Academic literature on the topic 'Selma Lagerlöf'

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Journal articles on the topic "Selma Lagerlöf"

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Bergenmar, Jenny. "The North seen from the South in the Spanish reception of Selma Lagerlöf." European Journal of Scandinavian Studies 48, no. 2 (October 25, 2018): 170–88. http://dx.doi.org/10.1515/ejss-2018-0015.

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Abstract When Selma Lagerlöf became a Nobel laureate in 1909, her works were translated into new languages and introduced to countries, including Spain, where she had previously been unknown. This article traces the image of Sweden and Scandinavia reflected in Selma Lagerlöf’s reception in Spanish newspapers and periodicals around 1910. The idea of a distinctive Nordic or Scandinavian identity is discernible in the critics’ characterizations of Lagerlöf’s works; however, there is tension between their presentations of Lagerlöf as a representative of the region of Scandinavia or the North in general versus just one nation (Sweden) or province (Värmland). Building on research in imagology and literary transfer, this article investigates how and which regional, national, and provincial identities, geographies, and stereotypes of North and South were activated in support of a particular idea of the author.
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Salomon, Otto. "Selma Lagerlöf och Sophie Elkan." Nordisk Judaistik/Scandinavian Jewish Studies 10, no. 2 (September 1, 1989): 113–20. http://dx.doi.org/10.30752/nj.69442.

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Campbell-Thomson, Olga. "The Soviet Reception of Selma Lagerlöf." NORA - Nordic Journal of Feminist and Gender Research 25, no. 4 (October 2, 2017): 296–316. http://dx.doi.org/10.1080/08038740.2017.1362590.

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Wagner, João Joakim T. "Reunião de regentes, de Selma Lagerlöf." Cadernos de Literatura em Tradução, no. 22 (December 21, 2020): 215–25. http://dx.doi.org/10.11606/issn.2359-5388.i22p215-225.

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Leon, Crina. "Images of 19th century Sweden and Norway in the works Gösta Berling’s Saga by Selma Lagerlöf and Children of the Age by Knut Hamsun." Romanian Journal for Baltic and Nordic Studies 7, no. 1 (August 15, 2015): 91–104. http://dx.doi.org/10.53604/rjbns.v7i1_4.

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The present paper tries to depict how Sweden and Norway were represented in the novels Gösta Berling’s Saga (1891) and Children of the Age (1913) written by the two Scandinavian Nobel Prize laureates, Selma Lagerlöf and Knut Hamsun, respectively. We will especially focus on the regions Värmland (in west central Sweden) and Nordland (in northern Norway). These two counties represent in fact the areas where Lagerlöf and Hamsun grew up and which they knew very well. Lagerlöf’s story renders an area of mansion houses and ironworks from 1820, while Hamsun’s novel dealing with the Segelfoss estate at a moment around 1870 depicts a society in change from old practices to modern times. Despite some supernatural elements in Gösta Berling’s Saga, the two novels contribute to a geographical, social and economic identification with the regions under consideration. We thus find ourselves in front of two concentrated areas which resemble the real ones although the writing style of the authors is quite different, namely a neo-romantic way of writing with Lagerlöf versus Norwegian new realism with Hamsun.
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Bourguignon, Annie. "Ethischer Optimismus und Demokratie bei Selma Lagerlöf." Études Germaniques 279, no. 3 (2015): 493. http://dx.doi.org/10.3917/eger.279.0493.

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Rabelo, Carlos. "Um encontro de monarcas, de Selma Lagerlöf." Cadernos de Literatura em Tradução, no. 22 (December 21, 2020): 204–14. http://dx.doi.org/10.11606/issn.2359-5388.i22p204-214.

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SUNDMARK, BJÖRN. "Of Nils and Nation: Selma Lagerlöf'sThe Wonderful Adventures of Nils." International Research in Children's Literature 1, no. 2 (December 2008): 168–86. http://dx.doi.org/10.3366/ircl.2008.0005.

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Recently past its centenary, The Wonderful Adventures of Nils (1906–7), by Selma Lagerlöf, has remained an international children's classic, famous for its charm and magical elements. This article returns to read the book in its original contexts, and sets out to demonstrate that it was also published as a work of instruction, a work of geography, calculated to build character and nation. Arguing that it represents the vested interests of the state school system, and the national ideology of modern Sweden, the article analyses Nils's journey as the production of a Swedish ‘space’. With a focus on representations of power and nationhood in the text, it points to the way Lagerlöf takes stock of the nation's natural resources, characterises its inhabitants, draws upon legends and history, and ultimately constructs a ‘folkhem’, where social classes, ethnic groups and linguistic differences are all made to contribute to a sense of Swedish belonging and destiny.
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Watson. "Scandinavian Literature in Nazi Germany: Selma Lagerlöf as One Example." Scandinavian Studies 91, no. 4 (2019): 482. http://dx.doi.org/10.5406/scanstud.91.4.0482.

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Skare, Nils Goran. "Informação, Memória e Narrativa em O Anel do General de Selma Lagerlöf." Anagrama 4, no. 2 (October 22, 2010): 1–12. http://dx.doi.org/10.11606/issn.1982-1689.anagrama.2010.35504.

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Este artigo examina a novela O Anel do General da autora sueca ganhadora do prêmio Nobel Selma Lagerlöf a partir de uma discussão a respeito dos conceitos de informação, memória e narrativa tais quais localizamos no Ensaio sobre o Narrador de Walter Benjamin. Identificamos o anel como elemento alegórico na história para cada um desses três elementos, e discutimos a maneira como a narrativa funciona como uma espécie de tradução da informação para a memória. Concluimos que sem narrativa não há comunicação entre informação e memória, e fazemos sugestões para pesquisas futuras
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Dissertations / Theses on the topic "Selma Lagerlöf"

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Andersson, Jessica. "Selma Lagerlöf : Hämnden och kärleken i Löwenskölscykeln." Thesis, Karlstad University, Karlstad University, Karlstad University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2794.

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Wijkmark, Sofia. "Hemsökelser : Gotiken i sex berättelser av Selma Lagerlöf." Doctoral thesis, Karlstads universitet, Avdelningen för humaniora och genusvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3787.

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The topic of this thesis is the gothic fiction of Selma Lagerlöf. Its primary purpose is to investigate how Lagerlöf's work can be understood in relation to the gothic genre; what particular themes, motifs and formal aspects appear when making this connection and how they can be interpreted, as well as which literary and cultural contexts become relevant. The study is based on close readings of six short stories that, in comparison, appear to be some of the most gloomy and horrific in her production: "Karln. En julsägen" (1891), "De fågelfrie", "Stenkumlet", "Riddardottern och havsmannen" (1892), "Spökhanden" (1898) and "Frid på jorden" (1917). The gothic was an important feature of the literature of the last decade of the nineteenth century, when Lagerlöf made her debut. Therefore one of the main purposes of this study is to highlight her as one of the key writers of gothic fiction in Sweden by the time. In this context the gothic might be considered as closely related to the currents of decadence and fin-de-siècle. However, the gothic continued to be an important element throughout Lagerlöf's production, and this is illustrated by the inclusion of a story from a later period among the primary sources. The gothic genre can be defined by certain themes and motifs, but also by its narrative strategies. The analyses of the six stories show how themes and composition are used to create an atmosphere of fear and darkness, but also, more importantly, to create a sense of ambiguity. The study also discusses the relationship between the gothic and the fantastic and special attention is paid to aspects such as the hesitation concerning how to interpret the supernatural, as well as the fragmentary bodies and psyches of the stories. The main themes of the six stories can be summarized as dealing with the haunting and return of the past, as well as the fear associated with the transgression of limits - between fantasy and reality, the civilized and the primitive, life and death and self and other. Central to the argument in this study is das Unheimliche - the uncanny - a concept that links a certain kind of fear to uncertainty, doubles, ghostliness and haunting. Sigmund Freud has described it as a paradox, as something terrifyingly strange and yet familiar at the same time. The gothic reproduces the experience of reality expressed by this concept - a sense that the self is the source of horror and that identity is something highly unstable.
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Stenbäck, Susanne. "Selma Lagerlöf i den kommunalpolitiska verkligheten i Östra Ämtervik." Thesis, Karlstad University, Division for Social Sciences, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-189.

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Holmquist, Stefan. "Selma Lagerlöf talar : En studie om retorisk stil och stilfigurer." Thesis, Stockholms universitet, Svenska/Nordiska språk, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-187366.

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I denna uppsats undersöks Nobelpristagaren Selma Lagerlöfs tal genom att identifiera och analysera talens retoriska egenskaper. Syftet är att ge en bild av hur författaren använder sig av troper och figurer (stilfigurer) och vilka funktioner de fyller. Stilanalysen som görs kopplas även till den klassiska retorikens talarplikter. Materialet i undersökningen består av fyra tal och metoden som används är kvalitativ. Resultatet visar att Lagerlöf varierar användningen av stilfigurer och åstadkommer en dynamik som bidrar till talens effekter. Dessutom framkommer att den höga stilen i talen emellanåt blandas upp med en scenisk framställning där det personliga tilltalet har en betydande roll. I dessa tal uppfyller Lagerlöf de retoriska plikterna. Undersökningens resultat diskuteras utifrån tidigare forskning
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Söderberg, Micael. "Selma Lagerlöfs konstnärliga metod, en studie av idé och gestaltning i Körkarlen." Thesis, Blekinge Tekniska Högskola, Institutionen för humaniora, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1390.

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The essay deals with the patterns of storytelling in Selma Lagerlöfs novel "Körkarlen". The focus is on the relationship between idea and form. Selma Lagerlöf tries to show how the drinker David Holm comes to insight about his own shortcomings and faults without knowing that he is in fact educated by his old friend. The author of this essay tries to show that Selma Lagerlöf use the same method in relation to the reader of the novel. Selma Lagerlöf wants to enlighten the reader without actually preaching. To som extent the essay deals with typical patterns of storytelling that Selma Lagerlöf uses, such as her symbolic method, her use of patterns from legends and ghost stories and finally her esthetics.
Uppsatsen berör Selma Lagerlöfs sätt att gestalta ett relativt kontroversiellt idéinnehåll. Selma Lagerlöf går delvis i dialog med läsaren och antyder hur skeendet i Körkarlen kan tolkas, samtidigt som hon lämnar utrymme för läsarens egna reaktioner. En stor del av uppsatsen berör typiska mönster för Selma Lagerlöfs berättarteknik, såsom användandet av sagans, legendens och spåkhistoriens mönster, symboltekniken samt hennes estetiska hållning. I Körkarlen är det Selma Lagerlöfs intention att drinkaren David Holm skall komma till insikt genom vägledning utan att han själv är medveten om att han undervisas. Uppsatsens författare driver tesen att Lagerlöf intar samma hållning gentemot läsaren.
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Ekholm, Ylva. "Selma Lagerlöf i skolan : En didaktisk analys av en komplex litterär text." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384304.

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Runesson, Björn. "På var sida avgrunden : Vansinnets gestaltning hos Selma Lagerlöf och Birgitta Trotzig." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-69588.

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Gustav, Eriksson. "Religiösa Motiv i Tre Noveller av Selma Lagerlöf : Utifrån ett lutherskt livsförståelseperspektiv." Thesis, Södertörns högskola, Lärarutbildningen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34517.

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This thesis purpose is to analyse the purpose and use of religious motifs, with a focus on Lutheran faith and elements of the ideal of the passive woman in Sweden during the 17th century, in three novels written by Selma Lagerlöf. The three novels are “Tösen från Stormyrtorpet”, ”Legenden om Julrosorna” and “Gudsfreden”. Neither of them have a lot written about them therefore other sources has been used. The first part consists of an introduction to Lutheran faith and values, based on Vägen mellan himmel och jord: underströmmar av luthersk livsförståelse i Selma Lagerlöfs författarskap by Margareta Brandby-Cöster. As well as a short summary of the religious landscape of Sweden during the 17th century, the female emancipation movements relation and its negative view on passive female ideal. The first part will also contain a brief summary of how Christianity and the industrialisation has affected the male image. The second part is the analysis of the three novels where the first one is “Tösen från Stormyrtorpet”. The focus will be to explore how Lutheran values are expressed in the story as well as how the female protagonist Helga is used to reveal problems in society and its view on women related to religious values. In “Legenden om Julrosorna” I look at the how Lutheran values are expressed especially the thought of love for the other and the belief that you need to be part of society to live in the world created by God for humans. In the third novel “Gudsfreden” I will examine what male identities are constructed and expressed as well as the consequences of a “Christian hero” putting himself above God. In the third and final part I will connect my thesis to the subject of Swedish with a focus on upper secondary school. I will compare it to the curriculum and discuss the importance of exploring themes in literature.
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Lindberg, Magnus. "Selma Lagerlöfs märkvärdiga resa : en hermeneutisk resa till det Heliga Landet." Thesis, Södertörns högskola, Lärarutbildningen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35581.

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The teacher Selma Lagerlöf (1858-1940) is one of Sweden's most famous and beloved writers and her books have been sold in millions worldwide. She received the Nobel Prize in Literature 1909 and was selected as the first woman in the Swedish academy five years later in 1914. She grew up on the farm Mårbacka and, after her success, could buy it back and lived there until she passed away in 1940. Among her most famous works is The Story of Gösta Berling, Herr Arne’s Hoard and Jerusalem. The latter is a novel, published in two parts in 1901 and 1902 and the narrative spans four generations in the 19th century and focuses on the family Ingmarsson and several other families from the County of Nås who, for religious reasons, emigrated to Jerusalem to join the American Colony.  To get an understanding of these emigrants, Selma Lagerlöf traveled to Jerusalem to meet and learn more about them. During the trip, Lagerlöf corresponded with her mother, Louise Lagerlöf, and it is through this correspondence that I have sought answers to the following questions: Given the premise that Selma Lagerlöf, per her own opinion, had no knowledge of emigration of religious groups; how much can we understand that she learned about this colony while traveling, based on her correspondence?  To what extent can this correspondence detect observations and teachings concerning religion, religious practice and presumptuous religious people? To the extent that religious beliefs, internships or supposed practitioners are mentioned in the correspondence; are there any appreciable differences in conceptual usage based on how she may look at the other? The hermeneutical explanation model used in this study as a theory and method has, through an analysis of the correspondence, conclude that her journey gave her great insight into the colonists, that she also learned a lot about other religions and its practitioners and that some valuational words in the letters reveal that she received a very positive image of the emigrants, but that she generally held a neutral description even of non-Christians.
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Müller, Katharina [Verfasser]. "Autorenlesungen in Skandinavien um 1900 : Knut Hamsun, Herman Bang, Selma Lagerlöf / Katharina Müller." Baden-Baden : Ergon Verlag, 2018. http://d-nb.info/121240128X/34.

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Books on the topic "Selma Lagerlöf"

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Sven, Delblanc. Selma Lagerlöf. Stockholm: Swedish Institute, 1986.

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Thoma, Barbara. Selma Lagerlöf. Zürich: Römerhof, 2013.

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Edström, Vivi Blom. Selma Lagerlöf: Livets vågspel. Stockholm: Natur och kultur, 2001.

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Svensson, Ann-Sofi Ljung. Jordens dotter: Selma Lagerlöf och den tyska hembygdslitteraturen. Göteborg: Makadam, 2011.

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Förvildade Hjärtan: Livets estetik och berättandets etik i Selma Lagerlöfs Gösta Berlings saga. Stockholm/Stehag: Brutus Östlings Bokförlag Symposion, 2003.

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Lagerlöf, Selma. En riktig författarhustru: Selma Lagerlöf skriver till Valborg Olander. [Stockholm]: Albert Bonniers, 2005.

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Toijer-Nilsson, Ying. En riktig författarhustru: Selma Lagerlöf skriver till Valborg Olander. [Stockholm]: A. Bonnier, 2006.

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Haglund, Birger. Såsom ett barn: Om Selma Lagerlöf : essäer, artiklar, recensioner & brev. [Torsby]: Heidrun, 2005.

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Lagerlöf, Selma. Selma, Anna och Elise: Brevväxling mellan Selma Lagerlöf, Anna Oom och Elise Malmros aaren 1886-1913. Landskrona: Litorina, 2009.

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Lagerlöf, Selma. Såsom ett barn: Om Selma Lagerlöf : essäer, artiklar, recensioner och brev. Torsby: Heidruns, 2005.

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Book chapters on the topic "Selma Lagerlöf"

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Rühling, Lutz. "Lagerlöf, Selma." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9419-1.

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Rühling, Lutz. "Selma Lagerlöf." In Kindler Kompakt: Reiseliteratur, 163–64. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_37.

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Hoff, Karin, and Lutz Rühling. "Selma Lagerlöf." In Kindler kompakt: skandinavische literatur 20. jahrhundert, 29–33. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04361-0_1.

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Schnurbein, Stefanie V. "Selma Lagerlöf (1909)." In Nobelpreisträgerinnen, edited by Claudia Olk and Susanne Zepp, 9–30. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110619034-002.

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Meyer-Dettum, Bärbel, and KLL. "Lagerlöf, Selma: Jerusalem." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9422-1.

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Nix, Angelika. "Lagerlöf, Selma Ottilia Lovisa." In Metzler Autorinnen Lexikon, 282–83. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_198.

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Heitmann, Annegret. "Lagerlöf, Selma: Das erzählerische Werk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9420-1.

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Keutler, Franz J. "Lagerlöf, Selma: Gösta Berlings saga." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9421-1.

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Rühling, Lutz. "Lagerlöf, Selma: Nils Holgerssons underbara resa genom Sverige." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9423-1.

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Lagerlöf Nilsson, Ulrika, and Helene Castenbrandt. "A Historical Perspective on Ageing and Capability." In International Perspectives on Aging, 163–74. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78063-0_12.

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AbstractThis chapter discusses the value of a capability approach in historical research on older people. Historians are generally focused on studying continuity and change over time. Their research often aims at explaining how and why certain phenomena appear and take different shapes. Capability is a way of capturing an individual’s ability to live a meaningful life, or a life that they perceive as good. A modern analytical tool such as the capability approach can be used for visualising historical patterns, even though individuals’ values of well-being change over time. In that sense, historical studies of individuals’ capabilities, or functions, can add another perspective to this theoretical framework.Old newspapers, biographies, diaries, letters, novels and government reports make it possible to understand which capabilities individuals and societies have valued for older citizens at different times. The meaning of functions differs over time and is dependent on several factors, such as gender and economic conditions, as well as social and civil status. This also means that conditions for a phenomenon such as retirement change over time, but they also differ depending on people’s previous life conditions. In this article, we explore these things using two different examples. Firstly, we discuss how Selma Lagerlöf, a woman with high social status, arranged for her retirement. The second example shows how women with low economic status struggled to retire at the time when universal pension reform was being implemented in Sweden.
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