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Journal articles on the topic 'Semiotica'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Vaitiekūnas, Dainius. "For Algirdas Julius Greimas: Two Issues of Semiotica." Colloquia 41 (December 20, 2018): 199–215. http://dx.doi.org/10.51554/col.2018.28678.

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2

Salupere, Silvi. "Acta Semiotica Estica." Sign Systems Studies 50, no. 4 (2022): 517–20. http://dx.doi.org/10.12697/sss.2022.50.4.05.

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Acta Semiotica Estica is an annually published peer-reviewed Estonian-language journal of semiotics based in Tartu, that has been published since 2001. This article gives a brief overview of the history and development of the journal.

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3

Jiuhanteng, Markus, Acep Iwan Saidi, and R. Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II (A POST-STRUCTURAL SEMIOTICS ANALYSIS OF THE PHOTOGRAPH RHEIN II)." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, no. 1 (2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.10095.

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<p>Abstract This paper is a study of Andreas Gursky’s photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II’s photograph, a contemporary photo is presented as a multi-reality representation

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4

Violi, Patrizia. "Due vie per la semiotica o un incrocio di sguardi? Algirdas Greimas e Umberto Eco a confronto." Entornos 30, no. 1 (2017): 25. http://dx.doi.org/10.25054/01247905.1420.

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Questo articolo intende confrontare criticamente il pensiero di due grandi semiotici scomparsi: Algirdas Greimas e Umberto Eco. Spesso contrapposti come caposcuola di due teorie semiotiche antagoniste - la semiotica generativa e quella interpretativa - ad uno sguardo più attento rivelano invece una comune base epistemologica. In particolare è l’assunto strutturalista di fondo ciò che costituisce l’orizzonte condiviso delle loro semiotiche, da cui discendono posizioni simili su molti altri punti, dall’anti essenzialsimo alla narratività. Su altri aspetti invece, come l’enunciazione e il metalin

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5

Petrilli, Susan. "Learning and education in the global sign network." Semiotica 2020, no. 234 (2020): 317–420. http://dx.doi.org/10.1515/sem-2020-0043.

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AbstractThe contribution that may come from the general science of signs, semiotics, to the planning and development of education and learning at all levels, from early schooling through to university education and learning should not be neglected. As Umberto Eco claims in the “Introduction” to the Italian edition of his book Semiotica and Philosophy of Language (1984: xii, my trans.), “[general semiotics] is Semiotica e filosofia del linguaggio. Turin: Einaudi; in nature, because it does not study a particular system, but posits the general categories in light of which different systems can b

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6

Velmezova, Ekaterina, and Richard Rosenbaum. "Semiotics continuing to astonish... again and again: A brief survey of the journals Sign Systems Studies and Semiotica in 2023." Sign Systems Studies 52, no. 3-4 (2024): 594–610. https://doi.org/10.12697/sss.2024.52.3-4.12.

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7

Fossali, Pierluigi Basso. "La semiotica tra scienza e filosofia. Una duplicità epistemologica strategica." Estudos Semióticos 19, no. 3 (2023): 99–121. http://dx.doi.org/10.11606/issn.1980-4016.esse.2023.214894.

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La semiotica ha una posizione epistemologica complessa e delicata: ascritta al novero delle scienze del linguaggio, o talora alle scienze dell'informazione e della comunicazione, emerge spesso come una disciplina con accenti o pretese filosofiche, anche se per alcuni dovrebbe limitarsi a un ruolo ancillare, offrendosi come puro apporto metodologico per altre discipline. I contributi “sproporzionati” della semiotica – debordanti nei temi e troppo sofisticati e gergali nelle argomentazioni – possono suggerire l’idea di rinunciare infine all'istituzionalizzazione di una disciplina autonoma; d'alt

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8

Basso, Fossali Pierluigi. "La semiotica tra scienza e filosofia. Una duplicità epistemologica strategica." Estudos Semióticos 19, no. 3 (2023): 99–121. https://doi.org/10.11606/issn.1980-4016.esse.2023.214894.

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La semiotica ha una posizione epistemologica complessa e delicata: ascritta al novero delle scienze del linguaggio, o talora alle scienze dell'informazione e della comunicazione, emerge spesso come una disciplina con accenti o pretese filosofiche, anche se per alcuni dovrebbe limitarsi a un ruolo ancillare, offrendosi come puro apporto metodologico per altre discipline. I contributi “sproporzionati” della semiotica – debordanti nei temi e troppo sofisticati e gergali nelle argomentazioni – possono suggerire l’idea di rinunciare infine all'istituzionalizzazione di

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9

Salomoni, Antonella. "Storici e semiotica della storia." MEMORIA E RICERCA, no. 40 (September 2012): 23–38. http://dx.doi.org/10.3280/mer2012-040003.

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The twentieth century has seen the qualitative explosion and the quantitative spreading of the semiotic theories and the sign systems. Taking their first steps with analyses that very rarely called up on history in their argumentation, such disciplines - most of all when dealing with cultural semiotics - have seen "history" enter into their researches. The essay intends to examine the specific contribution of the Tartu-Moscow school and, above all, of the work of Jurij M. Lotman (1922-1993), verifying the impact and the applicability of the Russian semiotics. After recalling the lotmanian sche

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10

Jiuhanteng, Markus, Acep Iwan Saidi, and Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II A POST-STRUCTURAL SEMITOCS ANALYSIS OF THE PHOTOGRAPH RHEIN II." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, no. 1 (2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.9969.

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<p><strong><em>Abstract</em></strong></p><p><em>This paper is a study of Andreas Gursky's photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II's p

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11

Angela, Cosciug (Ed.). "Limbaj si context / Speech and Context International Journal of Linguistics, Semiotics and Literary Science." Limbaj si context / Speech and Context International Journal of Linguistics, Semiotics and Literary Science 1(X)2018, no. 10 (2023): 1–97. https://doi.org/10.5281/zenodo.8229122.

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<em>Speech and Context </em>International Journal of Linguistics, Semiotics and Literary Science (in Romanian<em> </em><em>Limbaj si context</em><em>, revista internationala de lingvistica, semiotica si stiinta literara</em>) is an academic, open access and double blind peer reviewed journal founded in 2009 at Alecu Russo State University of Balti (Republic of Moldova). <em>Speech and Context </em>International Journal of Linguistics, Semiotics and Literary Science (in Romanian: <em>Limbaj şi context – revistă internaţională de lingvistică, semiotică şi ştiinţă literară</em>) is ind

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12

Ardiyansah, Kharis, and Sapto Hudoyo. "KEHIDUPAN KELOMPOK MARGINAL MASYARAKAT PESISIR PADA SETTING KAMPUNG TIRANG DALAM FILM TURAH (Analisis Semiotika Charles Sander Peirce)." Texture:Art and Culture Journal 2, no. 2 (2020): 120–36. http://dx.doi.org/10.33153/texture.v2i2.2785.

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ABSTRACTOne of Indonesia's drama-genre films is Turah. Great attention to marginality is evident from the selection and depiction of Tirang village as the main setting. A settlement that stands on land arises in the coastal area. The life of marginal groups of coastal communities that are raised through signs uses the complex Charles Sanders Peirce semiotic approach by relating three main components, namely: representamen, object and interpretant. Keywords : Film Turah, Setting, Semiotica Charles Sanders Peirce, Marginal Group, Beach Society.ABSTRAKSalah satu film Indonesia ber-genre drama ada

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13

Sedda, Franciscu. "Nello specchio dell’antropologia: la natura, la cultura, il semiotico." Estudos Semióticos 17, no. 2 (2021): 44–67. http://dx.doi.org/10.11606/issn.1980-4016.esse.2021.182112.

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Il saggio analizza una serie di prese di posizione antropologiche – quelle di Lévi-Strauss, Geertz, Clifford, Appadurai, Latour, Viveiros de Castro, Descola in particolare – che hanno al centro il rapporto natura/cultura. Esso mostra la ricchezza di visioni e strategie insite in queste posizioni, quanto le loro complesse e spesso inavvertite correlazioni. Il saggio mostra come i raddoppiamenti della natura e della cultura, così come i tentativi di trovare scappatoie all’opposizione, assumano significato in relazione alla semiotica e possano ispirare nuovi modelli per pensare la cultura. In par

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14

Burke, James, and Aldo Ruffinatto. "Semiotica ispanica: Cinque esercizi." Hispanic Review 55, no. 3 (1987): 375. http://dx.doi.org/10.2307/473697.

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15

Montero, Humberto. "La Semiotica del HDR." deSignis, no. 28 (January 1, 2018): 189–97. http://dx.doi.org/10.35659/designis.i28p189-197.

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La fotografía de alto rango dinámico, HDR en inglés ‘High Dynamic Range’ es una técnica de producción fotográfica de múltiple exposición que conforma una única imagen final con mayor riqueza cromática y detalle figurativo a diferencia de la clásica fotografía de una sola exposición. Su cualidad técnica diferenciada por sobre la fotografía clásica de una sola exposición, hace de ella un artificio semiótico de amplia versatilidad de expresión y profunda capacidad de contenido. En este texto analizamos el principio semiótico de su articulación y su institución convencional en el mundo actual de l

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16

Nastopka, Kęstutis. "Ars Semiotica. Editor’s Introduction." Semiotika 12 (December 22, 2016): 5–8. http://dx.doi.org/10.15388/semiotika.2016.16730.

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17

Di Cesnola (book author), Maurizio Palma, and Antonio Franceschetti (review author). "Semiotica dantesca: Profetismo e diacronia." Quaderni d'italianistica 17, no. 2 (1996): 153. http://dx.doi.org/10.33137/q.i..v17i2.10121.

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18

Gibbons, David, and Maurizio Palma di Cesnola. "Semiotica dantesca: Profetismo e diacronia." Modern Language Review 93, no. 4 (1998): 1122. http://dx.doi.org/10.2307/3736326.

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19

Ponzio, Augusto. "Semiotica della metafora in Vico." PARADIGMI, no. 1 (May 2009): 27–40. http://dx.doi.org/10.3280/para2009-001003.

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- According to Vico metaphor is a fundamental and primary instrument of thought. This concept was further developed by Du Marsais and Rousseau. Particularly important is Vico's concept of poetical logic. Linguistic creativity is the capacity to form new metaphorical associations, to propose new cognitive combinations, and invent new figurations. The species-specific trait of the human being is a modelling device capable of inventing an indeterminate number of worlds. This species-specific human modelling capacity is the lingua mutola, the mute language discussed by Vico: gesture or body langua

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20

Di Santo, Federico. "Per una semiotica della rima." Romanistisches Jahrbuch 70, no. 1 (2019): 158–85. http://dx.doi.org/10.1515/roja-2019-0006.

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Abstract The article, following a suggestion of Barthes, attempts to outline a semiotics of the technique of rhyming considered as a sub-code of poetic language, in order to better understand the important contribution provided by rhyme, on many levels, to the strategies of signification of the literary text. This semiotic approach is inscribed in a general theory of rhyme under development by the author, which aims at explaining the raison d’être and fortune of this poetic device in relation to its decisive contribution to the rhetorical and figurative elaboration of the poetic text. In a sem

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21

Monti, Rocco. "Semiotica e epistemologia della vaghezza." Nóema 1, no. 15 (2024): 25–45. http://dx.doi.org/10.54103/2239-5474/27145.

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Il mio obiettivo in questo articolo è quello di gettare luce sulla teoria della vaghezza di Peirce. Peirce è un autore per lo più escluso dal dibattito analitico in merito alla vaghezza che intende classificarla in ottica disciplinare come se fosse un problema che pertiene ad ambiti esclusivi. Il paradosso del sorite è punto fondamentale delle teorie contemporanee e analitiche della vaghezza, che vedono in esso la loro origine storica e il loro più grande bersaglio o alleato. Peirce ha declinato la vaghezza in maniera completamente diversa, dandone una trattazione transdisciplinare, vedendone

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22

Carugati, Giuliana, and Maurizio Palma di Cesnola. "Semiotica dantesca. Profetismo e diacronia." Italica 74, no. 3 (1997): 414. http://dx.doi.org/10.2307/479945.

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23

Boyko, Taras. "Reading Uspenskij: Soviet ‘semiotics of history’ in the West." Sign Systems Studies 45, no. 3/4 (2017): 380–94. http://dx.doi.org/10.12697/sss.2017.45.3-4.10.

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The article explores the reception of Boris Uspenskij’s writings and ideas outside of the Soviet Union, primarily in Western European and North American academic contexts. The present brief overview of Uspenskij’s academic reception covers the translations of his best-known scholarly works [first and foremost “Historia sub specie semioticae” and “Istoriya i semiotika (Vospriyatie vremeni kak semioticheskaya problema)”] into English, French, Spanish, German and other European languages, as well as various references to Uspenskij’s ideas on what nowadays would be categorized as ‘semiotics of his

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24

Bianchi, Cinzia. "Thresholds, boundaries, limits: Ideological analysis in the semiotics of Umberto Eco." Semiotica 2015, no. 206 (2015): 109–27. http://dx.doi.org/10.1515/sem-2015-0015.

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AbstractThis essay traces the evolution of Umberto Eco’s thinking from a particular point of view, that of his reflections on ideology and ideological discourse. The reason for this choice is that ideology is one of the themes that is associated with the mature phase of Eco’s work, generally regarded as beginning with the Trattato di semiotica generale (1975, A Theory of Semiotics). Moreover, by examining ideology it is possible to piece together a complex path of intellectual reconsiderations and redefinitions involving both the discipline of semiotics and the broader cultural context. To tac

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25

Perreiah, Alan R. "Semiotica e Linguaggio nella Scolastica: Parigi, Bologna, Erfurt, 1270- 1330. La Semiotica dei Modisti.Constantino Marmo." Speculum 71, no. 4 (1996): 978–80. http://dx.doi.org/10.2307/2865756.

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26

Lancioni, Tarcisio. "Dietro la maschera. Verità in semiotica." Estudos Semióticos 18, no. 2 (2022): 216–36. http://dx.doi.org/10.11606/issn.1980-4016.esse.2022.194353.

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L’articolo propone una riflessione, condotta con gli strumenti della semiotica, sulla verità e sui suoi travisamenti (maschere, segreti), attraverso l’analisi di un racconto: Doppio sogno (Traumnovelle, 1926) di Arthur Schnitzler. Dopo un excursus su alcune concezioni della verità, derivate sia dal discorso filosofico che dalla prassi quotidiana, l’analisi testuale è volta a mostrare come i processi discorsivi, quali sono messi in scena dal racconto, presentano un ampio intreccio di pratiche “veritative” diverse, quali la constatazione, la confessione, l’inchiesta, la messa alla prova, lo smas

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27

Moreno Barreneche, Sebastián. "Semiotica de las formas de vida." Semióticas cognitivas: nuevos paradigmas, no. 35 (2021): 267–69. http://dx.doi.org/10.35659/designis.i35p267-269.

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28

Volli, Ugo. "Analisi semiotica della comunicazione iconica (1975)." IKON, no. 60 (October 2013): 159–86. http://dx.doi.org/10.3280/ikr2013-060014.

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29

Frascari, Marco. ""Semiotica ab Edendo," Taste in Architecture." Journal of Architectural Education (1984-) 40, no. 1 (1986): 2. http://dx.doi.org/10.2307/1424841.

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30

Frascari, Marco. "Semiotica Ab Edendo, Taste in Architecture." Journal of Architectural Education 40, no. 1 (1986): 2–7. http://dx.doi.org/10.1080/10464883.1986.11102648.

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31

Bogoşel, Ramona. "Ziua şi noaptea în semiotica muzicală." Lucrări de Muzicologie 37, no. 2 (2024): 39–49. http://dx.doi.org/10.47809/lm.2022.37.02.04.

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32

Lancioni, Tarcisio. "Dietro la maschera. Verità in semiotica." Estudos Semióticos 18, no. 2 (2022): 216–36. https://doi.org/10.11606/issn.1980-4016.esse.2022.194353.

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L’articolo propone una riflessione, condotta con gli strumenti della semiotica, sulla verità e sui suoi travisamenti (maschere, segreti), attraverso l’analisi di un racconto: Doppio sogno (Traumnovelle, 1926) di Arthur Schnitzler. Dopo un excursus su alcune concezioni della verità, derivate sia dal discorso filosofico che dalla prassi quotidiana, l’analisi testuale è volta a mostrare come i processi discorsivi, quali sono messi in scena dal racconto, presentano un ampio intreccio di pratiche “veritative” diverse, quali la constatazione, la con

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33

Polidoro, Piero. "Umberto Eco and the problem of iconism." Semiotica 2015, no. 206 (2015): 129–60. http://dx.doi.org/10.1515/sem-2015-0020.

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AbstractThis paper focuses on the main features and evolution of the so-called “debate on iconism,” in which Eco was deeply involved. This discussion (one of the most important in general and visual semiotics) began at the end of the 1960s and dealt with the problem of reality and image perception. It was characterized by the contrast between the supporters of visual language “naturality” and those of its “conventionality.” In La Struttura assente (1968) and Trattato di semiotica generale (1975, A Theory of Semiotics), Eco elaborated a moderate conventionalist theory. More than 20 years later,

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34

Nanni, Luciano. "Estetica e semiotica: il "ribaltone" post-strutturalista." Quaderni d'italianistica 16, no. 1 (1995): 7–15. http://dx.doi.org/10.33137/q.i..v16i1.10380.

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35

Bacigalupo, Giuliano. "Semiotica e semantica in Martinak e Meinong." PARADIGMI, no. 2 (August 2012): 77–91. http://dx.doi.org/10.3280/para2012-002006.

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L'articolo analizza le ricerche semiotico-semantiche di A. Meinong e del suo allievo E. Martinak. La prima parte dell'articolo č dedicata alla teoria generale dei segni sviluppata da Martinak, mentre la seconda parte si concentra sul suo trattamento dei segni linguistici. La terza parte espone le modifiche apportate da Meinong alla teoria di Martinak. Queste modifiche conducono Meinong a confrontarsi con il paradosso semantico della non esistenza, tema questo che costituisce l'oggetto della quarta parte. Infine, nella quinta parte, l'autore critica la soluzione meinonghiana del paradosso della

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36

Brioschi, Maria Regina. "Peirce cent'anni dopo. pragmatismo, semiotica e filosofia." RIVISTA DI STORIA DELLA FILOSOFIA, no. 3 (September 2015): 647–50. http://dx.doi.org/10.3280/sf2015-003011.

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37

Delahaye, Pauline. "The world, the body and the sign: Group μ at the sources of meaning". Sign Systems Studies 50, № 2-3 (2022): 453–57. http://dx.doi.org/10.12697/sss.2022.50.2-3.08.

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38

Barbosa de M. Batísta, Maria de Fátima. "A Acta Semiotica et Lingvistica entrevista pessoas que estudaram os escritos de Chiara Lubich ou participaram de sua trajetória como personalidade do mundo contemporâneo." Acta Semiótica et Lingvistica 25, no. 3 (2020): 222–39. http://dx.doi.org/10.22478/ufpb.2446-7006.44v25n3.56791.

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39

Nascimento, Flaviano Batistado. "Entrevista o Prof. Dr. Flaviano Batista do Nascimento, da rede pública do Estado da Paraíba, semioticista e estudioso do Sistema Braille." Acta Semiótica et Lingvistica 25, no. 2 (2020): 199–207. http://dx.doi.org/10.22478/ufpb.2446-7006.44v25n2.54833.

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40

Trudel, Éric. "MILIEU DU CHEMIN." Acta Semiótica et Lingvistica 27, no. 2 (2022): 168–76. http://dx.doi.org/10.22478/ufpb.2446-7006.46v27n2.63003.

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41

Casini, Simone. "In principio erat verbum? Tullio De Mauro e le riflessioni americane di educazione linguistica democratica." Italica 96, no. 1 (2019): 94–126. http://dx.doi.org/10.5406/23256672.96.1.06.

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Abstract Il contributo si pone l'obiettivo di rileggere la lezione di Tullio De Mauro attraverso il concetto di educazione linguistica democratica, proposto come fondamento teoretico della ricerca linguistica e semiotica non solo in riferimento ai processi generalmente educativi, ma entro le stesse dinamiche di uso simbolico attraverso le lingue e i linguaggi. Partendo dalla analisi dei principi semiotici e teorici che alimentano l'educazione linguistica, il contributo sviluppa una riflessione che considera come le implicazioni dell'educazione linguistica democratica siano, nei fatti, a fondam

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42

Sandin, Gunnar. "Construing Scandinavia: A semiotic account of intercultural exchange in theme park design." Semiotica 2020, no. 232 (2020): 79–102. http://dx.doi.org/10.1515/sem-2019-0031.

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AbstractEvaluation of other cultures is a strong force in a culture’s definition of itself. Cultures are formed in encounters that include domination, conflict, and dismissal as much as appreciation and smooth exchange. In this paper, the construction of cultural identity is discussed, with reference to a Scandinavian Theme Park proposal made in cooperation between American design consultants and a local Swedish team of planners and visionaries. The image production in this design proposal, which never came to be realised in architectural production, shows that “Scandinavia” appears as a two-s

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43

Makmur, Testiani, and Dafrizal Samsudin. "Perspektif semiotika dalam penelitian sain informasi dan kepustakaan di Indonesia." Al-Kuttab : Jurnal Kajian Perpustakaan, Informasi dan Kearsipan 2, no. 2 (2020): 11–20. http://dx.doi.org/10.24952/ktb.v2i2.2513.

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ABSTRACTThis study aims to diagnose the application of semiotic perspectives in various forms of information and literature study in Indonesia. Literature-based literature that discusses semiotics consists of scientific work in information and literature science in Indonesia. The implications include (1) seen from anytime semiotics began to be studied by library and information science scholars, (2) then what was the increase from year to year, (3) how the epistemological development of the development of semiotic theories in accordance with library science and Indonesia, (4) as well as from m

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44

WEISS, JULIAN. "Aldo Ruffinatto, "Semiotica ispanica: cinque esercizi" (Book Review)." Bulletin of Hispanic Studies 65, no. 2 (1988): 180. http://dx.doi.org/10.3828/bhs.65.2.180b.

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Strudsholm, Erling. "Semiotica e Linguistica: Per Ricordare Maria-Elisabeth Conte." Journal of Pragmatics 36, no. 11 (2004): 2081–83. http://dx.doi.org/10.1016/j.pragma.2003.10.022.

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Panico, Mario. "Longevità della cultura. La memoria al vaglio semiotico." Estudos Semióticos 17, no. 2 (2021): 203–18. http://dx.doi.org/10.11606/issn.1980-4016.esse.2021.180824.

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L’obiettivo di questo articolo è di indagare la correlazione tra cultura e memoria così come proposta nella teoria semiotica di Juri M. Lotman e dagli altri studiosi della scuola di Tartu-Mosca. In queste pagine, particolare spazio è dato alla disamina del concetto di “longevità della cultura”, intesa come la “durata” semantica di testi e codici. Questo concetto, proposto per la prima volta da Lotman e Uspenskij, viene messo in dialogo con specifici aspetti comuni al binomio cultura/memoria: il carattere relazionale e retrospettivo, la comune diacronia. Inoltre, con l’obiettivo finale di enfat

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Sant'Anna, Arlene Lopes. "A marca símbolo da campanha de prevenção as drogas." Significação: Revista de Cultura Audiovisual 30, no. 20 (2003): 205–20. http://dx.doi.org/10.11606/issn.2316-7114.sig.2003.159023.

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Este artigo se propoe a analisar a marca-simbolo, instituida pela APCD (Associa^ao Parceria Contra Drogas), na campanha de preven^ao as drogas veiculadas pela televisao. Esta analise leva em conta que a marca-simbolo e o texto do discurso sintetico, o que identifica o objetivo dos amincios que se apresentam para conter o consumo de drogas entre osjovens no Brasil. A marca-simbolo pertence aos dommios da semiotica visual, assim, este estudo se fundamenta na semiotica greimasiana. Podemos mostrar, por meio das relagoes semi-simbolicas, que a dimensao plastica se articula, por um lado com a dimen

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MOROZANU, Cristina. "The semiotics of color names in christian poetry." Univers Pedagogic 85, no. 1 (2025): 58–65. https://doi.org/10.52387/1811-5470.2025.1.08.

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In this article we describe the chromatic terms in Christian poetry through the lens of semiotics. The analysis of the lexical-semantic system of color names on the paradigmatic and syntagmatic axis allowed us to establish the character of the relationships between the chromatic terms of the semantic field of color names, to highlight the variety of meanings and connotative features of these terms, realized in different semantic areas. This creates a comprehensive view of the semantic, aesthetic, and affective possibilities of chromatic lexemes in Christian poetry, with potential applications

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Sukam, Ernando, Dini Valdiani, and Imani Satriani. "REPRESENTASI HOMOSEKSUALITAS DALAM FILM SAUSAGE PARTY." Jurnal Penelitian Sosial Ilmu Komunikasi 3, no. 2 (2019): 134–44. http://dx.doi.org/10.33751/jpsik.v3i2.1297.

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AbstractThe objective of this research is to know signs and meanings (sign, object, interpretant) of homoxeksual that exist in Sausage Party. This research used Semiotica Charles Sanders Peirce’s theory that famous with his triangle meanings and also used Azhari and Kencana’s homoxeksual theory that included in sexual behavior. This research uses a qualitative descriptive research approach. In this research, researchers used data source triangulation thecnique. According Bungin (2007:257), data source triangulation doing by comparing and measuring level of trust an information that obtained by

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Caputo, Cosimo. "Oggetto e meta-oggetto in semiotica: un rapporto unico." Estudos Semióticos 19, no. 3 (2023): 122–36. http://dx.doi.org/10.11606/issn.1980-4016.esse.2023.212633.

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In semiotica e in linguistica la necessità di un oggetto epistemologicamente definito e specifico rispetto al vasto campo dei vari fenomeni comunicativi, e di uno specifico meta-oggetto o metalinguaggio, si rafforza con l’approccio strutturale che porta con sé anche un mutamento dell’idea di scienza del linguaggio, porta a una scienza duale: “uno formato da due”. Si tratta di una scienza che non considera le sue categorie come autonome, ma le considera “per altro”, in relazione con altre categorie. Nella dualità la storicità si prospetta come compartecipazione di strati di tempi asimmetrici, c

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