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Books on the topic 'Seeman Printery'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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1

interviewer, Conway Mimi, Southern Oral History Program, University of North Carolina at Chapel Hill. Documenting the American South (Project), and University of North Carolina at Chapel Hill. Library, eds. Oral history interview with Ernest Seeman, February 13, 1976: Interview B-0012, Southern Oral History Program Collection (#4007). University Library, UNC-Chapel Hill, 2007.

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2

Gardner, Jared. The American Magazine in the Early National Period. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036705.003.0003.

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This chapter recounts the struggles of publishers, printers, editors, and contributors to American magazines of the national period. It shows how the magazine occupies a liminal place at best in the history of print in the early republic. The book and the newspaper dominate far more space in the story of the print's rise, and rightly so, as the magazine seems dominated by random posturing, by armchair moralists with neoclassical pseudonyms offering their opinion on everything from fashion to dueling. It is no wonder that modern readers have favored two forms—novel and newspaper—whose genealogi
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3

Oosterhoff, Richard. A Mathematical Turn. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823520.003.0002.

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Lefèvre described his own mathematical turn as a kind of conversion. This chapter explains what motivated his turn to mathematics, considering the place of mathematics in fifteenth-century Paris in relation to court politics and Lefèvre’s own connections to Italian humanists. But more importantly, Lefèvre’s attitude to learning and the propaedeutic value of mathematics drew on the context of late medieval spiritual reform, with its emphasis on conversion and care of the soul. In particular, Lefèvre’s turn to university reform seems to have responded to the works of Ramon Lull, alongside the de
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4

Williams, Gareth D. Physical Form and Textual Meaning in the Aldine Book. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.003.0006.

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Chapter 5 begins with the early 1490s rise of the Aldine Press at Venice and De Aetna’s place in relation to Aldo Manuzio’s print experimentation through the 1501 introduction of his libelli portatiles (“portable little books”). The interaction between theme and typographic form in De Aetna, between Pietro’s Etna adventure and the novelty of Manuzio’s own print venture, unites author and printer in a mutually reinforcing mode of self-display and aesthetic alignment. Bernardo Bembo complicates this vision of type form as a physical picturing of Pietro in particular – unless Bernardo is seen to
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5

N.Petrov, Ivan. Development of the Bulgarian Literary Language. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978730144.

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Ivan N. Petrov’s The Development of the Bulgarian Literary Language: From Incunabula to First Grammars, Late Fifteenth–Early Seventeenth Century examines the history of the first printed Cyrillic books and their role in the development of the Bulgarian literary language. In the literary culture of the Southern Slavs, especially the Bulgarians, the period that began at the end of the fifteenth century and covered the sixteenth and seventeenth centuries is often seen as a foreshadowing of the pre-national era of modern times. In particular, the centuries-old manuscript tradition was gradually re
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6

Stamatakis, Chris. Early Tudor Literary Criticism? Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.146.

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This article considers whether the activity that we recognize as criticism existed in the literary culture of early Tudor England. Before the appearance of formal poetic defenses and literary treatises in English (an Elizabethan phenomenon associated with Sir Philip Sidney and George Puttenham), English vernacular culture of the early sixteenth century seems to have been devoid of a fully fledged poetics or literary theory. Yet the composite evidence of printed prefaces, various endeavors to translate classical rhetorical terminology, and poetic practice itself in these early decades reveals a
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Brundin, Abigail, Deborah Howard, and Mary Laven. Miracles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816553.003.0009.

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The period of the Renaissance witnessed an extraordinary proliferation of miraculous events in Italy. Many of these miracles were connected to images of the Virgin Mary that were seen to weep, move, or speak out. In turn, these miraculous images acquired a reputation for helping the laity and were often called upon in times of crisis. Cults also grew up around miracle-working saints and printed accounts served to boost the fame of local shrines and pilgrimage sites. Making use of extensive visual and textual evidence, this chapter points to the many ways in which the Virgin and saints interven
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8

Hardy, Grant. Textual Criticism and the Book of Mormon. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190274375.003.0003.

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The last several decades have seen the emergence of academically rigorous textual criticism of the Book of Mormon. This scholarly development has largely been based on a detailed analysis of the two earliest manuscripts and twenty of the most significant printed editions. Royal Skousen, a linguist at Brigham Young University, has been the driving force behind these efforts, which have culminated in the publication of multi-volume textual commentaries, photographical and typographical facsimiles of the manuscripts, and a reconstructed earliest version. Grant Hardy, in his “Textual Criticism and
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9

Lingelbach, Bernd. The Scintillating Grid. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0052.

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The scintillating grid was first presented at the European Conference on Visual Perception in Tübingen in 1995. At the time, the prevailing explanation of the Hermann grid illusion was in terms of the arrangement of the receptive fields on the retina. The minor modification of having a grey instead of a white grid with white dots at the intersections produced a strikingly new and powerful illusion. Instead of the white dots, dark black dots are seen to “blink” and appear even darker in intensity than the black printer’s ink of the square. They then disappear again to reappear immediately somew
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10

Walker, Matthew. Collecting Architecture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746355.003.0003.

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In this chapter I explore the processes by which architects collected the material that was essential to their performance as intellectually driven designers of buildings. Central figures in this chapter are architects and agents whose collecting practices have been preserved in the historical record. They include Robert Hooke, Alexander Edward, William Talman, and his son John. I will examine the various media—printed, graphic, textual, and visual—that these figures used to obtain knowledge of the appropriate forms of architecture. I will also explore how they acquired this material. Finally
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11

Glixon, Jonathan E. A Virtuous Recreation? Musical and Theatrical Entertainments for and by the Nuns. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190259129.003.0007.

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Church authorities recognized that the nuns needed some opportunity for appropriate recreation, so allowed them to perform sacred or moral theatrical works for themselves. This chapter also refutes, however, hypotheses put forth by other scholars that printed plays dedicated to nuns can be seen as a repertoire of works they performed. The nuns often violated the rules, performing secular plays and even operas, not only for themselves, but also for an audience of the public in the parlor. Similarly, rules entirely forbade the performance of theatrical or concerts in the parlors of nunneries by
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12

Hunter, Mary, and Stephen Broad. Reflection and the classical musician. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199346677.003.0019.

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Reflective practice takes on a particular shape in classical music. The aim of this chapter is to identify some elements of classical music that distinguish it from other genres of music, and to consider how these elements may affect the kind of reflection in which classical musicians—and classical musicians-in-the-making—engage. The chapter, which is partly based on student practice diaries and interviews with professional musicians, argues that the distinguishing elements of classical music performance are a focus on interpretation, interest in following the composer’s intentions, concern ab
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13

Miller, Peter. Poetry, Sound, and the Matter of Prosody, 1800–2000. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198937210.001.0001.

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Abstract When modernist poets rejected meter at the beginning of the twentieth century, they seemed to reject something at the heart of poetry: sound. Yet meter was only one of the many sound media that poets on either side of 1900 used to structure their poems. As new technologies like the phonograph unsettled print modes of representing sound, language, and voice, poets likewise pluralized the sonic basis, or “prosody,” of their work. Enlisting talking birds and printed ballads, illuminated manuscripts and books shaped like vinyl LPs, poets in Britain and America mixed new media with old to
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14

Messitt, Maggie. Newspaper. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781501392207.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Newspaper is about more than news printed on paper. It brings us inside our best and worst selves, from censorship and the intentional destruction of historic record, to partisan and white supremacist campaigns, to the story of an instrument that has been central to democracy and to holding the powerful to account. This is a 400-year history of a nearly-endangered object as seen by journalist Maggie Messitt in the two democratic nations she calls home – the United States and South Africa.
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Siegel, Jonah. Material Inspirations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858003.001.0001.

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This book is a study of the relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art’s nature and value. Drawing on recent scholarship on the history of art and its institutions, Material Inspirations places cultural developments such as the emergence of new sites for exhibition and the astonishing proliferation of printed reproductions alongside a wide range of texts including novels, poems, travel guidebooks, compendia of antiquities, and especially the great line of critical writing that e
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16

9780198914617 and Julia Thomas. The Victorian Mind's Eye. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198914600.001.0001.

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Abstract This book conceptualizes the material and mental mechanics of reading that emerged with the Victorian age of illustration. This period witnessed the growth of illustrated material on an unprecedented scale, with words and pictures printed alongside each other in works of fiction and non-fiction. Victorian illustrated literature was extraordinarily diverse in terms of its style, subject matter, and audience, but its common feature was its bi-mediality, a conjunction of text and image that instigated and demanded new processes and experiences of reading. This book identifies and analyse
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17

Tremain, Shelley Lynn, ed. The Bloomsbury Guide to Philosophy of Disability. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350268937.

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The Bloomsbury Guide to Philosophy of Disability is a revolutionary collection encompassing the most innovative and insurgent work in philosophy of disability. Edited and anthologized by disabled philosopher Shelley Lynn Tremain, this book challenges how disability has historically been represented and understood in philosophy: it critically undermines the detrimental assumptions that various subfields of philosophy produce; resists the institutionalized ableism of academia to which these assumptions contribute; and boldly articulates new anti-ableist, anti-sexist, anti-racist, queer, anti-cap
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