Academic literature on the topic 'Sean O'Casey'

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Journal articles on the topic "Sean O'Casey"

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Countryman, John, James Simmons, Heinz Kosok, and Nesta Jones. "Sean O'Casey." Theatre Journal 39, no. 2 (May 1987): 251. http://dx.doi.org/10.2307/3207703.

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Countryman, John, and Garry O'Connor. "Sean O'Casey: A Life." Theatre Journal 41, no. 4 (December 1989): 560. http://dx.doi.org/10.2307/3208029.

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O'Brien, Paul, and Christopher Murray. "Sean O'Casey: Writer at Work." Canadian Journal of Irish Studies 30, no. 2 (2004): 75. http://dx.doi.org/10.2307/25515539.

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Firchow, Peter E., and Garry O'Connor. "Sean O'Casey: A New Life." World Literature Today 63, no. 2 (1989): 311. http://dx.doi.org/10.2307/40144906.

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Newsinger, John. "Sean O'casey, Larkinism and literature." Irish Studies Review 12, no. 3 (December 2004): 283–92. http://dx.doi.org/10.1080/0967088042000267588.

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Innes, Christopher. "The Essential Continuity of Sean O'Casey." Modern Drama 33, no. 3 (September 1990): 419–33. http://dx.doi.org/10.3138/md.33.3.419.

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Schrank, Bernice, David Krause, and Sean O'Casey. "The Letters of Sean O'Casey, Volume III, 1955-1958." Canadian Journal of Irish Studies 16, no. 2 (1990): 135. http://dx.doi.org/10.2307/25512839.

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Durbach, Errol, and E. H. Mikhail. "Sean O'Casey and His Critics: An Annotated Bibliography, 1916-1982." Canadian Journal of Irish Studies 14, no. 1 (1988): 72. http://dx.doi.org/10.2307/25512729.

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Shaw, W. David, and Michael Kenneally. "Portraying the Self: Sean O'Casey and the Art of Autobiography." Canadian Journal of Irish Studies 15, no. 1 (1989): 116. http://dx.doi.org/10.2307/25512773.

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Krause, David. ""We Cannot Always Suffer Ecstasy" "The Letters of Sean O'Casey"." Canadian Journal of Irish Studies 15, no. 2 (1989): 39. http://dx.doi.org/10.2307/25512786.

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Dissertations / Theses on the topic "Sean O'Casey"

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Dumay, Émile-Jean. "Le theatre de sean o'casey." Paris 3, 1987. http://www.theses.fr/1987PA030006.

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Premiere partie : les options specifiques dans l'appel au reel : o'casey a raison de refuser l'etiquette realiste. Mais il s'attache a des fragments multiples de realite, a des reels, a la vie. Ces niveaux de realite sont permanents dans l'oeuvre (indications sceniques, echanges verbaux dans la banalite du quotidien, absence de psychologie traditionnelle mais plausibilite minimale dans les personnages, situations centrales au lieu d'intrigues classiques, stylisation de l'histoire, didactisme, melodrame, comique, langage). Deuxieme partie : expressions et finalites de l'irreel : l'evolution de
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Peyronnet, Marianne. "Les personnages féminins dans l'oeuvre dramatique de Sean O'Casey." Paris 8, 1997. http://www.theses.fr/1997PA081255.

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En irlande, du debut du siecle aux annees soixante, les femmes subissent, dans tous les domaines, la volonte de domination de leurs congeneres masculins. Leurs droits elementaires sont bafoues : elles sont privees de citoyennete, releguees au foyer malgre leur resistance. Sean o'casey, dans son oeuvre dramatique, au cours de toute cette periode, depeint des personnages feminins en lutte pour leur liberation. Il montre des heroines courageuses face a des compagnons couards, volontaires face a des amants timores, constantes dans leur desir de s'emanciper. Il donne a voir des representations de f
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Dumay, Émile-Jean. "Le Théâtre de Sean O'Casey réalité, rêve et révolution /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37604756w.

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Paull, Michelle Constance. "The plays of Sean O'Casey 1919-1959 : innovation, history and form." Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434836.

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This thesis provides a radical re-reading of a'Casey's early work, which sheds new light upon the later plays. The orthodox reading of the socalled 'Dublin Plays' - The Shadow of a Gunman (1923), Juno and the Paycock (1924) and The Plough and the Stars (1926) - as a triumph in theatrical naturalism that is never matched in the later plays, is here strongly countered. The thesis seeks to demonstrate that far from being dramatic failures, the later plays are fresh and dynamic, a logical and natural progression from the formal and thematic experiments within the early plays. The thesis argues tha
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Harris, Peter James. "Sean O'Casey's letters and autobiographies : reflections of a radical ambivalence /." Trier : WVT, Wiss. Verl. Trier, 2004. http://www.gbv.de/dms/goettingen/390326526.pdf.

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Malick, Neeraj. "The politics of laughter : a study of Sean O'Casey's drama." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39493.

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This is a study of popular festive laughter in Sean O'Casey's drama. It argues that O'Casey's use of the strategies of laughter is an integral part of his political vision. The concept of festive laughter is derived from the theory of Mikhail Bakhtin, and is related, in this thesis, to the culture of low life in O'Casey's Dublin. Through a detailed analysis of O'Casey's plays, this study shows how the forms of laughter function to interrogate the hegemonic political, economic, and cultural discourses of the Irish society of his time. The Dublin trilogy counters the nationalist ideology and its
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Riordan, Michael, and n/a. "Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey." Griffith University. School of Humanities, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040615.132200.

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This thesis argues that prominent in the purposes of the dramaturgy of Irish playwright Sean O'Casey was the promotion of his political causes - most notably socialism. In his avidity for the cause of establishing a workers' paradise, following the Soviet model, in Ireland, his ire was drawn to the movements and institutions he perceived as distracting the masses from pursuit of this ideal: republicanism and the Church. These political ideals are prominent themes in his collected works - both fiction and non-fiction. The work is essentially divided into two sections. The first examines the dev
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Riordan, Michael. "Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367087.

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This thesis argues that prominent in the purposes of the dramaturgy of Irish playwright Sean O'Casey was the promotion of his political causes - most notably socialism. In his avidity for the cause of establishing a workers' paradise, following the Soviet model, in Ireland, his ire was drawn to the movements and institutions he perceived as distracting the masses from pursuit of this ideal: republicanism and the Church. These political ideals are prominent themes in his collected works - both fiction and non-fiction. The work is essentially divided into two sections. The first examines the dev
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McDonald, Ronan. "Versions and aversions : conceptions of tragedy in J.M. Synge, Sean O'Casey and Samuel Beckett." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313585.

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El, Fouadi Kamal. "The scope of naturalism in British working-class drama, with particular reference to Joe Corrie, D.H. Lawrence and Sean O'Casey." Thesis, University of Glasgow, 1989. http://theses.gla.ac.uk/3197/.

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The purpose of this dissertation is to define the scope of naturalism in British working-class drama with special reference to the plays of D.H. Lawrence, Sean O'Casey and Joe Corrie. To fulfill such a project, I undertook a personal assessment of the theory of naturalism and its practice in the theatre. For the purpose of being more comprehensive, I carried out a comparative study between working-class naturalism and that of the New Drama since the latter preceded the former. Having assessed and evaluated the theory of naturalism, in general, and its manifestation in the works of the new dram
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Books on the topic "Sean O'Casey"

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Sean O'Casey. London: Faber and Faber, 1998.

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James, Simmons. Sean O'Casey. Houndmills, Basingstoke: Macmillan, 1988.

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3

Christopher, Murray. Sean O'Casey. London: Faber and Faber, 2000.

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Márton, Mesterházi. Sean O'Casey Magyarországon. Budapest: Akadémiai Kiadó, 1993.

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Literature, International Association for the Study of Anglo-Irish. Studies on Sean O'Casey. [Caen]: The Association, 1987.

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Sean O'Casey: A life. London: Paladin, 1989.

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O'Connor, Garry. Sean O'Casey: A life. New York: Atheneum, 1988.

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O'Connor, Garry. Sean O'Casey: A life. London: Hodder and Stoughton, 1988.

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O'Casey, Eileen. Sean. London: Papermac, 1990.

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Sean O'Casey: A research and productionsourcebook. Westport, Conn: Greenwood Press, 1996.

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Book chapters on the topic "Sean O'Casey"

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O’Sullivan, Emer. "O'Casey, Sean." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14422-1.

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Wilson, John. "Sean O'casey." In The Faith of an Artist, 68–79. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003291282-6.

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Hölscher, Meike. "O'Casey, Sean: The Silver Tassie." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14426-1.

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Pankratz, Anette. "O'Casey, Sean: Juno and the Paycock." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14424-1.

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Yun, Hunam. "The Strange Case of Sean O'Casey." In Appropriations of Irish Drama in Modern Korean Nationalist Theatre, 123–58. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003163947-4.

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Lemke, Cordula. "O'Casey, Sean: The Shadow of a Gunman." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14423-1.

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Kluge, Walter, and Meike Hölscher. "O'Casey, Sean: The Plough and the Stars." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14425-1.

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Moran, James. "The Plough and the Stars (1926) by Sean O'Casey." In Fifty Key Irish Plays, 45–48. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003203216-12.

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Watson, G. J. "Sean O'casey: Hearts O' Flesh, Hearts O' Stone, and Chassis." In Irish Identity and the Literary Revival, 245–87. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003369943-5.

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Wynands, Sandra. "The Word of Politics/Politics of the Word: Immanence and Transdescendence in Sean O'Casey and Samuel Beckett." In A Companion to Irish Literature, 113–28. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch36.

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