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Dissertations / Theses on the topic 'Sehnsucht'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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1

Grimm, Gunter E. "Italien, das Land deutscher Sehnsucht." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-135359/.

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2

Braig, Marianne. "Sehnsucht nach Legitimation : Zum Wandel populistischer Politik in Mexiko /." Berlin : Frey, Walter, 2006. http://www.tranvia.de/buecher/93894402.htm.

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3

Doktorchik, Acacia M., and University of Lethbridge Faculty of Fine Arts. "Sehnsucht and alienation in Schubert's Mignon settings / Acacia M. Doktorchik." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Music, c2011, 2011. http://hdl.handle.net/10133/3051.

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Sehnsucht (longing) and alienation were two central themes of 19th century German Romanticism in literature, music and art. Franz Schubert was one of the great masters of the Romantic era to understand and express these intense emotions through his compositions. This paper discusses Sehnsucht and alienation in Schubert’s settings of the Mignon songs from Johann Wolfgang von Goethe’s novel Wilhelm Meisters Lehjahre (Master William’s Apprenticeship). Mignon, a secondary character in this novel, is a prime example of one who experiences these emotions and whose principal medium of expressing herself is through her five songs. My thesis focuses on how Schubert portrays Mignon’s longing through use of dissonance, harmonic progressions, melodic contour and shifts in vocal register.
iv, 46 leaves ; 29 cm
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4

Netzer, Katinka. "Wissenschaft aus nationaler Sehnsucht die Verhandlungen der Germanisten 1846 und 1847." Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2758701&prov=M&dok_var=1&dok_ext=htm.

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5

Netzer, Katinka. "Wissenschaft aus nationaler Sehnsucht : die Verhandlungen der Germanisten 1846 und 1847 /." Heidelberg : Winter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2758701&prov=M&dok_var=1&dok_ext=htm.

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6

Polycarpo, Nathaschka Martiniuk Liebest. "Ruínas em ruídos: modulações da melancolia em poemas de Joseph von Eichendorff." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-22112016-125935/.

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O presente trabalho tem por objetivo analisar poemas do escritor e poeta alemão Joseph von Eichendorff (1788-1857), ainda pouco conhecido e estudado no Brasil. Nossa análise visa apontar as confluências entre sua poética e a tradição da melancolia e, principalmente explorar a forma sui generis que o poeta se utiliza do tema. Para isso, selecionamos cinco poemas para compor o corpus do trabalho, a saber, Sehnsucht [Anseio, 1834], Im Herbst [No Outono, 1837], Wehmut [Melancolia, 1815], Wehmut [Melancolia, 1837] e Mondnacht [Noite ao luar, 1837]. Em nosso trabalho, não pretendemos abordar a história da melancolia de maneira minuciosa, mas destacamos os principais pontos que interessam às análises do corpus. Mais do que elencar elementos da melancolia nos versos do autor, nosso propósito é mostrar a maneira singular que a melancolia toma forma, em suas poesias, como um afeto que é parte constituinte de seu fazer poético. O diálogo entre as poesias analisadas e a melancolia parte de um ponto em comum: a música. Entendemos que a música é essencial para a obra de Eichendorff; seu poema Wünschelrute [Forquilha] pode ser entendido como motto de sua poética: Schläft ein Lied in allen Dingen,/ Die da träumen fort und fort,/ Und die Welt fängt an zu singen,/ Triffst du nur das Zauberwort ao poeta cabe lançar mão da palavra mágica, a poesia, despertando a canção adormecida em todas as coisas. A música é o ponto de partida para a rememoração, que leva o eu lírico, ora a uma busca melancólica pelo passado, ora a uma Sehnsucht (um anseio infinito) por terras longínquas, num desejo melancólico pelo lar. Através de sua linguagem singela, a poesia de Eichendorff mostra um eu lírico atento aos ruídos que surgem à sua volta, e trazem à tona ruínas de uma pátria distante e ansiada, de um passado perdido e saudoso, que, mesmo por breves instantes, por intermédio da palavra, pode ser revisitado.
This dissertation aims to analyze poems written by the German poet and writer Joseph von Eichendorff (1788-1857), an under-studied author in Brazil. Our study intends to point the confluences between his poetry and the tradition of melancholy, and mainly to explore the sui generis treatment of the subject developed by the author. Thus, five poems were selected to build our corpus: Sehnsucht [Yearning, 1834], Im Herbst [In Fall, 1837], Wehmut [Melancholy, 1815], Wehmut [Melancholy, 1837] e Mondnacht [Moonlit Night, 1837]. In this work, we do not intend to offer a comprehensive history of melancholy, but only to highlight the main topics related to the analysis of our corpus. Rather than just listing elements of melancholy in the writers verses, our goal here is to show the particular way in which melancholy takes form in his poetry: as a tenderness belonging to his poetic process. The dialogue between these poems and melancholy has one point in common: music. Music seems to be essential to Eichendorffs work. His poem Wünschelrute [Divining rod] can be understood as a motto of his poetry: Schläft ein Lied in allen Dingen,/ Die da träumen fort und fort,/ Und die Welt fängt an zu singen,/ Triffst du nur das Zauberwort the poet uses this magical word, the poetry, to awake the sleeping song of all things. Music is the starting point of remembrance, which takes the poetic persona either to a melancholic search for the past or to a Sehnsucht (an infinit wish) for foreign lands in a melancholic desire for his home. With its delicate language, Eichendorffs poetry shows a persona aware of the noises emerging around him, which bring up the ruins of a distant and desired homeland, of a lost and longing past which can be briefly revisited only through the use of language.
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7

Kühn, Katrin [Verfasser]. "Sehnsucht nach Befreiung vom nationalen Dienst. Das Erzählwerk Maria Konopnickas / Katrin Kühn." Kiel : Universitätsbibliothek Kiel, 2013. http://d-nb.info/1044891815/34.

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8

Evans, Jedidiah Daniel William. "Look abroad, Angel: concentric circles of Sehnsucht in the work of Thomas Wolfe." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12415.

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This thesis explores Thomas Wolfe’s fiction through the lens of Sehnsucht, a German term for longing that serves a dual purpose. First, it links Wolfe’s career-long preoccupation with longing within a transatlantic exchange of ideas surrounding homesickness, nostalgia, and longing. Second, it reveals a deeply idiosyncratic form of longing present in Wolfe’s work, reconfiguring ideas around more familiar expressions of desire to reveal Wolfe’s underlying ontology of longing. This analysis reveals a new critical perspective on Wolfe that properly historicizes his work within its cultural context. Chapter One addresses Wolfe’s complex reception history, arguing that new technologies of modernism prompted a dramatic reconception of the idea of “culture” in the US. Chapter Two examines a particular formulation of “the South” operating within both Wolfe’s fiction and the strain of criticism that has sought to position Wolfe’s work as emblematic of a distinctly “Southern” literary tradition. Chapter Three explores Wolfe’s crucial encounters with German culture, situating Wolfe’s Sehnsucht alongside the Heimat of the German Romantics. Chapter Four addresses his German reception and influence on German writers. Exploring the specter of Nazism, his story “I Have a Thing to Tell You” is also reconsidered. This thesis diverges from previous studies by exploring this story’s improbable German language translation during WWII, by exiled Jewish novelist Rudolf Frank. Chapter Five argues that any analysis of Wolfe must consider the profound and enduring effect his writing had on authors as diverse as Jack Kerouac and Stephen King. This chapter also charts Wolfe’s impact on the works of Australian authors Christopher Koch and Dorothy Hewett, and explores his profound influence on Ray Bradbury. My central contention is that Thomas Wolfe should not be seen as a neglected Appalachian novelist, but as an important—fundamentally global—figure of American literature.
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9

Lee, Kishik. "Sehnsucht nach Heimat : zur Entwicklung des Totalitätsbegriffes in den Frühschriften von Georg Lukács /." St. Ingbert : W. J. Röhrig, 1990. http://catalogue.bnf.fr/ark:/12148/cb35703627p.

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10

Merkelbach, Heiko. "Propter nostram salutem : die Sehnsucht nach Heil im Werk von Hans Urs Balthasar /." Münster : Lit, 2004. http://catalogue.bnf.fr/ark:/12148/cb392611310.

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11

Ognibene, Fabio. "Die Sehnsucht nach Italien : Thomas Mann und sein ambivalentes Verhältnis zur Welt Italiens /." Würzburg : Königshausen & Neumann, 2010. http://deposit.d-nb.de/cgi-bin/dokserv?id=3200491&prov=M&dok_var=1&dok_ext=htm.

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12

Ognibene, Fabio. "Die Sehnsucht nach Italien Thomas Mann und sein ambivalentes Verhältnis zur Welt Italiens." Würzburg Königshausen & Neumann, 2008. http://d-nb.info/991846125/04.

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13

Gröbli, Roland. "Die Sehnsucht nach dem "einig Wesen" Leben und Lehre des Bruder Klaus von Flüe." Luzern Rex-Verl, 1990. http://deposit.ddb.de/cgi-bin/dokserv?id=2822436&prov=M&dok_var=1&dok_ext=htm.

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14

Gröbli, Roland. "Die Sehnsucht nach dem "einig Wesen" : Leben und Lehre des Bruder Klaus von Flüe /." Luzern : Rex-Verl, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2822436&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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Gröbli, Roland. "Die Sehnsucht nach dem "einig Wesen" : Leben und Lehre des Bruders Klaus von Flüe /." Zürich : NZN Buchberl, 1990. http://catalogue.bnf.fr/ark:/12148/cb354979850.

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16

Scheibe, Susanne. "Longing ("Sehnsucht") as a new lifespan concept a developmental conceptualization and its measurement in adulthood /." [S.l. : s.n.], 2005. http://www.diss.fu-berlin.de/2005/159/index.html.

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17

Hori, Iku. "Sehnsucht nach Lebendigkeit : das Problem der "Natur" im europäischen und japanischen Denken : eine interkulturell philosophische Vegleichsanalyse." Würzburg Ergon, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015724002&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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18

Burkert-Wepfer, Esther. "Die Sehnsucht nach dem Schönen, Guten und Wahren oder platonische Reminiszenzen in Rousseaus Menschenbild und Erziehungslehre /." Bern : P. Haupt, 1995. http://catalogue.bnf.fr/ark:/12148/cb37208127x.

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19

NAKAMURA, Yasuko. "Die Sehnsucht nach dem nie gewesenen Leben : Die Aufzeichnungen von Anatol Ludwig Stiller und Malte Laurids Brigge." School of Letters, Nagoya University, 2006. http://hdl.handle.net/2237/8452.

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20

Egnolff, Mareike [Verfasser], and Barbara [Akademischer Betreuer] Krug-Richter. "Die Sehnsucht nach dem Ideal : Landlust und Urban Gardening in Deutschland / Mareike Egnolff. Betreuer: Barbara Krug-Richter." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://d-nb.info/1079217487/34.

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Egnolff, Mareike Verfasser], and Barbara [Akademischer Betreuer] [Krug-Richter. "Die Sehnsucht nach dem Ideal : Landlust und Urban Gardening in Deutschland / Mareike Egnolff. Betreuer: Barbara Krug-Richter." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:291-scidok-63033.

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22

Brusniak, Friedhelm. "Sehnsucht nach dem Frühling und andere Kinderlieder mit eigenen Melodien von August Heinrich Hoffmann von Fallersleben (1798–1874)." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71901.

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23

Penz, Isolde. "Wege zum Göttlichen : die Sehnsucht nach dem Einssein mit dem Göttlichen in Mythos, Gnosis, Logos und im Evangelium nach Johannes /." Wien : Lit, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015565478&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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24

Rushing, JemmiLou Rye. "The Influence of Selma Meerbaum-Eisinger's Death on Xaver Paul Thoma's Composition of Ich bin in Sehnsucht Eingehüllt: Sieben Lieder für Sopran und Klavier, A Lecture Recital Together with Three Recitals of Selected Works of O. Messiaen, G.F. Handel, A. Scarlatti, J.S. Bach, W. Latham, and Others." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3216/.

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The aim of this study is to introduce the contemporary German composer, Xaver Paul Thoma, and his composition, Ich bin in Sehnsucht Eingehüllt on the poems of Selma Meerbaum-Eisinger. This study explores the possible reasons behind Thoma's decision to set the poems, as well as the circumstances and significance of the poets' life and poetry, made known through Thoma's composition. An analysis of each song is included, emphasizing especially the relationship between text and music.
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Blüher, Dominique. "Le Cinéma dans le cinéma : Film(s) dans le film et mise en abyme." Paris 3, 1996. http://www.theses.fr/1997PA030021.

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Cette etude propose les premiers jalons d'une approche semio-narratologique d'ensemble et systematique de ce que l'on a pris l'habitude de considerer comme film(s) dans le film. Apres avoir donne un apercu de l'etat des recherches concernant la reflexivite au cinema, elle procede a une classification visant a cerner l'ensemble des films ayant trait au cinema. Puis elle se limite deliberement a l'etude du film dans le film proprement dit, c'est-a-dire a cette configuration particuliere de l'insertion d'extraits de film dans un film. Elle analyse cette figure en ayant recours 1 aux notions descriptives empruntees a la narratologie litteraire, 2 aux recherches concernant l'enonciation filmique et 3 au concept de scenario issu de la pragmatique cognitiviste. Puis, elle propose un modele d'analyse du fonctionnement multiplan du film dans le film, developpe en s'inspirant librement d'etudes linguistiques de la paraphrase. Ce modele d'analyse est ensuite illustre et soumis a l'analyse de trois films (respectivement de fassbinder, leenhardt et fellini). Enfin, elle opere un retour sur une forme plus specifique du film dans le film, la mise en abyme, degageant certaines caracteristiques de cette figure vertigineuse et paradoxale.
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André, Emmanuelle. "Formes filmiques et idées musicales : en quête de musicalité au cinéma." Paris 3, 2000. http://www.theses.fr/2000PA030007.

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Cette recherche esthetique vise a cerner une zone conceptuelle, que nous appelons << musicalite >>, en laquelle l'art du cinema croise l'art de la musique, en identifiant les idees musicales que le film invente. L'analyse de film est la methode preconisee pour acceder a ces idees, a travers l'identification de configurations eloquentes. La musicalite se compose de cinq composantes auxquelles autantde chapitres ont ete consacres apres qu'a ete delimite le champ de la musicalite, le cadre theorique en lequel le concept s'avere operatoire : les convergences entre les pensees musicales et cinematographiques. L'etude de gertrud demontre combien le film repose sur une composition serielle qu'un entrelacs motivique entre petites formes justifie. L'analyse de film est comparee a l'ecoute, ce qui explique qu'une << figure de l'ecoute >> soit identifiee au cours de la nuit du carrefour. Second critere de la musicalite, un << moment favori >> est represente par un ensemble pictural qu'un deploiement temporel transforme en motif musical. Les deux chapitres suivants examinent cet operateur temporel privilegie qu'est le rythme, le premier a travers l'etude philologique de la notion, que l'analyse dedie sehnsucht der veronika voss illustre, le second a travers son usage dans la theorie du cinema, que the wind remet en cause. Or, figure rythmique et theme musical problematisent la figuration de l'homme, interrogee dans le dernier chapitre. La figura lewisienne - le jeu de jerry lewis, dans un ensemble de films evocateurs - clot notre enquete : le geste de la danse est le dernier critere recense car le corps defigure est l'idee musicale de la danse que le cinema revele. Cette exploration conceptuelle nous enseigne finalement que la figuration de l'homme est une operation musicale. Ainsi la musicalite repond-t-elle a l'exigence musicale du cinema : elle esquisse les contours d'une poetique du corps defigure.
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27

Rushing, JemmiLou Rye. "The influence of Selma Meerbaum-Eisinger's death on Xaver Paul Thoma's composition of Ich bin in Sehnsucht eingehüllt, sieben Lieder für Sopran und Klavier a lecture recital, together with three recitals of selected works of O. Messiaen, G.F. Handel, A. Scarlatti, J.S. Bach, W. Latham and others /." view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/rushing%5Fjemmilou/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.
Accompanied by 4 recitals, recorded June 17, 1996, June 23, 1997, Mar. 31, 2001, and Apr. 22, 2002. Includes bibliographical references (p. 46-48).
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28

Sieber, Sandra [Verfasser], Frank [Akademischer Betreuer] Lohrberg, and Jörg [Akademischer Betreuer] Dettmar. "Auswirkungen neuer Wahrnehmungsmuster im Bereich der regenerativen Energiesysteme im Orts- und Landschaftsbild und ihre Bedeutung für die räumliche Planung : Alltags-, Sehnsuchts- und Energielandschaften im Fokus / Sandra Sieber ; Frank Lohrberg, Jörg Dettmar." Aachen : Universitätsbibliothek der RWTH Aachen, 2021. http://d-nb.info/1235525066/34.

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29

Hájek, Matěj. "Sehnsucht v pojetí C.S.Lewise." Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-268883.

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Předmětem mého studijního zájmu v této práci je fenomén sehnsucht jako významný prvek v díle anglického profesora renesanční literatury a spisovatele C. S. Lewise (1898-1963). Pozornost zaměřím především na Lewisovo hodnocení významu sehnsucht pro náboženské myšlení a zkušenost. Perspektivu tohoto autora jsem si vybral proto, že sehnsucht hraje v jeho díle i životním příběhu zásadní roli. Svou prací dojdu k vyhodnocení teze: Prožitek sehnsucht je z pohledu C. S. Lewise univerzálně přístupná lidská zkušenost touhy, jejímž předmětem je metafyzická poslední skutečnost. Powered by TCPDF (www.tcpdf.org)
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Smolen, Štěpán. "Sehnsucht: úvod k romantické touze." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-280475.

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The present thesis explores the experience of romantic desire (Sehnsucht). It is mostly based on a wide comparative study of the 19th century European and partly also Northern American literary texts which are used as a tool to define and describe the key features of the Sehnsucht experience. It also tries to demonstrate - using the method of ideal types - the different attitudes of the romantics towards their longing. The final chapter then deals with the various kinds of the counter-romantic criticism that are both aimed against the Sehnsucht experience and relevant from the perspective of the religious studies; it also shows several different Christian responses to this experience. The thesis exposes practical implications of different answers to the relation between the infinite desire and the finite world, between the promises of the miraculous Blue Flower and the everyday life. Rather than arguing for one or other of these answers it wants to create a map of both affirmative and critical attitudes to Sehnsucht.
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Madureira, Delfina de Araújo. "Sehnsucht e saudade para uma história comparada do pathos." Doctoral thesis, 2009. http://hdl.handle.net/1822/9874.

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Tese de doutoramento em Ciências (ramo de conhecimento em Literatura Comparada)
Partimos da tese fundamental de uma construção cultural comparável de Sehnsucht e Saudade, sentimentos definidos na lógica de um pathos natural (não-retórico, original) e funcionalizados na lógica de um pathos nacional a partir da situação de crise vivida nos finais do século XVII. O entendimento do sublime como sentimento grego numa situação de crise permite uma reinterpretação da história da recepção do sublime que se afasta de uma visão dominada pela concepção iluminista universal do sublime como prova da liberdade humana perante o perigo. A relevância atribuída à estetização da dor e à faculdade contemplativa (Schiller) permitem a definição de um entusiasmo triste, sob o impacto do conceito de joy of grief e do ossianismo. Consideramos este momento evolutivo importante para poder articular a história da recepção do sublime com a génese de Sehnsucht e Saudade como sentimentos valiosos: num momento de crise, a transposição elegíaca do sentimento de perda combina-se com o sentimento original de pertença ao lugar e com o culto da memória colectiva, projectando um passado idealizado para o futuro. Esta configuração é entendida como pathos natural, funcionável para um pathos nacional, nomeadamente em culturas que nos séculos XIX e XX conservam a noção de Império supranacional, como é o caso da cultura alemã e portuguesa, respectivamente. No caso da Alemanha pós-guerra e pós-holocausto, a crítica desta fixação foi muito mais severa do que no caso do Portugal pós-salazarista. A crítica da construção cultural do sentimento, nomeadamente a passagem de pathos natural para pathos nacional, é considerada a fase mais recente de uma história comparada do pathos que este estudo desenvolve numa análise de discursos teóricos (filosóficos e filológicos) e textos líricos. Contrariamente ao discurso que destaca a dimensão épica na construção da identidade nacional, com base no conceito da epopeia nacional [Nationalepos] que o Romantismo alemão desenvolveu a partir da recepção de Os Lusíadas, privilegiamos neste estudo a interacção entre filosofia e poesia para a construção cultural de Sehnsucht e Saudade, sentimentos valiosos para ‘trabalhar’ momentos de crise. Em vez de reproduzir o tradicional discurso de história literária nacional que defende as referidas construções como próprias do país e do povo, a abordagem de história comparada permite uma geografia transcultural e interliterária, que realça a importância de relações de recepção recíprocas, de um modo directo ou indirecto, para desenvolver conceitos declarados originais numa determinada cultura e literatura nacional. Após a análise comparada de discursos teóricos segue uma análise de um corpus de poesia alemã e portuguesa, com textos significativos na construção, modificação e deconstrução de Sehnsucht e Saudade, que procura determinar fases evolutivas no campo da lírica.
Starting with the basic proposition of a comparable cultural construction of Sehnsucht and Saudade, sentiments defined in the logic of a natural pathos (non-rhetorical, original) and functionalised within the logic of a national pathos stemming from the crisis situation experienced at the end of the 17th Century. Recognition of the sublime as a Greek sentiment in a crisis situation enables a reinterpretation of the history of the reception of the sublime that deviates from a vision dominated by the universal illuminist conception of the sublime as proof of human liberty in the presence of danger. The relevance attributed to the aesthetisation of pain and to contemplative faculty (Schiller) enables the explanation of sad enthusiasm, under the impact of the concept of The Joy of Grief and Ossianism. We consider this evolutionary moment important in order to be able to articulate the history of the reception of the sublime with the genesis of Sehnsucht and Saudade as valuable sentiments: in a moment of crisis, the elegiac transposition of the sentiment of loss combines with the original sentiment of belonging to the place and with the cult of collective memory, projecting an idealised past into the future. This configuration is known as natural pathos, which functions as national pathos, namely in cultures that in the 19th and 20th Centuries preserved the notion of a supranational Empire, as in the case of German and Portuguese culture respectively. In the case of post-war and post-holocaust Germany, criticism of this fixation was much more severe than in the case of post- Salazar Portugal. Criticism of the cultural construction of the sentiment, namely the passage from natural pathos to national pathos, is considered the most recent phase of a compared history of pathos that this study is developing in an analysis of theoretic discourses (philosophical and philological) and lyrical texts. Contrary to the discourse that places emphasis on the epic dimension in the construction of national identity, based on the notion of national epic poetry (National Epics) that German Romanticism developed from the reception of Os Lusíadas, in this study we favour the interaction between philosophy and poetry for the cultural construction of Sehnsucht and Saudade, which are valuable sentiments to ‘work through’ moments of crisis. Instead of reproducing the traditional discourse of national literary history that defends said constructions as belonging to the country and the people, the compared history approach allows a transcultural and interliterate geography that highlights the importance of the relationships of reciprocal reception, either directly or indirectly, to develop concepts considered original in a given culture and national literature. After the compared analysis of theoretical discourse there follows an analysis of a corpus of German and Portuguese poetry, with texts that are important for constructing, modifying and deconstructing Sehnsucht and Saudade, which seeks to determine the evolutionary phases in the field of lyric poetry.
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32

Watney, Mark Cedric. "Perplexed by joy : Sehnsucht in C.S. Lewis's pagan works : Spirits in bondage (1919) and Dymer (1926) /." 2006. http://proquest.umi.com/pqdweb?did=1324365661&sid=1&Fmt=2&clientId=10361&RQT=309&VName=PQD.

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33

Crawford, Matthew David. "C. S. Lewis's Concept of Sehnsucht: Philosophical Foundations, Aesthetic Analysis, and Implications for Evangelism and Apologetics." Diss., 2015. http://hdl.handle.net/10392/4963.

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ABSTRACT C. S. LEWIS’ CONCEPT OF SEHNSUCHT: PHILOSOPHICAL FOUNDATIONS, AESTHETIC ANALYSIS, AND IMPLICATIONS FOR EVANGELISM AND APOLOGETICS Matthew David Crawford, Ph.D. The Southern Baptist Theological Seminary, 2015 Chair: Dr. Mark T. Coppenger C. S. Lewis’ concept of Sehnsucht as inconsolable longing for beauty holds much promise for Christian aesthetics, evangelism, and apologetics. In his autobiography, Surprised by Joy, and many of his other works, Lewis shows how desire for beauty can draw individuals toward God. This dissertation fully develops Lewis’ concept of Sehnsucht within the framework of his life story as well as his writings. The dissertation then explores the corroboration of Lewis’ concept within both Christian and secular philosophical contexts. Once this foundation has been laid, the potential of Sehnsucht for opening hearts to the gospel of Christ and overcoming objections to faith in Him is outlined. Finally, the dissertation aesthetically analyzes specific films and pieces of music in search of common elements that may evoke Sehnsucht, as well as elements that may prevent it from being experienced.
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34

Scheibe, Susanne [Verfasser]. "Longing ("Sehnsucht") as a new lifespan concept : a developmental conceptualization and its measurement in adulthood / vorgelegt von Susanne Scheibe." 2005. http://d-nb.info/975594397/34.

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35

Becker, Britta [Verfasser]. "Metaphysische Sehnsucht und existentielle Verzweiflung : kabbalistische Motivik und Gnosis ohne Erlösung in Erzählungen Franz Kafkas / vorgelegt von Britta Becker." 2004. http://d-nb.info/971428123/34.

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36

Dvořáková, Tereza. "Setkávání lásky a přírody v lyrice Eduarda Mörikeho." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-437609.

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This diploma thesis explores the lyrical poetry of Eduard Mörike (1804-1875), a German poet. The topic of the thesis is theencountering of nature and love in his works. This poet, less known in the Czech context, wrote various kinds of poems, which deserve attention. The thesis is divided in two parts, theoretical and interpretative. In the first part, the thesis focuses on giving an overall context (I deal with a historical context, literary epochs, during which Eduard Mörike wrote, his personality and general introduction in lyrical poetry). The second part of my thesis aims to interpret selected poems, which are divided bytheir themes: romantic love, the morning, wayfaring, the forest and the so-called "Dinggedichte," or poems focusing on understanding and appreciation of a single item. In each poem, a mood or feeling that characterizes the poem is described, who is the speaker within the poem, and which topics of love and nature can be observed. From the perspective of form, I analyze the rhyme scheme. The analysis of each thematic group also contains a comparation of the poems. The interpretational part aims to connect and evaluate the interweaving of love and nature in the poetic works of Eduard Mörike and touch upon the deeper meaning of the poems. Its aim is also to make the selected works...
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