Academic literature on the topic 'Semantics; Linguistics; Aesthetics'

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Journal articles on the topic "Semantics; Linguistics; Aesthetics"

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OLIVEIRA, HUGO GONÇALO, RAQUEL HERVÁS, ALBERTO DÍAZ, and PABLO GERVÁS. "Multilingual extension and evaluation of a poetry generator." Natural Language Engineering 23, no. 6 (2017): 929–67. http://dx.doi.org/10.1017/s1351324917000171.

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AbstractPoetry generation is a specific kind of natural language generation where several sources of knowledge are typically exploited to handle features on different levels, such as syntax, semantics, form or aesthetics. But although this task has been addressed by several researchers, and targeted different languages, all known systems have focused on a limited purpose and a single language. This article describes the effort of adapting the same architecture to generate poetry in three different languages – Portuguese, Spanish and English. An existing architecture is first described and comp
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Afrin, Sanjida. "Semiotic Interpretation of Bangla Ligatures: An Introduction." Dhaka University Journal of Linguistics 2, no. 3 (2010): 111–24. http://dx.doi.org/10.3329/dujl.v2i3.4147.

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Semiotics is the study of sign processes emphasizing signification and communication, signs and symbols of different social phenomena. In the late 19th and early 20th century the works of Ferdinand de Saussure and Charles Sanders Peirce led to the emergence of semiotics as a separate discipline as well as method for examining phenomena in different fields, including aesthetics, anthropology, communications, psychology, and semantics. Saussure's interpretation of linguistic sign from a semiotic perspective has, better or worse, affected much of subsequent discussions about language. But accordi
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Chang, Wei-Chen, and Rung-Tai Lin. "Designing for wearable and fashionable interactions." Interaction Studies 21, no. 2 (2020): 200–219. http://dx.doi.org/10.1075/is.17047.cha.

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Abstract This research examines wearable, fashionable interaction design to mediate the narrative and semiotic concepts found in technology and fashion. We discuss the principles of design anthropology using Taiwan proverbs to transmit the “people-situation-reason-object” method and analyze five case studies that provide new approaches for designers engaged in future industry. Design anthropology attempts to engage physiological and psychological design through technological function, meaning formation, and fashion aesthetics to achieve cognition between people and the environment. The wearabl
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Orazaliyeva, E. "CULTURAL AND AESTHETIC KNOWLEDGE - A QUALITATIVE BASIS OF HUMAN CAPITAL." BULLETIN Series of Philological Sciences 75, no. 1 (2021): 123–29. http://dx.doi.org/10.51889/2021-1.1728-7804.21.

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The article is aimed at defining cognitive concepts and principles in Kazakh linguistics based on research papers that measure the nature of the language and the semantics of the word in the context of their functioning. The analysis of the conceptual system and cognitive paradigm in the cognitive theory of the Kazakh language is becoming an urgent problem of modern interdisciplinary science with the national identity and world practice. The cognitive theory, which originates from the spiritual and value heritage of the Kazakh people harmoniously combined the foundations of linguistic cognitio
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Lahbacha, Saber Mahmoud. "Rhetorical Tropes and Polysemy." Journal of Arts and Social Sciences [JASS] 4, no. 1 (2013): 5. http://dx.doi.org/10.24200/jass.vol4iss1pp5-26.

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There are many semantic ties which join polysemy with rhetorical tropes. While polysemy is a natural phenomenon in language, which does not denote any aesthetic dimension, rhetorical tropes denote clearly an aesthetic effect. Thus, there emerged many significant semantic relationships between polysemy and various rhetorical tropes as metaphor, zeugma and periphrasis. This study endeavors to focus on kinds of potential correlations and continuum between aesthetical and semantic levels, in hidden discussion between the Nazm theory and the linguistics` new methods.
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YERMOLENKO, Svitlana. "«LINGUISTIC AND AESTHETIC SIGN WORD IN UKRAINIAN POETRY OF THE XIX – XX CENTURIES»." Culture of the Word, no. 92 (2020): 7–21. http://dx.doi.org/10.37919/0201-419x-2020.92.1.

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The ambiguity of the token word is evidenced by the explanatory dictionaries of the Ukrainian language, as well as the linguistic and artistic discourse of the XIX – XXI centuries. In the explanatory dictionary of the Ukrainian language there is an unmotivated separation of lexical and semantic variants, which are actually shades of one of the meanings of the word. Instead, the dictionary does not capture the lexical-semantic variant “instrument of linguistic creativity” actualized in artistic discourse. Compared with the dictionary interpretation, poetic language more widely represents lexica
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Kholdorova, Shohista. "SEMANTICS AND THEIR ARTISTIC AND AESTHETIC FUNCTIONS IN SIRAJIDDIN SAYYID'S POETRY." Journal of Central Asian Social Studies 02, no. 01 (2021): 53–59. http://dx.doi.org/10.37547/jcass/volume02issue01-a9.

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This article describes in detail the semantic movements used in Sirojiddin Sayyid’s iyrics and their stylistic and linguistic features. Also, the poet’s unique visual skills and the expressin of subtle meanings of language units have been analyzed from a linguopoetic point of view.
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Feshchenko, V. V. "In the Three-Dimensional Space of Linguistic Theory and Literary Experiment." Critique and Semiotics 39, no. 1 (2021): 78–93. http://dx.doi.org/10.25205/2307-1737-2021-1-78-93.

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Based on Yu. S. Stepanov’s conception of the three paradigms in the history of linguistics, philosophy and art (semantic, syntactic and pragmatic), this study highlights the three phases of the linguo-aesthetic turn in the theory of language and in the artistic language experiment of the 20 th century: formal-semantic, functional-syntactic and actional-pragmatic. Analyzed are the creative linguistic techniques used in experimental literary discourse throughout the 20 th century, predominantly in Russian and Anglo-American literature, and the linguistic procedures corresponding to these techniq
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O. Anokhina, Tetiana, Olena M. Mashkina, Khrystyna B. Melko, Yuliia I. Poznikhirenko, and Natalia O. Teslenko. "Peripheral Semantics of the Word as a Marker of the National Picture of the World." Asian Journal of University Education 17, no. 1 (2021): 145. http://dx.doi.org/10.24191/ajue.v17i1.12692.

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Previous studies emphasized that there is a close connection between speech and thinking. The paper analyses the peripheral semantics of the German language's active vocabulary units to define how they represent the features of the national, linguistic picture of the world, namely, the mental traits of the German ethnos. Semantic methods and the extrapolation methods of typical secondary values on non-nonmental characteristics are used mainly; the comparative method was partially used. The contextual method was used as an auxiliary method for illustrating common ethical, aesthetic, and pragmat
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Wimmer, Lena, Ursula Christmann, and Elisabeth Ihmels. "Non-conventional figurative language as aesthetics of everyday communication." Metaphor and the Social World 6, no. 2 (2016): 243–75. http://dx.doi.org/10.1075/msw.6.2.04wim.

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This study focuses on the emotional aesthetic appreciation of figurative language, a dimension which has often been neglected in experimental psycholinguistics. Our goal was to demonstrate that non-conventional figurative utterances are evaluated as more aesthetically pleasing although they are cognitively more demanding than conventional rhetorical figures. This hypothesis was tested for three main types of figurative language (metaphors, irony and idioms) in three separate surveys. Participants assessed utterances by means of a questionnaire which comprised several semantic differential item
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Dissertations / Theses on the topic "Semantics; Linguistics; Aesthetics"

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McKay, Nicholas. "A semiotic evaluation of musical meaning in the works of Igor Stravinsky : decoding syntax with markedness and prototypicality theory." Thesis, University of Sussex, 1998. http://sro.sussex.ac.uk/23947/.

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Butler, James Odelle. "Name, place, and emotional space : themed semantics in literary onomastic research." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4165/.

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This research uses literary resources as evidence against the argument that names are potentially semantically meaningless entities. A secondary goal is to highlight and discuss the value of onomastics from both a literary and linguistic perspective. The thesis proposes a methodology for the assessment of literary sources based on genre, arguing that names, and genre in turn, may be defined through their respective engagement with thematic considerations, providing a relevant critical structure by which to assess the application or construction of names within fiction. The proposed methodology
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Ballón, Aguirre Enrique. "De la sublimación del amor." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/100273.

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El tema de la “sublimación del amor”, ampliamente debatido en las estéticas de Kant y Hegel, ha sido ilustrado en la poesía hispanoamericana colonial con sendos poemas de Diego Dávalos y Figueroa, Sor Juana Inés de la Cruz, y Juan del Valle y Caviedes. A partir de su examen semánticotextual, en este artículo se determina los alcances de las respectivas poéticas en el marco de dicho enfrentamiento teórico.<br>The “love’s sublimation” subject was under debate in the Kant and Hegel aesthetic doctrine. This controversy was also illustrated by the colonial Hispanic-American poetry of Diego Dávalos
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Pettersson, Ulf. "Textmedierade virtuella världar : Narration, perception och kognition." Doctoral thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-29606.

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This thesis synthezises theories from intermedia studies, semiotics, Gestalt psychology, cognitive linguistics, cognitive psychology, cognitive poetics, reader response criticism, narratology and possible worlds-theories adjusted to literary studies. The aim is to provide a transdisciplinary explanatory model of the transaction between text and reader during the reading process resulting in the reader experiencing a mental, virtual world. Departing from Mitchells statement that all media are mixed media, this thesis points to Peirce’s tricotomies of different types of signs and to the relation
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Kirk, Gwendolyn Sarah. "Half-drawn arrows of meaning : a phenomenological approach to ambiguity and semantics in the Urdu Ghazal." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3219.

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In this paper I explore the role of ambiguity in the creation of meaning in the Urdu ghazal. Ghazal, the predominant genre of Urdu poetry, consists of a series of thematically unrelated yet metrically and prosodically related couplets, each densely packed with multiple and complex meanings. Ambiguity, both lexical and grammatical, is a key technique in the poetics of this genre. Here I not only analyze the different ways ambiguity manifests itself but also the way it has historically been and continues to be mobilized by poets and practitioners of the genre to further imbue each couplet with c
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Books on the topic "Semantics; Linguistics; Aesthetics"

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Novikov, Lev Alekseevich. Izbrannye trudy. Izd-vo Rossiĭskogo universiteta druzhby narodov, 2001.

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Symbolismus im Spannungsfeld zwischen ästhetischer und eschatologischer Existenz: Motivische Semantik im lyrischen Werk von Otokar Br̆ezina. Verlag Otto Sagner, 1998.

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Book chapters on the topic "Semantics; Linguistics; Aesthetics"

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Semak, Ludmila. "THE LINGUISTIC AND STYLISTIC ASPECT OF THE LEXICAL SYNONYMICS (ON THE MATERIAL OF MODERN UKRAINIAN FEMALE PROSE)." In Factors of cross- and intercultural communication in the higher educational process of Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-051-3-7.

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This paper is the first complex research of lexical synonyms as components of the artistic discourse of modern Ukrainian female prose introduced into the field of semantic, linguistic and stylistic analysis. The scientific novelty of the paper is that for the first time in linguistic and Ukrainian studies the lexical synonymy in modern Ukrainian female prose is comprehensively explored, as a result of which the semantic, linguistic and stylistic features of synonyms are clarified. The study proves that in the analyzed works lexical synonyms, which express the idiolects of modern Ukrainian female prose writers and constitute a set of expressive and imaging marking means of their language creation, represent a number of semantic, linguistic-stylistic, categories. Which allows interpreting them not only in the functional-semantic context but also within linguostylistics. Modern Ukrainian female prose in Ukrainian literature is the latest holistic socio-cultural phenomenon is represented by the works of such authors as Emma Andiievska, Sophiia Andrukhovych, Nina Bichui, Liuko Dashvar, Oksana Zabuzhko, Kateryna Kalytko, Irena Karpa, Yevhenii Kononenko, Maria Matios and others. In the paper it is proved that word convergences appear in the literary text because of the special purpose, the purpose set by the authors, therefore they become striking representatives of idiolects of separate masters of prose. In the paper a detailed analysis of lexical synonyms is carried out, which in the artistic discourse of modern Ukrainian female prose perform a number of basic and additional functions, among which are: functions of differentiation, substitution, aesthetics, synonymic opposition, etc. Using lexical synonyms in different contexts, prose female writers always carefully weigh the semantic nuances of each word, thus achieving the expressiveness, sophistication and high aesthetic value of their literature.
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Chen, Ya-Xi, Rodrigo Santamaría, Andreas Butz, and Roberto Therón. "TagClusters." In Innovative Design and Creation of Visual Interfaces. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-0285-4.ch007.

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Many online communities use TagClouds, an aesthetic and easy to understand visualization, to represent popular tags collaboratively generated by their users. However, due to the free nature of tagging, such collaborative tags have linguistic problems and limitations, such as high semantic density. Moreover, the alphabetical order of TagClouds poorly supports a hierarchical exploration among tags. This paper presents an exploration to support semantic understanding of collaborative tags beyond TagClouds. Based on the results of the authors’ survey of practical usages of collaborative tags, they developed a visualization named TagClusters, in which tags are clustered into different groups, with font size representing tag popularity and the spatial distance indicating the semantic similarity between tags. The subgroups in each group and the overlap between groups are highlighted, illustrating the underlying hierarchical structure and semantic relations between groups. The authors conducted a comparative evaluation with TagClouds and TagClusters based on the same tag set. The results confirmed the advantage of TagClusters in facilitating browsing, comparing and comprehending semantic relations between tags.
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Stovbur, Liubov. "PECULIARITIES OF FUNCTIONING AND STYLISTIC ROLE OF DEMINUTIVES IN UKRAINIAN FOLK SONGS." In Integration of traditional and innovation processes of development of modern science. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-021-6-1.

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Deminutive vocabulary is a vivid means of emotional and allegorical expression of a literary text, especially when it comes to Ukrainian folk songs. The need for its further study in terms of word formation, semantics and expressive possibilities in the literary text will clarify the idea of reduction as a word-forming category, the peculiarities of its use in Ukrainian folk songs. High derivational activity of diminutive suffixes in the modern Ukrainian language is a manifestation of the nominative function – the desire to call small objects (rarely – minor phenomena of reality) a derivative with a diminutive formant. With the help of diminutive suffixes the aesthetic function of the word is realized – the desire to give the lexical unit of expression, to introduce into it an additional shade of expression. Diminutives often used in adult language addressed to children, and in children's language. Each group of words of subjective evaluation characterized by certain forms used in the formation of derivatives and express an inexhaustible number of different shades of meaning. Derivational analysis can be complicat by the specific possibilities of context and intonation, as in language and speech there may be an erasure of the basic meaning of the subjective-evaluation token and its transition from one group of words of subjective evaluation to another. The scientific novelty of the study lies in the multi-vector exploration: an attempt to generalize the idea of diminutives as a word-forming category, including typical suffixes with which they are formed, their word-forming meanings and productivity, types of creative bases, and to trace the stylistic role of diminutives on Ukrainian folk songs. The relevance of the proposed exploration determined by the insufficient development of the topic of diminutive derivation in song folklore, the importance and role of diminutives in Ukrainian folk songs. The connection of the researched topic with the general problems of Ukrainian stylistic word formation also seems to be theoretically important and relevant. The aim of the research is to reveal the lexical-semantic and word-forming features of diminutives, as well as their stylistic load in the texts of Ukrainian folk songs. To achieve this goal it is necessary to perform the following research tasks: to outline the theoretical foundations of the study of diminutives as a type of derived words in modern linguistic literature; to characterize the specifics of Ukrainian diminutives; to carry out semantic classification of the considered diminutives; analyze the grammatical and structural properties of diminutives; to determine the stylistic role of diminutives in Ukrainian folk songs. Research methods: the main thing in the work is the descriptive method, with its universal methods of observation, systematization and interpretation of linguistic facts and phenomena. The presentation of the researched material is subject to clear logicization: substantiation of theoretical bases, presentative-analytical presentation of the fact, formulation of the concluding part.
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Klymenko, Tatyana. "PROBLEMS OF TEACHING UKRAINIAN AS A FOREIGN LANGUAGE." In Factors of cross- and intercultural communication in the higher educational process of Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-051-3-4.

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The subject of the study is the relationship between the methodology of teaching the Ukrainian language as a foreign language and phraseological material, which activates the various levels involved in mastering the linguistic base, namely motivation, memory, cognition and others. The article deals with the problem of bilingualism in Ukraine, considers the problems of teaching foreign students the Ukrainian language in terms of partial bilingual everyday communication, suggests ways to solve these problems. The classification of modern strategies used in language learning is considered. We also considered the advantages of the communicative-cognitive approach to learning the Ukrainian language. The research methodology consists of theoretical and practical principles of observation, recording and evaluation of activities in the system of teacher – students, taking into account the different conditions of linguistic and non-linguistic reality. The purpose of the study is to clarify the peculiarities of the use of phraseological units in the framework of work with foreign students, taking into account the bilingual situation in some parts of Ukraine. The article deals too with linguistic and methodological aspects of the study of phraseological units concerning with the work at the lessons of Russian as a foreign language. Phraseological units possess aesthetic value, so it is often included to the training material. The interpretation of them occurs on pretextual work level. The actual material of the article has about 50 different levels of language units, the selection of idioms was carried out in the presence of words with temporal meaning. An idiom is a linear sequence, representing the aesthetic value thanks to the meaning hidden in it. Words, in idiomatic expressions, creating a special sense, come in a variety of relationships – synonymic, antonymic, of kind and type ones etc. Inside the words can occur shifts of meanings such as metaphorical, metonymic. The syntax structure of idioms can be different from a phrase to sentences with different punctuation. Learning understanding and practical usage of Russian phraseological units lead to the development of students not only objective semantic and associative evaluation of the various acts or objects, but also to the ability to implement the same idea through units of different levels of language and speech formulas, which are composed of elements with imagery. The conclusion of the study. We have considered the classification of modern strategies used in the study of Ukrainian as a foreign language. The advantages of communicative-cognitive approach to learning the Ukrainian language are described. Practice shows that motivation and mnemonic techniques are important in learning. The phraseological layer of vocabulary is a very important culturological factor in the process of learning a foreign language. We can see further prospects of our research in a detailed consideration of all the tools of communicative-cognitive approach to the study of language as a foreign language.
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