influenced by artist imaginations. This research seeks to present Prince Diponegoro in three-dimensional animated visualization using a motion capture technique. To complete this, the project draws from authentic manuscript research from the autobiography of Babad Diponegoro. Further, the project empl
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caramelo gomes, Cristina. "The Role of Colour in Urban Place-Making: A Study of Public Art in Lisbon." In 6th International Conference on Human Systems Engineering and Design Future Trends and Applications (IHSED 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005535.

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In the urban environment, public art stands out as a defining attribute that contributes to the cultural and social fabric. This encompasses a wide range of artistic expressions, including sculptures, paintings, murals, installations, performances, light and sound projections, and graffiti. These artistic elements not only shape the identity of a place but also serve as a means of representing the community's voice and honouring significant local figures. The presence of public art fosters interactions among individuals and instils a sense of belonging, ultimately enhancing the aesthetic appea
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Arpa, Sami, Sabine Süsstrunk, and Roger D. Hersch. "Sculpture paintings." In Expressive '18: Joint Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. ACM, 2018. http://dx.doi.org/10.1145/3229147.3229156.

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Souliotou, AZ. "IMPLEMENTATION OF NEW TECHNOLOGIES IN TRADITIONAL HANDCRAFTS: EXAMPLES FROM THE HIGHER EDUCATION." In The 7th International Conference on Education 2021. The International Institute of Knowledge Management, 2021. http://dx.doi.org/10.17501/24246700.2021.7151.

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The implementation of new technologies in traditional handcrafts is being an increasingly popular interdisciplinary practice in arts, education and other aspects of life including entertainment, interior and public design. The present research explores the possibilities of the implementation of electrical and light technologies in traditional handcrafts with the purpose of providing a rich multisensory experience. The implied methodology involves practice-based research through creation of handcrafts with implementation of new technologies by the author-instructor and students in the Higher Ed
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Scheible, Jürgen. "Interactive snow sculpture painting." In the 2011 annual conference extended abstracts. ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979555.

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Maria do Carmo, Mizetti. "Tool for teaching science at Kaingang indigenous schools in Rio Grande Do Sul, Brazil." In International conference Czech republic and lusophonic countries 2024: Education, art and digital technology in teaching. University of West Bohemia, Czech Republic, 2024. http://dx.doi.org/10.24132/zcu.2024.12426.61-62.

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The present work is an excerpt from the author’s doctoral thesis whose theme was Spirituality in the Science Teaching and Learning Process: a study in the Indigenous basic education school. The subjects involved in the research are schools in the state education network, in the state of Rio Grande do Sul, Brazil, belonging to the Guaraní and Kaingang ethnic groups. The work presented here highlights only the Kaingang ethnic group, as they are the largest population. Feather art, ceramics, body painting, sculpture, basketry, drawing and graphics, all the cultural and artistic production of thes
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Петрухина, О. В. "MULTIMEDIA CAPABILITIES IN CREATING ARTISTIC IMAGES (PAINTING, SCULPTURE, ARCHITECTURE)." In Искусство и дизайн: история и практика. Crossref, 2024. http://dx.doi.org/10.54874/9785605162995.2024.9.07.

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Возможности мультимедиа (анимация, видео, свет и звук) успешно внедряют сейчас на различных выставочных площадках во всем мире, включая пространства ведущих музеев России, при организации зрелищных световых представлений, оформлении театральных мероприятий и пр. Преимуществом мультимедиа является высокая скорость донесения информации. В статье раскрывается широкий арсенал ее технических возможностей и приемов, описываются перспективы дальнейшего развития. Multimedia capabilities (animation, video, light and sound) are now being successfully introduced to various exhibition venues around the wo
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Reports on the topic "Sculptures and paintings"

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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Other Sensibilities: Recent Developments in the Art of Paraguay. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0006424.

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Forty-eight artistic objects from Paraguay, including paintings by Enrique Collar and Sebastián Díaz, ceramics from the village of Tobatí, and wooden sculptures by members of the Guaraní communities of Alto Paraná
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Between Past and Present: Nationalist Tendencies in Bolivian Art: 1925-1950. Inter-American Development Bank, 1996. http://dx.doi.org/10.18235/0006402.

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Thirty paintings and sculptures from the National Museum of Bolivia, the Museum Arturo Borda, the National Museum of Ethnography and Folklore, the Marina Núñez del Prado Foundation, and the private collections of Mr. Fernando Romero and the BHN Foundation, and Mrs. Carmen Mazzi de Fernández.
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6

Crossing Panama: A History of the Isthmus as Seen through Its Art. Inter-American Development Bank, 1995. http://dx.doi.org/10.18235/0006403.

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Sixty-two paintings, sculptures, majolica and graphics from the pre-Columbian era through World War II; from Panama's Reina Torres de Arauz Museum of Anthropology, the Museum of Panamanian History, the Museum of Religious Art, the Art Museum of the Americas, as well as several private collections.
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7

Three Moments in the Arts of Jamaica. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0006433.

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Forty-two paintings, lithographs and sculptures in wood, bronze and stone, that illustrate the 18th century colonial era, early 20th century and the 1960s and '70s; from the National Gallery of Jamaica, the National Library of Jamaica and the private collections of Wallace Campbell and Guy McIntosh.
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8

On the Edge of Time: Contemporary Art from the Bahamas. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006422.

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Fifty paintings, drawings, sculptures, and popular objects used in the celebration of Junkanoo, from private collections. The exhibition illustrated the development of Bahamian art since independence, and featured works by Maxwell Taylor, Stan Burnside, Jackson Burnside III, Brent Malone, Antonious Roberts, and John Cox, among others.
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9

Selections from the IDB Art Collection: August 2-31, 1999. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0005942.

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Forty-nine sculptures, paintings, drawings and graphics from the IDB Art Collection, representative of several periods, with emphasis on the 20th century. This was the third exhibition of works from the IDB Art Collection in the Cultural Center Gallery over the past seven years; normally they are displayed inpublic areas of the IDB building.
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10

Highlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding works by artists from the Spanish, English, French, and Dutch Speaking Caribb. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0008217.

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This paper presents a selection of 39 important works (paintings, sculptures, drawings, engravings and photographs) by recognized Caribbean artists from Barbados, Jamaica, The Bahamas, Trinidad and Tobago, Haiti, Dominican Republic, Puerto Rico, and Suriname, and early Cuban masters such as Amelia Peláez, Juan José Sicre and Mario Carreño, in the collection of the OAS Art Museum of the Americas, on loan to the IDB Cultural Center for this exhibition.
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