Academic literature on the topic 'Self-fashioning'

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Journal articles on the topic "Self-fashioning"

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Huang, Ting, and Shadeed Khan. "“Self-Fashioning”." Journal of International Students 14, no. 3 (2024): 192–211. http://dx.doi.org/10.32674/jis.v14i3.6036.

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Research on international students' integration into Western campuses tends to find that female international students may experience more difficulty in adjusting to new cultures than their male counterparts (Contreras-Aguirre & Gonzalez, 2017; Manese et al., 1988; Mallinckrodt & Leong, 1992). Few researchers have delved into what female Chinese international students have to offer. Using a phenomenological study frame and a critical and interpretative lens to conduct detailed interviews, this study explored how a group of Chinese female international students self-fashioned during the
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Hammond, Brean S. "Scriblerian Self-Fashioning." Yearbook of English Studies 18 (1988): 108. http://dx.doi.org/10.2307/3508192.

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Mirabella, M. Bella. "Feminist Self-Fashioning." European Journal of Women's Studies 6, no. 1 (1999): 9–20. http://dx.doi.org/10.1177/135050689900600102.

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Hussain, Sajid, Muhammad Ali, and Muhammad Ahmad Javed. "Reconstructing Identity: Self-fashioning in City of Spies by Sorayya Khan." Global Language Review VII, no. II (2022): 136–47. http://dx.doi.org/10.31703/glr.2022(vii-ii).12.

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Current Study analyzes the reconstruction strategies of identity adopted by the protagonist in City of spies by keeping the idea of self-fashioning by Greenblatt. The qualitative methodology has been used for analysis in the present research. The primary source of data is Sorayya Khan's novel City of Spies. Data analysis includes the self-fashioning of the protagonist according to the dominant culture of her surroundings.The researcher has analyzed the data related to self-fashioning and factors that promote the protagonist's self-fashioning and identity crisis, drawing upon Greenblatt's theor
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Čukljević, Filip. "Aestheticism and the Others: The Social Dimension of Nietzsche's Views on Self-Fashioning." Analiza i Egzystencja 65 (2024): 73–90. http://dx.doi.org/10.18276/aie.2024.65-05.

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In this article, I shall explore the social dimension of Friedrich Nietzsche's views on self-fashioning, focusing on the interpretation offered by Alexander Nehamas. First, I shall briefly present Nehamas's understanding of Nietzsche's views on self-fashioning and the overall significance of their social aspects. Then I shall investigate the necessity of the audience to assess one's attempt at self-fashioning. Furthermore, I shall explore how one's pursuit of self-fashioning is influenced by and influences other similar efforts. Finally, the article will reveal the role of contest in the pheno
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Rothblatt, Sheldon. "The Self-Fashioning of Disraeli." European Legacy 6, no. 1 (2001): 69–71. http://dx.doi.org/10.1080/10848770123553.

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McLeish, Tom. "Fashioning Flow by Self-Assembly." Science 278, no. 5343 (1997): 1577–78. http://dx.doi.org/10.1126/science.278.5343.1577.

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Burkart, Patrick. "Musical discovery as self-fashioning." Popular Communication 14, no. 3 (2016): 191. http://dx.doi.org/10.1080/15405702.2016.1196362.

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Zarei, Ebrahim, and Hossein Pirnajmuddin. "Self-Fashioning in Pope’s Epistle to Dr. Arbuthnot: A Bourdieusian Reading." International Letters of Social and Humanistic Sciences 40 (September 2014): 64–77. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.64.

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The aim of the present article is to investigate Alexander Pope‘s self-fashioning in the light of Pierre Bourdieu‘s socio-cultural notion of capitals, specifically the symbolic form. Pope endeavors a lot to gain such a prominent status as the most representative poet of his age. He garners all his artistry, eloquence, savoir-faire, family and social milieu to move towards the center of the canon throughout his life. This upward movement comprises a self-fashioning by Pope which sometimes is the means to facilitate his canonization and sometimes it turns into a goal and an end in itself for him
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Čukljević, Filip. "A Supplement to Nehamas’s Reading of Nietzsche: The Evolution of Nietzsche’s Views on Self-Fashioning." Revista de Filosofía (Madrid) Avance en línea (June 23, 2025): 1–12. https://doi.org/10.5209/resf.96169.

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The aim of this paper is to supplement Alexander Nehamas's aestheticist interpretation of Friedrich Nietzsche's views on self-fashioning by exploring the evolution of these views from Nietzsche's early thoughts about the significance of art to life, and by exploring some continuities and differences between this early Nietzsche's thoughts and Nehamas's understanding of mature Nietzsche. First, I will argue that the idea of self-fashioning consists of active and passive aspects united in a particular way. Nietzsche entertained both of these aspects in his earlier writings but did not arrive at
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Dissertations / Theses on the topic "Self-fashioning"

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Chassin, de Kergommeaux C. Danielle. "Autofictional practices : self-fashioning in Diana Thorneycroft's self-portraits." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82695.

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This thesis explores autobiographical practices and their relationship to autofiction, by focusing on practices of identity construction and artistic performance, as well as identity construction through performance. Emphasis is given to the ways gender and sexuality enter into, and shape, these practices by examining, in particular, the way they are expressed in Diana Thorneycroft's photographic performances. Chapter 1 discusses the history and key debates in autobiography theory, the ways gender has been introduced into the analysis of autobiography, and non-literary forms of autobiog
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Pei, Yun. "The prophetic Wordsworth : anxiety and self-fashioning." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/58875/.

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The thesis investigates the prophetic in Wordsworth's ‘golden decade' (1798-1808). It establishes the following arguments: the prophetic in Wordsworth should not be treated of only incidental interest; it is a mode of his self-fashioning, as well as a mode of his writing, channelling the poet's anxieties about his authorship, readership, reception and posterity. The thesis contains an introduction and a short conclusion, with two main sections amounting to 7 chapters. Chapter 1 to 3 form Part I, focusing on the prophetic as a mode of self-fashioning. Chapter 1 re-examines The Prelude, arguing
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Maye, Kira. "Artificiality in Mannerism: the Influence of Self-fashioning." Thesis, Boston College, 2007. http://hdl.handle.net/2345/495.

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Thesis advisor: Stephanie Leone<br>Despite a surge of scholarly and public interest in the mid-twentieth century, Mannerism remains an ill-defined and problematic period label. The first goal of my thesis is to define the style in its chronology and stylistic attributes. Noting its artificiality and the influence of self-fashioning, I identify its clearest definition in Giorgio Vasari's writing and art. Second, I discuss the use of the sophisticated style by the artist and his patron, Cardinal Alessandro Farnese, as a means of social advancement and legitimization. Finally, I analyze the icono
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Kirksey, Cort H. "Shavian Self-Fashioning: Authorized Biography and Shaw's Superman." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2184.

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George Bernard Shaw exercised an above-average level of authorial control, which even extended to his relationship with his biographers. Shaw crafts a persona, with the help of his "authorized" biographer Archibald Henderson, which displays a process of evolutionary development and progress along the lines of the Shavian philosophy of the Life Force and the Superman. In essence, Shaw is casting himself as a prototype for the Superman through the autobiographical manipulation of his biographers and aesthetic modes of self-fashioning.
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Barnes, Emma. "Fashioning a natural self-guides to self-presentation in Victorian England." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/271912.

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McHattie, Lynn-Sayers. "The situal self : fashioning identity discourses and loved objects." Thesis, Glasgow School of Art, 2012. http://radar.gsa.ac.uk/3998/.

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That we are what we have... is perhaps the most basic and powerful fact of consumer behaviour’ (Belk 1988 p. 139). Women’s individual identity discourses are encoded socially and culturally through relationships with material objects and practices of dress. Relationships with loved objects yield an emotional and intellectual approach that literally unpicks fashion, exposing its operations, its relations to the body whilst at the same time binding feminine structures. This more expansive view of fashion situates the relationship material objects have to the self and how women relate to the mate
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Redden, Guy Francis. "The new agents : new age ideology and the fashioning of self /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17148.pdf.

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McEwan, Alice. "Bernard Shaw at Shaw's Corner : artefacts, socialism, connoisseurship, and self-fashioning." Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/20780.

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This thesis analyses artefacts belonging to the playwright, socialist and critic Bernard Shaw, which form part of the collections at Shaw’s Corner, Hertfordshire, now managed as a National Trust property. My original contribution to knowledge is made by revealing Shaw through the artefacts in new or under-explored roles as socialist-aesthete, art patron, connoisseur, photographer, celebrity, dandy, and self-commemorator. The thesis therefore challenges the stereotypical views expressed in the literature which have tended to focus on Shaw at Shaw’s Corner as a Fabian with ascetic characteristic
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Davison, Jez. "Self-fashioning in the poetry of Robert Lowell and John Ashbery." Thesis, University of Sunderland, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323470.

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My thesis focuses on the work of two American poets, John Ashbery and Robert Lowell. I argue that both construct a personality in their work. Lowell's construct is more obviously related to his own personality than Ashbery's is; this is perhaps unsurprising, since writing his autobiography became Lowell's primary poetic practice from Life Studies onwards. Yet despite Ashbery's well-known claim that writing about the particularities of his life does not interest him or other readers, I demonstrate that the personality in his poetry adopts attitudes which are similar to his own. I explore Lowell
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Elder, Lara Frances. "Heinrich Heine in Paris : the poetics and politics of self-fashioning." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:a41acb1e-84bd-4687-abc8-331bdacd30e5.

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Drawing on the concept developed in Stephen Greenblatt’s Renaissance Self-fashioning: From More to Shakespeare, this thesis presents Heinrich Heine as an extreme case of the ‘self-fashioning’ writer. I argue that his preoccupation with self-construction determines what and how he writes, how he treats his reading public and, crucially, how he perceives and evaluates his own career. Though self-fashioning occurs in his earliest works, Heine’s decision to move to Paris (1831) was the single biggest self-determining act of his life; he constructs it as a moment of rebirth. Inspired by the July Re
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Books on the topic "Self-fashioning"

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Rudolf, Suntrup, and Veenstra Jan R. 1939-, eds. Self-fashioning. Peter Lang, 2003.

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Clifford, James. On ethnographic self-fashioning: Conrad and Malinowski. Harvard University Press, 1988.

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Greenblatt, Stephen. Renaissance self-fashioning: From More to Shakespeare. University of Chicago Press, 2005.

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Charles, Richmond, and Smith Paul 1937-, eds. The self-fashioning of Disraeli: 1818-1851. Cambridge University Press, 1998.

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Takeoka, Yukiko. Othello's power of imagination: From self-fashioning to self-destruction. University of Birmingham, 1995.

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Fuchs, Michel. Edmund Burke, Ireland, and the fashioning of self. Voltaire Foundation, 1996.

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Jürgen, Pieters, ed. Critical self-fashioning: Stephen Greenblatt and the new historicism. Peter Lang, 1999.

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Erich, Salomon, ed. Erich Salomon: Meister der Selbstinszenierung = Master of Self-Fashioning. Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architecktur, 2016.

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Withey, Alun. Technology, Self-Fashioning and Politeness in Eighteenth-Century Britain: Refined Bodies. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467485.

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C, McClendon Muriel, Ward Joseph P. 1965-, and MacDonald Michael 1945-, eds. Protestant identities: Religion, society, and self-fashioning in post-Reformation England. Stanford University Press, 1999.

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Book chapters on the topic "Self-fashioning"

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Bleakley, Alan. "Renaissance self-fashioning." In Self-Literacy. Routledge, 2025. https://doi.org/10.4324/9781003619901-8.

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Smith, Paul Julian. "Almodóvar's Self-Fashioning." In A Companion to Pedro Almodóvar. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118325360.ch1.

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Raymond, Claire. "Celebrity Self-Fashioning." In The Selfie, Temporality, and Contemporary Photography. Routledge, 2021. http://dx.doi.org/10.4324/9780429319044-7.

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Kurfürst, Sandra. "Self-Entrepreneurism and Self-Fashioning." In Dancing Youth. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456347-009.

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Petchauer, Emery, and Antonio Garrison. "Fashioning Self, Battling Society." In See You at the Crossroads: Hip Hop Scholarship at the Intersections. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-674-5_6.

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Berger, Doris. "Julian Schnabels Self-Fashioning." In Die Wiederkehr des Künstlers. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214036.73.

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Docker, John. "A Space for Self-Fashioning." In Bread and Roses. SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-127-4_7.

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Neubauer, John. "Petofi: Self-Fashioning, Consecration, Dismantling." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxv.05neu.

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Northrop, Chloe. "Self-Fashioning and Material Goods." In Fashioning Society in Eighteenth-Century British Jamaica. Routledge, 2024. http://dx.doi.org/10.4324/9781003217978-7.

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Panaghis, Afroditi-Maria. "Robert Southwell’s articulation of self-fashioning." In Precarious Identities. Routledge, 2019. http://dx.doi.org/10.4324/9781315521138-11.

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Conference papers on the topic "Self-fashioning"

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Amrillah, Tahta, and Jen-Yih Juang. "Fashioning the architectures of the self-assembled multiferroic nanocomposite thin film." In THE 2ND INTERNATIONAL CONFERENCE ON PHYSICAL INSTRUMENTATION AND ADVANCED MATERIALS 2019. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0034134.

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Blanco Cardozo, Rebeca, Rachael Garrett, Mafalda Samuelsson-Gamboa, et al. "Identifying Critical Points of Departure for the Design of Self-Fashioning Technologies." In CHI 2025: CHI Conference on Human Factors in Computing Systems. ACM, 2025. https://doi.org/10.1145/3706598.3714175.

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Blaga, Mirela, and Dorin Dan. "VIRTUAL FULLY-FASHION KNITTING." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-230.

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Knitted fabrics, by their unique architecture, formed by intermeshing loops, offer enormous potential for a diverse range of end users, from fashion industry to medicine, protection, geotextiles, automotive, sports and industrial sectors. By applying the knitting principles, various knitted shapes can be manufactured, according to the specific end user requirements. Thus, the panels can be produced under various forms, from straight, fully fashioned, 3D shaped to the complete ‘knit and wear’ product. Flat electronic knitting machines are fully fashioned machines that produce custom pre-shaped
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Tanjung, Heri, Ratna Dewanda, Irzal Irzal, et al. "Fashioning the Increase of Oil and Gas Production through Advanced Cased Hole Formation Evaluation." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205679-ms.

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Abstract Freshwater environment and high clay content are quite common in Indonesia. This introduces certain challenge in performing hydrocarbon identification and evaluation especially in already cased wells. In old producer wells, possible conditions such as fluid channeling behind casing and trapped hydrocarbon in annulus add more complexity in performing behind casing analysis to understand current reservoir condition. In order to increase the success in finding remaining hydrocarbon potential, PERTAMINA has deployed pulsed neutron logs (PNL) to accurately pinpoint the targeted interval fo
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