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Relevant bibliographies by topics / Seittenstetten, Austria (Benedictine abbey)

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Academic literature on the topic 'Seittenstetten, Austria (Benedictine abbey)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Seittenstetten, Austria (Benedictine abbey)"

1

Beck, Paul G., and Georg Zotti. "Medieval Stars in Melk Abbey." Communicating Astronomy with the Public Journal 6, no. 1 (2012): 19–23. https://doi.org/10.5281/zenodo.14890881.

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Melk Abbey, a marvel of European high baroque architecture, is one of the most frequently visited tourist attractions in Austria, attracting 450 000 visitors each year. The monastery’s museum presents selected aspects of Benedictine life in Melk since the monastery’s foundation in 1089. After the church, the library is the second-most important room in a Benedictine monastery. Due to the wide scientific interests and contacts of the medieval monks, these libraries also contain manuscripts on mathematics, physics and astronomy. In 2009, the International Year of Astronomy (IYA2009),

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2

Pohl, Benjamin. "Two Downside Manuscripts and the Liturgical Culture of Lambach in the 12th Century." Downside Review 136, no. 1 (2018): 41–79. http://dx.doi.org/10.1177/0012580617751330.

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This article provides the first detailed study of two medieval liturgical manuscripts from the Benedictine Abbey of Lambach, Upper Austria, kept today in the monastic Library and Archives of Downside Abbey in Stratton-on-the-Fosse, Somerset, UK. The new codicological, palaeographical and historical evidence presented in this study shows that both these manuscripts played a central part in the monastery’s liturgical life and routine during the later 12th century. The first part of the article provides a full codicological and palaeographical analysis of the two manuscripts, the first to appear

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3

Davis, Lisa Fagin. "Ternary-letters in twelfth-century Lambach." Plainsong and Medieval Music 5, no. 2 (1996): 131–52. http://dx.doi.org/10.1017/s0961137100001121.

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In the twelfth century, the scriptorium of the Benedictine abbey in Lambach, Austria, was a flourishing centre of manuscript production. Surviving manuscripts of many genres testify to the quality and breadth of the artistic output of the monastery during this period. For a long time, no examples of chant manuscripts were known; recently, however, a number of fragmentary chant manuscripts have been identified, and more recently still a noted Missal preserved at Melk has been attributed to Lambach. The study of the fragments has led to the discovery of an innovative method of indicating mode an

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4

Magoga, Alessio. "Un manoscritto «ritrovato»: il Codex Admontensis 517." Scriptorium 69, no. 1 (2015): 104–13. http://dx.doi.org/10.3406/scrip.2015.4326.

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Within the framework of research on the Anulus seu dialogus inter Christianum et Iudaeum, written by the monk Rupert of Liège or of Deutz (about 1075-1129), a manuscript which was given up for lost by some scholars (R. Haacke e M. Neusner) has been identified. It is the Cod. 517, housed in the Benedictine abbey of Admont in Styria (Austria). This article briefly explains the significance of Rupert’s work, transmitted in this manuscript, and notes the strange oblivion in to which the manuscript had fallen in recent decades. The article offers the first complete description of the manuscript, an

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5

Hamberger, Eva-Maria. "Magnificat anima mea in exilium." Schweizer Jahrbuch für Musikwissenschaft 39 (December 29, 2022). http://dx.doi.org/10.36950/sjm.39.3.

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In 1798 the monks of the Benedictine convent of Einsiedeln had to flee from the French revolutionary troops invading their village and abbey, losing not only their home, but also their beloved instruments and musical manuscripts. The flight led them to the small monastery of St. Gerold in Austria. Einsiedeln was proud of its musical culture; therefore, the exile represented both a mental and musical caesura. Based on Magnificat compositions written by the monks themselves between 1760 and 1800 it is possible to trace some of the adjustments made in exile. In Einsiedeln composers such as P. Jus

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6

Dariz, Petra, Ulrich G. Wortmann, Jochen Vogl, and Thomas Schmid. "Beautiful Pietàs in South Tyrol (Northern Italy): local or imported works of art?" Heritage Science 10, no. 1 (2022). http://dx.doi.org/10.1186/s40494-022-00678-6.

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AbstractThe study, dedicated to Beautiful Pietàs conserved in South Tyrol (Northern Italy), aims to establish, for the first time, a connection between Austroalpine raw materials and the high-fired gypsum mortars constituting the Gothic figure groups in question. The origin and chronology of this stylistically and qualitatively differing ensemble have been subject of art historical debate for nearly a century. The discourse is dominated by three main hypotheses: itinerary of an Austrian artist versus itinerary of the work of art created in an artist’s workshop in Austria versus itinerary of th

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Books on the topic "Seittenstetten, Austria (Benedictine abbey)"

1

Benedict. The Altenburg Rule of St. Benedict: A 1505 High German version adapted for nuns : standard RSB text edition annotated : Benedictine Abbey of Altenburg, Austria, Ms. AB 15 E 6, fol. 119r-156v. EOS Verlag, 1992.

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2

Zum mittelalterlichen Musikleben im Benediktinerinnenstift Nonnberg zu Salzburg: Dargestellt am Nonnberger Antiphonar Cod. 26 E 1b und am Tagebuch der Praxedis Halleckerin unter besonderer Berücksichtigung der Zeit von Advent bis zur Octav von Epiphanie sowie des Officium von der Heiligen Erentrudis. P. Lang, 1994.

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