Academic literature on the topic 'Semiostylistic'

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Journal articles on the topic "Semiostylistic"

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EHUI, Jean Marius, and Kouassi Jean Bernard KOUADIO. "Pour une poétique de l’ivoironie dans la poésie de Toh Bi Tié Emmanuel." ALTRALANG Journal 6, no. 1 (2024): 168–76. http://dx.doi.org/10.52919/altralang.v6i1.410.

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ABSTRACT: The idea of a poetics of “ivoironie” offers new perspectives of analysis to Ivorian literary works. Indeed, since the advent of musical genres such as Zouglou in 1990 and coupé-décalé in 2000, Ivorian literature, in general, and Ivorian poetry, in particular, have been militating in favor of cultural rehabilitation and identity. Thus, the various literary works present in their textual materiality, many Ivorianisms and social symbols that deserve to be taken into account in the construction of meaning. Such reading issues are the basis of the poetics of Ivorianism, which is an extens
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TAKAM, Omer. "Une analyse sémiostylistique de la schématisation discursive de la particularité de l'amour maternel de la femme africaine dans le poème "A ma mère" de Camara Laye." ALTRALANG Journal 6, no. 1 (2024): 177–89. http://dx.doi.org/10.52919/altralang.v6i1.411.

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ABSTRACT: The poem of Camara Laye is a text conceived to magnify maternal love of African woman, which the poet presents as of no resemblance. The particularity of that love, which is shown through various manifestations and is being made particular from the way it is expressed, is that it takes the shapes of symbol. Maternal love of African woman is presented under the symbol of love itself. This poem is focused on maternal love of African woman given to be identified as the true love, as the incomparable love. And it is in consideration of the singular configuration of its statement that the
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Edung, Mike T. U. "TEXTUAL PATTERNS AND SIGNIFICANCE IN JOE USHIE’S POETRY: A SEMIOSTYLISTIC STUDY." European Journal of Literature, Language and Linguistics Studies 4, no. 1 (2020). http://dx.doi.org/10.46827/ejlll.v4i1.191.

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<p>Ushie’s poetry has been much studied for its message on topical issues like social injustice, political malfeasance, the environment, among others, and perhaps much more for its use of language. Yet several aspects of the use of language in Ushie’s poetry are yet to receive attention, and a major one among these is what this study has attempted to demonstrate. Against the background of Daiches’ (1948) exposition on creative writing as an art, and the creative writer as an artist in words, this study analyses a few of Joe Ushie’s poems with thetool of semiostylistics, and shows how Ush
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Dissertations / Theses on the topic "Semiostylistic"

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Nadjloudine, Abdel Fatah. "La polyphonie dans "Anguille sous roche", "Mon étincelle", "Dérangé que je suis" et "Jouissance" d'Ali Zamir : approche énonciative et sémiostylistique." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL068.

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Cette thèse se propose d'aborder la question de la polyphonie telle qu'elle se manifeste dans les romans de l'auteur comorien, Ali Zamir, que sont Anguille sous roche, Mon Étincelle, Dérangé que je suis et Jouissance. Suivant une approche à la fois énonciative et sémiostylistique, nous nous fixons pour objectif de faire ressortir tout ce qui contribue à faire de ces romans des textes polyphoniques : outils linguistiques, mécanismes langagiers, techniques discursives, etc. Ce travail de recherche part de l'hypothèse que la polyphonie est le trait par rapport auquel se définissent tous ceux que
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Soudani, Hind. "Sémiostylistique de l'œuvre poétique de Louis Aragon." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040079.

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Les concepts de topos, graphè, éthos et pathos contribuent activement à marquer la singularité d’une œuvre poétique, en l’occurrence, dans le cadre de notre thèse, celle de Louis Aragon (1897- 1982).Aragon fut l’inspirateur de compositeurs et d’interprètes comme « Kosma, Douai, Ferré, Ferrat, Brassens, Claveau, Montand, Trenet, Béart, Morelli, Martin, Ogeret ». Il déclare même qu’il aime qu’on lise ses poèmes mais préfère qu’on les chante. Outre l’importance de la dimension visuelle, la composante sonore et rythmique s’avère elle aussi capitale dans la perception et la réception de la poésie d
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