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1

Launder, B. E. (Brian Edward), ed. Modelling turbulence in engineering and the environment: Second-moment routes to closure. Cambridge: Cambridge University Press, 2011.

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2

Amano, R. S. Improvement of the second- and third-moment modeling of turbulence: Semi-annual progress report on "A study of Reynolds-stress closure model". Milwaukee, Wis: Dept. of Mechanical Engineering, University of Wisconsin - Milwaukee, 1986.

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3

Lea, C. J. Second-moment closure computations of in-cylinder flowsinidealisedreciprocating engines. Manchester: UMIST, 1994.

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4

Sajjadi, S. G. Second-moment closure modelling of turbulent flow over sand ripples. Salford: University of Salford Centre for Computational Fluid Dynamics and Turbulence, 1993.

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5

Speziale, Charles G. A preliminary compressible second-order closure model for high speed flows. Hampton, Va: ICASE, 1989.

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6

Realizability in second moment turbulence closures revisited. [Washington, DC: National Aeronautics and Space Administration, 1994.

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7

Lewis Research Center. Institute for Computational Mechanics in Propulsion., ed. Calculation of 3D turbulent jets in crossflow with a multigrid method and a second-moment closure model. Cleveland,Ohio: NASA Lewis Research Center, Institute for Computational Mechanics in Propulsion, 1990.

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8

Second Order Closure Integrated PUFF (SCIPUFF) model verification and evaluation study. Silver Spring, Md: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, Environmental Research Laboratories, Air Resources Laboratory, 1998.

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9

S, Sarkar, and Institute for Computer Applications in Science and Engineering., eds. A preliminary compressible second-order closure model for high speed flows. 1989.

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10

Pankaj, Goel, and United States. National Aeronautics and Space Administration, eds. Third-moment closure of turbulence for predictions of separating and reattaching shear flows: Final report on "A study of Reynolds-Stress Closure Model". [Washington, D.C.]: National Aeronautics and Space Administration, 1986.

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11

Pankaj, Goel, and United States. National Aeronautics and Space Administration, eds. Third-moment closure of turbulence for predictions of separating and reattaching shear flows: Final report on "A study of Reynolds-Stress Closure Model". [Washington, D.C.]: National Aeronautics and Space Administration, 1986.

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12

Gordon, Phillip. The Color Purple and the Wine-Dark Kiss of Death. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039805.003.0011.

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Alice Walker's 1982 novel The Color Purple was published six months after AIDS was first described in medical literature. This chapter reads The Color Purple as an AIDS narrative by looking into the surrounding details of its publication to uncover what may have been an accidental narrative for Walker as she wrote her masterpiece but that proves nonetheless as important for our current moment as the novel was, in the moment of its publication, for second-wave feminism. A close consideration of the details of the novel reveals a subnarrative with devastating relevance to the lives of black women living in the Southeastern United States in the opening decades of the twenty-first century. By considering the sexual economy, the emphasis on illness and sexual contact, the postcolonial interests (which is to say, considering Africa), and the time and place of its writing, it is argued that The Color Purple should be read as the first AIDS narrative in American literature. Such a reading is a profound revision of our current model of AIDS literature and bears implications for our current political understanding of HIV/AIDS, a disease long associated with forgotten and unwanted populations.
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13

Neves, Marcelo. Constitutionalism and the Paradox of Principles and Rules. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898746.001.0001.

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The present book offers a critical counterpoint to Ronald Dworkin’s principle-based theory, and in particular to Robert Alexy’s idea of optimizing balancing. Instead of ceding to the compulsion of an optimizing balancing, it suggests the possibility of a comparative or at least ‘satisficing’ balancing, considering the precariousness of legal rationality. The book also reverses Dworkin’s metaphor, associating rules with Hercules and principles with the Hydra. It takes constitutional principles seriously, criticizing the abuse of principles by the legal and constitutional doctrine and practice, but pointing out their relationship of complementarity and tension with rules. Finally, the author offers an alternative model to the recent legal and constitutional theory on the basis of certain assumptions of the systems theory. It deals especially with the paradox of the circular and reflexive relationship between constitutional principles and rules: the former are referred primarily to the openness and adequacy of legal system to society and thus to substantive argumentation; the second are referred primarily to the closure and consistency of legal system and thus to formal argumentation.
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14

Yust, Jason. Organized Time. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696481.001.0001.

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This book presents a theory of temporal structure for music, making two main arguments. The first is that a single model of temporal structure, expressible in the form of a certain type of mathematical network, is common to all modalities, particularly rhythm, tonality, and form. As a result, we can develop tools to talk about the experience of musical time in abstraction from any particular modality, and make analogies from structural phenomena in one modality to another (e.g., formal counterpoint). The second argument is that each of these modalities is in principle independent: it has its own set of structuring criteria, and it may lead to structures that agree or disagree with each other. The resulting coordination or disjunction between modalities is of more direct aesthetic importance, typically, than anything that can be said about one isolated parameter alone. These claims have deep ramifications for theories of rhythm, tonality, and form: for instance, that it is possible to discuss formal structure without necessary reference to tonal features. Theories of harmony, key, formal function, hypermeter, and closure are developed in conjunction with analysis of a wide range of eighteenth- and nineteenth-century composers, surveys of classical repertoire, and observations about the history of musical styles. A number of mathematical tools for temporal structure are also proposed.
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15

Patton, Raymond A. Punk Crisis. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872359.001.0001.

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This book tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, ’zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization. Punk arose among individuals and scenes communicating across the Iron Curtain at a moment characterized by transnational crisis, globalization, postmodernism, and an aesthetic/cultural turn in sociopolitics. Through the culture wars it helped provoke in the First World and Second World alike, punk contributed to a global realignment from the sociopolitically, ideologically oriented world of the Cold War to the subsequent era, oriented primarily around culture and identity. Through the example of punk, it challenges the resistance-centric framework of Cold War era cultural studies, presenting an alternative model for how culture is intertwined with politics that accounts for its significance as a major sociopolitical force.
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