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Journal articles on the topic 'Self-commodification'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Isaksen, Katja Jezkova, and Stuart Roper. "The Commodification of Self-Esteem: Branding and British Teenagers." Psychology & Marketing 29, no. 3 (2012): 117–35. http://dx.doi.org/10.1002/mar.20509.

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Page, Damien. "Conspicuous practice: self-surveillance and commodification in English education." International Studies in Sociology of Education 27, no. 4 (2017): 375–90. http://dx.doi.org/10.1080/09620214.2017.1351309.

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Letiche, Hugo. "Doubling: there’s no escape from terror/doubling: there’s an escape from commodification …?" Society and Business Review 11, no. 2 (2016): 174–92. http://dx.doi.org/10.1108/sbr-04-2016-0028.

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Purpose Commodification doubles self and work, life and object, uniqueness and standardization and art and management. For the artist, the unicity, beauty, inspiration and creativity of art is doubled in the sale, marketing, display, distribution and mass production of “art works”. Making art is intimate, personal and individual; selling art requires public display, pleasing the all important customer(s) and dealing with many sorts of in-betweens. What commodification is on the artist/art work level is doubling on the I/me, self/persona, private/public and in-group/out-group level. This paper

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Rodin, Lika. "Technological Determinism Goes Aloft: Notes on the Human – Machine Issue in Outer Space Exploration." Logos et Praxis, no. 4 (March 2020): 16–25. http://dx.doi.org/10.15688/lp.jvolsu.2019.4.2.

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The future of space exploration is unimaginable without broadening the role of technology. Already, the necessity of manned space expeditions is becoming increasingly problematized. This study looks at the role of technology and human – machine relationships unfolding within national space programs through the lens of the 'soft' version of technological determinism suggested by Albert Borgmann. This theoretical tradition recognizes, without neglecting human agency, the shaping effect of technology on human organization, prosperity and actions as well as on individuals' relationships with the s

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Torssonen, Sami. "Sellfare." Humanimalia 7, no. 1 (2015): 23–58. http://dx.doi.org/10.52537/humanimalia.9981.

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The commodification of livestock welfare has risen rapidly on the agendas of several state, private, academic, and third sector actors during the 2000s. This article traces the historical emergence of livestock welfare commodification as governance, or “sellfare.” The article also discusses sellfare’s composition, contradictions, and relationship to previous modes of livestock welfare governance. By reading secondary research alongside recent sellfare documents, the article traces the histories of five aspects of sellfare: the animal connection, liberal fare governance, livestock factories, sc

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Panitch, Vida. "Liberalism, commodification, and justice." Politics, Philosophy & Economics 19, no. 1 (2019): 62–82. http://dx.doi.org/10.1177/1470594x19877653.

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Anti-commodification theorists condemn liberal political philosophers for not being able to justify restricting a market transaction on the basis of what is sold, but only on the basis of how it is sold. The anti-commodification theorist is correct that if this were all the liberal had to say in the face of noxious markets, it would be inadequate: even if everyone has equal bargaining power and no one is misled, there are some goods that should not go to the highest bidder. In this paper, I respond to the anti-commodification critique of liberalism by arguing that the political liberal has the

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Grasseni, Cristina. "Conservation, development and self-commodification: doing ethnography in the Italian Alps." Journal of Modern Italian Studies 12, no. 4 (2007): 440–49. http://dx.doi.org/10.1080/13545710701640798.

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Barbosa, Aline dos Santos, Marcello Romani-Dias, and Tânia Modesto Veludo-de-Oliveira. "The Facets of Women Commodification: Violence in the University Context in Administration." Revista de Administração Contemporânea 24, no. 6 (2020): 582–99. http://dx.doi.org/10.1590/1982-7849rac2020190378.

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ABSTRACT Context: violence against women is present in the most diverse social groups, especially in Latin America, as it is one of the most violent regions against women, with high numbers of rapes, harassments, and murders because of gender. Objective: the objective of this study is to deepen the understanding of the way in which violent situations against women occurs in the Brazilian university context and its different facets of objectification and commodification. Methods: we undertook in-depth interviews with 15 female and 5 male university students from business courses. Results: our f

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Weber, Ian, and Lu Jia. "Internet and self-regulation in China: the cultural logic of controlled commodification." Media, Culture & Society 29, no. 5 (2007): 772–89. http://dx.doi.org/10.1177/0163443707080536.

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Russell, J. G. "Consuming Passions: Spectacle, Self-Transformation, and the Commodification of Blackness in Japan." positions: east asia cultures critique 6, no. 1 (1998): 113–77. http://dx.doi.org/10.1215/10679847-6-1-113.

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Adams, Douglas. "MY TICKET, MY "SELF": LOTTERY TICKET NUMBER SELECTION AND THE COMMODIFICATION AND EXTENSION OF THE SELF." Sociological Spectrum 21, no. 4 (2001): 455–77. http://dx.doi.org/10.1080/02732170152559119.

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Dodd, Savannah Danielle. "Religion for Revolution: Shifting Perceptions of Bodily Ritual in the Lebanese Shi‘a Community." Al-Jami'ah: Journal of Islamic Studies 52, no. 2 (2015): 375. http://dx.doi.org/10.14421/ajis.2014.522.375-389.

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<p>This paper applies Cartesian and Weberian theories of rationalization and Leslie Sharp’s concept of bodily commodification to the transition in the observance of Ashura from practices of bodily mortification to blood donation among the Shi‘a community in Lebanon. The author argues that this shift politicizes salvation and sacralises revolution through a process of rationalization, made possible through the invocation of the Karbala Paradigm, in order to facilitate the commodification of blood for political activism. This shift in ritual practice for the commodification of blood has oc

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Hills, Matt. "Doctor Who’s textual commemorators: Fandom, collective memory and the self-commodification of fanfac." Journal of Fandom Studies 2, no. 1 (2014): 31–51. http://dx.doi.org/10.1386/jfs.2.1.31_1.

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Bradshaw, Melissa. "Outselling the Modernisms of Men: Amy Lowell and the Art of Self-Commodification." Victorian Poetry 38, no. 1 (2000): 141–69. http://dx.doi.org/10.1353/vp.2000.0002.

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Ruiters, Greg. "Contradictions in municipal services in contemporary South Africa: Disciplinary commodification and self-disconnections." Critical Social Policy 27, no. 4 (2007): 487–508. http://dx.doi.org/10.1177/0261018307081809.

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Macht, Alexandra. "Resisting the commodification of intimate life? Paternal love, emotional bordering and narratives of ambivalent family consumerism from Scottish and Romanian fathers." Families, Relationships and Societies 9, no. 2 (2020): 303–19. http://dx.doi.org/10.1332/204674318x15384702551202.

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Romantic love has been conceptualised as an emotional resource that promotes consumerism, by deeply affecting the creation of the modern self (Illouz, 2012). Simultaneously, both research and media discourses present the modern ‘good’ father’s role as one of enhanced intimacy (Dermott, 2008), and one in which fathers’ experiences of paternal love are routinely overlooked. I argue that paternal love as a different form of love than romantic love can resist commodification to a certain extent. Based on data from 47 qualitative interviews with Scottish and Romanian fathers, I argue that involved

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Cirklová, Jitka. "Reaffirming Identity Through Images. The commodification of Illusions in the Contemporary Presentation of Self." methaodos revista de ciencias sociales 8, no. 1 (2020): 103–10. http://dx.doi.org/10.17502/m.rcs.v8i1.351.

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In this paper, the construction of an ideal image of the self will be discussed within the theoretical framework of “Representation”. Drawing more on Hall’s concept of representation I would like to concentrate on the practices of “stereotyping”, drawing out the links between representation and stereotype that are closely connected with the production of mass culture, consumerism, institutions, and social media. Photos from galleries and museums and heritage locations taken and shared on social media can be understood as a commodified presentation of the tourist experience of an attractive loc

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Másdóttir, Vigdís Þóra. "Fashion and Neoliberalism: How Self-commodification Becomes Integral to the Entrepreneurial Ethical Fashion Designer." Journal of Extreme Anthropology 1, no. 2 (2017): 54–58. http://dx.doi.org/10.5617/jea.4899.

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A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay discusses the challenges faced by fashion designers within the contemporary neoliberal fashion and art market, in particular the neccessity to self-commodify and brand oneself if one wishes to succeed. The article builds also on interviews with the New York based fashion designer Arna Lísa.

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F. Rodrigues, Carla, Noémia Lopes, and Anita Hardon. "Beyond health: medicines, food supplements, energetics and the commodification of self‐performance in Maputo." Sociology of Health & Illness 41, no. 6 (2019): 1005–22. http://dx.doi.org/10.1111/1467-9566.12880.

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Greeley, Robin Adèle. "The Logic of Disorder: The Sculptural Materialism of Abraham Cruzvillegas." October 151 (January 2015): 78–107. http://dx.doi.org/10.1162/octo_a_00209.

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Two models of object experience dominate definitions of sculpture today. One argues that commodification is a universally uniform experience of relentless violence that frames all materialities everywhere within the demands of the globalized market. The second argues that the "unruliness of things" can still disrupt the "rule of the commodity." The autoconstrucción sculptural practice of Abraham Cruzvillegas, argues Greeley, marks a third position. Derived from the "self-building" architecture of the squatter settlement on the edge of Mexico City where he grew up, Cruzvillegas’s work is locate

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Balaji, Murali. "Owning Black Masculinity: The Intersection of Cultural Commodification and Self-Construction in Rap Music Videos." Communication, Culture & Critique 2, no. 1 (2009): 21–38. http://dx.doi.org/10.1111/j.1753-9137.2008.01027.x.

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Madureira, Miriam. "Me, Myself and I: Self-fetishisation in the Age of the Selfie." Open Cultural Studies 2, no. 1 (2018): 363–73. http://dx.doi.org/10.1515/culture-2018-0033.

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Abstract In this article, I deal with some new aspects of the late-modern constitution of subjectivity, related to the use of new communication technologies. By developing some intuitions associated with an interpretation of contemporary social life based mostly on Marx’s conception of fetishism, I hope to offer a provisional account of a few consequences of such developments for the conception of the self. I differentiate among several dimensions of a process through which the self-objectification enhanced by those developments leads to self-fetishisation and self-commodification, as well as

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Chuk, Natasha. "Media Shy: The Perils of Bashfulness in the Digital Age, an Era of Speed, Satisfaction, and Spectacle." Interações: Sociedade e as novas modernidades, no. 34 (October 2, 2018): 92–112. http://dx.doi.org/10.31211/interacoes.n34.2018.a5.

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Speed and satisfaction are central to today’s digital communication tools and online social environments. This article examines how new forms and habits of social communication in digital environments have over time compromised socially timid users as a result of algorithmic design and the commodification of users. An examination of the history of online social environments and their outgrowth, the consideration of social and cultural factors, and self-presentation theory, will be used to frame these arguments.

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Graham, Philip, and Greg Hearn. "The Coming of Post-Reflexive Society: Commodification and Language in Digital Capitalism." Media International Australia 98, no. 1 (2001): 79–90. http://dx.doi.org/10.1177/1329878x0109800110.

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Language is a unique aspect of human communication because it can be used to discuss itself in its own terms. For this reason, human societies potentially have superior capacities of coordination, reflexive self-correction and innovation than other animal, physical or cybernetic systems. However, this analysis also reveals that language is interconnected with the economically and technologically mediated social sphere. Hence it is vulnerable to abstraction, objectification, reification and therefore ideology — all of which are antithetical to its reflexive function (whilst paradoxically being

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Vos, Jelmer. "Work in Times of Slavery, Colonialism, and Civil War: Labor Relations in Angola from 1800 to 2000." History in Africa 41 (April 28, 2014): 363–85. http://dx.doi.org/10.1017/hia.2014.8.

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AbstractIn Angola, a trend towards labor commodification, set in motion under the impact of the nineteenth-century produce trade and colonial rule, has been reversed in the decades since independence. Angolans have always worked mainly in the reciprocal sphere, but with the growing commercialization of the economy after the abolition of the slave trade, self-employment has also become a constant in Angolan labor history. By 2000, the rural population was thrown back to subsistence farming, while the larger part of the urban population has tried to survive by self-employment in the informal eco

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Pagis, Michal, and Galit Ailon. "The Paradoxes of Self-Branding." Work and Occupations 44, no. 3 (2017): 243–67. http://dx.doi.org/10.1177/0730888417709327.

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Research has demonstrated the growing preoccupation with self-branding among professionals struggling with the precarious labor market. Much of this work has considered self-branding a commodification process turned inward, blurring the distinction between self and market. Yet, little attention has been paid to self-branding implementation. Conceptualizing self-branding as a rhetorical genre, the authors analyze the webpages of 100 self-declared consultants and identify three emphases: the construction of uniqueness, friendliness, and realness. The authors illustrate that in each of these emph

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Blakely, Megan Rae. "Pattern Recognition: Governmental Regulation of Tartan and Commodification of Culture." International Journal of Cultural Property 22, no. 4 (2015): 487–504. http://dx.doi.org/10.1017/s0940739115000284.

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Abstract:It is notoriously difficult to design and attach suitable legal rights to intangible cultural heritage (ICH), due to its nature as an evolving, living heritage. This article investigates the effects of government intervention relating to Scottish tartan in order to trace the relationship between formal proprietary rights, commodification, and cultural branding. The article proceeds in three steps: from (1) the historical context of the Jacobite rebellion and the subsequent Victorian assignment of the tartan to clans; to (2) the formation and function of the subsequent self-regulating

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Ekdale, Brian. "Reppin’ the nation, reppin’ themselves: Nation branding and personal branding in Kenya’s music video industry." Journal of African Media Studies 12, no. 1 (2020): 75–88. http://dx.doi.org/10.1386/jams_00012_1.

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This article explores the entanglement of nation branding and personal branding in the Kenyan music video industry. Although self-commodification and labouring on behalf of the nation are both indicative of neo-liberal governmentality, Kenyan music video directors build personal brands to wrestle creative control from their clients during the production process and they invoke their experiences representing Kenya abroad to elevate their professional status at home. Thus, branding in the Kenyan music video industry illustrates the complexities and contradictions of neo-liberal governmentality i

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Sayre, Gordon M. "Self-Portraiture and Commodification in the Work of Huron/Wendat Artist Zacharie Vincent, aka “Le Dernier Huron”." American Indian Culture and Research Journal 39, no. 2 (2015): 1–27. http://dx.doi.org/10.17953/aicrj.39.2.sayre.

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Cremin, C. S. "Self-Starters, Can-Doers and Mobile Phoneys: Situations Vacant Columns and the Personality Culture in Employment." Sociological Review 51, no. 1 (2003): 109–28. http://dx.doi.org/10.1111/1467-954x.00410.

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This paper speculates on the significance of an apparent increase in the use of personality language in job advertisements in situations vacant columns. The findings of my study appear to reflect broader social developments and the concerns of sociologists in the field. The impact of a self-description lexicography upon the individual is evaluated in terms of reflexivity and commodification. My contention is that corporations have appropriated a language of personality, and have contributed in transforming personality traits into virtual commodities whose value is determined according to which

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Andrietta, Lucas Salvador, Patrícia Rocha Lemos, and Eduardo Fagnani. "Pensions and Commodification under the PT Governments (2003–2015)." Latin American Perspectives 47, no. 2 (2019): 117–30. http://dx.doi.org/10.1177/0094582x19880907.

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An analysis of the development of the Brazilian pension system’s issues under the Partido dos Trabalhadores (Workers’ Party—PT) governments focused on four main themes: austerity policy, payroll tax exemptions for employers, expansion of supplementary pensions, and union strategies associated with pension funds. The way the PT governments acted in these areas, despite expressing a different arrangement of interests from those of previous administrations that were self-declared neoliberal, did not change the general course of the commodification of social policy. Uma análise da evolução da ques

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Werbin, Kenneth C. "Auto-biography: On the Immanent Commodification of Personal Information." International Review of Information Ethics 17 (July 1, 2012): 46–53. http://dx.doi.org/10.29173/irie215.

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In the last years, a series of automated self-representational social media sites have emerged that shed light on the information ethics associated with participation in Web 2.0. Sites like Zoominfo.com, Pipl.com, 123People.com and Yasni.com not only continually mine and aggregate personal information and biographic data from the (deep) web and beyond to automatically represent the lives of people, but they also engage algorithmic networking logics to represent connections between them; capturing not only who people are, but whom they are connected to. Indeed, these processes of ‘auto-biograph

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Horlacher, Stefan. "“The sad, proud old man stared eternally out of his canvas...”: Media Criticism, Scopic Regimes and the Function of Rembrandt’s “Self-Portrait with Two Circles” in John Fowles’s Novel Daniel Martin." Anglia 136, no. 4 (2018): 705–32. http://dx.doi.org/10.1515/ang-2018-0069.

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Abstract On the surface level, Fowles’s novel sets the trust in the timelessness of art and the possibility of a recourse to some kind of ‘true self’ against American hyperreality. Though the novel’s verdict on the American scopic regime of simulacra is devastating, England’s morbid theatricality does not represent an alternative. However, a novel which criticizes visuality only to accord Rembrandt’s “Self-Portrait” a place of utmost importance necessarily runs into problems of self-contradiction: Rembrandt’s self-portrait refuses any one-dimensional functionalization and contains self-reflexi

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Bandinelli, Carolina. "The production of subjectivity in neoliberal culture industries: the case of coworking spaces." International Journal of Cultural Studies 23, no. 1 (2019): 3–19. http://dx.doi.org/10.1177/1367877919878449.

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This article adds to contemporary studies of neoliberalism by offering an empirical investigation of the production of subjectivity in the context of coworking spaces’ sociality. Coworking spaces are exemplary milieux in which to explore the organisation and significance of work. Drawing on the life history of a creative worker and member of a leading coworking space, I unveil the ethical labour that is required to access coworking’s sociality. Using a Foucauldian framework, I conceptualise this process as a process of subjectivation and concentrate on its ambivalent character, signalling the

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Versieren, Jelle. "The Methodological Rationale of Thomas Sekine." Social Theory and Practice 44, no. 2 (2018): 217–45. http://dx.doi.org/10.5840/soctheorpract201851836.

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The unique conceptual status of Thomas Sekine’s approach to Marx’s Capital and capitalism, heavily indebted to Kōzō Uno’s work, will be analyzed by setting against its own theoretical counterparts, orthodox dialectical materialism. It will also be shown that Sekine’s critique of dialectical materialism differs from other neo-Hegelian perspectives or Althusser’s anti-Hegelian structuralism. These comparisons unearth Sekine’s concealed epistemological preoccupations: totality, subsumption of labor, self-commodification, historical indeterminacy and the logico-historical error. Last, Sekine also

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Smietana, Marcin. "Affective De-Commodifying, Economic De-Kinning: Surrogates’ and Gay Fathers’ Narratives in U.S. Surrogacy." Sociological Research Online 22, no. 2 (2017): 163–75. http://dx.doi.org/10.5153/sro.4312.

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In this paper I discuss affective and economic exchanges in commercial surrogacy in the US. I draw on a qualitative study I carried out in the US between 2014 and 2016, consisting of interviews and participant observation with 37 gay fathers in 20 families, 20 surrogates and 15 professionals. My findings suggest that emotions and affects, present in the dominant narrative of gift-giving and relatedness between surrogates and gay fathers, facilitate commodification. At the same time, I argue that emotions and affects render the effects of commodification more bearable for surrogates and intende

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Raun, Tobias. "Capitalizing intimacy." Convergence: The International Journal of Research into New Media Technologies 24, no. 1 (2018): 99–113. http://dx.doi.org/10.1177/1354856517736983.

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This article is a redevelopment of my previous studies, characterizing the media genre of – and community building through – transgender video blogging. Focusing on one of the most famous video bloggers at the moment, the Canadian Julie Van Vu, I investigate new forms of transgender vlogging that embrace money making/self-commodification in a degree not seen before. Here, activism/advocacy co-exists with and goes through an explicit self-commodification. Drawing on existing research, I explore the mechanisms and characteristics of Vu as a micro-celebrity within YouTube as a platform. I suggest

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Beck, Kumari, Avraham Cohen, and Thomas Falkenberg. "Bridging the Divide between Being and Knowing: In Quest of Care-Ethical Agency." Paideusis 16, no. 2 (2020): 45–53. http://dx.doi.org/10.7202/1072579ar.

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Taking up the theme of this year’s Congress – Bridging communities: Making public knowledge, making knowledge public – our panel’s three essays each examines from three different locations how knowledge and knowledge-making function in the contemporary market/knowledge economy: international education, autobiographical inquiry, and teacher education. The educational vision and commitment that these three distinct pieces share is ethics of care. Problematizing commodification of knowledge and its notion of having knowledge, we make the case for the centrality of being in human and societal livi

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Szachowicz-Sempruch, Justyna. "Towards Feminist Ethics of Love and the New Emotional Culture of Late Capitalism." Etyka 52 (December 1, 2016): 97–113. http://dx.doi.org/10.14394/etyka.490.

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My paper explores contemporary socio-political aspects of love-as-power within the newly emerging context of feminist ethics of love, as well as in a broader sense of neoliberal commodification of self-centrism and philosophical urgency for articulating love as togetherness, responsibility and solidarity with others. My theoretical analysis begins with the tensions between the early 20th century collective consciousness represented by the feminist socialist formulations of love as responsibility for the outside world and the existentialist anxiety as related to individual alienation. My analys

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Hannud Abdo, Alexandre. "Missed marks: This is no longer the 20th century." Social Science Information 60, no. 3 (2021): 318–23. http://dx.doi.org/10.1177/05390184211018536.

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Following an invitation by the editors of Social Science Information to react to an article by Olof Hallonsten, this article joins a debate about ways of evaluating science in our current context. This article presents an argument in support of the following four assertions and their importance to properly approach today the transformations of science evaluation and governance in the last decades: (a) scientific communities have failed to update their self-governance as societies transitioned from ‘rural-labor societies’ to ‘urban-knowledge societies’; (b) the ensuing discrepancy from expectat

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Blanco Hidalga, Jesús. "The Produced Self: Conflicts of Depersonalization in Edith Wharton’s The House of Mirth." Complutense Journal of English Studies 27 (October 4, 2019): 259–74. http://dx.doi.org/10.5209/cjes.63154.

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American critic Fredric Jameson has referred to the modern centred subject as a consequence of the historical development of capitalism: both a product of and compensation for the processes of reification and fragmentation brought about by our mode of production. For the critic, realism and modernism played a fundamental part in the consolidation of modern individuality through the use of textual strategies such as point of view and free indirect discourse, which conjure up the literary illusion of a unified self. These are procedures deftly used by Edith Wharton to build our novel’s central c

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Prendergast, Louise. "A self- governing reserve army of labour? The commodification of the young unemployed through welfare policy, practice and discourse." People, Place and Policy Online 14, no. 3 (2020): 262–81. http://dx.doi.org/10.3351/ppp.2020.4244896377.

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Purnama, Rizal Faturohman. "THE AESTHETIC RECEPTION OF THE QURAN IN INSTAGRAM: Variations, Factors, and Religious Commodification." ULUL ALBAB Jurnal Studi Islam 21, no. 2 (2020): 237–68. http://dx.doi.org/10.18860/ua.v21i2.9528.

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This research discusses the aesthetic reception of the Quran in Instagram including various forms, appearance factors and commodification. This research is included in the qualitative study using Ahmad Rafiq’s reception theory. Using descriptive-analytical method, the study found variations of the Quran’s aesthetic reception in Instagram which are in the form of verse continuation and the Quran recitation. The background factors of the Quran’s aesthetic reception in Instagram include normative factors the Quran’s verses showing kindness to those who teach and practice it; historical factor i.e

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Isdarmanto, Isdarmanto, Agung Riantiarno, and Maftucha Maftucha. "RENEWABLE EFFECTS OF THE CULTURE SELFIE MODEL IN THE PERSPECTIVE OF GLOBAL TOURISM DEVELOPMENT." Kepariwisataan: Jurnal Ilmiah 13, no. 02 (2019): 59–76. http://dx.doi.org/10.47256/kepariwisataan.v13i02.49.

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Selfie photo activity has a close effect on the development of one's life in creating selfconfidence and acculturation from the development of self-actualization which is the highest level of Abraham Maslow's Need theory. Selfie and social media in arts as form of existence are the right word to response upon the development of society. There is an issue would be discuss in this article; discuss about elements of arts existence, commodification of arts, and patterns of consumption. By using qualitative research methods to obtain effective research results in accordance with case studies of the

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Spring, Charlotte A., and Robin Biddulph. "Capturing Waste or Capturing Innovation? Comparing Self-Organising Potentials of Surplus Food Redistribution Initiatives to Prevent Food Waste." Sustainability 12, no. 10 (2020): 4252. http://dx.doi.org/10.3390/su12104252.

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The context for this article is the rapid international growth of (surplus) food redistribution initiatives. These are frequently reliant on networks of volunteer labour, often coordinated by digital means. Movements with these characteristics are increasingly viewed by researchers, policymakers and practitioners as cases of self-organisation. The article explores the nature and extent of self-organisation in food redistribution initiatives. Two contrasting UK initiatives were studied using ethnographic methods during a period of rapid expansion. The concept of self-organisation was operationa

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Veen, Esther J. "Fostering Community Values through Meal Sharing with Strangers." Sustainability 11, no. 7 (2019): 2121. http://dx.doi.org/10.3390/su11072121.

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This paper studies a Dutch meal sharing platform in order to understand what it means to engage in face-to-face sharing with strangers and what the performance of such transactions entails. I hypothesize that this meal sharing platform is a form of community self-organization, aiming to replace the anonymity of the food system by the creation of community relations through sharing. I used semistructured interviews, participant observations, and autoethnography to investigate the social aspects involved in this type of sharing. Focusing on rules of engagement, trust, exchange, and commodificati

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Hase, Stewart. "Inconvenient Truths About Learner Agency." Pacific Journal of Technology Enhanced Learning 2, no. 1 (2020): 44. http://dx.doi.org/10.24135/pjtel.v2i1.66.

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Formal education, in all its guises, faces some significant challenges to remain relevant in a rapidly changing world where personal access to information and the capacity to learn has never been easier. Education is a an inherently conservative undertaking, slow to give up traditional and outmoded curricula, methods and policies, based on folklore for evidence-based practice and new realities. For some areas of educational endeavour, notably higher education, the commodification of what is called learning has diminished the role of pedagogy for pragmatism.  This presentation explo

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Cwynar-Horta, Jessica. "The Commodification of the Body Positive Movement on Instagram." Stream: Interdisciplinary Journal of Communication 8, no. 2 (2016): 36–56. http://dx.doi.org/10.21810/strm.v8i2.203.

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Since 2012 there has been a heightened presence of the body positive movement on Instagram. Women who occupy non-normative bodies use the platform to post selfies to challenge dominant ideals of feminine beauty, including the demands to produce smooth skin, adhere to body size norms, and avoid bodily fluids. This has been accompanied by a barrage of media outlets advising their readers on the top body positive accounts they need in their life to boost their body confidence, and how to be body positive on Instagram for more self-love (Irish Examiner, 2016; Burke 2015; Vino, 2015; O'Reilly, 2016

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Rao, Radhika. "Informed Consent, Body Property, and Self-Sovereignty." Journal of Law, Medicine & Ethics 44, no. 3 (2016): 437–44. http://dx.doi.org/10.1177/1073110516667940.

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Recent cases involving biosamples taken from indigenous tribes and newborn babies reveal the emptiness of informed consent. This venerable doctrine often functions as a charade, a collective fiction which thinly masks the uncomfortable fact that the subjects of human research are not actually afforded full information regarding the types of research that may be contemplated, nor do they provide meaningful consent. But if informed consent fails to provide adequate protection to the donors of biological materials, why not turn to principles of property law? Property is power, yet current law per

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Simplício, Alexandre Henrique de Melo. "Social media and Dentistry: ethical and legal aspects." Dental Press Journal of Orthodontics 24, no. 6 (2019): 80–89. http://dx.doi.org/10.1590/2177-6709.24.6.080-089.sar.

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ABSTRACT Introduction: In a saturated market with an over-supply of undergraduate and graduate programs, social media have become attractive means of advertising in Dentistry. However, posts frequently contain ethical violations and lead to service commodification, and their contents are often in disagreement with the Code of Consumer Protection. Objective: This article, which focuses on ethical and legal developments, contributes to the discussion and elucidation of questions associated with advertising that uses clinical images and photographs of patients in social media for commercial purpo

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