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Journal articles on the topic 'Semiotic other'

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1

Niu, Min, and Saengchan Hemchua. "Translation semiotics and semiosic translation: clarification of disciplinary intension and concept." Chinese Semiotic Studies 18, no. 2 (2022): 205–29. http://dx.doi.org/10.1515/css-2022-2057.

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Abstract The paper aims to clarify the distinction of intension and concept between translation semiotics and semiosic translation to determine their disciplinary classification as well as the theoretical framework of translation semiotics. Translation semiotics is a relatively young interdisciplinary field connecting specifically semiotics and translation studies. In essence, it is a branch of semiotics where the research object is the semiotic transformations and sign activities involved in the translational semiosic and interpretive process. Semiosic translation attaches itself conceptually
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2

Ramadhani, Sri, and Ratna Sari Dewi. "Semiotic Analysis of Smoking Prohibition Poster." Jurnal Pendidikan dan Konseling (JPDK) 5, no. 4 (2023): 465–71. http://dx.doi.org/10.31004/jpdk.v5i4.17832.

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This study provided a semiotic analysis of smoking prohibition poster. This research was recommended for future researcher who want to do semiotic sign research. In addition, English Department students were advised to read this research to understand and increase their knowledge of semiotics. All semiotic signs were analyzed based on the type of semiotics proposed by Michael Kroeger for visual signs such as color, shape, line and Agus M. Hardjana for verbal signs, namely written text. The steps taken were to look carefully at the contents of the poster, clarify the contents of the poster and
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3

Jia, Hongwei. "Foundations of the Theory of Signs (1938)." Chinese Semiotic Studies 15, no. 1 (2019): 1–14. http://dx.doi.org/10.1515/css-2019-0001.

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Abstract “Foundations of the theory of signs,” published by Charles W. Morris in 1938, deals with the relations between semiotics and science, and those between semiosis and semiotics, among others. Compared with previous research regarding the aspects of semiotics being meta-science, the three dimensions of semiosis, semiotic as organon of the sciences, etc., this article does push forward the development of linguistics and semiotics since the late 1930s. However, its discussions on semiotics being meta-science, the nature and classification of signs, the three dimensions of semiosis, organis
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4

Boyko, Taras. "Reading Uspenskij: Soviet ‘semiotics of history’ in the West." Sign Systems Studies 45, no. 3/4 (2017): 380–94. http://dx.doi.org/10.12697/sss.2017.45.3-4.10.

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The article explores the reception of Boris Uspenskij’s writings and ideas outside of the Soviet Union, primarily in Western European and North American academic contexts. The present brief overview of Uspenskij’s academic reception covers the translations of his best-known scholarly works [first and foremost “Historia sub specie semioticae” and “Istoriya i semiotika (Vospriyatie vremeni kak semioticheskaya problema)”] into English, French, Spanish, German and other European languages, as well as various references to Uspenskij’s ideas on what nowadays would be categorized as ‘semiotics of his
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Rozin, Vadim Markovich. "Extended interpretation of semiotic approach." Культура и искусство, no. 9 (September 2020): 46–54. http://dx.doi.org/10.7256/2454-0625.2020.9.33991.

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  This article presents an extended interpretation of the meaning of semiotic approach, which allows to comprehend from the perspective of semiotics not only the symbols that are adequately described in linguistics and semiotics, but also iconic signs, symbols, schemes, and artworks. For a better understanding, the author suggests two cases, one of which is taken from culturological studies, the other – from children's literature. Leaning on the material of these cases, the author formulates the peculiarities of broadened understanding of semiotic approach. The effectiveness
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Kull, Kalevi. "Choosing and learning: Semiosis means choice." Sign Systems Studies 46, no. 4 (2018): 452–66. http://dx.doi.org/10.12697/sss.2018.46.4.03.

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We examine the possibility of shifting the concept of choice to the centre of the semiotic theory of learning. Thus, we define sign process (meaning-making) through the concept of choice: semiosis is the process of making choices between simultaneously provided options. We define semiotic learning as leaving traces by choices, while these traces influence further choices. We term such traces of choices memory. Further modification of these traces (constraints) will be called habituation. Organic needs are homeostatic mechanisms coupled with choice-making. Needs and habits result in motivatedne
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7

Ponzio, Augusto. "Modeling, dialogue, and globality: Biosemiotics and semiotics of self. 1. Semiosis, modeling, and dialogism." Sign Systems Studies 31, no. 1 (2003): 25–63. http://dx.doi.org/10.12697/sss.2003.31.1.02.

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With our paper we intend to offer a critical overview of state of the art in semiotics, with specific reference to theoretical problems concerning the relationship between culture and nature. In other words, we intend to focus on the relationship between the concepts of semiosphere (Lotman) and biosphere (Vernadsky) considering the various approaches to this issue and proposing our own point of view. An important reference for a valid overview view of semiotics today is the Handbook Semiotik/Semiotics. It is no incident that the subtitle of this work is A Handbook on the Sign-Theoretic Foundat
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Petrilli, Susan. "Learning and education in the global sign network." Semiotica 2020, no. 234 (2020): 317–420. http://dx.doi.org/10.1515/sem-2020-0043.

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AbstractThe contribution that may come from the general science of signs, semiotics, to the planning and development of education and learning at all levels, from early schooling through to university education and learning should not be neglected. As Umberto Eco claims in the “Introduction” to the Italian edition of his book Semiotica and Philosophy of Language (1984: xii, my trans.), “[general semiotics] is Semiotica e filosofia del linguaggio. Turin: Einaudi; in nature, because it does not study a particular system, but posits the general categories in light of which different systems can b
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9

Gorlée, Dina L. "Text semiotics: Textology as survival-machine." Sign Systems Studies 28 (December 31, 2000): 134–57. http://dx.doi.org/10.12697/sss.2000.28.08.

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Signifying practices by which living creatures communicate, are, according to Sebeok, the survival-machines. Accordingly, as represented by the semiotic text analysis or Bakhtin's textology, one can speak about a human survival-machine. This has been studied by different semiotic schools (including the Moscow-Tartu school) referring to language, culture, genre and, importantly, text ideology. In this article, the aspects of textology in Peirce's generalized theory of signs become analysed. After a discussion of the concept of text in Peirce's (published and unpublished) writings, its relations
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10

Hébert, Louis. "Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité." Semiotica 2020, no. 234 (2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.

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AbstractThis article seeks to define what is semiotic and what is Semiotics. Provided first is a brief presentation of various perspectives of Semiotics. Pursuant to this, we will seek to uncover Semiotics’ particulars by evaluating various approaches. We will commence by framing the definitions of the word “Semiotic” to consider then Semiotics via eight particular anthropic – human-related – levels. This partition, derived by the author from a Rastier typology, defines the following levels: noumenophysical, phenophysical, semiotic, representational (“mental images” and concepts), sens (physic
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11

Kanza, Nazwa Tamailla, Rizka Aulia Hidayah, and Shafiyah Yuka Mujaddidah. "ETIKA HUMANISME DALAM NOVEL KUBAH HATI TERKOYAK KARYA YUDI SUMARDI TINJAUAN SEMIOTIK." SUSASTRA: Jurnal Ilmu Susastra dan Budaya 13, no. 1 (2025): 1–12. https://doi.org/10.51817/susastra.v13i1.158.

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Penelitian ini mengkaji etika humanisme dalam novel “Kubah Hati Terkoyak” karya Yudi Sumardi melalui tinjauan semiotik. Novel tersebut menggambarkan perjuangan seorang remaja, Arin, yang menghadapi berbagai tantangan dalam hidupnya, termasuk pengkhianatan cinta dan kesulitan ekonomi. Melalui tinjauan semiotik, hasil penelitian yang telah dilakukan oleh peneliti etika humanisme tokoh utama dalam novel “Kubah Hati Terkoyak” karya Yudi Sumardi menggunakan kajian Hardiman (2012) bahwa etika humanisme terbagi menjadi 6, yaitu menghargai pendapat orang lain, kerja sama, rela berkorban, peduli terhad
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Scaglione, Aldo. "Linguistics and other semiotic arts." WORD 46, no. 1 (1995): 55–74. http://dx.doi.org/10.1080/00437956.1995.11435938.

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13

Zhou, Zhichao, Fung Chiat Loo, and Pei Sze Yeoh. "A Theoretical Framework for Evaluation of Musical Topics: The Case of Chopin." Harmonia: Journal of Arts Research and Education 25, no. 1 (2025): 99–115. https://doi.org/10.15294/harmonia.v25i1.23083.

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Peircean’ semiotics provides a cognitive framework for investigating the general process of thinking, expressed as a semiosis with multiple vectors. With their diverse expressions and connotations, musical topics inherently embody semiotic principles in musicological discourse, though debates persist regarding their semiotic references. This study presents a complementary model founded on Peirce’s tripartite semiotic framework in an attempt to account for the representation of musical topics and facilitate an approach to topical evaluation. Among other things, Peirce’s concept of correlates mo
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14

Brandt, Line, and Per Aage Brandt. "Making sense of a blend." Annual Review of Cognitive Linguistics 3 (October 31, 2005): 216–49. http://dx.doi.org/10.1075/arcl.3.12bra.

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In this paper we propose an analysis of the metaphor “This surgeon is a butcher!” discussed in Grady, Oakley & Coulson (1999), introducing it into a mental space framework derived from conceptual metaphor theory (CMT), blending theory (BT) and cognitive semiotics. The method of analysis is to work backwards; we attempt to reconstruct the meaning of the butcher-surgeon metaphor by giving a step-by-step description of the cognition involved in understanding an occurrence of the metaphoric expression, and hypothesize a general framework for analyzing metaphoric blends and other kinds of rheto
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15

Fomin, Ivan. "Sociosemiotic Frontiers. Achievements, Challenges, and Prospects of Converging Semiotic and Social." Linguistic Frontiers 3, no. 2 (2020): 34–43. http://dx.doi.org/10.2478/lf-2020-0012.

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Abstract This article reviews the achievements and challenges that appear from attempts to integrate the studies of the semiotic and the social. Based on an analysis of the projects of Social Semiotics, semiotic sociology, and sociosemiotic approach to culture, it is suggested that the development of sociosemiotics could be represented (both retrospectively and prospectively) as trajectories of two frontiers. These are the frontier of sociosemiotic material and the frontier of sociosemiotic methodology. The frontier of sociosemiotic material represents how social semiotics progresses in broade
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16

Lagopoulos, Alexandros Ph, and Karin Boklund-Lagopoulou. "Semiotics, culture and space." Sign Systems Studies 42, no. 4 (2014): 435–86. http://dx.doi.org/10.12697/sss.2014.42.4.02.

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Space, in the environmental sense, holds a rather marginal position in semiotics. We shall try, however, to show in this paper that its importance is greater than thought previously, not only because it may establish one of the main sub-fields of semiotic research, but also because it has repercussions on other semiotic systems and even semiotic theory as such. We start by reviewing the main positions of the Theses of the Tartu-Moscow School and compare them to Lotman’s concept of the semiosphere. We conclude that a sociologically sound framework for culture is missing and try to demonstrate t
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17

Chartier, Jean-François, Davide Pulizzotto, Louis Chartrand, and Jean-Guy Meunier. "A data-driven computational semiotics: The semantic vector space of Magritte’s artworks." Semiotica 2019, no. 230 (2019): 19–69. http://dx.doi.org/10.1515/sem-2018-0120.

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AbstractThe rise of big digital data is changing the framework within which linguists, sociologists, anthropologists, and other researchers are working. Semiotics is not spared by this paradigm shift. A data-driven computational semiotics is the study with an intensive use of computational methods of patterns in human-created contents related to semiotic phenomena. One of the most promising frameworks in this research program is the Semantic Vector Space (SVS) models and their methods. The objective of this article is to contribute to the exploration of the SVS for a computational semiotics by
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18

Hwan, Kim Soo. "Photogénie as “the Other” of the semiotics of cinema: On Yuri Lotman’s concept of “the mythological”." Semiotica 2015, no. 207 (2015): 395–409. http://dx.doi.org/10.1515/sem-2015-0050.

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AbstractOne of the most problematic concepts in film theory, photogénie, refers to the dimension of “the Other,” which is not fully covered by the process of cultural signification, and obviously verges on a zone “beyond” the semiotics. Exactly in this site Epstein, Balazs, and Barthes ought to affirm the existence of the problematic “the Other” level of signification – an autonomous entity as a potential semiotic threat. Yuri Lotman’s view on cinema, in particular, his thought on “the mythological” essence of cinema, can provide productive insight into the question: how can the semiotics of c
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19

Sabitov, Daniyar. "What does it mean to be asemiotic?" Estudos Semióticos 19, no. 3 (2023): 209–24. http://dx.doi.org/10.11606/issn.1980-4016.esse.2023.210074.

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Although some researchers consider semiotics as a universal epistemological approach (Gaines, 2015), calling something ‘asemiotic’ may be challenging. However, one can find such characteristics in semioticians' work. For example, Tartu semiotic school cofounders Juri M. Lotman and Boris A. Uspensky argue that asemiotic is a way how proper name functions within mythological consciousness (Lotman; Uspensky, 1973). Despite the fact that this characteristics may be found in other scholars‘ works, research of ‘asemiotic’ continues to be a marginal field in semiotic studies.Since the ‘semiotic’ (rel
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20

Yu, Hongbing. "Modeling in semiotics: an integrative update." Chinese Semiotic Studies 17, no. 4 (2021): 639–59. http://dx.doi.org/10.1515/css-2021-2038.

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Abstract This paper provides an integrative and updated view of modeling in semiotics. It postulates that the essence of modeling is supersession. In any act or instance of modeling, the model supersedes and is brought to the front for salience, accessibility, and operability, whereas at the same time the modeled recedes and exists in the background, inaccessible and inoperable. The paper goes on to differentiate between two major types of modeling, the underlying “existential modeling,” functioning as the fundamental scaffold and the genuine foundation of all other types of modeling as we kno
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Alhomidy, Yassin Hussein. "Translating Arabic Kuwaiti Proverbs into English: A Semiotic Perspective." المجلة العربية للعلوم الإنسانية 43, no. 169 (2025): 191–214. https://doi.org/10.34120/ajh.v43i169.3067.

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The present analytical comparative study aims to investigate the semiotic meaning of some Arabic Kuwaiti proverbs and their equivalents in English. Besides, it explores translation strategies that have been employed in rendering those proverbs semiotically. The problem of the study arises from the difficulty in interpreting the semiotic signs of Kuwaiti proverbs and finding a suitable equivalent within the scope of translation from Arabic into English. The importance of the study emanates from its interdisciplinary nature––incorporating semiotics into translation. The corpus comprises fifteen
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Torres Martínez, Sergio. "Semiosic translation: A new theoretical framework for the implementation of pedagogically-oriented subtitling." Sign Systems Studies 43, no. 1 (2015): 102–30. http://dx.doi.org/10.12697/sss.2015.43.1.05.

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In this paper, I explore a new type of semiotic translation in the context of Audiovisual Translation Studies (AVTS). To that end, a set of formulaic sequences bestowed of pragmalinguistic value (hedging strings) is analysed. It is argued that the semiotic analysis of conversational features in English may contribute to facilitate their pedagogical exploitation in English as a Foreign Language (EFL) classrooms. This analysis builds theoretically on a semiotic translational framework termed Semiosic Translation (and its subset, Semiosic Subtitling) predicated upon three types of translation: (i
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Sabitov, Daniyar. "What does it mean to be asemiotic?" Estudos Semióticos 19, no. 3 (2023): 209–24. https://doi.org/10.11606/issn.1980-4016.esse.2023.210074.

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Although some researchers consider Semiotics as a universal epistemological approach (Gaines, 2015), calling something ‘asemiotic’ may be challenging. However, one can find such characteristics in semioticians' work. For example, Tartu semiotic school cofounders Juri M. Lotman and Boris A. Uspensky argue that asemiotic is a way how proper name functions within mythological consciousness (Lotman; Uspensky, 1973). Despite the fact that this characteristics may be found in other scholars‘ works, research of ‘asemiotic’ continues to be a marginal field in semiotic stu
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24

Brister, J. G. "Absalom, Absalom! and the Semiotic Other." Faulkner Journal 22, no. 1-2 (2006): 39–53. http://dx.doi.org/10.1353/fau.2006.0002.

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25

Hartama-Heinonen, Ritva. "Semiotico-translation-theoretical reverberations revisited." Sign Systems Studies 40, no. 3/4 (2012): 299–318. http://dx.doi.org/10.12697/sss.2012.3-4.03.

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This article examines translating and translations primarily from a sem(e)iotic viewpoint. The focus is, on the one hand, on a semiotic re-reading of certain translationtheoretical suggestions (such as the idea of translation being an inherently semiotic category), and on the other hand, on a translation-theoretical re-reading of certain semiotic suggestions (such as what signs can be used for representing). Other proposals that receive a revisiting discussion include, for instance, Roman Jakobson’s translation typology and Umberto Eco’s notion of semiotics as a theory of the lie. The approach
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Rahimi, Sadeq. "Is cultural logic an appropriate concept? A semiotic perspective on the study of culture and logic." Sign Systems Studies 30, no. 2 (2002): 455–64. http://dx.doi.org/10.12697/sss.2002.30.2.06.

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It is argued that (a) the question of ‘cultural logic’ is a valid inquiry for disciplines seeking to comprehend and compare mental processes across cultures, and (b) semiotics, as the science of studying signs and signification, is an appropriate means of approaching the question of cultural logic. It is suggested that a shift needs to be made in studying reasoning across cultures from the traditional value-oriented methods of judgment to a meaningoriented assessment. Traditional methods of cross-cultural comparison are suggested to be flawed in their attempt to develop a psychological account
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Beever, Jonathan, and Morten Tønnessen. "Justifying Moral Standing by Biosemiotic Particularism." Zeitschrift für Semiotik 37, no. 3-4 (2018): 31–53. http://dx.doi.org/10.14464/zsem.v37i3-4.366.

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In this essay we examine a fundamental question in biosemiotic ethics: why think that semiosis is a morally relevant property, or a property that supports the moral value of living beings or systems that possess it? We argue that biosemiotic particularism, the view that normative assessment should be based on the particular fulfillment of an organism’s or other biological entity’s specific semiosic capacity, offers a justifiable normative position for the biosemiotic ethicist. If what justifies offering moral standing to all living beings and systems is that these entities are semiosic, then t
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Rozin, Vadim Markovich. "Semiosis on non-semiotic formations (symbols, schemes, icons, artworks)." Культура и искусство, no. 6 (June 2020): 29–37. http://dx.doi.org/10.7256/2454-0625.2020.6.33084.

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This article poses a question on the semiotic nature of symbols, schemes, icons, artworks. The matter is that on one hand, these are clearly semiotic formations, but on the other – their attribution to the concepts of semiotics faces theoretical difficulties. The article presents the opinions of semioticians who deal with these questions. The author analyzes two cases, which allows advancing a hypothesis that the indicated formations include two different components – reality (of (symbols, schemes, icons, artworks), and two types noting for actualizing these realities. Disc
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29

Lagopoulos, Alexandros Ph. "A meta-theoretical approach to the history and theory of semiotics." Semiotica 2016, no. 213 (2016): 1–42. http://dx.doi.org/10.1515/sem-2015-0100.

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AbstractThe object of this paper is the domain of semiotic theories, from “traditional” semiotics to poststructuralism and postmodernism, excluding “semiotizing” approaches such as phenomenology or cultural studies. Thus, it is metatheoretical. It is based on two matrices. The first maps semiotic theories on the basis of the continuity or discontinuity between them. The second displays the logical categories of the relationship between semiotics and Marxism, which has historically been an important influence on the field. The paper presents the views of the main authors of the domain in terms
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Swarnakar, Santosh. "INTERPRETING THE LANGUAGE OF CINEMA ANALYZING THE ROLE OF SEMIOTICS IN ENHANCING VISUAL STORYTELLING AND CHARACTER DYNAMICS IN CINEMA." International Journal of Advanced Research 13, no. 02 (2025): 309–16. https://doi.org/10.21474/ijar01/20379.

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This research paper looks at the application of semiotics in cinema, understanding the same being quintessential, especially for young filmmakers or those new to the film industry. Film semiotics is the study of sign processes, or semiosis, as well as any activity, behavior, or process involving signs with a focus on sign and symbol analysis that also forms a deeper meaning within the cinematic narratives. Film semiotics explore essential elements such as framing and composition, color theory, lighting, character design, camera movement, and the semiotics of narrative construction in storytell
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Konstantinov, Mihael. "ROLAND BARTHES AND YURII LOTMAN: SEARCH FOR MEANING IN FILM NARRATIVE." Вісник КНУКіМ Серія «Мистецтвознавство», no. 41 (December 30, 2019): 35–43. http://dx.doi.org/10.31866/2410-1176.41.2019.188528.

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The purpose of the research is to carry out a comparative analysis of the concepts of semiotics of cinema by Roland Barthes and Yurii Lotman in the context of their understanding of the nature of film language, since understanding and methods of studying of contemporary digital audiovisual art are the topic of current interest in contemporary art history. The research methodology. The contemporary study of digital audiovisual art, as a rule, takes place within the context of interdisciplinary work, therefore, one of the methodological principles of such work is structural and semiotic approach
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Konstantinov, Mihael. "Roland Barthes and Yurii Lotman: Search for Meaning in Film Narrative." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 35–43. https://doi.org/10.31866/2410-1176.41.2019.188528.

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The purpose of the research is to carry out a comparative analysis of the concepts of semiotics of cinema by Roland Barthes and Yurii Lotman in the context of their understanding of the nature of film language, since understanding and methods of studying of contemporary digital audiovisual art are the topic of current interest in contemporary art history. The research methodology. The contemporary study of digital audiovisual art, as a rule, takes place within the context of interdisciplinary work, therefore, one of the methodological principles of such work is structural and semiotic approach
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Ivanov, N. V. "Factors of semiogenesis (philosophical and linguistic analysis)." Philology at MGIMO 6, no. 4 (2020): 5–13. http://dx.doi.org/10.24833/2410-2423-2020-4-24-5-13.

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The article deals with the philosophical and cognitive criteria of the evolution of the sign (semiogenesis), growing from signal to symbol and further to the sign in Language. The article aims to reveal not only differences among the three semiotic forms, but also their common and generic features. As a common philosophical criterion, to define generic feature of all evolutional semiotic forms and to explain the principle of the inner relationship between the form and the meaning in them, category of otherbeing (inobytié) is used. The cognitive analysis, which deals with the differential featu
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Baiardi, Daniel Cerqueira. "Cultural antropophagy today: a semiotic approach to Oswald de Andrade’s theory of culture." Cognitio-Estudos: revista eletrônica de filosofia 18, no. 1 (2021): 1–14. http://dx.doi.org/10.23925/1809-8428.2021v18i1p1-14.

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Close to the centenary of the Modern Art Week, this paper explores the scenario where sign studies in Brazil found its première. It pays attention to relations of some of these pioneers in semiotics with communities not solely of scholars, but also of vanguard artists, critics and other members of the intelligentsia. Oswald de Andrade reclaims some semiotic features of Tupinambás’s martial rituals to develop the notion of Cultural Antropophagy (C. A.). Supported by the methodological framework of C. S. Peirce and elements from semiotics of culture, this study explores the dialogic situation be
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35

Wells, Matthew Jason. "Social semiotics as theory and practice in library and information science." Journal of Documentation 71, no. 4 (2015): 691–708. http://dx.doi.org/10.1108/jd-01-2014-0018.

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Purpose – Information scholars frequently make use of “conceptual imports” – epistemological and methodological models developed in other disciplines – when conducting their own research. The purpose of this paper is to make the case that social semiotics is a worthy candidate to add to the information sciences toolkit. Design/methodology/approach – Both traditional and social semiotics are described in detail, with key texts cited. To demonstrate the benefits social semiotic methods may bring to the information sciences, the digital display screen is then employed as a test case. Findings – B
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Rozin, Vadim Markovich. "The idea of building a new humanitarian discipline ‒ "narrative semiotics"." Культура и искусство, no. 4 (April 2022): 78–93. http://dx.doi.org/10.7256/2454-0625.2022.4.37955.

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The article formulates the main provisions of narrative semiotics and offers an analysis of four cases illustrating the methodology of semiotic study within the framework of a new concept. The difficulties associated with the application of the traditional semiotic approach to the analysis of iconic signs, symbols, diagrams, music, and other works of art are characterized. The author's proposed version of the extended version of semiotics and the problems that arise in this case are outlined: firstly, the new approach is subjective, and secondly, it requires the concretization of semiotic disc
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Alreem M Alfawaz, Alreem M. Alfawaz. "سيميائيَّة الغياب في ديوان "ما تلاه عليّ الغياب" دراسة في ضوء سيميائيَّة الأهواء". journal of king abdulaziz university arts and humanities 27, № 4 (2019): 181–99. http://dx.doi.org/10.4197/art.27-4.7.

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T he semiotic approach is based on the assumption that the text includes a surface structure and a deep structure. Analyzing the two structures looks at the relations between the two. As for the objective behind the semiotic approach it is the uncovering of the relations that link the hidden implications of the text by following the development of meaning. On the other hand, the semiotics of emotions is a branch of general semiotics. Emotion is what semiotics analyzes to know its role in the creative text. In the collection of poems discussed here it is absence that played a role in the format
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Jódar-Sánchez, Jose Antonio. "Soundscapes of two rural communities in Papua New Guinea." Sociolinguistic Studies 17, no. 4 (2023): 403–22. http://dx.doi.org/10.1558/sols.24257.

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This article presents an analysis of the soundscapes in two rural communities in northwestern Papua New Guinea where the endangered languages Srenge and Walman are spoken. These languages have no written tradition and therefore are not publicly displayed in signage. In the last few years, the discipline of linguistic landscape studies has fostered the study of aspects of the visual semiotics of public signs together with aspects of other semiotic modalities including interactional semiotics and auditory semiotics. By discussing the sounds of instruments, conch shells, place names, recitations,
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Ephraim, Chukwu, and Innocentia Ahumaraeze Chinwe. "UNPACKING SEMIOTIC RESOURCES IN COSMETIC ADVERTISEMENTS." GPH-International Journal of Social Science and Humanities Research 05, no. 05 (2022): 64–80. https://doi.org/10.5281/zenodo.6767870.

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In recent times, there has been a shift away from monomodal communication that depends on language (spoken and written) as the only available meaning-making resource. Advances in technology have given rise to multiliteracies that employ a wide repertoire of modes of communication. Media communication, thus, has become multimodal given its penchant for the fusion of multiple modes as meaning-making resources. It is against this backdrop that this study explores the semiotic resources used in cosmetic advertising. It foregrounds the use and interaction of verbal and visual modes as components of
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Rędzioch-Korkuz, Anna M. "Towards a semiotic model of interlingual translation." Semiotica 2020, no. 236-237 (2020): 215–30. http://dx.doi.org/10.1515/sem-2019-0027.

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AbstractThe discipline of translation studies has been recently challenged with powerful incentives from other sciences. This tendency has become visible especially in the context of more and more interdisciplinary or multidisciplinary methodologies, which have changed the profile of translation research to a considerable degree. It has also shifted the perspective with which scholars perceive key concepts of the discipline, many of which have become rather unpopular if not completely outdated. However, it seems true that instead of rejecting old terms translation scholars should try to reconc
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Afrin, Sanjida. "Semiotic Interpretation of Bangla Ligatures: An Introduction." Dhaka University Journal of Linguistics 2, no. 3 (2010): 111–24. http://dx.doi.org/10.3329/dujl.v2i3.4147.

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Semiotics is the study of sign processes emphasizing signification and communication, signs and symbols of different social phenomena. In the late 19th and early 20th century the works of Ferdinand de Saussure and Charles Sanders Peirce led to the emergence of semiotics as a separate discipline as well as method for examining phenomena in different fields, including aesthetics, anthropology, communications, psychology, and semantics. Saussure's interpretation of linguistic sign from a semiotic perspective has, better or worse, affected much of subsequent discussions about language. But accordi
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Sari, Annisa Rahma, and Moh Atikurrahman. "The Semiotics of Sadism in Putu Wijaya’s Nyali: A Todorov's Semiotic Perspective." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 6, no. 2 (2022): 85–92. http://dx.doi.org/10.30998/jh.v6i2.1103.

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Literary work is an structure of expression built from a second level semiotic system (connotative). Literary language is distinctive and different from everyday language (denotative). Elements in literature emphasize communicative elements in the form of creativity and authenticity of pronunciation (narratology). To find out the meaning of literary texts, semiotics offers a systematic approach in studying the signs contained in a literary work. This study places Nyali, a Putu Wijaya’s novel as the object of study using Tvetan Todorov's semiotic approach. In marking schemes such as literary wo
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Griffin, Jonathan. "A pentadic model of semiotic analysis." Semiotica 2018, no. 225 (2018): 213–27. http://dx.doi.org/10.1515/sem-2017-0009.

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Abstract Kenneth Burke’s dramatistic pentad can be understood as a pentadic model of semiotic analysis. Dyadic, triadic, and other relational models offer valuable benefits, but Burke’s pentad is especially useful and relevant given its focus on both action and motive/purpose. Here we will look in more detail at some of these benefits of Burke’s schema understood in this semiotic light, and then we’ll apply the model to a few examples of object analysis. If it is true that Burke’s pentad works in this way as well as we think it does, then fruitful ground exists here for other researchers as we
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Kull, Kalevi, Silvi Salupere, Peeter Torop, and Mihhail Lotman. "The institution of semiotics in Estonia." Sign Systems Studies 39, no. 2/4 (2011): 314–42. http://dx.doi.org/10.12697/sss.2011.39.2-4.13.

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The article gives a historical overview of the institutional development of semiotics in Estonia during two centuries, and describes briefly its current status. The key characteristics of semiotics in Estonia include: (1) seminal role of two world-level classics of semiotics from the University of Tartu, Juri Lotman and Jakob von Uexküll; (2) the impact of Tartu–Moscow school of semiotics, with a series of summer schools in Kääriku in 1960s and the establishment of semiotic study of culture; (3) the publication of the international journal Sign Systems Studies, since 1964; (4) the development
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Leone, Massimo. "The clash of semiotic civilizations." Sign Systems Studies 45, no. 1/2 (2017): 70–87. http://dx.doi.org/10.12697/sss.2017.45.1-2.05.

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Why was Greimas’ theoretical proposal so divisive? Why did his disciples worship the new analytical method, while his detractors harshly rejected it? The article claims that the strength, as well as the weakness, of Greimassian semiotics consists in positing a rational way to determine the range of meanings of a text. Semiotic interpretive methods that are more aware of the diachronic dimension, such as Eco’s interpretive semiotics or Lotman’s semiotics of culture, inflect this view by anchoring the rationality of interpretation to the reasonableness of a community of interpreters that is, by
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Прилуцкий, Александр Михайлович. "CATEGORIAL SEMIOTICS OF THE ELEMENTS OF RELIGIOUS DISCOURSE." Вестник Тверского государственного университета. Серия: Филология, no. 2(69) (June 1, 2021): 142–48. http://dx.doi.org/10.26456/vtfilol/2021.2.142.

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В статье рассмотрено влияние семиотического дрейфа на структуру семиотического значения элементов религиозного семиозиса. Высказано и обосновано предположение, что под влиянием семиотического дрейфа элементы семиотического значения, относящиеся к одному уровню значения (в определенном контексте) с изменением коммуникативных условий обретают качества, свойственные элементам иных структурных уровней. Данные изменения проанализированы применительно к категориальному, субкатегориальному и гиперкатегориальному уровням значения. The article examines the influence of semiotic drift on the structure o
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Mouratidou, Eleni. "De la sémiotique de la représentation théâtrale à l’anthropologie culturelle: Pourquoi le théâtre (résiste)? — From the semiotics of theatrical representation to cultural anthropology or why theater (resists)?" Sign Systems Studies 34, no. 2 (2006): 527–38. http://dx.doi.org/10.12697/sss.2006.34.2.14.

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From the semiotics of theatrical representation to cultural anthropology or why theater (resists)? In this paper I propose an epistemological approach to the field of theatre semiotics from the beginning of the 20th century to our days. Firstly, I point out two different periods that have influenced theatre semiotics. The first one centres on reflections and studies by the Prague School of Structuralism. More precisely, I address Jan Mukařovsky’s essays about art and society as well as Jindrich Honzl’s contributions to the study of sign and system in theatre. The second period presented here i
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Tarasti, Eero. "Musical Semiotics – a Discipline, its History and Theories, Past and Present1." Recherches sémiotiques 36, no. 3 (2018): 19–51. http://dx.doi.org/10.7202/1051395ar.

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Musical semiotics begins from the premise that music is a signifying phenomenon. However, the field itself has developed according to two distinct paths. The first one starts by considering music and its history. In the study of classical music, for instance, it will begin by considering rhetoric and affect during the Baroque period and then move to consider the topics of the Classical style or the interartistic aspects of Romanticism. The other path consists instead of applying general semiotic theories to music. A more proper approach, I believe, lies somewhere in the middle : it ought to co
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Boyko, Olga, Serhii Zuiev, Tatiana Povalii, and Larysa Otroshchenko. "Spatial Semiotics and Landscape Hermeneutics in the Professional Training of Managers of Socio-Cultural Activity." Socio-Cultural Management Journal 5, no. 2 (2022): 80–102. http://dx.doi.org/10.31866/2709-846x.2.2022.267526.

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Introduction. Socio-cultural activity managers' training involves students’ mastering and fluent operating the concepts of “cultural landscape” and “semiosphere”, which are used to carry out hermeneutic and semiotic analyses of regional and world culture phenomena. Purpose and methods. The article aims to reveal the main provisions of spatial semiotics and landscape hermeneutics and determine their didactic potential in the context of socio-cultural activity managers' training. Research methods include analyzing cultural, art history, and philosophical literature, theoretical generalization, a
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Aituganova, Saulesh, and Esbol Sultan. "SEMIOTIC ANALYSIS OF A LITERARY TEXT: SYMBOLIC DESCRIPTION." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 2 (June 30, 2023): 221–31. http://dx.doi.org/10.55808/1999-4214.2023-2.16.

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The article differentiates the theoretical side of the phenomenon of symbolic description related to semiotic science. Semiotics is the science of signs. In the semiotic analysis of a literary text, we encounter concepts such as symbol, marking, concept. Despite the fact that the listed concepts are superficially similar, it is important to determine the difference between them and to determine the subtext in the description of the author in the literary text. It also defines a symbolic description, a symbolic concept, a conceptual gap. Therefore, in our article we set out to highlight the dif
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