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Journal articles on the topic 'Self-fashioning'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 March 2025

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1

Huang, Ting, and Shadeed Khan. "“Self-Fashioning”." Journal of International Students 14, no. 3 (April 21, 2024): 192–211. http://dx.doi.org/10.32674/jis.v14i3.6036.

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Research on international students' integration into Western campuses tends to find that female international students may experience more difficulty in adjusting to new cultures than their male counterparts (Contreras-Aguirre & Gonzalez, 2017; Manese et al., 1988; Mallinckrodt & Leong, 1992). Few researchers have delved into what female Chinese international students have to offer. Using a phenomenological study frame and a critical and interpretative lens to conduct detailed interviews, this study explored how a group of Chinese female international students self-fashioned during these experiences navigating the U.S. study. Three major themes emerged in our female Chinese international students’ stories: their “self-fashioning” helps them (1) sophistically navigate the U.S. system better, (2) tactically fit into the new U.S. society, and (3) adaptively create more genuine personal identities. Implications were discussed at the end of this study.

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2

Hammond, Brean S. "Scriblerian Self-Fashioning." Yearbook of English Studies 18 (1988): 108. http://dx.doi.org/10.2307/3508192.

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3

Mirabella, M. Bella. "Feminist Self-Fashioning." European Journal of Women's Studies 6, no. 1 (February 1999): 9–20. http://dx.doi.org/10.1177/135050689900600102.

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4

Hussain, Sajid, Muhammad Ali, and Muhammad Ahmad Javed. "Reconstructing Identity: Self-fashioning in City of Spies by Sorayya Khan." Global Language Review VII, no. II (June 30, 2022): 136–47. http://dx.doi.org/10.31703/glr.2022(vii-ii).12.

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Current Study analyzes the reconstruction strategies of identity adopted by the protagonist in City of spies by keeping the idea of self-fashioning by Greenblatt. The qualitative methodology has been used for analysis in the present research. The primary source of data is Sorayya Khan's novel City of Spies. Data analysis includes the self-fashioning of the protagonist according to the dominant culture of her surroundings.The researcher has analyzed the data related to self-fashioning and factors that promote the protagonist's self-fashioning and identity crisis, drawing upon Greenblatt's theory of self-fashioning. Greenblatt sees authority preserve identity and self-fashioning in society. Greenblatt believes in the powerful consequence of identity formation and self-fashioning.This current examination endeavors to see identity through the viewpoint of self-fashioning and its ensuing impact on awareness, prompting an identity formation of the protagonist.

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5

Čukljević, Filip. "Aestheticism and the Others: The Social Dimension of Nietzsche's Views on Self-Fashioning." Analiza i Egzystencja 65 (2024): 73–90. http://dx.doi.org/10.18276/aie.2024.65-05.

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In this article, I shall explore the social dimension of Friedrich Nietzsche's views on self-fashioning, focusing on the interpretation offered by Alexander Nehamas. First, I shall briefly present Nehamas's understanding of Nietzsche's views on self-fashioning and the overall significance of their social aspects. Then I shall investigate the necessity of the audience to assess one's attempt at self-fashioning. Furthermore, I shall explore how one's pursuit of self-fashioning is influenced by and influences other similar efforts. Finally, the article will reveal the role of contest in the phenomenon of influence.

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6

Rothblatt, Sheldon. "The Self-Fashioning of Disraeli." European Legacy 6, no. 1 (February 2001): 69–71. http://dx.doi.org/10.1080/10848770123553.

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7

McLeish, Tom. "Fashioning Flow by Self-Assembly." Science 278, no. 5343 (November 28, 1997): 1577–78. http://dx.doi.org/10.1126/science.278.5343.1577.

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8

Burkart, Patrick. "Musical discovery as self-fashioning." Popular Communication 14, no. 3 (July 2, 2016): 191. http://dx.doi.org/10.1080/15405702.2016.1196362.

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9

Zarei, Ebrahim, and Hossein Pirnajmuddin. "Self-Fashioning in Pope’s Epistle to Dr. Arbuthnot: A Bourdieusian Reading." International Letters of Social and Humanistic Sciences 40 (September 2014): 64–77. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.64.

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The aim of the present article is to investigate Alexander Pope‘s self-fashioning in the light of Pierre Bourdieu‘s socio-cultural notion of capitals, specifically the symbolic form. Pope endeavors a lot to gain such a prominent status as the most representative poet of his age. He garners all his artistry, eloquence, savoir-faire, family and social milieu to move towards the center of the canon throughout his life. This upward movement comprises a self-fashioning by Pope which sometimes is the means to facilitate his canonization and sometimes it turns into a goal and an end in itself for him. As the highly acclaimed French philosopher, Pierre Bourdieu highlights the importance of symbolic capital in an individual‘s social status. Therefore this paper aims at shedding light on Pope‘s sophisticated act of self-fashioning and its relevance to Pierre Bourdieu‘s symbolic capital. For this reason, this article discusses Pope‘s Epistle to Dr. Arbuthnot, an exemplar of his self-fashioning and accumulation of symbolic capital.

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10

Čukljević, Filip. "Reading Nehamas’s Nietzsche." Symposion 10, no. 1 (2023): 7–29. http://dx.doi.org/10.5840/symposion20231011.

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In this article I shall investigate Alexander Nehamas’s classic interpretation of Friedrich Nietzsche in relation to the idea of self-fashioning. My aim is to dispel certain misconceptions about Nehamas’s Nietzsche and to explore what his vision of life actually involves. First, I shall expose some basic presuppositions about self-fashioning, that have to do with the nature of the self. Then I shall examine the concept of style, which is related to the concept of the self, and what it means to give style to oneself. This endeavour will further expand on the prominently literary model of life espoused by Nehamas’s Nietzsche. We will see that Nietzsche’s (in)famous idea of the eternal return plays a pivotal role within this framework. Afterwards, it will be argued that realizing the idea of self-fashioning is a pluralistic affair, unique to each person. Subsequently, the temporal structure of self-fashioning will be addressed in greater detail, by focusing on two aspects: coming to terms with the past and being open to the future. Finally, the processual nature of this project will be further revealed with the analysis of its slogan ‘become who you are.’

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11

Kemperink, Mary. "Modellen en de self-fashioning van de auteur." Nederlandse Letterkunde 19, no. 3 (December 1, 2014): 277–99. http://dx.doi.org/10.5117/nedlet2014.3.kemp.

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Abstract Models and the Author’s Self-fashioning. Some Reflections and the Case of Mina KrusemanThis article explores the ways in which the concept of the ‘model’ can be used for research into the self-fashioning of literary authors. After reviewing the role of the concept in theoretical contributions dealing with the process of self-fashioning (Goffmann, Meizoz, Heinich), it raises some crucial methodological issues, such as (1) how can one discover the specific model an author has based his/her self-image upon? or (2) how can one account for the fact that an author belongs to different social fields, apart from the field of literature, and that these different fields can generate different types of models? Finally, the possibilities of the concept of the model are demonstrated by use of the case of Mina Kruseman.

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12

Rudrum, Alan. "Paradoxical Persona: Henry Vaughan's Self-Fashioning." Huntington Library Quarterly 62, no. 3/4 (January 1999): 351–67. http://dx.doi.org/10.2307/4621647.

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13

Williamson, Dan C. "Resistance, Self-Fashioning, and Gay Identity." Radical Philosophy Today 2 (2001): 119–34. http://dx.doi.org/10.5840/radphiltoday2001210.

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14

Okenfuss, Max. "Self-Fashioning in Eighteenth-Century Russia." Jahrbücher für Geschichte Osteuropas 59, no. 2 (2011): 161–63. http://dx.doi.org/10.25162/jgo-2011-0008.

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15

Abrams, Jerold J. "Aesthetics of Self-Fashioning and Cosmopolitanism." Philosophy Today 46, no. 2 (2002): 185–92. http://dx.doi.org/10.5840/philtoday200246246.

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16

Smith, Benjamin, and Gregory A. Thompson. "Semiosis, temporality, self-fashioning: An introduction." Language & Communication 46 (January 2016): 14–18. http://dx.doi.org/10.1016/j.langcom.2015.10.009.

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17

Wolfe, Charles T., and David Gilad. "The self-fashioning of French Newtonianism." Metascience 20, no. 3 (January 4, 2011): 573–76. http://dx.doi.org/10.1007/s11016-010-9511-3.

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18

STEEN, SARA JAYNE. "Fashioning an Acceptable Self: Arbella Stuart." English Literary Renaissance 18, no. 1 (January 1988): 78–95. http://dx.doi.org/10.1111/j.1475-6757.1988.tb00947.x.

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19

Munro, B. "Queer Self-Fashioning in South Africa." GLQ: A Journal of Lesbian and Gay Studies 21, no. 1 (January 1, 2015): 168–71. http://dx.doi.org/10.1215/10642684-2818588.

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20

Dale, Inga, and James Dale. "'How I have ever loved the life removed': re-interpreting the convention of disguise in Shakespeare's measure for measure." Radomskie Studia Filologiczne. Radom Philological Studies 1, no. 10 (December 31, 2021): 9–28. http://dx.doi.org/10.24136/rsf.2021.001.

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The paper focuses on the design of Duke Vincentio from Shakespeare's Measure for Measure, interpreted as a highly ambiguous example of the traditional 'ruler in disguise,' set within New Historicism's methodological framework and the theory of Renaissance self-fashioning proposed by Stephen Greenblatt. Although not a treatise on disguise theory, Greenblatt's Renaissance Self-Fashioning (1980) develops analyses appearing highly relevant to the study of disguise in the early modern social and literary context. This is due to the key significance of disguise in his reading of Renaissance culture, typified by, argues Greenblatt, the predominance of rhetoric and ever-present theatricality. Applying Greenblatt's analyses to Shakespeare's Duke, I will show how self-fashioning governs the character's self-identity, resulting in an emergence of behaviours into the character's discourse, indicating a great psychological conflict.

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21

Gratzke, Michael. "The Meanie Club – Gendered violence and post-punk narratives of love in Miss Farkku-Suomi by Kauko Röyhkä and Dorfpunks by Rocko Schamoni." Forum for Modern Language Studies 56, no. 2 (September 13, 2019): 135–54. http://dx.doi.org/10.1093/fmls/cqz031.

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Abstract This article examines love, relationships, intimacy and gendered violence in fictionalized punk biographies by authors and post-punk recording artists Kauko Röyhkä and Rocko Schamoni. Punk rock’s DIY aesthetic emphasizes self-fashioning and shock value. Where mainstream impression management, in the sense of Goffman’s micro-sociology, aims at hiding one’s ‘stigma’ in the presentation of the self, punk makes the individual’s ‘stigma’ the main feature of self-fashioning. This attitude is at odds with the ways in which the lover, in particular the Barthesian wretched lover, seeks to appear as attractive to the object of their affection. Miss Farkku-Suomi (‘Miss Denim Finland’, 2003) and Dorfpunks (‘Village Punks’, 2004) tell similar stories of transgressive self-fashioning leading to a re-instatement of hegemonic masculinity and heteronormative love narratives. This article contextualizes these findings regarding male punk writing by comparing them to the autobiography of female punk musician and writer Viv Albertine.

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22

Bock and Borland. "Exotic Identities: Dance, Difference, and Self-fashioning." Journal of Folklore Research 48, no. 1 (2011): 1. http://dx.doi.org/10.2979/jfolkrese.48.1.1.

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23

정석권. "Self-Fashioning in John Keats’s Early Sonnets." Studies in English Language & Literature 43, no. 4 (November 2017): 1–15. http://dx.doi.org/10.21559/aellk.2017.43.4.001.

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24

Sunny Yudkoff. "The Adolescent Self-Fashioning of Mary Antin." Studies in American Jewish Literature (1981-) 32, no. 1 (2013): 4. http://dx.doi.org/10.5325/studamerjewilite.32.1.0004.

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25

Camiscioli, Elisa, and Jean H. Quataert. "Women’s Labor, Self-Fashioning, and Historical Imagination." Journal of Women's History 30, no. 1 (2018): 7–11. http://dx.doi.org/10.1353/jowh.2018.0000.

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26

Cassano, Graham. "Working Class Self-Fashioning inSwing Time(1936)." Critical Sociology 40, no. 3 (August 3, 2012): 329–47. http://dx.doi.org/10.1177/0896920512444636.

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27

Coetzee, Frans, Charles Richmond, and Paul Smith. "The Self-Fashioning of Disraeli, 1818-1851." Albion: A Quarterly Journal Concerned with British Studies 32, no. 1 (2000): 146. http://dx.doi.org/10.2307/4054029.

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28

Reay, Brendon. "Agriculture, Writing, and Cato's Aristocratic Self-Fashioning." Classical Antiquity 24, no. 2 (October 1, 2005): 331–61. http://dx.doi.org/10.1525/ca.2005.24.2.331.

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Abstract This article investigates the interplay of agriculture and writing in the elder Cato's aristocratic self-fashioning (both his individual self-representation, that is, and his construction of aristocracy more broadly). I argue that the De Agricultura represents Cato and his contemporaries as individual, small-plot farmers by making explicit the agricultural inflection of a more general masterly extensibility, i.e., that slaves were prosthetic tools with which owners accomplished various tasks, a move that in turn reveals the ubiquitous, assiduous ““labor”” of the individual owner. The preface's valorization of small-plot farmers, past and present, contextualizes the owner's ““labor”” both culturally and historically (the one by means of the other), and thereby seeks to bridge the agricultural and temporal divide that separates Cato and his contemporaries from their esteemed predecessors.

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29

Weightman, Frances. "Authorial Self-Fashioning in a Global Era." Prism 17, no. 1 (March 1, 2020): 57–78. http://dx.doi.org/10.1215/25783491-8163801.

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Abstract The authorial preface to works of fiction provides a unique space for exploration of authorial self-fashioning and author-reader mediation. This article argues that, when works of fiction are translated and new prefaces written for a new readership, these prefaces can provide extra insights into the perceptions, expectations, and constrictions of both producing and consuming literature in a global era. Recent debates on world literature have centered mainly on issues of reception and circulation, preferring to define its scope in terms of the reader and the reading context rather than by the author or production process. This study considers the changing role of authors who consciously attempt to locate themselves within this contested and reconfigured field and how they construct a persona to address a newly defined world readership. This article explores the changes throughout the twentieth century by analyzing a selection of authorial prefaces to translated editions of three influential authors: Lu Xun 魯迅 (1881–1936), Ba Jin 巴金 (1906–2005), and Yu Hua 余華 (1960–). All prolific preface writers, they each have, in different ways, in different periods, engaged with the concept of a global literary readership and marketplace and negotiated their respective places within it.

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30

Baumeister, Roy F., and Bo M. Winegard. "Fashioning a selfish self amid selfish goals." Behavioral and Brain Sciences 37, no. 2 (April 2014): 136–37. http://dx.doi.org/10.1017/s0140525x13001945.

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AbstractThe selfish goal, at some point in evolution, gave rise to a selfish self. In humans, this selfish self might exert influence over goals, deciding upon which to execute and which to inhibit. This, in fact, may be one of the chief functions of the self.

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31

Boydell, Christine. "Fashioning Identities: Gender, Class and the Self." Journal of Contemporary History 39, no. 1 (January 2004): 137–46. http://dx.doi.org/10.1177/0022009404039889.

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32

Boylan, Talia. "Amy Barbour: Biography as Scholarly Self-Fashioning." New England Classical Journal 51, no. 2 (October 25, 2024): 6–30. http://dx.doi.org/10.52284/necj.51.2.article.boylan.

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Amy Barbour (PhD Yale, 1902) was one of the first women to receive a PhD in Classics in the United States. This essay describes how Barbour’s social context, gender, and national identity inflected her engagement with transatlantic intellectual trends. A biographical sketch culminating with Barbour’s career at Smith College as Professor of Ancient Greek is followed by a description of her academic achievements in the light of contemporary disciplinary anxiety and the use of biography as a scholarly tool. This two-pronged approach complements the valuable body of scholarship on North American women Classicists, which has focused more on those women’s life-stories than their research. Some thoughts are offered on contemporary applications of biography in the study of classical scholarship, including this one.

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33

Hogue, Simon. "Performing, Translating, Fashioning: Spectatorship in the Surveillant World." Surveillance & Society 14, no. 2 (September 21, 2016): 168–83. http://dx.doi.org/10.24908/ss.v14i2.6016.

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Despite the disciplinary power of surveillance, I argue artistic performances may also provide a space of resistance and self-fashioning. Discussions on artistic performance emphasize the ambivalence and uncertainty of art to resist existing power structures and create alternative meaning. However, how concretely, and when, do artistic performances challenge these structures often remains uncertain. Their popularity does not guarantee the depth of their engagement with surveillance practices, and apparent resistance may hide unconscious cooptation and blatant reproduction of existing inequalities and power structures. To understand the political effect of artistic performances, I argue one needs to look at how they participate to the redefinition of individual and collective selves. This must include attention to spectatorship as a different category from state and corporate surveillance. Spectators engage with performers, reinforce or deny their claim to self-fashioning. By looking at spectators one can better understand how a performance can be (or fail to be) self-fashioning not only for the performer but also collectively for the spectators.

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34

Van Hoof, Lieve. "Self-Censorship and Self-Fashioning: Gaps in Libanius’ Letter Collection." Revue belge de philologie et d'histoire 92, no. 1 (2014): 209–29. http://dx.doi.org/10.3406/rbph.2014.8548.

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35

Wesseling, Elisabeth. "Judith Rich Harris: The Miss Marple of Developmental Psychology." Science in Context 17, no. 3 (September 2004): 293–314. http://dx.doi.org/10.1017/s0269889704000146.

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ArgumentThis paper contributes to inquiries into scientific personae by employing a rhetorical approach. It analyzes the persuasive strategies of Judith Rich Harris in The Nurture Assumption: Why Children Turn Out the Way They Do (1998). Rhetorical analysis of Harris' self-fashioning in this remarkable best-seller and the reactions of the press to her persona demonstrates the resilience of specific archaic cultural repertoires for constructing scientific identities. While historical studies investigate how repertoires for scientific self-fashioning evolve through time, rhetoric reveals how identity models from an earlier age may be appropriated in the present.

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36

Desai, Gaurav. "Gendered Self-Fashioning: Adelaide Casely Hayford's Black Atlantic." Research in African Literatures 35, no. 3 (September 2004): 141–60. http://dx.doi.org/10.2979/ral.2004.35.3.141.

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37

Landy, Joshua. "Lyric Self-Fashioning: Sonnet 35 as Formal Model." Philosophy and Literature 45, no. 1 (2021): 224–48. http://dx.doi.org/10.1353/phl.2021.0015.

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38

Borda, Jennifer. "Women and Work. The Labors of Self-Fashioning." Pacific Coast Philology 47, no. 1 (January 1, 2012): 123–25. http://dx.doi.org/10.2307/41851041.

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39

Preston, Ted. "The Private and Public Appeal of Self-Fashioning." Journal of Nietzsche Studies 31, no. 1 (2006): 10–19. http://dx.doi.org/10.2307/20717870.

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40

Preston, Ted. "The Private and Public Appeal of Self-Fashioning." Journal of Nietzsche Studies 31, no. 1 (2006): 10–19. http://dx.doi.org/10.2307/jnietstud.31.2006.0010.

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41

Gribben, Crawford. "John Knox, Reformation History and National Self-fashioning." Reformation & Renaissance Review 8, no. 1 (February 18, 2006): 48–66. http://dx.doi.org/10.1558/rrr.v8i1.48.

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42

Reynolds, Rosalind Jaeger. "Reading Matilda: The Self-Fashioning of a Duchess." Essays in Medieval Studies 19, no. 1 (2002): 1–13. http://dx.doi.org/10.1353/ems.2003.0009.

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43

Gottlieb, Esther E. "Appalachian Self-Fashioning: Regional identities and cultural models." Discourse: Studies in the Cultural Politics of Education 22, no. 3 (December 2001): 341–59. http://dx.doi.org/10.1080/01596300120094370.

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44

Vaget, Hans Rudolf. "Wagnerian Self-Fashioning: The Case of Adolf Hitler." New German Critique 34, no. 2 (2007): 95–114. http://dx.doi.org/10.1215/0094033x-2007-004.

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45

NEWCOMB, ANTHONY. ":Modal Subjectivities: Self-Fashioning in the Italian Madrigal." Journal of the American Musicological Society 60, no. 1 (April 2007): 201–17. http://dx.doi.org/10.1525/jams.2007.60.1.201.2.

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46

McGregor, Catherine. "Self‐fashioning through memoir: becoming an adult educator." Teacher Development 11, no. 1 (March 2007): 77–97. http://dx.doi.org/10.1080/13664530701194645.

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47

Weintraub, Stanley. "The Self-Fashioning of Disraeli, 1818-1851 (review)." Victorian Studies 43, no. 1 (2000): 128–31. http://dx.doi.org/10.1353/vic.2000.0129.

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48

Desai, Gaurav Gajanan. "Gendered Self-Fashioning: Adelaide Casely Hayford's Black Atlantic." Research in African Literatures 35, no. 3 (2004): 141–60. http://dx.doi.org/10.1353/ral.2004.0057.

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49

KREITMAIR, KAROLA. "Commentary: Neuroprosthetic Speech: Pragmatics, Norms, and Self-Fashioning." Cambridge Quarterly of Healthcare Ethics 28, no. 04 (September 17, 2019): 671–76. http://dx.doi.org/10.1017/s0963180119000616.

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50

De Fina, Anna. "What is your dream? Fashioning the migrant self." Language & Communication 59 (March 2018): 42–52. http://dx.doi.org/10.1016/j.langcom.2017.02.002.

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