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Journal articles on the topic 'Sebastian'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Holt, Ross. "From the President: Ebbing Men Most Often Do So Near the Bottom Run." North Carolina Libraries 61, no. 1 (January 21, 2009): 5. http://dx.doi.org/10.3776/ncl.v61i1.200.

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One of the finest bits of dialogue in any play occurs in Shakespeare’s The Tempest, when evil Antonio seduces lackadaisical Sebastian into attempting to kill the king. Sebastian, the king’s brother, would claim the throne and Antonio would reap the benefits of royal friendship.Antonio must pull off three verbal feats at once: he must make Sebastian aware of the opportunity that has presented itself; he must secure Sebastian’s cooperation; and he must leave himself an out if Sebastian balks. Although his aims are nefarious, his selling of the plot to Sebastian is a masterpiece of logic, intimation, andmetaphor.

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2

Michalkiewicz-Gorol, Agnieszka. "Filozofia praktyczna w dorobku Sebastiana Petrycego jako jeden z filarów renesansowej koncepcji pedagogiczno-filozoficznej." Polska Myśl Pedagogiczna 8 (November 14, 2022): 315–30. http://dx.doi.org/10.4467/24504564pmp.22.016.16069.

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Szkic stanowi próbę przywołania dorobku Sebastiana Petrycego z Pilzna – polskiego renesansowego lekarza, poety, filozofa, a przede wszystkim tłumacza tekstów Arystotelesa na język polski i twórcy terminologii filozoficznej w języku ojczystym, w obszarze rozstrzygnięć z zakresu filozofii praktycznej, która w autonomicznej koncepcji pedagogiczno-filozoficznej, stworzonej jakby na marginesie pracy translatorskiej nad tekstami Stagiryty, ma stanowić oś reformy państwa na wielu płaszczyznach. Sebastian Petrycy skupił się na filozofii praktycznej, która miała szansę stać się wiedzą dostępną dla każdego odbiorcy Przydatków. Aretologiczny punkt widzenia wydaje się stanowić dla Sebastiana Petrycego najistotniejszą optykę zarówno filozoficzną, jak i pedagogiczną. Postrzega on etykę jako naukę o przygotowaniu do dobrego życia. Etyka ma uczyć dobrego postępowania, powstrzymywania woli od złego i wzmacniania jej dobrymi obyczajami. Wart podkreślenia jest fakt, że według autora Przydatków w pojęcie arete wpisany jest aspekt demokratyzacji życia społecznego. Każdy, jak przekonuje Sebastian Petrycy z Pilzna, dzięki dążeniu do życia w cnocie, może zasłużyć na miano człowieka szlachetnego. Practical Philosophy in Sebastian Petrycy’s Output as One of the Pillars in the Renaissance Pedagogical-Philosophical Concept This outline is an attempt to remember the work of Sebastian Petrycy of Pilsen – Polish Renaissance medical doctor, poet, philosopher and, first of all, a translator of Aristotle’s works to Polish, and the creator of native philosophical terminology within the field of practical philosophy, which in its autonomous pedagogical-philosophical concept, created while working on Stagirite’s works translation, constitutes an axis of the country’s reform on multiple fields. Sebastian Petrycy focussed on practical philosophy, which might have become available to every reader of Przydatki. The Arethological point of view seems to be the essential philosophical and pedagogical perspective for Sebastian Petrycy. Ethics is perceived as a science preparing for good life. Ethics is expected to teach good behaviour, abstaining from evil and supporting will with good manners. It’s worth highlighting the fact that the author of Przydatki believes the concept of arete houses the aspect of a social life’s democratization. Everybody, as Sebastian Petrycy of Pilsen claims, may earn the name of a noble man if they live virtuous lives.

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3

Almeida, Saulo Vinicius, and Luciana Morteo Éboli. "A cena Mitopoética: relações do consciente e do inconsciente no processo de criação." Manzuá: Revista de Pesquisa em Artes Cênicas 1, no. 1 (March 26, 2018): 23–38. http://dx.doi.org/10.21680/2595-4024.2018v1n1id15008.

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Este trabalho analisa o conceito de Mitopoética no espetáculo Sebastian, uma obrade dança teatro que se constitui a partir do encontro do mito de São Sebastião coma história do ator-dançarino Sebastian Habib. Com base nos estudos do mito deMircea Eliade e do rito por Michel Mauss, discute as escolhas cênicas e o processode criação a partir do conceito de mito pessoal. Relaciona conceitos simbólicos deCarl Jung, elementos das memórias individual e coletiva, além das narrativasexpressas através da memória do corpo, nas percepções de Gaston Bachelard,Jerzy Grotowski e Antonin Artaud.

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4

Sokalski, Marcin. "Początki działalności publicznej Jerzego Sebastiana Lubomirskiego za panowania Władysława IV Wazy." Rocznik Filozoficzny Ignatianum 28, no. 2 (December 28, 2022): 145–70. http://dx.doi.org/10.35765/rfi.2022.2802.9.

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Artykuł omawia początki działalności publicznej Jerzego Sebastiana Lubomirskiego (1616–1667), jednego z synów wojewody krakowskiego Stanisława Lubomirskiego. Wykorzystując bogaty materiał archiwalny, autor, wśród wielu innych kwestii, stawia pytanie o to, czy początkowe lata działalności politycznej Jerzego Sebastiana Lubomirskiego wywarły wpływ na jego późniejszą postawę rokoszanina. W młodości J.S. Lubomirski wzorem wielu młodych magnatów odbył kilkuletnią podróż edukacyjną po Europie. Działalność publiczną J.S. Lubomirski rozpoczął od funkcji marszałka sejmiku w Proszowicach, a następnie wyboru na oba sejmy w 1637 r. W działalności poselskiej na sejmach w latach 1637, 1638, 1639, 1640, 1643, 1646 i 1647 zazwyczaj balansował między postawą opozycjonisty realizującego plany ojca jako lidera szlachty małopolskiej a polityka umiarkowanie neutralnego, gdy w 1643 r. został marszałkiem sejmu. Zgromadzony materiał źródłowy wskazuje, że Jerzy Sebastian Lubomirski okazał się najzdolniejszym spośród synów Stanisława Lubomirskiego, wyraźnie dystansując pod względem zdolności przywódczych i popularności wśród szlachty starszego brata Aleksandra Michała i młodszego Konstantego Jacka. Po śmierci ojca w 1649 r. to właśnie Jerzy Sebastian stał się głową potężnej rodziny Lubomirskich.

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5

Ticărău, Iulia-Maria. "Mihail Sebastian - Rasism, Renegare Și Huliganism." Lucian Blaga Yearbook 22, no. 1-2 (October 1, 2021): 118–27. http://dx.doi.org/10.2478/clb-2021-0012.

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Abstract The accusations and controversies arising from the appearance of the novel For Two Thousand Years.. are numerous. Some of the most radical are accusations of anti-Semitism and repudiation of Sebastian’s own Jewish ancestry. Through How I Became a Hooligan, Mihail Sebastian responds to these accusations by emphasizing that Jewishness is presented in the novel from a metaphysical perspective, leaving aside politics and everything that politics implies.

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6

Toader, Ionela. "Jurnalul Lui Mihail Sebastian – Între Autenticitate Și Ficțiune." Lucian Blaga Yearbook 23, no. 1-2 (December 1, 2022): 119–28. http://dx.doi.org/10.2478/clb-2022-0008.

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Abstract Mihail Sebastian’s diary was published posthumously, over fifty years after the writer’s death, by the Humanitas Publishing House, under the title Journals 1935-1944, its publication being considered the major literary event of 1996. Faithful to Jules Renard’s diary, which he read and about which he also wrote, Mihail Sebastian is an adept of authenticity and sincerity in diary writing. The fact that it was published more than fifty years after the author’s death - a totally unexpected death - without the author having any possibility of processing it, is the best argument in favor of authenticity. Mihail Sebastian’s Journal is a mixed type of diary, which captures a complex existence, mirroring the events he participates in, what he does and how he acts, but especially what he feels, being faced with certain situations. Thus, the Journal becomes a space of small history, as Eugen Simion calls insignificant everyday events, but also of big history, which is written as the Second World War starts, unfolds and ends, one of the more significant historical events that humanity has experienced and to which Mihail Sebastian was a witness. This is the reality that Mihail Sebastian experiences, a reality that could undergo a slight transfiguration, caused by the subjective angle from which the events are viewed. It is precisely this inherently subjective angle that, to a greater or lesser extent, makes intimate writing a fiction of nonfiction.

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7

Orella Unzué, José Luis. "Geohistoria de la tenencia Navarra de San Sebastián de Hernani." Lurralde: investigación y espacio, no. 38 (December 1, 2015): 15–68. http://dx.doi.org/10.52748/lurralde.2015.38.23.

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Con motivo de la celebración del milenario (1014-2014) de la fundación de San Sebastián de Hernani en el barrio del Antiguo de la capital guipuzcoana, se presenta en este trabajo la evolución geohistórica de este asentamiento monacal que llegará a ser el centro de un valle y de una tenencia del reino de Pamplona gracias principalmente a las concesiones de los reyes de Pamplona Sancho el Mayor y Pedro I. Igualmente se estudian las relaciones de esta villa fundiaria con la villa burguesa erigida por Sancho VI el Sabio en 1180 a los pies del monte Urgull. Al desarrollar en el trabajo la geohistoria de la tenencia de San Sebastian de Hernani se la enmarca en las ya existentes tenencias guipuzcoanas durante la Edad Media y se estudia igualmente el papel que esta tenencia jugó en los límites y fronteras diocesanas de las sedes de Pamplona y de Bayona. Por último se estudian las relaciones de este monasterio de San Sebastian de Hernani con el monasterio de Leire al que pertenecía hasta que el mismo monasterio Leire se desprendió por venta de dicho monasterio de San Sebastián de Hernani.

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8

Vasiniuc, Tiberius. "Mihail Sebastian and the Intimist Writings. From Theatricality to the Illusion of Reality." Theatrical Colloquia 7, no. 1 (June 1, 2017): 253–72. http://dx.doi.org/10.1515/tco-2017-0008.

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Abstract Writing his work, Sebastian had to confront a world thrown into history in the making, being forced to see what was happening around him, namely to privilege the sight and the entelechy which it animates. We almost dare to say that only in this manner - through a terrible aggression against the sight - Sebastian had the possibility to reflect, in his intimist writings, the contingent reality, for himself and for the others, with minimal styling effects. On the other hand, Sebastian’s texts reveal a purely phenomenological intention of the author. Thus, the author is no longer using the pen to fill with meaning a state of the facts or to transform everyday fiction into a significant dramatic discourse. In his case, the emphasis is on a continuous present and on the ontological message of the ideas, we would say, on the message which was freed from constraints of the past or future aspirations. Thus, Sebastian gives the events total freedom to express themselves - to utter themselves! -, with all the risks and the mortifying consequences of the decision taken. Sometimes the author reaches hidden humour areas, such as the one practiced by Pirandello.

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9

Concha Villanueva, Sebastián Andrés. "Propuestas para regular las migraciones en Chile y la obstinación del securitismo/ Proposals to regulate migrations in Chile and the obstinacy of securitism." URVIO - Revista Latinoamericana de Estudios de Seguridad, no. 23 (November 26, 2018): 110–26. http://dx.doi.org/10.17141/urvio.23.2018.3571.

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El siguiente artículo tiene como objetivo analizar de manera comparativa los proyectos para regular las migraciones en Chile de los Gobiernos de Michelle Bachelet y Sebastián Piñera. Se argumenta que ambos comparten un rasgo común: pese a contener elementos que se basan en la promoción de derechos, mantienen características que se corresponden con una lógica de control. Se resume el fenómeno chileno de la inmigración, que motiva a crear una normativa que reemplace a la vigente; se analiza la actual Ley de Extranjería y se establece un marco comparativo que dirime las particularidades de las propuestas de Ley Migratoria hechas por los Gobiernos de Michelle Bachelet y Sebastián Piñera. Abstract This paper aims to analyze, in a comparative perspective, the projects to regulate migrations in Chile presented by the governments of Michelle Bachelet and Sebastian Piñera. It is argued that both share a common feature: despite having elements based on the promotion of rights, they maintain traits that correspond to a control logic. We summarize the Chilean phenomenon of immigration that motivates the creation of a new regulation, analyze the present law and, finally, establish a comparative framework that addresses the particularities of the proposed immigration laws made by the Michelle Bachelet and Sebastian Piñera governments.

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10

Binham, Philip, and Annika Idström. "Veljeni Sebastian." World Literature Today 60, no. 4 (1986): 660. http://dx.doi.org/10.2307/40142906.

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11

Castroverde, Christian Danve M. "Sebastian Bednarek." Plant Cell 31, no. 9 (July 16, 2019): 1931–33. http://dx.doi.org/10.1105/tpc.19.00547.

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12

Junping, Zhang, and Zhang Bin. "The “Doubles” in Nabokov’s The Real Life of Sebastian Knight." Interlitteraria 23, no. 1 (August 5, 2018): 89–99. http://dx.doi.org/10.12697/il.2018.23.1.10.

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The ambiguous identities of the two heroes, V. and Sebastian, in Nabokov’s The Real Life of Sebastian Knight, is of great interest to Nabokovian criticism and scholarship. This paper, in light of theories on the “double”, intents to figure out the problem and reveal Nabokov’s design of Sebastian and V. as “doubles”. In The Real Life of Sebastian Knight, Nabokov structures delicate mappings for the doubling relationship between the two heroes. His intricate design of doubles aims to show the dynamic process of Sebastian and V.’s selfdevelopment by erasing the psychic distance between them.

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13

Poleszak, Leszek. "Czcigodny sługa Boży ks. Aloísio Sebastião Boeing SCJ – kapłan według Serca Jezusowego." Sympozjum 27, no. 2 (45) (2024): 167–82. http://dx.doi.org/10.4467/25443283sym.23.020.19573.

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Holiness is the goal of the Christian life. One of the examples of the holiness of consecrated persons is the figure of the venerable Servant of God, Fr. Aloysius Sebastian (Aloísio Sebastião) Boeing SCJ. The aim of the article is to show the spiritual growth of this candidate for the altar, his dedication to serving God’s people and the spiritual inspirations he drew from the spirituality of the Sacred Heart of Jesus and Marian piety.

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14

Vandenborre, Katia. "Sebastian Borowicz, Joanna." Revue des études slaves 89, no. 3 (September 15, 2018): 459–63. http://dx.doi.org/10.4000/res.1975.

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15

Bergman, Jerry. "Seung, Sebastian. Connectome." Journal of Interdisciplinary Studies 28, no. 1 (2016): 193–94. http://dx.doi.org/10.5840/jis2016281/220.

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16

Libby, Peter. "Johann Sebastian Bach." Circulation Research 124, no. 9 (April 26, 2019): 1303–8. http://dx.doi.org/10.1161/circresaha.119.315025.

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17

Bodenheimer, Rosemarie. "Sebastian Haffner’s Germanys." boundary 2 47, no. 4 (November 1, 2020): 199–212. http://dx.doi.org/10.1215/01903659-8677899.

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Sebastian Haffner’s Defying Hitler: A Memoir appears in the twenty-first century as a kind of time capsule, offering a personal and political analysis forged during the 1930s, when the endgame of the Nazi regime was not yet visible. Haffner attempts to account for the historical precursors of Nazism, beginning with the Great War–besotted children of his own generation, now hungering for another dose of public excitement, and moving back to the mistaken nationalism of Bismarck’s 1871 Reich. Haffner’s general view of German character as incapable of democracy, reliant on strong leaders, but not essentially anti-Semitic, sits uncomfortably with his more personal horror at the Nazi invasion of individual privacy. Defiant analysis yields to tragedy as the memoir goes on to represent individual capitulations to Nazi tactics, including Haffner’s own. Reflecting our current dilemma, his dramatic narrative puts us vividly in mind of the angry, fearful, strident, hopeless, hopeful, and courageous elements that contend, unresolved, during an unpredictable rush of threatening world events.

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18

Peacock, Nicol J., and Jes P. Christiansen. "Rendel Sebastian Pease." Physics Today 58, no. 6 (June 2005): 78–79. http://dx.doi.org/10.1063/1.1996490.

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19

Revely-Calder, Cal. "Longing for Sebastian." Literary Imagination 18, no. 1 (November 19, 2015): 44–55. http://dx.doi.org/10.1093/litimag/imv027.

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20

Henderson, J. "Paul Sebastian Richardson." BMJ 344, feb01 1 (February 1, 2012): e425-e425. http://dx.doi.org/10.1136/bmj.e425.

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21

Wustmann, Rudolf. "Sebastian Bachs Kirchenkantatentexte." Bach-Jahrbuch 7 (February 23, 2018): 45–62. http://dx.doi.org/10.13141/bjb.v19101249.

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22

Saldanha, Richard. "Sebastian Sathiya Nesan." Indian Journal of Thoracic and Cardiovascular Surgery 25, no. 1 (March 2009): 43. http://dx.doi.org/10.1007/s12055-009-0012-1.

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23

Pujol-Moix, N., E. Muñiz-Diaz, M. L. B. Moreno-Torres, A. Hernandez, P. Madoz, and A. Domingo. "Sebastian platelet syndrome." Annals of Hematology 62, no. 6 (June 1991): 235–37. http://dx.doi.org/10.1007/bf01729840.

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24

Meißner, Thomas. "Johann Sebastian Bach." Heilberufe 68, no. 10 (September 27, 2016): 82. http://dx.doi.org/10.1007/s00058-016-2429-4.

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25

Otto, Volkmar. "Porträt Sebastian Semler." kma - Klinik Management aktuell 13, no. 03 (March 2008): 68–71. http://dx.doi.org/10.1055/s-0036-1574613.

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Sebastian Semler ist ein Phänomen. Tagsüber kümmert er sich erfolgreich darum, die Arbeitsbedingungen für die medizinische Forschung zu verbessern. Abends macht er Musik, spielt Klavier und singt. Sport treibt er auch, und irgendwo findet er sogar die Zeit, sich vielfältig ehrenamtlich zu engagieren. Eine Frau und zwei Kinder hat er, und ganz nebenbei ist er ein sehr freundlicher und entspannter Zeitgenosse.

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26

Boyd, M. "Johann Sebastian Bach." Early Music XXI, no. 3 (August 1, 1993): 504–5. http://dx.doi.org/10.1093/em/xxi.3.504.

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27

Ernest J. Finney. "Sebastian and Roscoe." Missouri Review 32, no. 2 (2009): 10–35. http://dx.doi.org/10.1353/mis.0.0118.

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28

Junping, Zhang, and Zhang Bin. "The Gnostic Hunters in Nabokov’s 'The Real Life of Sebastian Knight'." Interlitteraria 25, no. 2 (December 31, 2020): 476–92. http://dx.doi.org/10.12697/il.2020.25.2.17.

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Nabokov’s The Real Life of Sebastian Knight presents the ambiguous identities of the two heroes, V. and Sebastian, attracting great attention among Nabokovian scholarship. The present article intends to reveal that Nabokov’s design of Sebastian and V. pertains to his own Gnostic faith and the ambiguous identities of V. and Sebastian, in light of certain Gnostic tenets and concepts, are the representation of their spiritual evolution and their merging spirits during their respective quest of “gnosis”. The article will show how the heroes as “aliens” break the shackles of “this world,” undo the chains of the heavy flesh, regain their spiritual identities of the inner selves, start the journey of spiritual evolution and self-revelation, and finally achieve the fusion of spirits in “the other world” by way of attaining “gnosis”.

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29

Junping, Zhang, and Zhang Bin. "The Gnostic Hunters in Nabokov’s 'The Real Life of Sebastian Knight'." Interlitteraria 25, no. 2 (December 31, 2020): 476–92. http://dx.doi.org/10.12697/il.2020.25.2.17.

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Nabokov’s The Real Life of Sebastian Knight presents the ambiguous identities of the two heroes, V. and Sebastian, attracting great attention among Nabokovian scholarship. The present article intends to reveal that Nabokov’s design of Sebastian and V. pertains to his own Gnostic faith and the ambiguous identities of V. and Sebastian, in light of certain Gnostic tenets and concepts, are the representation of their spiritual evolution and their merging spirits during their respective quest of “gnosis”. The article will show how the heroes as “aliens” break the shackles of “this world,” undo the chains of the heavy flesh, regain their spiritual identities of the inner selves, start the journey of spiritual evolution and self-revelation, and finally achieve the fusion of spirits in “the other world” by way of attaining “gnosis”.

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30

Chiu, Remi. "MUSIC, PESTILENCE AND TWO SETTINGS OF O BEATE SEBASTIANE." Early Music History 31 (2012): 153–88. http://dx.doi.org/10.1017/s0261127912000022.

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This essay examines the role of music in the late-medieval and Renaissance response to plague. According to doctors, the mere thought of plague could bring on the disease; they therefore prescribed joyful music to distract the mind from insidious imaginings and to counteract the harmful effects of fear. The prescription for music, however, was not unequivocal. Some spiritual authorities looked suspiciously upon music's role as anti-pestilential remedy. These competing discourses inform a reading of Johannes Martini's and Gaspar van Weerbeke's settings of O beate Sebastiane, motets that petition St Sebastian, the premier plague saint of the Renaissance, for divine intervention against pestilence.

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31

Correia, Fernando. "O que é a história Global?" Revista Tempo e Argumento 13, no. 34 (December 22, 2021): e0701. http://dx.doi.org/10.5965/2175180313342021e0701.

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Resenha da obra: CONRAD, Sebastian. What is Global History? Princeton: Princeton University Press, 2016. Edição traduzida: CONRAD, Sebastian. O que é história global? Tradução de Teresa Furtado e Bernardo Cruz. Lisboa: Edições 70, 2019.

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32

Romanillos, Prof Emmanuel Luis A. "Retracing the Ritarian Roots: Talangpaz Sisters and Augustinian Recollects of San Sebastian Church." Philippine Social Science Journal 2, no. 1 (July 30, 2019): 97–112. http://dx.doi.org/10.52006/main.v2i1.60.

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This historical account retraces the roots of Saint Rita College that commenced its foundation totally unheralded in 1907. In the horizon, we find the foundresses of the Congregation of the Augustinian Recollect Sisters: Mother Dionisia de Santa María, Mother Cecilia Rosa de Jesús and the Augustinian Recollects of the San Sebastian Church in Manila. The two foundresses were blood sisters who left their hometown in 1719 and traveled to San Sebastian de Calumpang in Manila where the cherished icon of Our Lady of Mount Carmel. They found a small house in Bilibid Viejo where they lived a life of seclusion, contemplation, and mortification. Their virtue and piety attracted the Augustinian Recollects of San Sebastian Convent. Not long after the Beaterio de San Sebastian was founded. It was 16 July 1725 when they lived as terciarias and followed the Rule of Saint Augustine under the protection of the Recollect religious of San Sebastian Convent. In 1907, the Recollect Fathers urged the sisters of the Beaterio to open a school for girls, after defraying the construction of the new edifice. And the Beaterio came in into being in 1907 Saint Rita Academy, later Colegio de Santa Rita, or Saint Rita College.

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33

Wolff, Christoph. "Besprechungen." Bach-Jahrbuch 75 (May 9, 2018): 235–39. http://dx.doi.org/10.13141/bjb.v19892623.

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Besprochen: Albrecht, Christoph: Interpretationsfragen [...] Berlin 1981 Dreyfus, Laurence: Bach's Continuo Group [...] Cambridge/MA 1987 Faulkner, Quentin: J. S. Bach's Keyboard Technique [...] St. Luis/MO 1984 Fuchs, Josef Rainerius: Studien zu Artikulationsangaben in Orgel- und Clavierwerken Joh. Seb. Bachs. Kassel 1983 Hochreither, Karl: Zur Aufführungspraxis der Vokal-Instrumentalwerke Johann Sebastian Bachs. Kassel 1983 Klotz, Hans: Die Ornamentik der Klavier und Orgelwerke von Johann Sebastian Bach [...] Kassel 1984 Rilling, Helmuth: Johann Sebastian Bachs h-Moll-Messe. 2., verä. u. erw. Aufl. Neuhausen-Stuttgart 1986

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34

Hansen, Mette Kristine. "Sebastian Watzl: Structuring Mind." Norsk filosofisk tidsskrift 53, no. 01 (March 19, 2018): 40–43. http://dx.doi.org/10.18261/issn.1504-2901-2018-01-05.

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35

Novotný, Daniel D. "Sebastian Izquierdo on Universals." American Catholic Philosophical Quarterly 91, no. 2 (2017): 227–49. http://dx.doi.org/10.5840/acpq2017313114.

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36

Ruffert, Matthias. "Sebastian Lenz: Vorbehaltlose Freiheitsrechte." Archiv des oeffentlichen Rechts 133, no. 2 (April 1, 2008): 286–88. http://dx.doi.org/10.1628/000389108784772466.

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37

Brendel, Raphael. "Sebastian Scholz: Die Merowinger." Das Historisch-Politische Buch 66, no. 2 (June 1, 2018): 227. http://dx.doi.org/10.3790/hpb.66.2.227.

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38

Stauffer, George B., and Kirsten BeiSSwenger. "Johann Sebastian Bachs Notenbibliothek." Notes 50, no. 4 (June 1994): 1388. http://dx.doi.org/10.2307/898311.

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39

Glowa, Josef, and Manfred Lemmer. "Das Narrenschiff: Sebastian Brant." Sixteenth Century Journal 37, no. 2 (July 1, 2006): 550. http://dx.doi.org/10.2307/20477921.

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40

Piech, Stanisław Ludwik. "Święty Józef Sebastian Pelczar." Folia Historica Cracoviensia 15 (January 28, 2016): 171. http://dx.doi.org/10.15633/fhc.1473.

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41

Willink, David. "Re St Sebastian, Wokingham." Ecclesiastical Law Journal 23, no. 3 (August 23, 2021): 369–70. http://dx.doi.org/10.1017/s0956618x21000521.

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42

Curley, Edwin. "Sebastian Castellio’s Erasmian Liberalism." Philosophical Topics 31, no. 1 (2003): 47–73. http://dx.doi.org/10.5840/philtopics2003311/23.

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43

Rashidy, Mahmoud Haggag. "Interview mit Sebastian Günther." Hikma 10, no. 1 (April 17, 2019): 110–14. http://dx.doi.org/10.13109/hikm.2019.10.1.110.

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44

Humphreys, David. "RECORDINGS: Johann Sebastian Bach." Early Music XX, no. 2 (May 1992): 361–62. http://dx.doi.org/10.1093/earlyj/xx.2.361.

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45

Clark, Dennis. "Sebastian Ramon Philipp Gertz." International Journal of the Platonic Tradition 8, no. 1 (February 10, 2014): 107–9. http://dx.doi.org/10.1163/18725473-12341276.

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46

Haynes, Bruce. "Johann Sebastian Bachs Oboenkonzerte." Bach-Jahrbuch 78 (February 8, 2018): 23–44. http://dx.doi.org/10.13141/bjb.v19921117.

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Abstract:

Der Artikel bemüht sich angesichts des Missverhältnisses zwischen Bachs offensichtlicher Vorliebe für die Oboe in seinen Vokalwerken und dem Fehlen von Kammermusik für das Instrument darum, mögliche verlorengegangene Urbilder von Oboenwerken aus Übertragungen zu rekonstruieren. Bachs nachweisliche Freiheit, eigene wie fremde Werke für andere Besetzungen zu bearbeiten dient hier als Anknüpfungspunkt, die Möglichkeit von Rückübertragungen zu prüfen. Dazu werden zuerst Indizien für deren (ehemaliges) Vorhandensein zusammengetragen und anschließend anhand eines engen Kriterienkataloges, bei dem besonders die Spielbarkeit (Tonart, Umfang, Lage) der Soloparts für Oboe im Zentrum steht, versucht, diese zu ermitteln. Eingehend geprüft werden BWV 12/1, 99/1, BWV 115/1, BWV 125/1, BWV 156/1, BWV 249a/2, BWV 1053, BWV 1055, BWV 1056, BWV 1059, BWV 1060 und BWV 1063, wobei abschließend für vierzehn Einzelsätze die Möglichkeit konstatiert wird, es könne sich im Original um Stücke für Oboe gehandelt haben. Der Autor kompiliert abschließend vier Oboenkonzerte aus zwölf dieser Sätze. Erwähnte Artikel: Werner Neumann: Das "Bachische Collegium Musicum". BJ 1960. S. 5-27 Joshua Rifkin: Ein langsamer Konzertsatz Johann Sebastian Bachs. BJ 1978, S. 140-147

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47

Melling, Joseph. "Sebastian Moore: Beyond Piety." Downside Review 136, no. 3 (July 2018): 145–47. http://dx.doi.org/10.1177/0012580618799594.

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48

Schulze, Hans-Joachim. "Johann Sebastian Bachs Kanonwidmungen." Bach-Jahrbuch 53 (May 8, 2018): 82–92. http://dx.doi.org/10.13141/bjb.v19672465.

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49

Devine, Amanda, Ian M. Dick, and Richard L. Prince. "Reply to A Sebastian." American Journal of Clinical Nutrition 82, no. 6 (December 1, 2005): 1356. http://dx.doi.org/10.1093/ajcn/82.6.1356.

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50

Karlsson, Jón, Rene Verdonk, Roland Becker, and Neil P. Thomas. "Sebastian Kopf: Web Editor." Knee Surgery, Sports Traumatology, Arthroscopy 20, no. 1 (October 20, 2011): 4. http://dx.doi.org/10.1007/s00167-011-1716-5.

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