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Dissertations / Theses on the topic 'Self-perception in literature'

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1

Sadedin, Ann. "The uncentred self : image and awareness in the Middle English religious lyrics /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000220.

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2

Good, Ewan. "Le concept de la descente du "Tombeau des rois" tel qu'il est poursuivi dans Kamouraska = The concept of descent in "Le Tombeau des rois" as developed in Kamouraska /." Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GoodE2009.pdf.

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3

黃潔貞. "兒童文學對自我概念的影響 = The influence of children's literature on self-concept". HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/902.

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4

Ged, Geneva. "Conscious Reconstruction: The Effects of Second Language Acquisition on Self-Perception of Gender Identity." TopSCHOLAR®, 2013. http://digitalcommons.wku.edu/theses/1317.

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Gender interacts with other facets of English Language Learners’ social identity like race and ethnicity to guide their learning experiences, desires, and outcomes; however, much of traditional Teaching English as a Second Language (TESOL) research has focused on how motivation and language learning beliefs differ between male and female English as a Second Language/English as a Foreign Language (ESL/EFL) students with the intent to identify difference, if it exists. English Language Learners who are studying abroad or who have immigrated to the United States have already established a gender
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5

Smith, Roy Francis. "Toni Morrison's argument with the Other: Irony, metaphor, and whiteness." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1692.

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Black people, and blackness as a general symbol, has traditionally occupied a marginal or disadvantaged position in American literature, as opposed to representations of white people and whitness as a general symbol. Morrison's fiction in effect reverses this representation and positions white people in the position of the Other.
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6

Perovuo, Matilda. "Our love, our language : A qualitative study on non-native speakers’ experiences of bilingual couplehood, language emotionality and self-perception in different languages." Thesis, Stockholms universitet, Centrum för tvåspråkighetsforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157187.

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7

Solomon, Zanne. "The dionysian in performance reclaiming the female transgressive performing body." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002380.

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In this thesis I investigate the theoretical or philosophical notion/archetype of the Dionysian in relation to the transgressive female body in performance. I do so through 1) an investigation into the theories behind the Dionysian and the transgressive; 2) an examination of the performative practice of the transgressive female body; and 3) a personal exploration of the theatrical practice. 1) In the first chapter I introduce and thoroughly explore the archetypal concept of the Dionysian, and identify its significance because of its intrinsic association with the transgressive. I associate it
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8

Rasmus-Vorrath, Jack Kendrick. "The honesty of thinking : reflections on critical thinking in Nietzsche's middle period and the later Heidegger." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:effe66e1-235d-46a9-a570-b42dceb7e92f.

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This dissertation engages with contemporary interpretations of Nietzsche and Heidegger on the issue of self-knowing with respect to the notions of honesty and authenticity. Accounting for the two philosophers' developing conceptions of these notions allows a response to interpreters who conceive the activity of self-knowing as a primarily personal problem. The alternative accounts proposed take as a point of departure transitional texts that reveal both thinkers to be engaged in processes of revision. The reading of honesty in Chapters 1 and 2 revolves around Nietzsche's groundwork on prejudic
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9

Avout, d'Auerstaedt Aurélien d'. "Le territoire recomposé. Conscience géographique et expériences de l'espace dans les récits de la France défaite (1940)." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR068.

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Cette thèse porte sur les représentations spatiales du territoire français que les récits de la débâcle et de l’exode (1940) tout à la fois révèlent, mettent en forme et reconfigurent. Elle vise à considérer la poétique du récit de guerre sous un angle géographique, ainsi qu’à élargir le champ de la géographie littéraire vers de nouveaux terrains historiques et méthodologiques. Le corpus, mixte, comprend à la fois des textes de fiction (Aragon, Gracq, Merle, Némirovsky, Robbe-Grillet, Simon, Vialatte), des témoignages (Saint-Exupéry, Sartre, Werth), des Mémoires (de Gaulle) et des essais histo
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10

Macfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.

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11

Shrum, Autumn Phelps. "Crossing literate worlds exploring how students with rich identities as writers negotiate multiple writing contexts." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4707.

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This study investigated the literate identities of college students who engage in various school and non-school writing practices simultaneously. In case studies of three student writers, the researcher seeks to explore how the discourse community roles, self-perceptions, negotiation of multiple writing processes and development of authority impacted the students' identities as writers. Triangulated research methods included weekly interviews with the student participants, observation of the students in their writing classrooms and analysis of the students' school and non-school texts over one
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12

Jensen, Robyn. "Double Exposure: Picturing the Self in Russian Emigre Culture." Thesis, 2019. https://doi.org/10.7916/d8-w0zc-vy30.

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Double exposure has often been used as a metaphor for the condition of emigration: of being between two places simultaneously, of layering the memory of one place onto another. To extend the metaphor of double exposure, this study turns to the medium of photography itself to explore how it functions within Russian émigré narratives of the self. I examine how Vladimir Nabokov, Joseph Brodsky, Gary Shteyngart, and the visual artist Ilya Kabakov use photographs in their autobiographical works—from literary memoirs to art installations—as a device for representing the divided self in emigration. “
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13

Nyoni, Knowledge. "Reconstituting the self and the burden of belonging in the Native Commissioner (2006) by Shaun Johnson." Diss., 2017. http://hdl.handle.net/10500/25477.

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Post-apartheid writing has been characterized by an ardent search for a voice that truly depicts the painful apartheid past. The establishment of the Truth and Reconciliation Commission (TRC) promoted a confessional mode of writing as a means to obtaining healing, hence reconstitution. Such a paradigm shift in writing necessitated imagined characters to re-invent and re-align themselves with the new post-apartheid dispensation if they were to remain relevant to South African readership. Reinvention of characters is made possible through several means and various organs of reconstitution such a
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14

"A study of Oscar Wilde's The picture of Dorian Gray, E.M. Forster's Maurice and John Rechy's City of night in relation to the self-identity of the the "gays"." 2001. http://library.cuhk.edu.hk/record=b5890775.

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Wong Nga-lai.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2001.<br>Includes bibliographical references (leaves 108-112).<br>Abstracts in English and Chinese.<br>Acknowledgements --- p.i<br>Abstract --- p.ii-v<br>Introduction<br>Homosexuality: a sin versus a choice --- p.1 -5<br>Chapter Chapter One --- Wilde and his sacrifices --- p.6 -38<br>Chapter Chapter Two --- Forster and his private novel --- p.39 -70<br>Chapter Chapter Three --- Rechy and his new order --- p.71-104<br>Conclusion<br>Still a long way to go --- p.105 -107<br>Selected Bibliography --- p.108-112
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15

Debbiche, Amal. "Social rejection of minority groups and its impacts on the individual's identity and perception of the self : exploring homosexual and racial identities in James Baldwin's Giovanni's room and Just above my head." Thèse, 2014. http://hdl.handle.net/1866/11484.

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Ce mémoire examine la question de la formation de l'identité en tant que procédure compliquée dans laquelle plusieurs éléments interviennent. L'identité d'une personne se compose à la fois d’une identité propre et d’une autre collective. Dans le cas où l’identité propre est jugée sévèrement par les autres comme étant déviante, cela poussera la personne à, ou bien maintenir une image compatible avec les prototypes sociaux ou bien résister et affirmer son identité personnelle. Mon travail montre que l'exclusion et la répression de certains aspects de l'identité peuvent causer un disfonctionnemen
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16

Rieske, Tegan Echo. "Alzheimer's Disease Narratives and the Myth of Human Being." Thesis, 2012. http://hdl.handle.net/1805/3183.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The ‘loss of self’ trope is a pervasive shorthand for the prototypical process of Alzheimer's disease (AD) in the popular imagination. Turned into an effect of disease, the disappearance of the self accommodates a biomedical story of progressive deterioration and the further medicalization of AD, a process which has been storied as an organic pathology affecting the brain or, more recently, a matter of genetic calamity. This biomedical discourse of AD provides a generic framework for the disease and is reproduced in its illness narra
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17

Leifson, Darlene Elizabeth. ""The edge that separates chaos from order" : performance, liminality, and self-reflexivity as theoretical frameworks for the study of creativity /." 2008. http://proquest.umi.com/pqdweb?did=1663048671&sid=5&Fmt=2&clientId=10361&RQT=309&VName=PQD.

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18

Bankert-Countryman, Janice Elizabeth. "Borderland Journeys: A Layered Autoethnography." Thesis, 2014. http://hdl.handle.net/1805/4024.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The collection of pages spread before you now, this story-thesis, is a collection of stories about my journey from cult member to the place in life I am now, stories about those stories, and stories about the people who lived or read them, talked about them, and were changed by the tellings. Most importantly, the goal of this story-thesis is to illustrate how the process of story-making and -telling changes how we interpret our identities and our lifeworlds. I argue that the stories that we share change our identities, and I also a
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19

Pčola, Marián. "Za hranicami fikčného rozprávania." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-329158.

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My thesis examines the nature of contemporary fictional narration and explores its relations to other types of narration - mainly texts where educational or informative function prevails over the aesthetic one. The whole work is divided into four parts. The first part is theoretical; it sets up basic areas of interest and names methods, tools and models that will be tested on selected examples from Slavonic literatures. The second part analyses spatial and temporal relations of fictional narrative. Chapter 2.1 treats time and space in a novel mostly from the compositional point of view (based
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