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Journal articles on the topic 'Semiotic chora'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Shang, Dian. "Daoism Concepts in Kristevas Chora." Communications in Humanities Research 4, no. 1 (2023): 591–95. http://dx.doi.org/10.54254/2753-7064/4/20220885.

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Kristeva, in her publication Revolution In Poetic Language, refers to the concept of chora to reconstruct the demolition of emotionality and rationality in humankind. Chora is a space constituted of the Semiotic and the Symbolic for the preparation to generate humanity. I noticed that Kristevas chora functions not only in a semiotic way but also interpenetrates into the thoughts of Chinese Daoism. I believe this discovery is beneficial for us to understand Kristevas psychoanalysis in a different way with some cultural exchanges; in addition, we can come up with a new perspective on the traditi

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2

Hartnell, Laura. "Notes from the Semiotic Chora." Performance Research 25, no. 5 (2020): 4–9. http://dx.doi.org/10.1080/13528165.2020.1868831.

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Marti-Olivella, Jaume. "Death and Spring: Rodoreda's Semiotic Chora." Romance Quarterly 42, no. 3 (1995): 154–62. http://dx.doi.org/10.1080/08831157.1995.10545128.

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4

Halych, Valentyna. "Semiotic chora in social communicative discourse." Bulletin of Lviv Polytechnic National University. Series: Journalistic sciences 2017, no. 1 (2017): 97–105. http://dx.doi.org/10.23939/sjs2017.01.097.

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5

Cheema, Amna Umer. "Elizabeth Bishop and the Watery Discourse: The Semiotic Chora at play." Journal of English Language, Literature and Education 3, no. 02 (2021): 69–83. http://dx.doi.org/10.54692/jelle.2021.030294.

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This paper theorizes the use of water imagery in Elizabeth Bishop’s selected postmodern poetry namely, “The Map”, “The Imaginary Iceberg” and “The Man-Moth”. Speaking in the language of tears, lake, bay, river, strait, sea and ocean, Bishop personifies water for culture and its language. It is on this basis that Bishop comes close to the French psychoanalyst and linguist, Julia Kristeva’s concept of the semiotic chora. Kristeva calls it a space of maternal discourse, where the fluid realm of mother’s body called chora celebrates the fluidity of semiotic desires and expresses them through the s

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Watkin, William. "Indifferentiating the Undifferentiated in Kristeva’s Revolution in Poetic Language." Acta Nova Humanistica: A Journal of Humanities Published by New Bulgarian University 1, no. 1 (2024): 65–81. https://doi.org/10.33919/anhnbu.24.1.5.

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When Kristeva published her doctoral thesis La révolution du langage poétique in the early 1970s, its engagement with the philosophy of difference was groundbreaking. However, nearly fifty years later, the rise of indifferential systems of thought in continental philosophy, such as we find in Giorgio Agamben's archeology, Alain Badiou's ontology, set theory, and analytic extensionalism, means that, returning to Kristeva's foundational text, it can appear dated and impossible to recuperate for a twenty-first century philosophical situation. Yet central to Kristeva's work is the semiotic chora,

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Margaroni, Maria. "“The Lost Foundation”: Kristeva's Semiotic Chora and Its Ambiguous Legacy." Hypatia 20, no. 1 (2005): 78–98. http://dx.doi.org/10.1111/j.1527-2001.2005.tb00374.x.

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The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by re-inscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of “the beginning before the Beginning.” The second concerns the necessity and possibility of mediation between incommensurable entities: the “demonic” and the social, desire and the Law, material production and representation. I contend: (1) that the introduction of the chora in RPL is part of Kristeva's effort to restore the legacy of a materialist economy of the beginning,

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Tamminen, Herman. "Body ground red – integrating Peirce, Kristeva and Greimas." Sign Systems Studies 48, no. 2-4 (2020): 368–91. http://dx.doi.org/10.12697/sss.2020.48.2-4.09.

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Ground (Charles Peirce’s concept) – regardless whether it be taken as motivation or abstractness – affords the proposition that some abstract categories of meaning have acquired their qualities via bodily experience. In order to show this to be the case, the concept of ground will be drawn together with the division (according to Julia Kristeva) between the symbolic and the semiotic, the semiotic chora will be shown to function as an axiologizing thymic category as regard reception of perception (following Algirdas Greimas), and finally it will be proposed that it is this foundation that enabl

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Nikolchina, Miglena. "Ontology, Biosemiotics, and Set Theory: New Turns in Kristevan Studies." Acta Nova Humanistica: A Journal of Humanities Published by New Bulgarian University 1, no. 1 (2024): 13–26. https://doi.org/10.33919/anhnbu.24.1.1.

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The papers collected in this volume were presented at the Eighth Meeting of the Kristeva circle, which took place in Julia Kristeva's country of origin, Bulgaria, at the New Bulgarian University in Sofia, in May 2022. The small local organizing committee included Kristian Bankov, semiotician and Secretary General of the International Association for Semiotic Studies (IASS/AIS), Albena Stambolova, a writer and psychoanalyst, and myself, my research focus being on the juncture of literature and philosophy. I mention our research areas in order to foreground our ambition to have the conference ad

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Jianguang, Sun, Zahra Sharbaf Kashani, and Farzaneh Haratyan. "Manifestation of Kristeva’s Theory of Abjection and Thetic Break in Sam Shepard’s The Buried Child." European Journal of English Language and Literature Studies 11, no. 1 (2023): 37–48. http://dx.doi.org/10.37745/ejells.2013/vol11n13748.

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This study probes Kristeva’s theory of abjection, thetic break, the semiotics, and the symbolic in the play The Buried Child written by Sam Shepherd. The image of metamophorasized mother refers to any types of objects which are the transformed version of the mother. In other words, the image of mother is substituted and replaced during thetic break which functions as a threshold between two realms of the semiotic and the symbolic as a break between the signifier and the signified. Kristeva believes that the thetic break is a precondition for entering the symbolic chora and the possibilities of

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11

Margaroni, Maria. ""The Lost Foundation": Kristeva's Semiotic Chora and Its Ambiguous Legacy." Hypatia 20, no. 1 (2005): 78–98. http://dx.doi.org/10.1353/hyp.2005.0014.

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12

Djurdjevic, Srdjan. "Heterogeneity of the Freudian sign: Kristeva’s semiotic Chora and Lacan’s notion of lalangue." Filozofija i drustvo 35, no. 2 (2024): 417–34. http://dx.doi.org/10.2298/fid2402417d.

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In this contribution, our aim is to explore and analyse the interplay between the approaches of Julia Kristeva and Jacques Lacan during the 1970s. By seeking to transcend the limitations inherent in the structuralist framework, both authors endeavour to introduce new concepts that can account for the heterogeneity of Freudian sign. Previous studies examining the relationship between these two authors predominantly focused on Kristeva?s critique of Lacanian structuralist theory during the 1950s. From this standpoint, the semiotic chora is perceived as a force that fundamentally challenges Lacan

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Athanasopoulou-Kypriou, Spyridoula. "and/Or the Art of Living." Samuel Beckett Today / Aujourd'hui 15, no. 1 (2005): 311–23. http://dx.doi.org/10.1163/18757405-015001027.

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Taking exception to the psychoanalytic and theological interpretations, I stress the play's resistance to interpretation and suggest that the play might well be about the art of living in a meaningless world. Borrowing the term 'semiotic chora' from Julia Kristeva, I read as a representation and dramatization of the space where subjectivity has not yet been constructed and thus many possibilities are still open. I also suggest that the play offers a therapeutic journey to the abject elements of human life.

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Margaroni, Maria. "Introduction." Theory Now. Journal of Literature, Critique, and Thought 6, no. 1 (2023): 1–12. http://dx.doi.org/10.30827/tn.v6i1.27211.

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One of the major contributions of Julia Kristeva in all the diverse fields of study she has worked in since her emergence as a theorist of semiotics and avant-garde literature in the mid-1960s is her attention to the body and the bodily. Some of her central concepts of that period, such as the semiotic, semanalysis, the chora, and signifiance, have helped theorists in the Arts and Humanities but also in the Social and Medical sciences do justice to the complex vulnerability of the subject-in-process/on trial at the crossroads between biology and language. It is significant that she comes to de

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Maharani, Maria, and Ikhaputri Widiantini. "Confluence of The Experience of Pain and Beauty In Ballet Through The Aesthetics Marking of Pointe Shoes." Beranda 1, no. 2 (2024): 25–42. http://dx.doi.org/10.52969/beranda.v1i2.40.

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Ballet is notable for its beautiful, mystical, celestial, weightless, and effortless movements. However, for ballet dancers, these beautiful movements are all done by a body in pain, a body that embeds memories and social codes of its structure. The active involvement of the body enables a ballet dancer to develop a habitus that constantly naturalizes pain as part of the process of its “Being.” For the female, pain is embodied in pointe shoes. Initially, pointe shoes were meant to enhance the female’s beauty, like fairies or angels in fairy tales. The encounter with pain, then, marginalizes an

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Ghanbarian, Parisa, Mona Hoorvash, and Mahsa Hashemi. "Elven chora : feminine space and power in Tolkien's The Lord of the Rings." Brno studies in English, no. 1 (2023): 129–45. http://dx.doi.org/10.5817/bse2023-1-7.

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The Lord of the Rings has earned Tolkien high praise as well as a reputation for misogyny due to its scarce and marginal female characters. A rather neglected aspect of Tolkien's trilogy which challenges this notion is the femininity embedded within the story and its significance in the value system of the novel. Despite depicting fewer female human characters, Tolkien has created a race which is dominantly characterized by feminine attributes: the race of the Elves. Questioning the accusations of misogyny through a feminist psychoanalytic reading, this study uses Kristeva's chora to recognize

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Gamze, Ar. "The Critical Outlook to Eleni Sikelianos' Body Clock: Poems with the Theoretical Backgrounds from Theorists Julia Kristeva and Susanna Egan." International Journal of Media Culture and Literature 7, no. 2 (2021): 119–43. https://doi.org/10.5281/zenodo.6411947.

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This paper analyzes Body Clock: Poems in the perspective of Julia Kristeva’s Desire in Language A Semiotic Approach to Literature and Art and. It explicitly sheds light on Eleni Sikelianos’s poems in Body Clock with two different theorists such as Kristeva and Egan. Eleni Sikelianos’ (1965- ) both visual and verbal narrative style attribute an authentic outlook for readers, and they see the power of her performative style. The process of giving birth is narrated so creatively that when people read her poems, they will understand how life is a meaningful thing. The study will

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Kačkutė, Eglė. "Mothering in the Stepmother Tongue: Maternal Subjectivity and Linguistic Practice in Nancy Huston's Autobiographical Non-Fiction." Nottingham French Studies 57, no. 3 (2018): 274–85. http://dx.doi.org/10.3366/nfs.2018.0224.

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This article explores Huston's subject position as a mother and writer that emerges in her autobiographical non-fiction written during or reflecting upon the period of her life when her children were born and during their early childhood. The article aims to understand how and why Huston comes to mother in her adoptive ‘stepmother’ tongue, French, and how it is significant in her translingual writing practice. In light of Julia Kristeva's concept of the semiotic chora and its interpretation offered by Alison Stone, this article argues that although Huston's maternal linguistic practice origina

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Gaitanidis, Anastasios. "Building bridges between psychoanalysis and music." British Journal of Music Therapy 33, no. 2 (2019): 80–82. http://dx.doi.org/10.1177/1359457519879795.

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In this article, I begin by presenting how a Greek song erupted within the flow of my everyday existence and allowed me to reconnect with past trauma, grief and psychic pain. Operating in a register which is different from that of symbolic language, and yet always already within it, music enables productive encounters with trauma and loss in everyday life. I then continue exploring the connections between music and language by employing Kristeva’s notions of ‘chora’ and the ‘semiotic’, which place the ‘musicality’ of language, its rhythm and tonality, and pitch and timbre at the centre of the

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20

Elise, Dianne. "Moving from Within The Maternal." Journal of the American Psychoanalytic Association 65, no. 1 (2017): 33–60. http://dx.doi.org/10.1177/0003065116688460.

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With Kristeva’s concept of maternal eroticism (2014) as starting point, the “multiverse” of mother/child erotic sensibilities—the dance of the semiotic chora—is explored and a parallel engagement proposed within the analytic dyad. The dance of psychoanalysis is not the creative product of the patient’s mind alone. Clinical work invites, requires, a choreographic engagement by the clinician in interplay with the patient. The clinician’s analytic activity is thus akin to choreography: the structuring of a dance, or of a session, expresses an inner impulse brought into narrative form. The embodie

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Onay-Çöker, Duygu. "Problematizing Motherhood." Glimpse 22, no. 2 (2021): 166–71. http://dx.doi.org/10.5840/glimpse202122233.

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In this paper, I focus on the representation of motherhood from a two-fold perspective by choosing the bestselling Turkish baby diapers advertisements as a case study of broadcasting in Turkish media. The first perspective analyzes the representation of motherhood by applying the concept of “Male Gaze” by Laura Mulvey, according to whom a woman is objectified by the male gaze and becomes a bearer of meaning rather than a maker of meaning. Further, the themes emerging from a careful reading of representations of women in advertisements of baby diapers are discussed. The second perspective consi

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Buchsbaum, Julianne. "Abjection and the Melancholic Imagination: Towards a Poststructuralist Psychoanalytic Reading of Blake’s The Book of Urizen." Articles, no. 56 (March 8, 2011): 0. http://dx.doi.org/10.7202/1001099ar.

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Julia Kristeva’s work on the semiotic and the symbolic seems particularly relevant to Blake’s poem The Book of Urizen insofar as she is concerned with how we develop as speaking beings and how language both disguises and reveals evidence of a previous state of union with what she calls the maternal chora. These ideas allow for an interesting reading of Blake’s concern with the splitting off of Urizen from the Eternals and how this splitting off enables him to emerge as a signifying subject who bears traces of traumatic loss and upheaval, or of what Kristeva would term “the abject.” Abjection i

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Cheema, Dr Amna Umer. "Elizabeth Bishop: Abjecting the Other and Estranging the Self." Journal of English Language, Literature and Education 5, no. 2 (2023): 1–16. http://dx.doi.org/10.54692/jelle.2023.0502176.

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This research sheds light on Elizabeth Bishop’s demonstration of Julia Kisteva’s psychoanalytic concept of “Abjection” and “Estrangement” within the “maternal” space called semiotic chora. This maternal space exhibits abjection and estrangement within the fluid images in the poetic collections – Questions of Travel and Geography III. The mother-child bond celebrated in Bishop’s earlier collections culminates into the process of separation of the child from the mother, and subject from the object. Bishop’s separation from her mother forms new meanings for herself, which resist the identity of t

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Siddiqa, Ayesha. "From “Woman as Thing” to a “Subject-In-Process”: The Dynamics of Courtly Love in Charlotte Lennox’s The Female Quixote (1752)." NUML journal of critical inquiry 21, no. I (2023): 1–17. http://dx.doi.org/10.52015/numljci.v21ii.246.

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Slavoj Žižek’s psychoanalytic analysis of “courtly love” concludes that the courtly image of the Knight’s subservience to his Lady actually masks the reality of male domination; however, Žižek’s own analysis seems complicit in the same problematic. Whereas courtly love provides a semblance of agency to the woman, in assuming the male partner as the subject from whose vantage the relationship is theorized, Žižek’s analysis strips the woman of any subjectivity or agency by rendering her an absolute object, a radical Otherness, a monster, and an automaton. While Žižek painstakingly represents the

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Houser, Nathan. "Thinking at the Edges." American Journal of Semiotics 36, no. 1 (2020): 95–116. http://dx.doi.org/10.5840/ajs202082762.

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The field of semiotic studies requires borders to function as a discipline but as a living science it is essential that those borders be unheeded. When Charles Peirce opened the modern field of semiotic studies he understood that he was an intellectual pioneer preparing the way for future semioticians. Peirce’s decision to equate semiotics with logic would likely seem bizarre to most professional logicians today yet his decision followed naturally from his view that all mental operations are sign actions and that semiosis is inferential. Peirce’s life-long study of sign types eventually led to

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Zamiatin, Dmitri. "Post-City (III): Co-spatiality Politics and New Mediality." Sotsiologicheskoe Obozrenie / Russian Sociological Review 19, no. 3 (2020): 232–66. http://dx.doi.org/10.17323/1728-192x-2020-3-232-266.

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One of the most significant factors influencing the co-spatialities regimes of post-urban communities is the development of new urban media. On the one hand, new urban media symbolizes the complex transition to new post-urban communities and new spatial regimes of their existence; on the other hand, they are the basic element of the newly emerging policies of co-spatialities. From the phenomenological point of view, post-politics is treated as the growing dominance of flat communicative ontologies in post-urban spaces, characterized by the disintegration of the traditional modern methods of co

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Brandt, Tatjana. "Kroppen med de dubbla pulsarna." Tidskrift för litteraturvetenskap 41, no. 1 (2011): 25–40. http://dx.doi.org/10.54797/tfl.v41i1.11845.

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The Body with a Double Pulse: Carnival and Emptiness in Ann Jäderlund’s Snart går jag i sommaren ut This article offers a reading of Ann Jäderlund’s poetry volume Snart går jag i sommaren ut (1990). Jäderlund’s poetry is characterised by a fierce attack on all stable linguistic meaning, continuously undermining all budding metaphors and allegories. Instead, Jäderlund’s language floats forth in an ongoing, dynamic weave of words and images, to which, at first glance, it seems impossible to attribute any clear sense. The aim of this article is to shed new light on the logic of Jäderlund’s

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Conklin, Darrell. "Chord sequence generation with semiotic patterns." Journal of Mathematics and Music 10, no. 2 (2016): 92–106. http://dx.doi.org/10.1080/17459737.2016.1188172.

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Dmitrieva, Maria. "Verbal and musical texts: Interactions of semiotic codes." Scandinavian Philology 21, no. 1 (2023): 96–106. http://dx.doi.org/10.21638/11701/spbu21.2023.106.

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The purpose of the paper is to identify the mechanisms of interaction between two sign systems: the verbal text of the Dutch rhymed psalms of the 19th century and the musical text of the melodies. The text is broadly understood as an ordered set of semiotic codes that carry certain information. The discussion of both linguistic and musical material with the use of musicological and linguopragmatic analysis is innovative. In the course of the study, an attempt was made to establish the relationship between the type of rhyme and the way of musical arrangement of the text. For poetic texts with a

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Sánchez, Sandra Jacqueline Solís, Celinda Annabella Ponce Perez, Marina Zenaida Castro Solórzano, and Taña Elizabeth Escobar Guanoluisa. "The clothing systems of the chola pinganilla and the chulla quiteño: Crosses between design and semiotics." Medwave 24, S2 (2024): eUTA46. https://doi.org/10.5867/medwave.2024.s2.uta46.

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Introducción Los sistemas de interpretación a partir de la práctica vestimentaria de la chola pinganilla y el chulla quiteño como producto cultural inmaterial, encarna las ideologías particulares de los sujetos en su contexto temporal. Ante lo expuesto, pocos son los estudios sobre el indumento regional, por lo que, estas construcciones de significación vivifican la memoria patrimonial implícita en el vestido de estos dos arquetipos ecuatorianos. Objetivos La presente investigación pretende dilucidar las significaciones inmersas en los personajes chulla quiteño y chola pinganilla que reaviven

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Hayes, Elizabeth T. "The Named and the Nameless: Morrison's 124 and Naylor's "the Other Place" as Semiotic Chorae." African American Review 38, no. 4 (2004): 669. http://dx.doi.org/10.2307/4134424.

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Nariswari, Sita. "“Di Setiap Kamis, Nyali Berlapis”: Analisis Semiotika Permohonan Keadilan Ham Pada Lagu “Jingga” Karya Efek Rumah Kaca." Jurnal Komunikasi dan Media 1, no. 2 (2021): 81. http://dx.doi.org/10.24167/jkm.v1i2.3188.

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Lagu adalah sebuah alat komunikasi massa yang paling universal untuk menyampaikan pesan karena lagu dapat menggapai elemen kognitif dan emosi manusia. Di Indonesia musik digunakan pula sebagai sebuah instrumen kritik sosial. Salah satu musisi yang menyampaikan pesan kritik sosial melalui lagu-lagunya adalah band Efek Rumah Kaca, sebuah band indie asal Jakarta. Salah satu lagunya adalah Jingga, yang bercerita tentang bagaimana peserta Aksi Kamisan menuntut keadilan HAM terhadap penculikan aktivis pada 1997-1998. Karena sebuah lagu merupakan seni yang abstrak dan multimakna, maka penelitian ini

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Shevchenkp, Ekaterina, and Daria Gerchenova. "Semiotics of V. Nabokov’s artistic language in the light of N. Goodman’s theory of symbolization." Semiotic studies 3, no. 4 (2023): 40–47. http://dx.doi.org/10.18287/2782-2966-2023-3-4-40-47.

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The article is devoted to the problems of V. Nabokov’s author’s style, considered from the standpoint of semiotics. Russian-language prose created by V. Nabokov during the Berlin period of his life is used as research material: the novels “Mary”, “King, Queen, Knave”, “The Luzhin Defense”, “Glory”, “Camera Obscura”, “Despair”, “Invitation to a Beheading”, “The Gift” and stories from the collection “The Return of Chorb”. The features of the Nabokov’s text verbal sign, as well as the visual and expressive capabilities of the verbal images in the writer’s works are considered. Thanks to the use o

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Dunaevskaya, Alla. "The Phenomenon of Sacrality in the "Liturgical" Symphony of Andrey Eshpay." PHILHARMONICA. International Music Journal, no. 2 (February 2023): 1–14. http://dx.doi.org/10.7256/2453-613x.2023.2.40075.

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The focus of this article is the Sixth "Liturgical" Symphony of Andrei Yakovlevich Eshpai, one of the brightest representatives of the national and world musical culture of our time. The composition is considered in the perspective of sacrality, which fully determines its artistic and constructive patterns and dramatic perspective. The scientific novelty of the work is due to the subject of research itself, which was first used in relation to this work. To study the phenomenon of sacrality, it was necessary to use an interdisciplinary approach, which includes methods of system-structural, comp

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Dunaevskaya, Alla. "The Phenomenon of Sacrality in Andrei Eshpai's "Liturgical" Symphony." PHILHARMONICA. International Music Journal, no. 1 (January 2023): 1–11. http://dx.doi.org/10.7256/2453-613x.2023.1.43865.

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This article focuses on the Sixth "Liturgical" Symphony of Andrei Yakovlevich Eshpai, one of the brightest representatives of the national and world musical culture of our time. The composition is considered from the perspective of sacrality, which fully determines its artistic and constructive patterns and dramatic perspective. The scientific novelty of the work is due to the subject of research itself, which was first used in relation to this work. To study the phenomenon of sacrality, it was necessary to use an interdisciplinary approach, including system-structural, comparative, semiotic,

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Shindel', Svetlana Vladimirovna, Antonina Nikolaevna Maslova, and Ol'ga Nikolaevna Kosheleva. "Confirmation as a genre of religious discourse (on the material of ego-documents of Lutherans of the Brunnenthal colony XIX-XX cc.)." Филология: научные исследования, no. 2 (February 2025): 197–219. https://doi.org/10.7256/2454-0749.2025.2.72957.

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The article is devoted to the Povolzhie Germans' confessional ego documents. The subject of the study are linguistic and extra linguistic markers of religious genre considering the examples of confirmation certificates of Lutherans lived in Brunnental settlement. Confirmations in the form of written certificates contain quotes from the Bible, fragments of preaching, lines of hymns, and choral verses in the German language. Extra linguistic markets include graphic images of plots of Bible stories, the image of the Savior, Gothic fractures, peculiarities of artistic design (floral components and

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Jasiński, Tomasz. "Totus Tuus. Muzyka i modlitwa w korespondencji dusz." Pro Musica Sacra 9 (December 14, 2011): 27–39. https://doi.org/10.15633/pms.903.

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A correspondence of souls. These words come to our minds while we listen to the choral Totus Tuus by Henryk Mikołaj Gorecki and pore over John Paul II’s Marian prayers. Gorecki’s work, dedicated to the “Holy Father John Paul II on His third pilgrimage to Poland”, already on account of its title and dedication, refers to the Marian treasury of the Peter of our time. However, its content produces a special resonance: out of this treasury it brings out words and ideas that appear to be the spiritual mirror of the language of sounds recorded in the musical composition. The mirror is so clear and c

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MEI, JIEWEN. "The Opera "The Dawns Here Are Quiet" by Kirill Vladimirovich Molchanov as a Lyrical-Documentary Interpretation of War." Философия и культура, no. 5 (May 2025): 78–91. https://doi.org/10.7256/2454-0757.2025.5.74526.

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This article is devoted to the study of Kirill Molchanov’s opera "The Dawns Here Are Quiet" (1973) as a musical and dramatic representation of the Great Patriotic War. The research focuses on the opera’s musical text, based on Boris Vasilyev’s novella of the same name, as well as the system of characters and their vocal expressions. The subject of the analysis is the means of musical expressiveness used by the composer to construct the images of female heroism, collective memory, and emotional truth. The opera is considered not only as a theatrical work, but also as a cultural form of historic

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Buhanova, Ekaterina D. "The plot of the journey in Andrei Bitov’s story Birds, or The Catechesis of Man (1971, 1975). Article Two. Finding a way out of the epistemological crisis: Ecology, ethology, eschatology." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 91 (2025): 176–97. https://doi.org/10.17223/19986645/91/9.

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This article is the last of two publications devoted to the poetics of Andrei Bitov’s travel story Birds, or The Catechesis of Man (1971, 1975) – the first part of the tetralogy novel The Catechumens (1970–2018). The aim of the article is to analyze ecological, ethological, and eschatological scenarios for overcoming the epistemological crisis a modern person experiences that are presented in the story. The main research methods employed were semiotic, narratological, intertextual, and cultural. The differentiation of the ways of the author’s presence (the profane hero, the reflective narrator

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Aleksandrova, Oksana. "Spiritual and semantic approach to studying a musical composition." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 4–18. http://dx.doi.org/10.34064/khnum2-49.01.

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Background. Under the new conditions in Ukraine, a new wave of interest in the work of the classic of the music culture of the 20th century Georgiy Sviridov is being observed, and it actualizes the search for the methods of scientific cognition corresponding to the spiritual depth of creativity. The artistic and aesthetic content of his vocal and choral compositions reveals the biblical image of the “inner man” and through it awareness of culture as a universe, where the man and God coexist in synergy. In the post-secular period, the world of music created by the outstanding artist was marked

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Aleksandrova, Oksana. "Spiritual and semantic approach to studying a musical composition." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 4–18. http://dx.doi.org/10.34064/khnum1-49.01.

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Background. Under the new conditions in Ukraine, a new wave of interest in the work of the classic of the music culture of the 20th century Georgiy Sviridov is being observed, and it actualizes the search for the methods of scientific cognition corresponding to the spiritual depth of creativity. The artistic and aesthetic content of his vocal and choral compositions reveals the biblical image of the “inner man” and through it awareness of culture as a universe, where the man and God coexist in synergy. In the post-secular period, the world of music created by the outstanding artist was marked

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ALBAYRAK, Gökhan. "The Maternal Body and Reproductive Imagery in Milton: A Kristevan Analysis of the Birth and Womb Images in Paradise Lost." İnsan ve Sosyal Bilimler Dergisi, May 26, 2023. http://dx.doi.org/10.53048/johass.1243366.

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This article analyses Milton’s reproductive imagery and the images of birth and womb in Paradise Lost by deploying Kristevan concepts such as the semiotic chora and the abject. This study draws parallels between the Miltonic dialectic of creation and destruction and the Kristevan dialectic of the semiotic and the symbolic. Hence, it argues that the nativity of Eve and the creation of the universe embody the semiotic chora, while the allegory of Sin and Death, and the description of Chaos represent the abject maternal body. On one hand, positive reproductive images are utilised in the descripti

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Çameli, Muhammed Metin. "Beckett’s Not I as a Dramatic Rendition of Kristeva’s Notion of the Semiotic Chora." Cankaya University Journal of Humanities and Social Sciences, January 16, 2024. http://dx.doi.org/10.47777/cankujhss.1353877.

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Samuel Beckett as a dramatist is well-known with his contributions to the landscape of British theatre. His plays reverberate with voices of traumatized, marginalized and war-stricken characters, which function as an implicit criticism of the turbulent atmosphere of the 1900s. When Beckett addresses the problems of his time in a covert way, the playwright deconstructs conventional elements of drama by specifying no plot, no setting or no theme. This Beckettian style also becomes manifest in his use of language which is characterized by the presence of segmented structures, pauses, ellipses and

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Sedehi, Kamelia Talebian, Rosli Talif, Wan Roselezam Wan Yahya, and Hardev Kaur. "Interconnection of Kristevan Semiotic Chora and Nature in By the Light of My Father's Smile." Mediterranean Journal of Social Sciences, May 1, 2015. http://dx.doi.org/10.5901/mjss.2015.v6n3s2p490.

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YÖNDEN, BAĞRIYANIK Sıla. "Between Myth and Reality: The Metamodern Oscillation of Sincerity and Irony in Ali Smith's Seasonal Quartet." August 21, 2024. https://doi.org/10.5281/zenodo.13355250.

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This paper explores the dynamic interaction between sincerity and irony within Ali Smith's Seasonal Quartet, utilizing the metamodern lens to examine how the novels engage with and critique cultural legacies through mythological motifs. Smith's narrative techniques, deeply informed by Julia Kristeva’s theories of semiotics and intertextuality, adeptly incorporate mythic elements with contemporary societal issues, creating a rich textual framework that reflects the complexities of modern identity, transformation, and the human condition. The analysis focuses on how these narratives embody

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Dos Santos, Victoria. "The Animistic Way: Contemporary Paganism and the Posthuman." Poligrafi, December 29, 2021, 107–27. http://dx.doi.org/10.35469/poligrafi.2021.293.

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This article aims to explore the affinities between contemporary Paganism and the posthuman project in how they approach the non-human natural world. On the one hand, posthumanism explores new ways of considering the notion of humans and how they are linked with the non-human world. On the other hand, Neopaganism expands this reflection to the spiritual domain through its animistic relational sensibility. Both perspectives challenge the modern paradigm where nature and humans are opposed and mutually disconnected. They instead propose a relational ontology that welcomes the “different other.”

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AKŞEHİR, Mahinur. "Tatlı Bir Uyku: The Cement Garden adlı Romanın Jacques Lacan ve Julia Kristeva’nın Teorik Çerçevesinden Psikoanalitik Bir Okuması." Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, July 28, 2022, 252–60. http://dx.doi.org/10.18026/cbayarsos.1114308.

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Ian McEwan is the writer of the most controversial texts of the contemporary British fiction. One of the outstanding examples of his literature of shock, McEwan’s The Cement Garden, is a challenging narrative in the sense that it depicts the disturbing experiences of a family, ranging from incest to death. The fact that these experiences are narrated through an adolescent boy’s point of view makes these even more controversial in the sense that the depiction of events through this narrator’s view is focalized. Through this focalization, the horrifying events experienced by children are narrate

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Cheralaathan, A. M., and N. Nazini. "REPRESENTATION OF THE CHOLA DYNASTY IN THE FILM AAYIRATHIL ORUVAN (2010) – A SEMIOTIC APPROACH." ShodhKosh: Journal of Visual and Performing Arts 4, no. 1SE (2023). http://dx.doi.org/10.29121/shodhkosh.v4.i1se.2023.526.

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The research is on the film Aayirathil Oruvan (2010) directed by Selavaraghavan. It is inspired loosely by the historical decline of the Tamil Chola dynasty and the rise of the Tamil Pandya dynasty. The Concept of the movie is an archaeologist goes missing when he went to search for the existence of the Chola dynasty, a team of officials are formed and go on a journey to find him where they cross a lot of hurdles and finally reach the Chola dynasty which is very surprising for them and find the archaeologist as well. The researcher has chosen the semiotic approach to analyze the movie. The res

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Sukma, Irawan, Sri Rochana Widyastutieningrum, and Aton Rustandi Mulyana. "Interpreting the Nasib Kulo Song of Kemas Anwar Beck in Bebaso (Semiotics Study)." KnE Social Sciences, May 9, 2024. http://dx.doi.org/10.18502/kss.v9i15.16202.

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A song is composed of a series of tones that form a melody and support musical elements. It uses the tones of a human voice to beautifully and meaningfully express thoughts or feelings The combination of a song with a lively poem (text) can stir up a lot of emotions in the audience and have a major effect on their soul. This study aims to explore the emotions evoked by Kemas Anwar Beck’s lyrics for his song Nasib Kulo and how his experiences show up in using language and wordplay to give his lyrics a unique and appealing quality. The study focuses on analyzing the content of the song lyrics an

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Kõrver, Kristina. "Loomeprotsessi semiootilisest uurimisest helilooja käsikirjade näitel. Arvo Pärdi „Sieben Magnificat-Antiphonen“ lähivaates / Composer Manuscripts and the Semiotic Study of the Creative Process: A Close Reading of Arvo Pärt’s Sieben Magnificat-Antiphonen." Methis. Studia humaniora Estonica 28, no. 35 (2025). https://doi.org/10.7592/methis.v28i35.25577.

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Teesid: Artikkel käsitleb helilooja Arvo Pärdi loomeprotsessi, eelkõige selle tekstoloogilist ja intersemiootilist eripära. Analüüs keskendub kooritsükli „Sieben Magnificat-Antiphonen“ (1988) loomisloole ning põhineb Arvo Pärdi Keskuse arhiivis leiduvatel käsikirjalistel ja suulistel allikatel, mida pole varasemalt põhjalikumalt uuritud. Vaatluse all on peamiselt Pärdi visandivihikud ehk nn muusikapäevikud – omapärased arhiividokumendid, mis sisaldavad muusikalise notatsiooni kõrval ka rikkalikku verbaalset ja pildilist materjali. Toetudes Võgotski, Lotmani, Žinkini, Toropi jt töödele, võib ne

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