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Books on the topic 'Semiotics of film'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Buckland, Warren. The cognitive semiotics of film. Cambridge University Press, 2000.

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2

Semiotics and the analysis of film. Athlone Press, 2000.

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3

Semiotics and the analysis of film. Indiana University Press, 2000.

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4

Karl-Heinrich, Schmidt, ed. Multimodal film analysis: How films mean. Routledge, 2012.

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5

Colin, Michel. Langue, film, discours: Prolégomènes à une sémiologie générative du film. Klincksieck, 1985.

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6

Film language: A semiotics of the cinema. University of Chicago Press, 1991.

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7

Semiotics of exile in contemporary Chinese film. Palgrave Macmillan, 2012.

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8

Zeng, Hong. Semiotics of Exile in Contemporary Chinese Film. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137031631.

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9

Ian, Douglas. Film & meaning: An integrative theory. Continuum Publications and Film & Television Institute, 1988.

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10

Tsang, Hing. Semiotics and documentary film: The living sign in the cinema. De Gruyter Mouton, 2013.

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11

Gwóźdź, Andrzej. Kultura, komunikacja, film: O tekście filmowym. Wydawn. Literackie, 1992.

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12

Metaphor and film. Cambridge University Press, 1990.

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13

1949-, Burgoyne Robert, and Flitterman-Lewis Sandy 1946-, eds. New vocabularies in film semiotics: Structuralism, post-structuralism, and beyond. Routledge, 1992.

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14

Quand le film nous parle: Rhétorique, cinéma, télévision. Presses universitaires de France, 2011.

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15

Michael, Ryan. An introduction to criticism: Literature, film, culture. Wiley-Blackwell, 2012.

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16

Tempo e figurazione ritmica del film. Pellegrini, 1985.

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17

L' œil-caméra: Entre film et roman. Presses universitaires de Lyon, 1987.

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18

Jost, Franc ʹois. L' oeil-came ra: Entre film et roman. 2nd ed. Presses Universitaires de Lyon, 1989.

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19

Ophüls, Bachtin: Versuch mit Film zu reden. Stroemfeld/Nexus, 1994.

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20

John, Marland, and Rawle Steven, eds. The language of film. AVA Publishing, 2010.

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21

Küçükcan, Ufuk. Film çözümlemesinde iki yaklaşım: N. Chomsky ve C. Metz. T.C. Anadolu Üniversitesi yayınları İletişim Bilimleri Fakültesi yayınları, 2005.

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22

Post, Jack. Optische effecten in de film: Aanzetten tot een semiotische analyse. Uitgeverij Peeters, 1998.

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23

Cinema e conversazione: L'interpretazione del film narrativo. Prospettiva, 2006.

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24

Casetti, Francesco. Dentro lo sguardo: Il film e il suo spettatore. 2nd ed. Bompiani, 1989.

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25

Reck, Hans Ulrich. Zugeschriebene Wirklichkeit: Alltagskultur, Design, Kunst, Film und Werbung im Brennpunkt von Medientheorie. Königshausen & Neumann, 1994.

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26

Rauh, Reinhold. Sprache im Film: Die Kombination von Wort und Bild im Spielfilm. MAkS-Publikationen Münster, 1987.

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27

Cinema and semiotic: Peirce and film aesthetics, narration, and representation. University of Toronto Press, 2005.

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28

1979-, Grossmann Stephanie, and Klimczak Peter 1982-, eds. Medien, Texte, Kontexte: Dokumentation des 22. Film- und Fernsehwissenschaftlichen Kolloquiums. Schüren, 2010.

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29

Eugeni, R. Film, sapere, società: Per un'analisi sociosemiotica del testo cinematografico. Vita e pensiero, 1999.

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30

Hietala, Veijo. Situating the subject in film theory: Meaning and spectatorship in cinema. Turun yliopisto, 1990.

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31

Cros, Edmond. D'un sujet à l'autre: Sociocritique et psychanalyse. Ed. du CERS, 1995.

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32

Dyer, Jay. Esoteric Hollywood: Sex, cults and symbols in film. Trine Day, 2016.

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33

Tracking the signifier: Theoretical essays : film, linguistics, literature. University of Minnesota Press, 1985.

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34

Semiotics of narration in film and prose fiction: Case studies of "Scarecrow" and "My friend Ivan Lapshin". P. Lang, 1994.

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35

Transformation et réception du texte par le film: Pour une nouvelle problématique de l'adaptation. P. Lang, 1999.

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36

Rutelli, Romana. Dal libro allo schermo: Sulle traduzioni intersemiotiche dal testo verbale al cinema. ETS, 2004.

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37

Inside the gaze: The fiction film and its spectator. Indiana University Press, 1998.

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38

Subversive pleasures: Bakhtin, cultural criticism, and film. Johns Hopkins University Press, 1989.

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39

The memory of Tiresias: Intertextuality and film. University of California Press, 1998.

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40

Winter, Rainer. Filmsoziologie: Eine Einführung in das Verhältnis von Film, Kultur und Gesellschaft. Quintessenz, 1992.

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41

Kli︠u︡eva, L. B., та O. V. Chefranova. Zerkala i labirinty: Opyty tekstovogo analiza : teoreticheskiĭ analiz filʹma. Vseros. gos. in-t kinematografii im. S.A. Gerasimova, 2001.

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42

Contemporary children's literature and film: Engaging with theory. Palgrave Macmillan, 2011.

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43

Literaturtagung des Instituts für Österreichkunde (33rd 1993 Sankt Pölten, Austria). Die Ungetrennten und Nichtvereinten: Studien zum Verhältnis von Film und Literatur : Ergebnisse der 33. Literaturtagung des Instituts für Österreichkunde, St. Pölten, 30. Oktober-2. November 1993. StudienVerlag, 1995.

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44

Cinema e intermedialità: Modelli di traduzione. Forum, 2013.

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45

Chatman, Seymour Benjamin. Coming to terms: The rhetoric of narrative in fiction and film. Cornell University Press, 1990.

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46

Plesnar, Łukasz A. Semiotyka filmu. Nakł. Uniwersytetu Jagiellońskiego, 1990.

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47

Buckland, Warren, and Daniel Fairfax, eds. Conversations with Christian Metz. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089648259.

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Abstract:

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signifi cation au cinéma, tome1 et 2; Langage et cinéma; Le signifiant imaginaire; and L’Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz’s ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline — concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis. Within the colloquial language of the interview, we witness Metz’s initial formation and development of his film theory. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s.

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48

The models of space, time and vision in V. Nabokov's fiction: Narrative strategies and cultural frames. Tartu University Press, 2006.

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49

Lukman, Hakim. Representasi Islam dalam film religi: Analisis semiotik film dan sinetron Ketika cinta bertasbih. IAIN Sunan Ampel Press, 2011.

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50

Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Intervention Press, 1996.

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