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Journal articles on the topic 'Second wave of feminism'

Author: Grafiati

Published: 10 September 2021

Last updated: 29 July 2025

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1

Yalçın, Onur, and Fatma Sadık. "Feminist approaches and educational views." Educational Research & Implementation 1, no. 2 (2014): 97–114. http://dx.doi.org/10.14527/edure.2024.07.

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This study is a compilation study that aims to reveal feminism as a concept, the history of feminism, feminist approaches and educational views. In this context, the study consists of three sections. In the first section; feminism and feminist wave movements are included. In this direction, in the first wave movement, liberal feminism; in the second wave movement, Marxist feminism, radical feminism, socialist feminism, cultural feminism and black feminism; in the third wave movement, postmodern feminism, existential feminism, poststructuralist feminism, linguistic feminism, psychoanalytic femi

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Prakhar, Medhavi, and Vikash Mohan Sahay Dr. "Tracing Feminist Waves in Arundhati Roy's Novels Through Beauvoirian and Cixousian Approaches." Criterion: An International Journal in English 15, no. 3 (2024): 184–94. https://doi.org/10.5281/zenodo.12671274.

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This research paper examines Arundhati Roy's novels and feminism, using the theories of Helene Cixous and Simon de Beauvoir. Cixous and de Beauvoir's theories are relevant in understanding contemporary feminist issues, addressing patriarchal structures, and promoting global gender equality through activism and media representation. The 1990s saw a postmodern shift in feminist thought, leading to Third-Wave feminism, which sought to be traced in Roy's novels. However, scholars have debated that a new wave of feminism has arrived since 2012 and is characterized by social media activism and radic

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Alaei, Sarieh, and Zahra Barfi. "Margaret Atwood in the Second and Third Waves of Feminism on the Basis of Julia Kristeva’s Theories." International Letters of Social and Humanistic Sciences 40 (September 2014): 13–21. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.13.

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Although Margaret Atwood started writing in the second phase of feminism, some of her works show the features of the second and the third wave of feminism. It’s clear in Atwood’s Cat’s Eye. Elaine, protagonist of the novel, and other female characters indicate these features. Some of Atwood’s works imply Kristeva’s theories. Unlike the second wave of feminism, Julia Kristeva as a postmodern feminist rejects the distinction between sex and gender believing that these two terms respectively represent biology and culture which cannot be separated from each other. This idea can be examined in Marg

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Harnois, Catherine. "Re-presenting Feminisms: Past, Present, and Future." NWSA Journal 20, no. 1 (2008): 120–45. http://dx.doi.org/10.1353/ff.2008.a236183.

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In this article I investigate what are thought to be generational differences within contemporary American feminism. I identify three dominant approaches to understanding “third wave” feminism: cohort-based, age-based, and theory-based, and then analyze empirical data to discern the extent of difference within and across “waves” of American feminism, using each of these approaches. Drawing from a combination of qualitative and quantitative data, I argue that third wave feminism might be better understood as an identity, rather than a distinct theoretical perspective, age group, or cohort. My f

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Longoni, Giulia. "Femminismi americani a confronto. La Mistica della femminilità tra "seconda ondata" e mainstream contemporaneo." P.O.I. - Points of Interest. Rivista di indagine filosofica e di nuove pratiche della conoscenza 8, (I/2021) (November 19, 2021): 130–53. https://doi.org/10.5281/zenodo.5714547.

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This article analyzes <em>The Feminine Mystique</em>, by Betty Friedan, to propose a comparison between “second wave” American feminism and its contemporary neoliberal variation. Following Catherine Rottenberg’s definition of neoliberal feminism as that phenomenon which has affected the popular reintegration of feminist themes within the mainstream field, the article critically examines this contemporary declination of the movement, which quotes 1970s feminism in order to legitimize itself but, at the same time, it re-enacts the Feminine Mystique by portraying a balanced happ

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Ograjšek Gorenjak, Ida. "Ženska povijest na valovima feminizma." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 54, no. 1 (2022): 165–200. http://dx.doi.org/10.17234/radovizhp.54.6.

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The article analyzes the entangled history of feminism and women’s history over the long period from the emergence of feminist thought to the challenges and changes of the 21st century. Based on the concept of four waves of feminism, the paper is organized into four separate chapters that show the development of feminism, women’s history, Croatian feminism, and finally the history of women in Croatia in each phase, while seeking continuities and discontinuities, links and points of divergence. It concludes that women’s history and feminism are intertwined at the theoretical, social and cultura

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Evans, Elliot. "‘Wittig and Davis, Woolf and Solanas (…) simmer within me’: Reading Feminist Archives in the Queer Writing of Paul B. Preciado." Paragraph 41, no. 3 (2018): 285–300. http://dx.doi.org/10.3366/para.2018.0272.

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This article considers the relation between contemporary queer and transgender theory and the ‘second wave’ of feminism. Specifically, it explores the ways in which transgender theorist Paul B. Preciado's Testo Junkie: Sex, Drugs, and Biopolitics (2008) calls on feminist theorists, artists and activists of the second wave to explore transgender experience and embodiment, and to rethink gender in light of the new era of biocapitalism Preciado proposes. The article questions the way in which trajectories of feminism are conceived of (most famously through the ‘waves’ metaphor), and finally calls

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Lister, Ruth. "Being Feminist." Government and Opposition 40, no. 3 (2005): 442–63. http://dx.doi.org/10.1111/j.1477-7053.2005.00159.x.

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AbstractThe article starts by locating both the author and men in relation to feminism as an identity, which cuts across the public–private divide. It then attempts to illuminate the meaning of ‘being feminist’ by addressing three, tightly interwoven, issues. First is the question: what is the ‘woman’ who is the subject of feminism? The second section discusses the nature of feminism in its various guises, focusing mainly on feminism in Britain since the late 1960s. It engages with the notions of ‘post-feminism’, ‘global sisterhood’ and a ‘third wave’. Finally, the article analyses critically

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Downing, Lisa. "Antisocial Feminism? Shulamith Firestone, Monique Wittig and Proto-Queer Theory." Paragraph 41, no. 3 (2018): 364–79. http://dx.doi.org/10.3366/para.2018.0277.

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Recent iterations of feminist theory and activism, especially intersectional, ‘third-wave’ feminism, have cast much second-wave feminism as politically unacceptable in failing to centre the experiences of less privileged subjects than the often white, often middle-class names with which the second wave is usually associated. While bearing those critiques in mind, this article argues that some second-wave writers, exemplified by Shulamith Firestone and Monique Wittig, may still offer valuable feminist perspectives if viewed through the anti-normative lens of queer theory. Queer resists the reif

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Le Masurier, Megan. "Desiring the (Popular Feminist) Reader: Letters to CLEO during the Second Wave." Media International Australia 131, no. 1 (2009): 106–16. http://dx.doi.org/10.1177/1329878x0913100112.

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The second wave of feminism in Australia became a popular reality for ordinary women through many forms of media, and especially through the new women's magazine Cleo. The reader letters published in Cleo throughout the 1970s provide rich, if productively problematic, evidence for the media historian's desire to interpret the meanings readers can make from magazines. In this case, the desire is to understand how younger, ordinary (non-activist) Australian women made sense of the immense challenge of feminism. Through letters written in response to Cleo's feminist journalism (and journalism abo

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Amato, Felice. "Women and traditional stories in second wave feminism." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 5, no. 2 (2024): 287–312. https://doi.org/10.54103/2724-3346/27698.

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This article examines the reappropriation of traditional stories – myths, fairy tales, and epics – by second wave feminist artists, with a focus on Joan Jonas’s interdisciplinary work. Traditional stories have often been critiqued within feminism because of the way that they portray females and their fate in the plotlines. While there is immense variety within these genres, the stories are often perceived to be male-centric, where women are absent or only exist in service of the male protagonists’ stories. It is surprising then to find them as subject matter in the work of second wave feminist

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Funk, Nanette. "Contra Fraser on Feminism and Neoliberalism." Hypatia 28, no. 1 (2013): 179–96. http://dx.doi.org/10.1111/j.1527-2001.2011.01259.x.

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This article is a critical examination of Nancy Fraser's contrast of early second‐wave feminism and contemporary global feminism in “Feminism, Capitalism and the Cunning of History,” (Fraser 2009). Fraser contrasts emancipatory early second‐wave feminism, strongly critical of capitalism, with feminism in the age of neoliberalism as being in a “dangerous liaison” with neoliberalism. I argue that Fraser's historical account of 1970s mainstream second‐wave feminism is inaccurate, that it was not generally anti‐capitalist, critical of the welfare system, or challenging the priority of paid labor.

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Bravo-Villasante, María Ávila. "Crónica de un matricidio anunciado = Cronicle of an announced matricide." FEMERIS: Revista Multidisciplinar de Estudios de Género 2, no. 2 (2017): 184. http://dx.doi.org/10.20318/femeris.2017.3765.

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Resumen. El propósito de este artículo es mostrar en qué medida, las complejas relaciones entre la tercera ola y el feminismo precedente provienen de aceptar una versión monolítica y creada ex profeso de la segunda ola. Nuestro recorrido parte de un análisis del término postfeminismo, delimitando su polisemia en dos versiones, la popular y la filosófica. Tras este proceso de desambiguación, analizaremos las narrativas fundacionales de la tercera ola con el objetivo de poner en evidencia algunas de sus características fundamentales y analizar en qué medida, es deudora de una versión distorsiona

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Dr, AMAR NATH UPADHYAY. "FEMINISM:A HISTORICAL REVIEW." Shodh Drishti 12 (September 12, 2021): 71–74. https://doi.org/10.5281/zenodo.10441222.

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Feminism refers to the  belief in the political, economic and cultural equality of women.It has roots in the earliest eras of human civilization. It is typically separated into three waves: first wave feminism, dealing with property rights and the right to vote; second wave feminism, focusing on equality and anti-discrimination, and third wave feminism, which started in the 1990s as a backlash to the second wave’s perceived privileging of white, straight women. In <em>The</em> <em>Book of the City of Ladies</em>, 15th-century writer Christine de Pizan protested misogyny and the

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Pinelli, Luca. "Moving Mothers of Women: Virginia Woolf Simone de Beauvoir, and Motherhood in Motion." Elephant and castle, no. 31 (December 30, 2023): 77–88. http://dx.doi.org/10.62336/unibg.eac.31.476.

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This article builds and expands on the notion that Virgin-ia Woolf and Simone de Beauvoir are the ‘mothers’ of sec-ond-wave feminisms. It comprises three interrelated move-ments. First, Simone de Beauvoir’s paraphrase of Woolf’s A Room of One’s Own is explored, in particular through the ‘myth’ of Judith Shakespeare. This movement naturally leads to a discussion of the women’s literature anthologies of the 1970s and 80s in the United States. An intermezzo attempts to show the inherent plurality of the category of ‘second-wave feminism’ by mapping Beauvoir’s trajectory in France, the United Stat

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Orr, Catherine M. "Charting the Currents of the Third Wave." Hypatia 12, no. 3 (1997): 29–45. http://dx.doi.org/10.1111/j.1527-2001.1997.tb00004.x.

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The term “third wave” within contemporary feminism presents some initial difficulties in scholarly investigation. Located in popular-press anthologies, tines, punk music, and cyberspace, many third wave discourses constitute themselves as a break with both second wave and academic feminisms; a break problematic for both generations of feminists. The emergence of third wave feminism offers academic feminists an opportunity to rethink the context of knowledge production and the mediums through which we disseminate our work.

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Sen, Tithi, and Kaushik Das. "Salient Features of Feminist Literary Criticism." Shanlax International Journal of English 10, no. 1 (2021): 20–24. http://dx.doi.org/10.34293/english.v10i1.4199.

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Feminist literary criticism as criticism schools is marked by gender, widespread gender awareness, and feminine consciousness is its elementary characteristics. This study introduces the different phases of Feminism through various insidious social and cultural mores. The main objective of this study to Criticism the Salient Features of Feminist Literary. The main content of this paper is divided into three aspects, the first, second, and third wave of feminism from the 19th century to date. Methodology Employed based on qualitative research. The secondary sources of this study are taken from

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Thompson, Becky. "Multiracial Feminism: Recasting the Chronology of Second Wave Feminism." Feminist Studies 28, no. 2 (2002): 336. http://dx.doi.org/10.2307/3178747.

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Xie, Muyi. "The Struggle for Women's Rights: History, Present, and Future." Communications in Humanities Research 22, no. 1 (2023): 323–29. http://dx.doi.org/10.54254/2753-7064/22/20231872.

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This paper delves into the multifaceted journey of feminism, tracing its historical evolution and exploring its contemporary developments. The overarching goal of feminism has been to challenge and dismantle the traditional gender roles, advocating for equal rights between men and women. The feminist movement has evolved through four distinct waves, each addressing specific facets of gender inequality. The first wave focused on securing legal rights, while the second expanded its scope to include education, workplace equality, and reproductive rights. The third wave introduced the concept of i

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White, Rosie. "Working Girl and Second-Wave Feminism." Film International 14, no. 3 (2016): 32–42. http://dx.doi.org/10.1386/fiin.14.3-4.32_1.

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Wang, Xiaopei. "Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s." Communications in Humanities Research 1, no. 1 (2021): 111–15. http://dx.doi.org/10.54254/chr.iceipi.2021246.

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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist move

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Wang, Xiaopei. "Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s." Communications in Humanities Research 1, no. 1 (2021): 111–15. http://dx.doi.org/10.54254/2753-7064/1/iceipi_246.

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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist move

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Gluck, Sherna Berger. "Feminist Coalitions: Historical Perspectives on Second-Wave Feminism in the United StatesRadical Sisters: Second-Wave Feminism and Black Liberation in Washington, DC." Oral History Review 36, no. 1 (2009): 114–18. http://dx.doi.org/10.1093/ohr/ohp005.

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Schnittker, Jason, Jeremy Freese, and Brian Powell. "Who are Feminists and what do they Believe? The Role of Generations." American Sociological Review 68, no. 4 (2003): 607–22. http://dx.doi.org/10.1177/000312240306800406.

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Using the 1996 General Social Survey, the antecedents of feminist self-identification and their link to gender-related social attitudes are explored. Although most sociodemographic variables show either no relationship or a weak relationship with feminist self-identification, there are strong differences across cohorts. Males and females who were young adults during the “second wave “ of feminism (birth years 1936 to 1955) are more likely to identify as feminists than are those younger or older. In addition, the link between feminist self-identification and some social attitudes is cohort spec

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Spencer, Nancy E. "Reading between the Lines: A Discursive Analysis of the Billie Jean King vs. Bobby Riggs “Battle of the Sexes”." Sociology of Sport Journal 17, no. 4 (2000): 386–402. http://dx.doi.org/10.1123/ssj.17.4.386.

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1998 marked the 25-year anniversary of the historic “Battle of the Sexes” between Billie Jean King and Bobby Riggs. That match has been credited with enhancing the status of girls and women in sport (Frey, 1998: Hahn. 1998: Nelson, 1998). Although the match was staged during the conjunctural moment now referred to as second wave feminism, it was commemorated within the context of third wave feminism. In this paper. I revisit discourses written about the Battle of the Sexes in 1973. Although it continues to be articulated as a watershed moment in women’s sport, recent characterizations of the m

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Dahlerup, Drude. "Ambivalenser och strategiska val. Om problem kring begreppen särart och jämlikhet i kvinnorörelsen och i feministisk teori." Tidskrift för genusvetenskap 22, no. 1 (2022): 17–40. http://dx.doi.org/10.55870/tgv.v22i1.4318.

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Although previous research about the old feminist movement has deconstructed the equality versus difference dichotomy as false, recent Swedish research applies the same dichotomy, arguing that the demise of second wave feminism in Sweden was due to a swing from "equality feminism" "difference feminism". Based on her own extensive research on feminism in the 1960-80's, Dahlerup argues that cultural feminism of that period, including such phenomena as all women bands, films and women's literature, rather should be interpreted as a gigantic search for new feminist identities. Studies of old as we

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Snyder-Hall, R. Claire. "Third-Wave Feminism and the Defense of “Choice”." Perspectives on Politics 8, no. 1 (2010): 255–61. http://dx.doi.org/10.1017/s1537592709992842.

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How should feminist theorists respond when women who claim to be feminists make “choices” that seemingly prop up patriarchy, like posing for Playboy, eroticizing male dominance, or advocating wifely submission? This article argues that the conflict between the quest for gender equality and the desire for sexual pleasure has long been a challenge for feminism. In fact, the second-wave of the American feminist movement split over issues related to sexuality. Feminists found themselves on opposite sides of a series of contentious debates about issues such as pornography, sex work, and heterosexua

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Susanto, Angelina. "Two Feminist Waves and Two Cultures in Little Women: An Adaptation Studies." k@ta kita 12, no. 3 (2024): 342–52. https://doi.org/10.9744/katakita.12.3.342-352.

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This study explores the adaptation of Louisa May Alcott's Little Women into a 2022 Korean television series, focusing on feminist themes across cultural contexts. By examining the portrayal of women's choices and roles, the research reveals how feminist ideas are reimagined for contemporary audiences. Both the novel and the series portray second-wave feminism through characters like Jo March, who challenges traditional gender roles, and third-wave feminism through characters like Meg March, who emphasizes autonomy and personal agency. The Korean series, featuring characters like Oh In-joo and

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Power, Nina. "Revisiting Second Wave Feminism in the Light of Recent Controversies." Identities: Journal for Politics, Gender and Culture 17, no. 2-3 (2020): 28–35. http://dx.doi.org/10.51151/identities.v17i2-3.466.

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This paper revisits elements of second wave feminism—in its psychoanalytic, radical, materialist, Marxist and deconstructionist aspects—the better to understand how it is we might define sexual difference today. The vexed question of sexuation, of what it means to be a woman in particular has today generated great tensions at the theoretical, legal and philosophical level. This paper is an attempt to return to aspects of the second wave—an unfinished project where many enduring feminist concerns were for the first time thoroughly and metaphysically articulated—the better to defend the importan

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Di Stefano, Christine. "Feminist Theory Today: An Introduction to Second-Wave Feminism. Judith EvansModern Feminist Thought: From the Second Wave to "Post-Feminism.". Imelda WhelehanParadoxes of Gender. Judith Lorber." Signs: Journal of Women in Culture and Society 23, no. 4 (1998): 1068–72. http://dx.doi.org/10.1086/495303.

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Bebnowski, David. "Radikaler Druck – Druckerzeugnisse und Radikalitäten in der zweiten Welle des Feminismus in den USA." Österreichische Zeitschrift für Geschichtswissenschaft 35, no. 1 (2024): 70–95. https://doi.org/10.25365/oezg-2024-35-1-5.

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The second wave of feminism,starting in the 1960s and continuing through the 1970s, was a period of feminist resurgence. Contemporaries witnessed an emerging network of radical feminists who fiercely attacked malecentred society and intensely questioned the roles women had traditionally played in the United States. Manyradical feminists published their positions in pamphlets, a literary form historically associated with protest and upheaval. The semantic identity of pressure and the press in German (Druck) allows for the application of the term“Druckerzeugnisse” in order to analyse

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Gordon, Linda. "La interseccionalidad, el feminismo socialista y el activismo contemporáneo: reflexiones de una feminista socialista de la segunda ola." Zona Franca, no. 28 (December 14, 2020): 483–515. http://dx.doi.org/10.35305/zf.vi28.185.

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Título original: ‘‘Intersectionality’, Socialist Feminism and Contemporary Activism: Musings by a Second-Wave Socialist Feminist’. Gender & History, Vol.28 No.2 August 2016, pp. 340–357. Traducción de Lía Diaz.

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Yun, Ji-Yeong. "Mapping the Landscape of the Manosphere within the Analytical Framework of Wave and War." Criticism and Theory Society of Korea 29, no. 2 (2024): 151–85. http://dx.doi.org/10.19116/theory.2024.29.2.151.

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In this paper, I aim to adopt two conceptual frameworks as a latticework of perception to read the complex and multifaceted situations in contemporary Korean society. First, I will explore whether the metaphor of feminism as a fluid wave is a suitable analysis for understanding feminism as a complex of various bodies, forces, energies, materials, desires, and thoughts, and how the anti-feminism backlash counters the fluidity of the fourth wave of feminism with the territoriality and solidity of macho tribalism. Second, I will examine whether the spread of material-discursive practices based on

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Edelstein, Jean. "Why second-wave feminism has gone soft." Public Policy Research 14, no. 3 (2007): 164–67. http://dx.doi.org/10.1111/j.1744-540x.2007.00483.x.

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Biklen, Sari, Catherine Marshall, and Diane Pollard. "Experiencing second-wave feminism in the USA." Discourse: Studies in the Cultural Politics of Education 29, no. 4 (2008): 451–69. http://dx.doi.org/10.1080/01596300802410185.

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Varych, Dmytro. "PREREQUISITES FOR THE EMERGENCE OF FEMINIST MOVEMENTS AND FOUR WAVES OF FEMINISM." Journal of V. N. Karazin Kharkov National University. Issues of Political Science, no. 45 (July 2, 2024): 69–71. https://doi.org/10.26565/2220-8089-2024-45-09.

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The article describes the historical context and development of the feminist movement, starting with women's struggle for equal rights in society, politics and economics in chronological order. It analyzes how the first feminists achieved significant changes, including the right to education and property. Internal splits due to different approaches to achieving equality are taken into account. The priorities of second-wave feminism in the twentieth century, when the emphasis shifted to social equality and personal freedoms for women, while continuing to fight for political, economic, and repro

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Feldman Kołodziejuk, Ewelina. "The Mothers, Daughters, Sisters: The Intergenerational Transmission of Womanhood in Margaret Atwood’s The Handmaid’s Tale and The Testaments." ELOPE: English Language Overseas Perspectives and Enquiries 17, no. 1 (2020): 67–85. http://dx.doi.org/10.4312/elope.17.1.67-85.

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The article reads The Handmaid’s Tale and The Testaments as a response to changes in the feminist movement. Less radical than their mothers’ generation, second-wave feminists’ daughters often abandoned the struggle for equality and focused on homemaking. Nevertheless, the 1990s saw a resurgence of the women’s liberation movement known as the third wave. These feminism(s) significantly redefined the notion of womanhood and emphasised the diversity of the female. After 2010, critics argue, third-wave feminism entered the fourth wave. This analysis of The Handmaid’s Tale focuses on Offred’s relat

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Khvan, M. S. "The Establishment and Development of Feminism in Portugal." Concept: philosophy, religion, culture, no. 1 (July 7, 2020): 150–63. http://dx.doi.org/10.24833/2541-8831-2020-1-13-150-163.

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This article focuses on prerequisites for the establishment of feminism in Portugal, history of main Portuguese feminist organizations and basic conditions for their functioning. This research is based on the comparative analysis of socio-political environment in Portugal and in several other states (mainly located in Western Europe) in different periods of their history. Basing on the aforementioned analysis, the author comes to the conclusion that feminism in Portugal has generally been moderate and has passed three phases in its development. These phases are in line with three waves that ar

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Baxandall, Rosalyn, and Stephanie Gilmore. "Feminist Coalitions: Historical Perspectives on Second-Wave Feminism in the United States." Journal of American History 96, no. 1 (2009): 283. http://dx.doi.org/10.2307/27694863.

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Samer, Roxanne. "Lesbian Feminist Cinema's Archive and Moonforce Media's National Women's Film Circuit." Feminist Media Histories 1, no. 2 (2015): 90–124. http://dx.doi.org/10.1525/fmh.2015.1.2.090.

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This essay offers a microhistory of the feminist film distributor Moonforce Media. Between 1975 and 1980, Moonforce Media built the National Women's Film Circuit, a lesbian feminist distribution system that circulated preconstituted packages of multigeneric feminist films through as wide a nontheatrical feminist U.S. market as possible. Drawing on the organization's records and ephemera, now located in the Sophia Smith Collection at Smith College, and oral histories with its founders, this analysis of the development of Moonforce Media—its distribution policies, programming choices, and exhibi

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Cuthbert Brandt, Gail, and Naomi Black. "“Il en faut un peu”: Farm Women and Feminism in Québec and France Since 1945." Victoria 1990 1, no. 1 (2006): 73–96. http://dx.doi.org/10.7202/031011ar.

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Abstract Certain farm women's organizations continue to represent the social feminist tradition of Canadian suffragism and the broader social Catholic feminism still influential elsewhere. Canadian historians have often criticized such groups in contrast with a more aggressive, equal-rights feminism found among urban and rural women in both waves of feminism. We argue that, far from being conservative, groups identified as social feminist serve to integrate farm women into public debates and political action, including feminism. We outline the history of the Cercles de fermières of Québec, fou

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Murphy, Brooklyn. "She Creates, She Controls, She Commands Respect:." Crossings: An Undergraduate Arts Journal 4, no. 1 (2024): 17–21. http://dx.doi.org/10.29173/crossings281.

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This essay examines how women have been represented in Western rock music through their role as deities. In particular, it aims to understand how these portrayals can reflect the evolution of feminist thought and theory in the Western world. A comparative analysis of Rhiannon by Fleetwood Mac and Lazaretto by Jack White aims to demonstrate how these depictions connect with and respond to Western feminist thought from the second wave of feminism in the 1970s to the fourth wave of feminism in the 2010s. Along with musical characteristics, the analysis of these portrayals focuses on spatial and t

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Van Dyken, Tamara. "Always Reforming?" Church History and Religious Culture 95, no. 4 (2015): 495–522. http://dx.doi.org/10.1163/18712428-09504006.

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This article reconfigures the conventional understanding of second wave feminism and feminists through an analysis of the Committee for Women in the Christian Reformed Church (CW-CRC). Rather than challenging societal and denominational norms, the CW-CRC used the normative expectations and structures of the Christian Reformed Church in order to bring about a fundamental change in practice and a reformation in scriptural understanding. Tying gender equality to the theology of the denomination, the women of the Committee defined acceptance of women’s equal authority in the church as a theologica

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ZAINAB, Ameer Jabbar Jabbar. "Call for Freedom by de Beauvoir & Friedan: Covering Chopin's heroine 'Louise Mallard'." Euro Afro Studies International Journal (EASIJ) 4, no. 12 (2022): 1–9. https://doi.org/10.5281/zenodo.7813365.

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Feminism examines variations in social identity and fights for women's equality rights. Using the focal character of Kate Chopin, this study examines Simone de Beauvoir's and Betty Friedan’s preconceptions about women and society. After delving into the key reasons for the terrible demise of the story's main character, more than one conclusion emerges as dominating. These factors are known as Patriarchal Setup in Communities, as well as Societal norms, Beliefs, and Behaviours. The major purpose of this research is to show how patriarchy still exists during the second wave of

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Huber, Sam. "Muriel Rukeyser “among Wars”: Feminist Internationalism in the Second Wave." American Literature 93, no. 4 (2021): 655–83. http://dx.doi.org/10.1215/00029831-9520222.

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Abstract In her poems of the 1960s and 1970s, Muriel Rukeyser developed feminist internationalist alternatives to both masculinist antiwar politics and isolationist currents of women’s liberation. At the same time that the nascent women’s liberation movement appeared to turn inward to a domestic scene of women’s oppression, feminist internationalists politicized personal life by confronting the entanglement of home, family, and the frontlines of a distant war in Vietnam. Key poems from Rukeyser’s 1968 collection The Speed of Darkness were excerpted widely and embraced as authorizing exemplars

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Bronstein, Carolyn. "Representing the Third Wave: Mainstream Print Media Framing of a New Feminist Movement." Journalism & Mass Communication Quarterly 82, no. 4 (2005): 783–803. http://dx.doi.org/10.1177/107769900508200403.

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This study analyzes the framing of third wave feminism to determine whether journalists are recycling stock frames commonly used to portray the women's movement of the 1970s. Using textual and content analyses, the author draws from more than ten years' worth of news stories to identify current framing patterns. The findings reveal that journalists have jettisoned some of the more negative frames, but still tend to depict third wave feminism in ways that distort its identity and purpose. The study reveals that the third wave is defined against the second wave in ways that disparage second wave

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Bailey, Cathryn. "Making Waves and Drawing Lines: The Politics of Defining the Vicissitudes of Feminism." Hypatia 12, no. 3 (1997): 17–28. http://dx.doi.org/10.1111/j.1527-2001.1997.tb00003.x.

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If there actually is a third wave of feminism, it is too close to the second wave for its definition to be clear and uncontroversial, a fact which emphasizes the political nature ofdechring the existence of this third wave. Through an examination of some third wave literature, a case is made for emphasizing the continuity of the second and third waves without blurring the differences between older and younger feminists.

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Yan, Ruixi. "A Literary Exploration of Existential Feminism in the Novella The Moon Opera Through the Application of Intertextuality Theory." Asian Journal of Social Science Studies 6, no. 5 (2021): 28. http://dx.doi.org/10.20849/ajsss.v6i5.964.

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Second-wave feminism was a period of feminist activity that began in the early 1960s in the western world, which focused on criticizing the patriarchal institutions or cultural practices throughout the society. Originating several centuries earlier, Chinese opera culture has been ahead of its time in demonstrating the male-dominated society’s oppression against women. As one of the principal founders of second-wave feminism, Simone de Beauvoir’s classical feminist theory in her book, The Second Sex, mainly introduced the sex-gender distinction. In this article, the author aims to reveal how Bi

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Bao, Han, and Jiaruo Lin. "A Brief Analysis of Ruth Bader Ginsburg from the Theory of Existential Feminism." Lecture Notes in Education Psychology and Public Media 28, no. 1 (2023): 196–201. http://dx.doi.org/10.54254/2753-7048/28/20231331.

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Ruth Bader Ginsburg is a documentary film that recreates the life of Justice Ginsburg in the form of interviews. Ruth Bader Ginsburg is the second woman to serve on the U.S. Supreme Court. As a leader of the womens equality movement, she has devoted her life to improving the status of American women and eliminating potential gender discrimination in society. Under the patriarchal society, women have become the other in the marginal position of society. With the beginning of the Second Wave of Feminism, more and more people support gender equality, and women resist the current situation of ineq

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Dahl, Ulrika. "Queering Sexism and Whiteness with Marilyn Frye." Paragraph 41, no. 3 (2018): 333–48. http://dx.doi.org/10.3366/para.2018.0275.

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This article discusses the importance of geopolitical specificity in discussions about waves in feminism and investigates the (proto-)queer potential of Marilyn Frye's second-wave work on sexism and white supremacy. It argues that Frye's understanding of sexism relies on the figure of the genderqueer individual and that Frye's critique of reproductive heterosexuality has implications for analyses of both sexism and racism. Finally, it asks what would happen to the contemporary #metoo movement in Sweden if it returned to Frye's radical lesbian feminism as emblematic of the second wave, rather t

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