Academic literature on the topic 'Sei personaggi in cerca d'autore'

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Journal articles on the topic "Sei personaggi in cerca d'autore"

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Ribeiro, Martha. "Pirandello encena Sei Personaggi in Cerca D'Autore." Urdimento 2, no. 11 (December 11, 2018): 157–68. http://dx.doi.org/10.5965/1414573102112008157.

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Sotis, Grazia. "GIOCO COME IMPROVVISAZIONE NE IL GATTO CON GLI STIVALI E SEI PERSONAGGI IN CERCA D'AUTORE: UN'IPOTESI." Forum Italicum: A Journal of Italian Studies 20, no. 2 (September 1986): 209–20. http://dx.doi.org/10.1177/001458588602000206.

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Petruzzi, Anthony. "Hermeneutic retrieval and the conflict of styles in Pirandello'sSei Personaggi in Cerca D'Autore." Rhetoric Society Quarterly 27, no. 3 (June 1997): 51–83. http://dx.doi.org/10.1080/02773949709391100.

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Michelacci, Lara. "modello per Pirandello: Capuana e gli spiriti." Revista de Italianística, no. 37 (December 30, 2018): 66–77. http://dx.doi.org/10.11606/issn.2238-8281.v0i37p66-77.

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Il saggio analizza l’influenza di Capuana sull’opera di Luigi Pirandello. Dalle riflessioni sullo spiritismo, e dalle esperienze mediatiche: di scrittura automatica, Capuana elabora la teoria dell’allucinazione artistica e proclama il principio di un’arte che crea personaggi vivi, capaci di agire nella realtà come esseri autonomi. Tra il 1904 e il 1915, il giovane Pirandello raccoglierà alcuni spunti di quelle riflessioni, com’è evidente ne Il Fu Mattia Pascal, per la scena della seduta spiritica, e soprattutto nel racconto Personaggi e poi in Sei personaggi in cerca d’autore. Il mistero della
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Prósperi, Germán Osvaldo. "SEIS PERCEPCIONES EN BUSCA DE UN YO: TEATRO Y SUBJETIVIDAD EN DAVID HUME Y LUIGI PIRANDELLO." Praxis Filosófica, no. 44 (April 6, 2017): 59–80. http://dx.doi.org/10.25100/pfilosofica.v0i44.4349.

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En este artículo nos proponemos mostrar, por un lado, que resulta factible (y esclarecedor) explicar el capítulo “Of personal identity” del Treatise of Human Nature de David Hume a partir de la obra Sei personaggi in cerca d’autore de Luigi Pirandello, así como esta última obra a partir del texto de Hume; y, por otro lado, que tomando como eje la comparación de la mente con el teatro que propone Hume en dicho capítulo es también posible individuar, según el modo en el que se piensa la relación del pensamiento y la experiencia con el sujeto, dos grandes corrientes en la filosofía moderna: una q
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Boggio, Maricla. "Regina Bianchi e il sangue del teatro Napoletano." Forum Italicum: A Journal of Italian Studies 52, no. 2 (February 7, 2018): 582–91. http://dx.doi.org/10.1177/0014585818755364.

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Nata nel 1921, Regina Bianchi matura insieme a un teatro che da semplice dialettalità si fa, con Eduardo, giudice del mondo e rappresentante di un popolo e della sua grandezza e miseria, affrontando tutta la strada dei ruoli nelle opere rappresentate e arrivando ben presto ai personaggi di maggior rilievo. Il traguardo è il ruolo di Filumena Marturano con cui Eduardo De Filippo le impone di cimentarsi, lei recalcitrante per paura del confronto con la grande Titina De Filippo. Vita privata e professione recano in lei il segno del personaggio materno, che i registi più diversi le affidano e in c
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Vanagaitė, Gitana. "Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place." Interlitteraria 21, no. 2 (January 18, 2017): 216. http://dx.doi.org/10.12697/il.2016.21.2.5.

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Luigi Pirandello (1867–1936) was an Italian modernist writer and playwright who enriched literature with questions of modern identity as it relates to the contradiction between human consciousness and reality. Pirandello pondered questions of art and reality, mask and essence, life and form, and the fragmentation of a personality. In his works, he also foresaw what would later constitute the base of existential philosophy.The reception of Pirandello’s works in Lithuania has been limited, in part because of the small number of his works translated into Lithuanian – only a dozen short stories, t
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Dissertations / Theses on the topic "Sei personaggi in cerca d'autore"

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Nelson, Scott Ernest Luisetti Federico. "Delusional thought in Luigi Pirandello's Sei personaggi in cerca d'autore." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,2179.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages Italian." Discipline: Romance Languages; Department/School: Romance Languages.
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Foresti, Monica. "Bakhtinian theory and modernist theatre? : carnival and dialogism in Shaw's Arms and the Man, Jarry's Ubu Roi and Pirandello's Sei personaggi in cerca d'autore and Enrico IV." Thesis, University College London (University of London), 2006. http://discovery.ucl.ac.uk/1348906/.

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This thesis sets itself the double task of analysing the chosen dramatic texts through Bakhtin's theories of carnival and dialogism, while at the same time debating these categories, exploring their validity, and testing their possible applications to the interpretation of modernist dramatic texts. The main body of the thesis will follow a critical path through Shaw's Arms and the Man, Pirandello's Sei personaggi in cerca d'autore, Jarry's Ubu Roi, and Pirandello's Enrico IV, highlighting the process of the debunking of conventions and ideology operated by the various texts. Shaw's Arms and th
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Sarrinikolaou, Irene School of Media Film &amp Theatre UNSW. "The ontological status of Pirandello???s metacharacters: six characters in search of a Platonic author." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/25974.

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This thesis proposes that a defining feature of Pirandello???s 1921 play ??? Six Characters in Search of an Author, is a relentless transcendentalism. It argues that the play embodies a fascination with existential and conceptual ???occult???, and my hypothesis is that by exploring Pirandello's transcendentalism we may enhance our understanding of how and why Pirandello's play points a mirror up to the invisible and suggests that we could be a reflection of that. Pirandello's drama alludes to some of the most convoluted and enduring debates in western philosophy. However, there is very little
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Books on the topic "Sei personaggi in cerca d'autore"

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Luigi, Pirandello. Sei personaggi in cerca d'autore. Milano: Rizzoli, 1993.

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Luigi, Pirandello. Sei personaggi in cerca d'autore. Pisa: ETS, 2007.

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Luigi, Pirandello. Sei personaggi in cerca d'autore. Torino: Einaudi, 1993.

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Luigi, Pirandello. Sei personaggi in cerca d'autore: [y] Enrico IV. Milano: Mondadori, 1993.

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Doug, Thompson. An introduction to Pirandello's "Sei personaggi in cerca d'autore". Hull: University of HullDepartment of Italian, 1985.

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Vaglio, Anna. Come leggere Sei personaggi in cerca d'autore di Luigi Pirandello. Milano: Mursia, 1989.

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Fergola, Bianca Baruscotto. La teatralità dal senso alla rappresentazione: "Sei personaggi in cerca d'autore". Milano, Italy: F. Angeli, 1997.

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Sei personaggi in cerca d'autore di Pirandello per Giorgio De Lullo. Pisa: ETS, 2007.

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Luigi, Pirandello. Sei personaggi in cerca d'autore: Ciascuno a suo modo ; Questa sera si recita a soggetto. Milano: Garzanti, 1993.

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Luigi, Pirandello. Six characters in search of an author =: (Sei personaggi in cerca d'autore) : a play yet to be written. Studio City, Calif: Players Press, 2001.

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Book chapters on the topic "Sei personaggi in cerca d'autore"

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Rössner, Michael. "Pirandello, Luigi: Sei personaggi in cerca d'autore." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13625-1.

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Santeramo, Donato. "3. Pirandello’s Quest for Truth: Sei personaggi in cerca d'autore." In Luigi Pirandello, edited by Gianpaolo Biasin and Manuela Gieri. Toronto: University of Toronto Press, 1999. http://dx.doi.org/10.3138/9781442676855-005.

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Cinquegrani, Alessandro. "Pirandello e la persuasione." In La detection della critica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-455-4/009.

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This essay analyses the relationship between author and character in Luigi Pirandello’s work, with particular reference to Sei personaggi in cerca d’autore. It goes through concepts such as purity, destiny, god of the work and finally persuasion in Michelstaedter’s interpretation.
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