Relevant bibliographies by topics / Self-fashioning

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Self-fashioning'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 March 2025

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Journal articles on the topic "Self-fashioning"

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Huang, Ting, and Shadeed Khan. "“Self-Fashioning”." Journal of International Students 14, no. 3 (April 21, 2024): 192–211. http://dx.doi.org/10.32674/jis.v14i3.6036.

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Research on international students' integration into Western campuses tends to find that female international students may experience more difficulty in adjusting to new cultures than their male counterparts (Contreras-Aguirre & Gonzalez, 2017; Manese et al., 1988; Mallinckrodt & Leong, 1992). Few researchers have delved into what female Chinese international students have to offer. Using a phenomenological study frame and a critical and interpretative lens to conduct detailed interviews, this study explored how a group of Chinese female international students self-fashioned during these experiences navigating the U.S. study. Three major themes emerged in our female Chinese international students’ stories: their “self-fashioning” helps them (1) sophistically navigate the U.S. system better, (2) tactically fit into the new U.S. society, and (3) adaptively create more genuine personal identities. Implications were discussed at the end of this study.
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Hammond, Brean S. "Scriblerian Self-Fashioning." Yearbook of English Studies 18 (1988): 108. http://dx.doi.org/10.2307/3508192.

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Mirabella, M. Bella. "Feminist Self-Fashioning." European Journal of Women's Studies 6, no. 1 (February 1999): 9–20. http://dx.doi.org/10.1177/135050689900600102.

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Hussain, Sajid, Muhammad Ali, and Muhammad Ahmad Javed. "Reconstructing Identity: Self-fashioning in City of Spies by Sorayya Khan." Global Language Review VII, no. II (June 30, 2022): 136–47. http://dx.doi.org/10.31703/glr.2022(vii-ii).12.

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Current Study analyzes the reconstruction strategies of identity adopted by the protagonist in City of spies by keeping the idea of self-fashioning by Greenblatt. The qualitative methodology has been used for analysis in the present research. The primary source of data is Sorayya Khan's novel City of Spies. Data analysis includes the self-fashioning of the protagonist according to the dominant culture of her surroundings.The researcher has analyzed the data related to self-fashioning and factors that promote the protagonist's self-fashioning and identity crisis, drawing upon Greenblatt's theory of self-fashioning. Greenblatt sees authority preserve identity and self-fashioning in society. Greenblatt believes in the powerful consequence of identity formation and self-fashioning.This current examination endeavors to see identity through the viewpoint of self-fashioning and its ensuing impact on awareness, prompting an identity formation of the protagonist.
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Čukljević, Filip. "Aestheticism and the Others: The Social Dimension of Nietzsche's Views on Self-Fashioning." Analiza i Egzystencja 65 (2024): 73–90. http://dx.doi.org/10.18276/aie.2024.65-05.

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In this article, I shall explore the social dimension of Friedrich Nietzsche's views on self-fashioning, focusing on the interpretation offered by Alexander Nehamas. First, I shall briefly present Nehamas's understanding of Nietzsche's views on self-fashioning and the overall significance of their social aspects. Then I shall investigate the necessity of the audience to assess one's attempt at self-fashioning. Furthermore, I shall explore how one's pursuit of self-fashioning is influenced by and influences other similar efforts. Finally, the article will reveal the role of contest in the phenomenon of influence.
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Rothblatt, Sheldon. "The Self-Fashioning of Disraeli." European Legacy 6, no. 1 (February 2001): 69–71. http://dx.doi.org/10.1080/10848770123553.

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McLeish, Tom. "Fashioning Flow by Self-Assembly." Science 278, no. 5343 (November 28, 1997): 1577–78. http://dx.doi.org/10.1126/science.278.5343.1577.

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Burkart, Patrick. "Musical discovery as self-fashioning." Popular Communication 14, no. 3 (July 2, 2016): 191. http://dx.doi.org/10.1080/15405702.2016.1196362.

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Zarei, Ebrahim, and Hossein Pirnajmuddin. "Self-Fashioning in Pope’s Epistle to Dr. Arbuthnot: A Bourdieusian Reading." International Letters of Social and Humanistic Sciences 40 (September 2014): 64–77. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.64.

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The aim of the present article is to investigate Alexander Pope‘s self-fashioning in the light of Pierre Bourdieu‘s socio-cultural notion of capitals, specifically the symbolic form. Pope endeavors a lot to gain such a prominent status as the most representative poet of his age. He garners all his artistry, eloquence, savoir-faire, family and social milieu to move towards the center of the canon throughout his life. This upward movement comprises a self-fashioning by Pope which sometimes is the means to facilitate his canonization and sometimes it turns into a goal and an end in itself for him. As the highly acclaimed French philosopher, Pierre Bourdieu highlights the importance of symbolic capital in an individual‘s social status. Therefore this paper aims at shedding light on Pope‘s sophisticated act of self-fashioning and its relevance to Pierre Bourdieu‘s symbolic capital. For this reason, this article discusses Pope‘s Epistle to Dr. Arbuthnot, an exemplar of his self-fashioning and accumulation of symbolic capital.
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Čukljević, Filip. "Reading Nehamas’s Nietzsche." Symposion 10, no. 1 (2023): 7–29. http://dx.doi.org/10.5840/symposion20231011.

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In this article I shall investigate Alexander Nehamas’s classic interpretation of Friedrich Nietzsche in relation to the idea of self-fashioning. My aim is to dispel certain misconceptions about Nehamas’s Nietzsche and to explore what his vision of life actually involves. First, I shall expose some basic presuppositions about self-fashioning, that have to do with the nature of the self. Then I shall examine the concept of style, which is related to the concept of the self, and what it means to give style to oneself. This endeavour will further expand on the prominently literary model of life espoused by Nehamas’s Nietzsche. We will see that Nietzsche’s (in)famous idea of the eternal return plays a pivotal role within this framework. Afterwards, it will be argued that realizing the idea of self-fashioning is a pluralistic affair, unique to each person. Subsequently, the temporal structure of self-fashioning will be addressed in greater detail, by focusing on two aspects: coming to terms with the past and being open to the future. Finally, the processual nature of this project will be further revealed with the analysis of its slogan ‘become who you are.’
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Dissertations / Theses on the topic "Self-fashioning"

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Chassin, de Kergommeaux C. Danielle. "Autofictional practices : self-fashioning in Diana Thorneycroft's self-portraits." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82695.

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This thesis explores autobiographical practices and their relationship to autofiction, by focusing on practices of identity construction and artistic performance, as well as identity construction through performance. Emphasis is given to the ways gender and sexuality enter into, and shape, these practices by examining, in particular, the way they are expressed in Diana Thorneycroft's photographic performances. Chapter 1 discusses the history and key debates in autobiography theory, the ways gender has been introduced into the analysis of autobiography, and non-literary forms of autobiography. Chapter 1 also briefly discusses the (Western) history of art by women. Chapter 2 examines Thorneycroft's oeuvre and selected responses to it. Chapter 3 presents an analysis of autofictional practices through an examination of Thorneycroft's photographic self-portraits, thereby questioning the distinctions between autobiography and autofiction and suggesting that there is considerable overlap in their definition. The Conclusion briefly discusses agency in relation to autofictional (self-making) practices.
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Pei, Yun. "The prophetic Wordsworth : anxiety and self-fashioning." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/58875/.

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The thesis investigates the prophetic in Wordsworth's ‘golden decade' (1798-1808). It establishes the following arguments: the prophetic in Wordsworth should not be treated of only incidental interest; it is a mode of his self-fashioning, as well as a mode of his writing, channelling the poet's anxieties about his authorship, readership, reception and posterity. The thesis contains an introduction and a short conclusion, with two main sections amounting to 7 chapters. Chapter 1 to 3 form Part I, focusing on the prophetic as a mode of self-fashioning. Chapter 1 re-examines The Prelude, arguing that self-doubts and struggle are inherent to Wordsworth's prophetic aspirations. Chapter 2 discusses three major reasons that make Wordsworth's self-fashioning as a poet of prophetic quality possible: personal aspirations, knowledge economy, and prophetic discourse of his time. Chapter 3 investigates anxieties generated in self-fashioning: anxiety of influence and anxiety about reception. Chapter 4 to 7 form Part II, exploring the prophetic as a mode of writing. Chapter 4 studies the apocalyptic vision of the rupture in human history in Lyrical Ballads. Chapter 5 looks into Wordsworth's concern with the nation in ‘Sonnets Dedicated to Liberty'. Chapter 6 focuses on the dual prophetic quality of The White Doe of Rylstone and its links to discourse of duty and Catholic Emancipation. Chapter 7 studies the prophet-like speaker and the prophetic nature of the narrative in Peter Bell. It also considers the discrepancy between the poet's ideal reader and his actual reader as the reason why the poem fails to appeal. The claim to innovation in the thesis is that it offers a corrective reading of the prophetic as a mode of self-fashioning and a mode of writing in Wordsworth. It also sheds new light on the poet's acclaimed major works such as Lyrical Ballads, as well as widely criticised minor ones such as Peter Bell.
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Maye, Kira. "Artificiality in Mannerism: the Influence of Self-fashioning." Thesis, Boston College, 2007. http://hdl.handle.net/2345/495.

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Thesis advisor: Stephanie Leone
Despite a surge of scholarly and public interest in the mid-twentieth century, Mannerism remains an ill-defined and problematic period label. The first goal of my thesis is to define the style in its chronology and stylistic attributes. Noting its artificiality and the influence of self-fashioning, I identify its clearest definition in Giorgio Vasari's writing and art. Second, I discuss the use of the sophisticated style by the artist and his patron, Cardinal Alessandro Farnese, as a means of social advancement and legitimization. Finally, I analyze the iconography and style of the Sala dei Cento Giorni in the Palazzo della Cancelleria, Rome as the collaborative apex of the self-fashioning of Vasari and Farnese
Thesis (BA) — Boston College, 2007
Submitted to: Boston College. College of Arts and Sciences
Discipline: Fine Arts
Discipline: College Honors Program
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Kirksey, Cort H. "Shavian Self-Fashioning: Authorized Biography and Shaw's Superman." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2184.

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George Bernard Shaw exercised an above-average level of authorial control, which even extended to his relationship with his biographers. Shaw crafts a persona, with the help of his "authorized" biographer Archibald Henderson, which displays a process of evolutionary development and progress along the lines of the Shavian philosophy of the Life Force and the Superman. In essence, Shaw is casting himself as a prototype for the Superman through the autobiographical manipulation of his biographers and aesthetic modes of self-fashioning.
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Barnes, Emma. "Fashioning a natural self-guides to self-presentation in Victorian England." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/271912.

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McHattie, Lynn-Sayers. "The situal self : fashioning identity discourses and loved objects." Thesis, Glasgow School of Art, 2012. http://radar.gsa.ac.uk/3998/.

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That we are what we have... is perhaps the most basic and powerful fact of consumer behaviour’ (Belk 1988 p. 139). Women’s individual identity discourses are encoded socially and culturally through relationships with material objects and practices of dress. Relationships with loved objects yield an emotional and intellectual approach that literally unpicks fashion, exposing its operations, its relations to the body whilst at the same time binding feminine structures. This more expansive view of fashion situates the relationship material objects have to the self and how women relate to the material world as a universe of meaning making. The phenomenological inquiry presents a set of methods for practice based research including observations from workshops, in-depth interviews, case studies, films and questionnaires. The research as practice approach includes visual and verbal narratives that portray the essence of the self, interpreting the conceptual complexities that are inherently tentative, temporal and temporary in identity construction. The intimate research portraits are presented as the interplay between image and text; whilst the films portray the silent spaces in research contexts. These visual apparatus speak of expressions of embodiment. It is the articulation of these feminine practices that elucidates the incorporation of the socially constructed body into the corporeal. The situal thus embodies the lived relation as a result of the phenomena experienced in the specific social encounter. The situal, positions the social practices of fashion as a series of intimate identity discourses. Through this collective engagement, heterogeneous forms of knowledge emerge, transforming the act of dressing into a wider view of self and life.
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Redden, Guy Francis. "The new agents : new age ideology and the fashioning of self /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17148.pdf.

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McEwan, Alice. "Bernard Shaw at Shaw's Corner : artefacts, socialism, connoisseurship, and self-fashioning." Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/20780.

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This thesis analyses artefacts belonging to the playwright, socialist and critic Bernard Shaw, which form part of the collections at Shaw’s Corner, Hertfordshire, now managed as a National Trust property. My original contribution to knowledge is made by revealing Shaw through the artefacts in new or under-explored roles as socialist-aesthete, art patron, connoisseur, photographer, celebrity, dandy, and self-commemorator. The thesis therefore challenges the stereotypical views expressed in the literature which have tended to focus on Shaw at Shaw’s Corner as a Fabian with ascetic characteristics. The thesis aims are achieved by contextualizing the Shaw’s Corner Collections, both extant and absent. Historically the artefacts in the house have been viewed from the perspective of his socialist politics, ignoring his connoisseurial interests and self-fashioning. Hence there was a failure to see the ways in which these elements of his consuming personality overlapped or were in conflict. By examining artefacts from the perspectives of art and design history, focussing on furniture, private press books, clothing, painting and sculpture, Shaw is shown to be a highly complex and at times contradictory figure. The discontinuities and ambiguities become clearer once we examine the possessions from the house which were removed and sold by the National Trust after Shaw’s death. Whilst some Shavian scholars and art historians have acknowledged Shaw’s role as an art critic and the impact it had on his dramaturgy, there has been little recognition of the ways in which this influenced his domestic interiors, consumption, and personal taste, or indeed his interest in the decorative arts and design. Artefacts and furniture in the house today reflect Shaw’s role as a socialist-aesthete, and his involvement with Arts and Crafts movement practitioners and Aestheticism. As an art patron Shaw also shared the aims of artists, connoisseurs and curators working in the first decades of the twentieth century, and we see evidence of this through certain artefacts at Shaw’s Corner. With a strong aesthetic sense, he devoted time to matters of beauty and art, but was equally governed by economics and a desire to bring ‘good’ art and design to everyone. Shaw was considered to be one of the greatest cultural commentators and thinkers of his generation, but he was at the same time a renowned celebrity and influential figure in the mass media. The literature has tended to dismiss the latter role in order to preserve his place among the former, but I argue here that Shaw did not necessarily view the two as separate endeavours. In fact items from the house, notably Shaw’s clothing and sculpture, are considered as the bearers of complex philosophical, symbolic or iconographic meanings relating to his self-fashioning, aesthetic doctrines, and desire for commemoration, which demonstrate the links between the celebrity and the critic. By considering the artefacts in conjunction with the Trust’s archive of Shaw photographs, as well as his representation in popular culture, and by then relating this material dimension to his writings, the thesis brings a new methodological approach to the study of Shaw. More importantly this thesis reveals new knowledge about the philosophical ideas, humanity, generosity, and personal vanity of the man that lay behind those artefacts.
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Davison, Jez. "Self-fashioning in the poetry of Robert Lowell and John Ashbery." Thesis, University of Sunderland, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323470.

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My thesis focuses on the work of two American poets, John Ashbery and Robert Lowell. I argue that both construct a personality in their work. Lowell's construct is more obviously related to his own personality than Ashbery's is; this is perhaps unsurprising, since writing his autobiography became Lowell's primary poetic practice from Life Studies onwards. Yet despite Ashbery's well-known claim that writing about the particularities of his life does not interest him or other readers, I demonstrate that the personality in his poetry adopts attitudes which are similar to his own. I explore Lowell's admission in his later poetry that writing the self involves a fictionalisation of the self that lives and acts in the real world. In these poems, he is more keen to acknowledge the failure of his autobiographical project than to emphasise the details of his daily existence. Ashbery, too, takes the view that any representation of self distorts the truth of our everyday life, but unlike Lowell, shows no angst about this in his p~etry. I argue that, despite his cheerful acceptance of art's inability to capture the self, he nonetheless endeavours to preserve a sense of self in the work. My thesis demonstrates that he does not merely mimic the general movement of consciousness at the expense of portraying the attitudes and idiosyncrasies of a distinctive personality. At times this personality bears no discernible relation to the poet's own, but consistently Ashbery presents his idea of self as a personality, just as Lowell does in his work. We are struck by the whimsical humour of Ashbery's engaging 'character', just as we sympathise with his anxieties, fears and loneliness. In chapter one I explore Lowell and Ashbery's belief that the self is simultaneously defined and fictionalised by language. Chapter two moves on to discuss the self against its society: what relationship does the textual self have with its surroundings, and how does this relationship reflect the poets' view of their own position within society? In chapter three I argue that Lowell weakens the force of his confessions by encouraging the reader to rewrite his text. Yet Ashbery, in keeping the reader on the edge of surprise, allows a mischievous personality to reveal itself. The final chapter deals with the subject of time. Lowell's autobiographical project is hindered by his inability to revivify the past in his poems, yet the sense of personality in Ashbery's work is made more acute by the appearance of an inquisitive individual who forever needs to encounter new experiences as a stay against time's quick passing.
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Elder, Lara Frances. "Heinrich Heine in Paris : the poetics and politics of self-fashioning." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:a41acb1e-84bd-4687-abc8-331bdacd30e5.

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Drawing on the concept developed in Stephen Greenblatt’s Renaissance Self-fashioning: From More to Shakespeare, this thesis presents Heinrich Heine as an extreme case of the ‘self-fashioning’ writer. I argue that his preoccupation with self-construction determines what and how he writes, how he treats his reading public and, crucially, how he perceives and evaluates his own career. Though self-fashioning occurs in his earliest works, Heine’s decision to move to Paris (1831) was the single biggest self-determining act of his life; he constructs it as a moment of rebirth. Inspired by the July Revolution, he sought a new authorial identity in harmony with the supposed new world order and his own social, political and artistic ideals. However, the reality of juste-milieu society—a continual seesawing between modernisation and restoration—cast doubt on the possibility, even the desirability, of novelty and progress, the goals of revolution. In this context, Heine cultivates the identity of a perpetually embattled writer through confrontational dialogue with contemporary ideologies and his readership alike; ever ambivalent in his attitude to the role of art in a modernising world, he is also engaged in an internal battle with the self. First I show how he establishes himself in the role of cultural correspondent in the early journalism by developing a mode of self-conscious spectatorship which enables him to negotiate between contemporary French conditions and German readership expectations. Second I investigate the strategies he uses to free himself from his Buch der Lieder legacy and redefine his identity as a poet in Paris; I show how the Neue Gedichte (1844) are assembled to record and reflect on this transitional process, making the collection a monument to his self-fashioning tendencies. Finally I explore how Heine manipulates the relationship between public and private within a concept of self to construct his authorial identity; I consider a number of self-editing and self-reconstructive practices in prefaces, letters and autobiographical writing.
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Books on the topic "Self-fashioning"

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Rudolf, Suntrup, and Veenstra Jan R. 1939-, eds. Self-fashioning. Frankfurt am Main: Peter Lang, 2003.

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Clifford, James. On ethnographic self-fashioning: Conrad and Malinowski. Cambridge, Mass: Harvard University Press, 1988.

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Greenblatt, Stephen. Renaissance self-fashioning: From More to Shakespeare. Chicago: University of Chicago Press, 2005.

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Charles, Richmond, and Smith Paul 1937-, eds. The self-fashioning of Disraeli: 1818-1851. Cambridge [England]: Cambridge University Press, 1998.

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Takeoka, Yukiko. Othello's power of imagination: From self-fashioning to self-destruction. Birmingham: University of Birmingham, 1995.

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Fuchs, Michel. Edmund Burke, Ireland, and the fashioning of self. Oxford: Voltaire Foundation, 1996.

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Jürgen, Pieters, ed. Critical self-fashioning: Stephen Greenblatt and the new historicism. Frankfurt am Main: Peter Lang, 1999.

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Erich, Salomon, ed. Erich Salomon: Meister der Selbstinszenierung = Master of Self-Fashioning. Berlin, Germany]: Berlinische Galerie, Landesmuseum für Moderne Kunst, Fotografie und Architecktur, 2016.

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Withey, Alun. Technology, Self-Fashioning and Politeness in Eighteenth-Century Britain: Refined Bodies. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467485.

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C, McClendon Muriel, Ward Joseph P. 1965-, and MacDonald Michael 1945-, eds. Protestant identities: Religion, society, and self-fashioning in post-Reformation England. Stanford, Calif: Stanford University Press, 1999.

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Book chapters on the topic "Self-fashioning"

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Smith, Paul Julian. "Almodóvar's Self-Fashioning." In A Companion to Pedro Almodóvar, 19–38. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118325360.ch1.

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Raymond, Claire. "Celebrity Self-Fashioning." In The Selfie, Temporality, and Contemporary Photography, 126–51. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429319044-7.

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Kurfürst, Sandra. "Self-Entrepreneurism and Self-Fashioning." In Dancing Youth, 191–226. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456347-009.

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Petchauer, Emery, and Antonio Garrison. "Fashioning Self, Battling Society." In See You at the Crossroads: Hip Hop Scholarship at the Intersections, 93–110. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-674-5_6.

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Berger, Doris. "Julian Schnabels Self-Fashioning." In Die Wiederkehr des Künstlers, 73–86. Köln: Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214036.73.

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Docker, John. "A Space for Self-Fashioning." In Bread and Roses, 57–67. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-127-4_7.

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Neubauer, John. "Petofi: Self-Fashioning, Consecration, Dismantling." In Comparative History of Literatures in European Languages, 40–55. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxv.05neu.

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Northrop, Chloe. "Self-Fashioning and Material Goods." In Fashioning Society in Eighteenth-Century British Jamaica, 183–214. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003217978-7.

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Panaghis, Afroditi-Maria. "Robert Southwell’s articulation of self-fashioning." In Precarious Identities, 205–28. New York : Routledge Taylor & Francis Group, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781315521138-11.

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Panaioti, Antoine. "Proust and Nietzsche on Self-Fashioning." In The Proustian Mind, 414–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429341472-35.

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Conference papers on the topic "Self-fashioning"

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Amrillah, Tahta, and Jen-Yih Juang. "Fashioning the architectures of the self-assembled multiferroic nanocomposite thin film." In THE 2ND INTERNATIONAL CONFERENCE ON PHYSICAL INSTRUMENTATION AND ADVANCED MATERIALS 2019. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0034134.

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Blaga, Mirela, and Dorin Dan. "VIRTUAL FULLY-FASHION KNITTING." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-230.

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Knitted fabrics, by their unique architecture, formed by intermeshing loops, offer enormous potential for a diverse range of end users, from fashion industry to medicine, protection, geotextiles, automotive, sports and industrial sectors. By applying the knitting principles, various knitted shapes can be manufactured, according to the specific end user requirements. Thus, the panels can be produced under various forms, from straight, fully fashioned, 3D shaped to the complete ‘knit and wear’ product. Flat electronic knitting machines are fully fashioned machines that produce custom pre-shaped pieces of a knitted garment. Instead of knitting a whole rectangular sheet of fabric, instructions from a computer file, guide a fully fashioned knitting machine's needles to modify the number of stitches to create two-dimensional shapes appropriate to the desired finished garment structure [1]. The developed virtual lesson presents the available techniques for changing the fabric width by: modifying the knit structure, varying the structural elements, shaping through loop transfer, wale fashioning by needle suspending and segmented takedown for varying rates of takedown across the width of the fabric. The core of the lesson is built around the loop transfer techniques, as the main technological operation at knitting machine, considering its specific technical requirements. The method, is based on the computer-aided design support and provides students with the interactive animations of the loop transfer, obtained by various techniques: outside stitch transfer, inside stitch transfer and multiple stitches transfer continually. The self-assessment of the knowledge acquired during the lesson completes the e-learning content, by accessing the tests based on ‘drag-and-drop’ and ‘multiple choice’ methods, reflecting thus the individual level of the study result. The application is available for the students from knitting specialization, in html format, on the faculty moodle platform: http://www.moodle.tex.tuiasi.ro.
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Tanjung, Heri, Ratna Dewanda, Irzal Irzal, Sakti Parsaulian, Adhitya Pratama Lanadito, Elrey Fernando Butarbutar, Herbert Sipahutar, et al. "Fashioning the Increase of Oil and Gas Production through Advanced Cased Hole Formation Evaluation." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205679-ms.

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Abstract Freshwater environment and high clay content are quite common in Indonesia. This introduces certain challenge in performing hydrocarbon identification and evaluation especially in already cased wells. In old producer wells, possible conditions such as fluid channeling behind casing and trapped hydrocarbon in annulus add more complexity in performing behind casing analysis to understand current reservoir condition. In order to increase the success in finding remaining hydrocarbon potential, PERTAMINA has deployed pulsed neutron logs (PNL) to accurately pinpoint the targeted interval for perforation. Since 2017, the PNL campaign has covered approximately 160 wells in PERTAMINA's development fields across Indonesia up until now. PNL service offers nuclear-based statistical measurement such as sigma, thermal neutron decay porosity (TPHI), and carbon-oxygen yield that allows simultaneous oil and gas saturation evaluation without any dependence on water salinity and other electrical properties of the formation and fluid. It also allows computation of elemental dry weight from elemental spectroscopy data which can be utilized to determine lithology to complement the standard open-hole logs dataset. The more advanced PNL tool raises the bar even further by offering new measurement of fast neutron capture cross section (FNXS) log which is useful to identify gas even in tight rock formation. The latest generation also features self-compensation algorithm resulting in more robust TPHI and sigma log under complex circumstances such as multi-casing/tubing. This paper showcases several prominent success stories of oil and gas findings identified from PNL interpretation in development wells. There are also several examples of elemental spectroscopy data utilization from PNL to prevent non-economical perforation by means of providing accurate lithology and porosity analysis as compared to previous result built from old and/or incomplete open-hole logs dataset. This PNL campaign has also given valuable insights of borehole and reservoir condition which might have been overlooked such as hydrocarbon in annulus, low pressure gas zone identification and batman's ear boundary effect. Low pressure gas zone may be qualitatively identified whenever TPHI from PNL is noticeably lower than neutron porosity measurement from the open-hole log. Batman's ear effect is usually observed when a body of sand is sandwiched between carbonaceous shales or coal layers resulting successive oil-water-oil saturation profile in one homogenous body of sand, shown as oil peaks at the bed boundaries similar with the appearance of batman's ear. As the sand gets thinner, these two oil peaks might merge into one solid body of high oil saturation which might not depict the true oil potential of the sand.
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