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Journal articles on the topic 'Semantics color'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Zhao, Jiaojiao, Jungong Han, Ling Shao, and Cees G. M. Snoek. "Pixelated Semantic Colorization." International Journal of Computer Vision 128, no. 4 (2019): 818–34. http://dx.doi.org/10.1007/s11263-019-01271-4.

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AbstractWhile many image colorization algorithms have recently shown the capability of producing plausible color versions from gray-scale photographs, they still suffer from limited semantic understanding. To address this shortcoming, we propose to exploit pixelated object semantics to guide image colorization. The rationale is that human beings perceive and distinguish colors based on the semantic categories of objects. Starting from an autoregressive model, we generate image color distributions, from which diverse colored results are sampled. We propose two ways to incorporate object semanti

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TOSHTIMEROVA, Sitora. "SEMANTICS OF COLORS, THEIR GRADUAL DEVELOPMENT." UzMU xabarlari 1, no. 1.7 (2024): 343–45. https://doi.org/10.69617/nuuz.v1i1.7.3539.

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This article highlights the importance of understanding the dynamic nature of color semantics in relation to language, culture, and perception. Incorporating fields such as linguistics, psychology, anthropology, and art history, the interdisciplinary approach emphasizes a comprehensive study of the subject in a variety of contexts. It also notes the importance of acknowledging different linguistic and cultural perspectives while clarifying the complex interplay between language and perception in the evolution of color semantics. The article provides a deep understanding of the complexities of

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Al-Tamimi, Jinan. "The Semantic Structure of Color Terms in Arabic: A Cognitive Approach." Theory and Practice in Language Studies 11, no. 9 (2021): 1025–33. http://dx.doi.org/10.17507/tpls.1109.07.

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The acquisition of the ability of perceiving and naming colors through language is an important topic in which languages vary and differ. The construction of color concepts and naming them are directly influenced by the culture and environment of each society. This can be noted by observing two aspects: Cognitive Semantics and its effect on the collective mind. This study focuses on the cognitive foundations of color terms in Arabic, and the semantic relation between the color concepts and terms in selected examples from both old and new usage of these color terms in Arabic. The study aims to

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Xu, Ji Feng, Han Ning Zhang, and Tian Jian Cui. "Cognition Spaces of Modern Furniture Color Semantics." Applied Mechanics and Materials 361-363 (August 2013): 488–92. http://dx.doi.org/10.4028/www.scientific.net/amm.361-363.488.

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A quantitative analysis based on SPSS is proposed in this paper for semantics maps of modern furniture color. It is assumed that different color factors could initiate different semantics cognition and feelings and analyze the relationships among all the factors, then access to modern furniture color semantic cognition space mapping, which are used to explain the relationships between modern furniture color semantics and color factors such as hue, tone.

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STOYKOVA, Velislava. "SEMANTICS AND MEANING OF TERMS WITH THE COMPONENT ’RED’." Ezikov Svyat (Orbis Linguarum) 22.3, ezs.swu.v.22.3 (2024): 39–44. http://dx.doi.org/10.37708/ezs.swu.bg.v22i3.4.

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The article provides an analysis of the results of a study on the semantics and meanings of terms with the component red in modern Bulgarian. The language material on which basis the study was carried out is an electronic corpus of Bulgarian language texts compiled from publicly available internet sources. Statistical approaches to search for concordances and collocations available through the Sketch Engine lexicographic software were used to discover the terms in the corpus, and the order in the search procedures (algorithm) was previously tested in other cited studies. The theoretical approa

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Khusainova, G., B. Tleuberdiev, and B. Taspolatov. "Semantic Aspect of Color in Korean, Kazakh and English Languages." Iasaýı ýnıversıtetіnіń habarshysy 134, no. 4 (2024): 128–45. https://doi.org/10.47526/2024-4/2664-0686.110.

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This article is a study of the semantics of color in three different language cultures: Korean, Kazakh and English. Color symbols play a significant role in mutual understanding between cultures. The system of color designations contains an ethnocultural context. It acts in two aspects, simultaneously being a reflection of culture and an element that forms it. The semantics of color is a classification of color. The article provides a comparative analysis of the semantics of color in three languages. The purpose of the study is to analyze the main semantic connotations associated with certain

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Shuliak, S., O. Bezliudnyi, V. Koval, and K. Masliuk. "Verbalization of Main Spectral Colors in Texts of Ukrainian Charms." Journal of Educational and Social Research 9, no. 3 (2019): 62–69. http://dx.doi.org/10.2478/jesr-2019-0023.

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Abstract The purpose of this article is to study the verbalization of the main spectral colors in the texts of Ukrainian charms. In order to achieve the goal, the following tasks must be realized: 1- To determine the emotional and estimated semantics of red, blue, green, yellow colors and the function performed by the above-mentioned color titles to ensure pragmatics of charms. 2- To find out the direct and associative values of the main spectral colors in the texts of Ukrainian charms. 3- To discover the most common morphological category of color titles. It is established that the titles of

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Dzhguburiya, Ketevan Kahaberovna. "Features of the semantics of adjectives of color in the Russian and English language picture of the world: the problem of translation." Litera, no. 1 (January 2023): 96–104. http://dx.doi.org/10.25136/2409-8698.2023.1.37052.

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This research work is carried out within the framework of the cognitive-discursive paradigm and is devoted to the analysis of the features of the semantics of adjectives of color in natural language and the identification of translation problems that translators may face. Description of the semantics of language units allows you to reproduce how colors are understood in the Russian and English worldview. The subject of the study is the peculiarities of the semantics of adjectives of color designation and possible problems in the translation of units characterizing color: "red", "orange", "yell

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Bayanova, Aleksandra T. "Семантика цветообозначения хар ‘черный’ в фольклорном тексте: лингвокультурологический аспект (на примере калмыцких сказок в записи Г. Й. Рамстедта)". Монголоведение (Монгол судлал) 13, № 1 (2021): 96–107. http://dx.doi.org/10.22162/2500-1523-2021-1-96-107.

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Introduction. The article analyzes semantic components and variants of the Kalmyk color term хар ‘black’ in folklore texts. Goals. The study investigates semantics of the color term хар ‘black’ in a linguocultural perspective. Materials. The work explores Kalmyk folktales recorded by the Finnish scholar G. J. Ramstedt during his scientific expedition to the Kalmyk Steppe. Results. The analysis reveals six shades of black and sums up its semantic constituents and variants. Special emphasis is laid on the applied Kalmyk-to-German translation means. Conclusions. The lexeme хар ‘black’ is distingu

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Lavrenova, Olga. "Color Semantics of the Cultural Landscape." Arts 12, no. 3 (2023): 111. http://dx.doi.org/10.3390/arts12030111.

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A cultural landscape is the result of a continuous interaction between the surrounding natural landscape and culture. Meanings, symbols, and codes of culture are an integral part of it. This paper is a review of publications on current research over the past 20 years. The aim is to analyze the existing research practices, which are based on factual evidence and existing theoretical foundations, using an interdisciplinary approach, in order to come closer to a sufficiently holistic understanding of the coloristic semantics of the cultural landscape. Such a review and analysis of disparate studi

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Mileyeva, M. N., and A. S. Nikiforova. "Colour Palette of Adjectives in Latin and English." Prepodavatel XXI vek, no. 3, 2020 (2020): 316–22. http://dx.doi.org/10.31862/2073-9613-2020-3-316-322.

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The article considers color Latin and English adjectives in terms of their semantics and etiology. Indications of adjectives of different colors are illustrated with quotations from works of ancient Roman and Greek writers. Semantic comparisons of the color meanings of Latin adjectives are made against English adjectives in order to reveal usual coincidences or differences. Adjectives of the main color triad denoting black, red and white are analyzed. An attempt is made to explain the causes of these connotations and consider their implementation in the lexical structure of the languages under

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Мuratova, R. Т. "COLOR TERMS ALA ‘PIEBALD’ AND SЇBAR ‘MOTTLEY’ IN THE BASHKIR LANGUAGE: HISTORICAL DEVELOPMENT AND LEXICAL SEMANTICS". Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 6(72), № 3 (2020): 65–84. http://dx.doi.org/10.37279/2413-1679-2020-6-3-65-84.

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The purpose of the article is to study the origin of names for piebald and mottley colors in the Bashkir language, to trace their development on the general Turkic background and to reveal the semantic features of these color designations.The relevance of the research is due to the need to study lexemes both in the comparative-historical aspect and in terms of synchronicity with the identification of denotative and connotative components in their semantics. It is revealed that the difference in the semantics of the lexemes ala ‘piebald’ and sїbar ‘mottley’ is that the word ala denotes a combin

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Kuryłowicz, Beata. "Rozkosz i cierpienie. O semantycznej ambiwalencji czerwonej róży w młodopolskich tekstach artystycznych." Białostockie Archiwum Językowe, no. 8 (2008): 35–46. http://dx.doi.org/10.15290/baj.2008.08.03.

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The article describes semantic ambivalence of purple rose conditioned by the flower's color that occurs in Young Poland's poems. Semantic connotations of the red color are motivated by prototypical references to blood and fire, which develop in two opposite directions: „happiness", „fullness of life", and „threat", „suffering", „death". The semantics of the red color is shaped analogically and justifies the connotations of rose's „ecstasy" and „suffering". In Young Poland's poetry, erotic sensual love symbolized by purple rose was a source of both ecstasy and happiness as well as pain. Therefo

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Ningrum, Dwi Kurnia Surya, Christanta Rejuna Phanes S. Brahmana, and Mulyadi Mulyadi. "Basic Colors in Javanese and Indonesian Languages: Natural Semantic Metalanguage Theory." Humanus 23, no. 1 (2024): 80. http://dx.doi.org/10.24036/humanus.v23i1.126103.

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This study explores the variety of basic colors in the Javanese language and aims to elucidate their meanings using the Natural Semantic Metalanguage Theory. Employing a qualitative research paradigm, data were collected from various sources, including Indonesian and Javanese dictionaries, LCC Indonesian 2022 and LCC Javanese corpus from CQPWeb. The study identifies 10 basic colors in Javanese, namely Ireng (black), Putih (white), Abang (red), Ijo (green), Kuning (yellow), Biru (blue), Soklat (brown), Wungu (purple), Jambon (pink), and Klawu (gray), while Indonesian has only six basic colors:

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Muxammadjonov, Azizjon M. "LEXICAL-SEMANTIC AND LINGUISTIC-CULTURAL ANALYSIS OF COLOR SYNONYMS IN THE ARABIC LANGUAGE." Oriental Journal of Philology 05, no. 03 (2025): 471–78. https://doi.org/10.37547/supsci-ojp-05-03-53.

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This article examines the lexical-semantic features of color synonyms in the Arabic language, exploring their connotative meanings within cultural-linguistic contexts, as well as their metaphorical expressions. In addition to primary colors like white and black, the research thoroughly analyzes synonymous layers of terms related to green, red, yellow, and ixed colors, emphasizing their cultural significance. Special attention is given to synonymy processes in the lexical-semantic analysis of specific Arabic expressions such as رجل أزهر rajul azhar, شَعر أشمط shaʿr ashmṭ, كبش أملح kabsh amlaḥ,

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Wang, Xiao Feng, and Jian Hua Li. "Semantic Color Retrieval of Color Image Based on Fuzzy Clustering." Applied Mechanics and Materials 380-384 (August 2013): 3469–73. http://dx.doi.org/10.4028/www.scientific.net/amm.380-384.3469.

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As next generation of the web, the semantic web aims at a more intelligent web severing machines as well as people, based on radical notions of information sharing and acquisition. For color image segmentation, semantic color is our focus. One method of color partition is fuzzy clustering which has been widely used in image segmentation. However, the fuzzy clustering algorithm is parameter sensitive, and lack of availability because of its initial focus on physical features. To improve the above problems, a novel fuzzy clustering method based on semantic color retrieval for image segmentation

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Balabekov, A. "CONCEPTUAL SEMANTICS OF RED COLOR WORDS." Tiltanym, no. 1 (April 30, 2024): 123–32. http://dx.doi.org/10.55491/2411-6076-2024-1-123-132.

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The article provides a conceptual and semantic analysis of the name of the red color. The purpose of the article is to identify the conceptual meaning of red color in Kazakh culture. To achieve this goal, the article was analyzed by lexicographic, conceptual methods. It is established that the red color, in addition to coloring, is the main symbol of the manifestation of metaphysical concepts, historical events, is in poetic, aesthetic cognition an attribute of rejuvenation, difficulty, hot temper, etc. It is proved that words combined with «red» are carefully selected and have a wide range of

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Abisheva, Saule, Madina Moldagali, and Samal Serikova. "The colorful world of David Samoylov’s poetry." Przegląd Wschodnioeuropejski 14, no. 1 (2023): 231–47. http://dx.doi.org/10.31648/pw.9034.

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The article deals with the structure and semantics of color elements in the poetic texts by David Samoylov. Colorism manifests itself in three ways: as a color image recreated from the context, as substituted metonymy, and as words denoting color semantics. In this paper, using a continuous sample, the mechanism of manifestations of the basic monochromes “black – white” and the contaminated metatricolor “blue – green – red” is investigated on the basis of a complete collection of Samoylov’s poems. As a result of the article, a frequency dictionary of color elements was created, a semantic and

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Beksultanova, Gulsada. "Cognitive models with colour names based on German and Kyrgyz languages." Germanistik in der ukraine, no. 19 (June 20, 2025): 8–13. https://doi.org/10.32589/2408-9885.2024.19.333125.

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Color designations, as integral elements of the linguistically shaped worldview, represent a crucial component of how language users perceive and categorize their environment. These designations are not merely descriptive; they are deeply embedded in the cognitive and cultural frameworks of a given speech community. The linguistically influenced worldview manifests itself through color terms found in individual words, idiomatic expressions, metaphors, and other verbal constructs. The color systems across different languages often display substantial variation. These differences arise because l

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Mazhitayeva, Shara. "Color Semantics: Linguistic-Cultural Aspect." International Journal of Language and Linguistics 1, no. 1 (2013): 34. http://dx.doi.org/10.11648/j.ijll.20130101.15.

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Corridoni, J. M., A. Del Bimbo, and P. Pala. "Image retrieval by color semantics." Multimedia Systems 7, no. 3 (1999): 175–83. http://dx.doi.org/10.1007/s005300050120.

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Kolos, R. A. "Text and Image Reception on the Example of the Old Believer Synodicon of the XVIII century: on the Question of the Semantics of Thanatological Representations." Proceedings of SPSTL SB RAS, no. 2 (February 1, 2024): 27–35. http://dx.doi.org/10.20913/2618-7515-2024-2-27-35.

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The study of the semantics of images and colors found in the Old Believer miniaturist helps to better understanding and revealing the meaning of thanatological representations of this confessional group. Special role belongs to the text that accompanies the miniature and often becomes a source of interpretation of certain symbols. The purpose of the article is to reconstruct the reception of the image through the text and the semantics of illustration colors by a representative of the XVIII cent. as a bearer of semiotic and semantic codes of historical and cultural tradition.The article reveal

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Wardana, Muhammad Kiki, and Mulyadi Mulyadi. "How Indonesian sees the colors: Natural semantic metalanguage theory." JOALL (Journal of Applied Linguistics and Literature) 7, no. 2 (2022): 378–94. http://dx.doi.org/10.33369/joall.v7i2.21035.

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This research explores basic and secondary colors in Indonesia. This research attempts to explicate the meaning of colors by using the semantic theory of Natural Semantic Metalanguage Theory. This research applied qualitative method. The paradigm of qualitative research revolves around the observation from the surrounding. The data were collected from various sources such as Indonesian Dictionary, Indonesian Corpus, and the data created by the researcher as the native speaker. The researcher explicates primary or basic colors as well as the secondary. Further, these Indonesian colors were bein

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Djalilova, Sarvaroy Mekhrojovna, and Parvina Tolibjonovna Abdullayeva. "Phraseological Worldview through the Prism of Color Semantics: A Comparative Study of Uzbek and Spanish Languages." Multidisciplinary Journal of Science and Technology 5, no. 2 (2025): 12–14. https://doi.org/10.5281/zenodo.14816754.

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This article examines the phraseological worldview through the lens of color semantics by comparing Uzbek and Spanish phraseological units. Focusing on how different cultures perceive and express colors, we explore how these linguistic phenomena reflect the worldview of the speakers. The comparative analysis highlights cultural and linguistic differences, as well as commonalities, between the two languages. Special attention is given to the semantic fields of primary colors such as white, black, red, and green, which carry distinct meanings in both languages. The findings reveal that color in

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SMUSHCHYNSKA, Iryna. "FRENCH COLORONYMS CONTAINING ANTHIOSEMIC COMPONENT." Ezikov Svyat (Orbis Linguarum), ezs.swu.v21i3 (October 30, 2023): 67–80. http://dx.doi.org/10.37708/ezs.swu.bg.v21i3.7.

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The article is devoted to the study of French lexical units of semantics that denote color and may have opposite connotations or obtain it in the context of the work. According to the analysis, the core of color is its physical characteristics, layered with others (psychological, emotionally expressive, evaluative, symbolic), which can be variable up to the opposite. French coloronyms are mostly polysemantic, but the meaning often depends on the distribution, on the noun that determines the semantics of the color adjective, and these meanings are often multipolar. The peculiarity of French col

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Kopyriulina, Olga M. "Color designation semantics in S.A. Esenin and E. Verhaeren’s lyric." Neophilology, no. 26 (2021): 320–27. http://dx.doi.org/10.20310/2587-6953-2021-7-26-320-327.

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We consider the color designation features in the poetic texts of Russian and French poets. An appeal to the lyric poetry of great writers from a chosen perspective expands and concretizes the existing ideas about the individual features of the authors’ style. Analysis object is the language units of poetry by S.A. Esenin and E. Verhaeren, containing color semantics. A comparative analysis of several works representative within the framework of the declared theme reveals the similarities and differences in the color palette of Esenin and Verhaeren’s lyrics. We consider the semantics of blue, w

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Wang, Lin, and Yi Zhang. "The visual design of urban multimedia portals." PLOS ONE 18, no. 3 (2023): e0282712. http://dx.doi.org/10.1371/journal.pone.0282712.

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In the visual design of a portal website, color is the first intuitive factor for users. It is relatively difficult for the designer of a city portal website to choose a color system that represents a city’s unique color from among the many available options. Therefore, this study extracted a decision-making model of the urban color system, which can help decision-makers and designers choose among color systems, and then effectively design a portal website that conforms to local cultural attributes. The proposed method to solve the problem involved obtaining optimal color matching by performin

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Драгалина-Черная, Е. Г. "The logic of colors in model-theoretical and game-theoretical perspectives." Logical Investigations 19 (April 9, 2013): 23–32. http://dx.doi.org/10.21146/2074-1472-2013-19-0-23-32.

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This paper sketches two approaches to the color exclusion problem provided by model-theoretical and game-theoretical semantics. The case study, modeling the experimentally confirmed perception of ‘forbidden’ (e.g., reddish green and bluish yellow) colors, is presented as neuropsychological evidence for game-theoretical semantics.

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Lishtaba, Tetiana, and Tetiana Oharienko. "COLOR LEXEMES IN SVETLANA BARABASH'S POETIC LEXICON." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (2022): 293–96. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-293-296.

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The article is devoted to the study of color lexemes as language units. The main tokens, which form the core of the lexical-semantic field of color of modern language, and peripheral, which have seven with a shade of the main tone and may have additional characteristics, are defined. The spectrum of compatibility of color lexemes with other tokens is outlined. It is emphasized that despite the significant scientific achievements on the problem of color designations, there are still aspects that deserve the attention of linguists. One such aspect is the study of color symbols in modern poetic t

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Zhu, Hanya. "Stroop Effect induced by Semantics in Chinese Idioms with Color Words." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 460–64. http://dx.doi.org/10.54097/ehss.v8i.4289.

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We explored the role of a color word and color meaning in an idiom played in the Stroop effect. With a print color-naming task, our results revealed that the color word played an important role in the Stroop effect. A color word could induce a strong Stroop effect no matter with or without color meaning in an idiom. In the congruent condition, an idiom with both a color word and color meaning could be processed faster than the one without a color word in a congruent condition. While in an incongruent condition, with both a color word and color meaning, the processing of the print color was del

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Dugerjav, Badamdorj. "“Монголын нууц товчоо” дахь өнгө, зүсэм нэрлэсэн үгсийн утга". Монгол судлал 46, № 1 (2022): 5–14. http://dx.doi.org/10.22353/ms20224601.

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The research work is done through specifically selecting the Secret History of the Mongols and researching mentality, cognition and linguistic interdependence of the 13th century literature of Great Mongolian Empire on the basis of the cognitive semantics objective. Mongolians are people with a unique national identity who express the semantics meaning of the complexion and coat colors of human, animal and things on their own peculiarity. According to the author's research and observation, it is referred that the White and Bright color indicates respect, well-being, and positive value of inten

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M., Yugay. "Color semantics in traditional japanese culture." Journal of Oriental Studies 79, no. 4 (2016): 78–83. http://dx.doi.org/10.26577/jos-2016-4-889.

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Schloss, Karen B., Carter M. Thompson, Jingming Xue, and Mary A. Peterson. "Color-Object Semantics Affects Object Detection." Journal of Vision 23, no. 9 (2023): 5528. http://dx.doi.org/10.1167/jov.23.9.5528.

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Ernita Daulay and Mulyadi. "Color in Mandailing Language: A Semantic Study of Connotation." Lakhomi Journal Scientific Journal of Culture 3, no. 2 (2022): 39–48. http://dx.doi.org/10.33258/lakhomi.v3i2.682.

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Language is the way of humans perceives their environment. This paper aim described the study of color semantics in Mandailing language. This is because color is one of the most important elements in human life to convey a certain impression and is an interesting topic to analyze because the vocabulary of color in each language is unique. On this occasion, the authors used the Natural Semantic Metal Language approach to describe Colors in Mandailing Language by using semantic studies of connotation. The method used in this research is a qualitative descriptive method that produces word descrip

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Pansat, Zh M., Zh I. Issaeva, and G. B. Mamayeva. "Cognitive Semantics of the Concept «kȍk» in Creating Emotional Concepts." Iasaýı ýnıversıtetіnіń habarshysy 129, no. 3 (2023): 135–46. http://dx.doi.org/10.47526/2023-3/2664-0686.10.

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The article examines the emotional nuances of the Kazakh language concept kȍk in language use. The research article reviews the works of scientists who studied the semantic meaning of the names of species and colors in domestic and foreign linguistics and linguistic units in expressing human feelings. The linguistic character of the concept of kȍk is analyzed, revealing the cognitive nature of emotional, expressive words. In addition, a cognitive and linguistic analysis was made of the words expressing inner excitement through the intuition of a person, which is often used in connection with t

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Wang, Yi, Qinxin Zhao, Jian Chen, Weiwei Wang, Suihuai Yu, and Xiaoyan Yang. "Color Design Decisions for Ceramic Products Based on Quantification of Perceptual Characteristics." Sensors 22, no. 14 (2022): 5415. http://dx.doi.org/10.3390/s22145415.

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The appearance characteristics of ceramic color are an important factor in determining the user’s aesthetic perception of the product. Given the problem that ceramic color varies and the user’s visual sensory evaluation of color is highly subjective and uncertain, a method of quantifying ceramic color characteristics based on the Back Propagation (BP) neural network algorithm is proposed. The semantic difference method and statistical method were used to obtain quantified data from ceramic color perceptual semantic features and were combined with a neural network to study the association betwe

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Mamadalieva, G. R. "Occasional words with colorative semantics in the poetry of Igor Severyanin." Neophilology 10, no. 1 (2024): 48–56. http://dx.doi.org/10.20310/2587-6953-2024-10-1-48-56.

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INTRODUCTION. One of the famous poets of the 20th century is the founder of egofuturism, Igor Severyanin, whose work is distinguished by its outrageousness and tendency to novelty. Igor Severyanin’s colorful vocabulary immerses you in an atmosphere of enigma and mystery. The purpose of the study is to describe and interpret the semantic field of color vocabulary as a special component that forms the specifics of the author’s color vision reflected in the poetic picture of the world by Igor Severyanin. It seems advisable to comprehend corporate occasionalisms in the poet’s lyrics, which is insu

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Fauzi, Muhammad Ivan, Nurul Khasanah, and Maria Dimitrij Angie Pavita. "The Concept of Color Metaphor In Sundanese: A Semantic Cognitive Study." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 11, no. 1 (2021): 33. http://dx.doi.org/10.26714/lensa.11.1.2021.33-41.

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This paper is a qualitative descriptive study that aims to describe the concept of color in Sundanese. In this study, the authors used the free-to-speak listening method without involving the participants. To support data collection, the author involves intuitive knowledge. In the method of analysis, the writer uses referential methods and semantic methods to describe and compare the relationship between metaphorical expressions as the source and the intended meaning of the target. The data taken are fragments of song lyrics, fragments of sentences from short stories, and proverbs. As a result

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Xiaoxiao, Bao, and Liu Wenming. "Research on the application of color semantics in the human-computer interaction design of smartphones." MATEC Web of Conferences 176 (2018): 04001. http://dx.doi.org/10.1051/matecconf/201817604001.

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To evaluate the user experience in the human-computer interaction design of intelligent products, the quality of color design is a key factor. The purpose of this article is to design the human-computer interaction in smart phones through the study of color semantics, which is one of the branches of product semantics. In particular, the application of color semantics in UI design would help designers better meet user’s needs and improve user’s experience in the human-computer interaction design of smart products.

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Ganikyzy, A. G., and G. K. Kortabaeva. "SEMANTICS OF COLORS IN ANTHROPONOMY BASED ON KAZAKH AND ENGLISH LANGUAGES." Bulletin of Shokan Ualikhanov Kokshetau University. Philological Series 2023, no. 1 (2023): 18–24. http://dx.doi.org/10.59102/kufil/2023/iss1pp18-24.

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The life of every nation has always been associated with certain ideas about the nature of things. Since people formed their cultural traditions within a particular territory, accordingly the attitude to different objects and concepts in various traditions turned out to be extremely diverse. However, as cultural relations and interlingual interference, some idio-ethnic features could change over time. A noticeable diversity is observed when referring to the vocabulary of color terms, which varies from language to language even concerning primary colors, even though the human eye everywhere per

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Zheng, Wenxuan. "Representation of the Green Color in Russian and French Linguo-Cultures." Litera, no. 1 (January 2024): 202–12. http://dx.doi.org/10.25136/2409-8698.2024.1.69495.

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This article represents an in-depth linguistic analysis of the use of green color in the Russian and French languages. The richness of phraseological expressions and lexical turns associated with this color is examined in diverse contexts. The primary focus is on denoting plants, nature, and metaphorical meanings, such as associations with youth and emotions. The study covers various domains of green color use, including its connection with playing cards, money, and alcohol. The author aims to uncover how the color interacts with cultural concepts and perceptions in different linguocultural en

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Abzhaparova, M. D. "Ways of designating shades of color in the Kazakh and South Siberian Turkic languages." LANGUAGES AND FOLKLORE OF INDIGENOUS PEOPLES OF SIBERIA, no. 47 (2023): 45–57. http://dx.doi.org/10.25205/2312-6337-2023-3-45-57.

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The article reveals the mechanism of word formation in the Turkic languages in a comparative aspect by considering the Kazakh and Altai languages. Their genetic closeness determines the similarity in the organization of color naming systems due to their common historical roots. However, this closeness does not deny the differences that arose during their independent cultural and historical development. The morphological method is basic in the word formation process of color designations of the languages under study. A number of parametric values are formed, in particular, the sufficiency or in

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Bezrukov, Andrey Nikolaevich. "The Semantics of the Color Experiment in Boris Poplavsky's Artistic Discourse." Культура и искусство, no. 10 (October 2024): 83–91. http://dx.doi.org/10.7256/2454-0625.2024.10.72061.

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The purpose of this work is to define the semantics of coloratives in the artistic discourse of one of the brightest representatives of the first wave of Russian emigration, Boris Poplavsky. His work is a kind of aesthetic experiment, which is carried out at the level of form, content, and naturally poetic language. The subject area of the study is the lyrical texts of B.Y. Poplavsky, they are concentrated in comparison with the author's prose and have proper color nominations that expand the semantic halo of the author's artistic world. The analysis of the semantics of coloratives makes it po

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Guskova, Antonina P. "Color Description in Language and Culture (based on Russian-Hungarian dictionaries)." Finno-Ugric World 11, no. 2 (2019): 136–42. http://dx.doi.org/10.15507/2076-2577.011.2019.02.136-142.

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Introduction. Color description comparative analysis might be identified as an important research path of the contemporary language science. The article introduces the methods of Russian-Hungarian vocabulary color description including metaphorical semantics of the color. Due to the vastness of their use in intercultural communication, the relevance of the research is indisputable. It is also due to the interest of linguistics to the problem of the reflection of national culture in the semantics of color terms as a means of lexicographical fixation. The new areas in the work is the identificat

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Muratova, R. T. "Names of Horse Coat Colors in the Bashkir Language: Genesis, Development, and Semantics." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 1 (2021): 19–29. http://dx.doi.org/10.26907/2541-7738.2021.1.19-29.

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The names of mixed horse coat colors in the Bashkir language were analyzed in etymological, comparative-historical, and lexical-semantic aspects. Based on the results of the analysis, the following color names were identified as the most common ones: qola ‘dun’, saptar ‘skewbald’, burtä ‘dark bay’, turï ‘bay’, burїl ‘roan’, kir ‘bay with yellowish markings’, buð/kük ‘gray’, ala ‘piebald’, sïbar ‘motley’. The above color names are mainly independent lexemes meaning exclusively the colors of horse coats (except for buð, kük, ala, sïbar). The lexemes qola, turï, buð, kük, ala, and sїbar go back t

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AL AGHBARI, ZAHER. "REGION-BASED SEMANTIC IMAGE CLASSIFICATION." International Journal of Image and Graphics 06, no. 03 (2006): 357–75. http://dx.doi.org/10.1142/s021946780600229x.

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In the field of content-based image retrieval, there exist a gap between low-level descriptions of image content and the semantic needs of users to query image databases. This paper demonstrates an approach to image retrieval founded on classifying image regions hierarchically based on their semantics (e.g. sky, snow, rocks, etc.) that resemble peoples' perception rather than on low-level features (e.g. color, texture, shape, etc.). Particularly, we consider outdoor images and automatically classify their regions based on their semantics using a support vector machines (SVMs). The SVMs learns

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Pak, Lyudmila V. "THE COLOR - SEMANTICS AND SYMBOLISM IN THE CULTURE OF KOREANS OF UZBEKISTAN (ON THE EXAMPLE OF WEDDING RITUALS)." JOURNAL OF LOOK TO THE PAST 4, no. 3 (2021): 71–80. http://dx.doi.org/10.26739/2181-9599-2021-3-9.

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The colors, their combination have always been important in the culture of any ethnic group. Their symbolic meaning played a tremendous role in everyday culture, in various religious and professional (agricultural and handicraft) ceremonies and rituals of the life and calendar cycles. But they acquired the most important value in wedding rituals. In this article the color semantics and symbols in the wedding rituals of Koreans in Uzbekistan are considered on considerable ground for the first time. The author examines the origins of veneration of distinct flowers, their functional significance

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McMahan, Brian, and Matthew Stone. "A Bayesian Model of Grounded Color Semantics." Transactions of the Association for Computational Linguistics 3 (December 2015): 103–15. http://dx.doi.org/10.1162/tacl_a_00126.

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Natural language meanings allow speakers to encode important real-world distinctions, but corpora of grounded language use also reveal that speakers categorize the world in different ways and describe situations with different terminology. To learn meanings from data, we therefore need to link underlying representations of meaning to models of speaker judgment and speaker choice. This paper describes a new approach to this problem: we model variability through uncertainty in categorization boundaries and distributions over preferred vocabulary. We apply the approach to a large data set of colo

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Liu, Lu, and Mikhail Anatolyevich Rybakov. "Color symbolism in Russian and Chinese languages and semantics of hydronyms with a color component." Litera, no. 6 (June 2020): 44–55. http://dx.doi.org/10.25136/2409-8698.2020.6.33075.

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The goal of this article is the characteristics of color symbolism as the means for creating imagery in a discursive aspect. In the course of this research, the following questions were addressed: 1) generalization of the semantics of color designation in the linguistic context; 2) characterization of linguistic specificity of color designations in the Chinese language, and comparison with the Russian language; 3) determination of intralinguistic and extralinguistic factors impacting the functionality of color designations in media discourse; 4) systematization of means and specificity of crea

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Belyaeva, Lyubov Evgenievna. "Features of color semantics in English fiction." Philology and Culture 61, no. 3 (2020): 10–17. http://dx.doi.org/10.26907/2074-0239-2020-61-3-10-17.

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