Academic literature on the topic 'Semiotics of images'

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Journal articles on the topic "Semiotics of images"

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Dondero, Maria Giulia. "Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?" Semiotica 2019, no. 230 (2019): 121–42. http://dx.doi.org/10.1515/sem-2018-0104.

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AbstractIn this article we explore the relationship between semiotic analysis of images and quantitative analysis of vast image corpora, in particular the work produced by Lev Manovich and the Cultural Analytics Lab, called “Media Visualization.” Media Visualization has been chosen as corpus because of its metavisual operation (images are visualized and analyzed by images) and its innovating way of conceiving analysis: by visual instruments. In this paper semiotics is used as an approach to Media Visualization and taken as an object of study as well, especially visual semiotics. In this sense,
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Hébert, Louis. "Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité." Semiotica 2020, no. 234 (2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.

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AbstractThis article seeks to define what is semiotic and what is Semiotics. Provided first is a brief presentation of various perspectives of Semiotics. Pursuant to this, we will seek to uncover Semiotics’ particulars by evaluating various approaches. We will commence by framing the definitions of the word “Semiotic” to consider then Semiotics via eight particular anthropic – human-related – levels. This partition, derived by the author from a Rastier typology, defines the following levels: noumenophysical, phenophysical, semiotic, representational (“mental images” and concepts), sens (physic
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Stoian, Claudia Elena. "Analysing Images: A Social Semiotic Perspective." Scientific Bulletin of the Politehnica University of Timişoara Transactions on Modern Languages 14 (March 20, 2020): 23–30. http://dx.doi.org/10.59168/vbyt1151.

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The present paper introduces briefly one of the most important theories and models of visual social semiotics, namely Kress and van Leeuwen’s grammar of visual design. An image, advertising honeymoon packages, is used to illustrate to the reader the points presented by the theory. The conclusion includes practical implications of the theory, pointing out several areas where visual social semiotic analysis can be applied.
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Gluck, Myke. "Content Analysis, Semiotics, and Social Semiotics for Cartographic Analysis: Interpreting Geospatial Representations." Cartographic Perspectives, no. 31 (September 1, 1998): 4–25. http://dx.doi.org/10.14714/cp31.647.

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Several mutually informing methods for analyzing cartographic and geospatial images are presented and illustrated in this work. First, an apparently objective method, content analysis, is applied to a collection of corporate annual reports' geospatial imagery resulting in a categorization and description of those images. Then a traditional semiotic analysis is conducted on the same data done by experts who describe and express out of their personal expertise and intuitive insights the meaning of signs contained in the imagery. Subsequently, a user/viewer epistemological and ontological framewo
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Zhou, Yuhan, Fan Yang, Jialin Yang, and Huiying Wang. "The Influence of Feminist Movements on the Change of Female Images in Film and Television Dramas: Based on the Theory of Semiotics." SHS Web of Conferences 171 (2023): 03026. http://dx.doi.org/10.1051/shsconf/202317103026.

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Semiotics mainly studies the role of symbols in signals, language, culture, human behavior, and social mechanisms. Based on the semiotic theory of female images, this article explores the relationship between feminist ideas and female appearance, behavior, and self-choice in film and television dramas, the reasons for the prevalence of feminism, and the reasons why feminism influences female images in film and television dramas. Semiotics, a branch of linguistics, explores how signs and symbols convey meaning in various cultural and social contexts. It studies the use of signs and symbols to r
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Dondero, Maria Giulia. "Le plan de l’expression des images: Quelques réflexions sur support et apport." Semiotica 2020, no. 234 (2020): 253–70. http://dx.doi.org/10.1515/sem-2018-0124.

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AbstractIn this article we plan to revisit the notion of substance of the plane of expression, as found in semiotic studies of the image, and how this notion relates to the concepts of purport and form. The article is divided into three parts: The first section gives a brief history of the various ways substance has been addressed in (or excluded from) image analyses based on Greimassian semiotics and Groupe μ rhetoric. Drawing upon Jacques Fontanille’s semiotics of practices and Jean-François Bordron’s theory of iconicity, the second section concerns proposals that attempt to address the “mom
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Celis Bueno, Claudio. "Harun Farocki's Asignifying Images." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, no. 2 (2017): 740–54. http://dx.doi.org/10.31269/triplec.v15i2.874.

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With the recent publication of Signs and Machines by Maurizio Lazzarato and Critical Semiotics by Gary Genosko, the concept of asignifying semiotics introduced by Félix Guattari in the late 1960s is regaining attention. This revived interest responds largely to the rise and consolidation of new technologies of power based on algorithmic control and Big Data analysis. In the new context of informational capitalism, Guattari’s asignifying semiotics appears as a powerful conceptual tool for exploring the role of information technologies in the reproduction of capitalist power relations. This arti
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Mehwish Riaz and Thameem Ushama. "Representation of Islamic Thought and Civilisation at International Islamic University Malaysia Through Semiotics: An Analysis." Journal of Islam in Asia (E-ISSN 2289-8077) 21, no. 2 (2024): 142–71. https://doi.org/10.31436/jia.v21i2.1256.

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Signs, logos, and images have their languages, through which some hidden and cryptic message is delivered to society. Signs represent vision, philosophy, and value of thought in any context to guide society in conveying a message. This paper analyses Islamic thought and civilisation at the International Islamic University Malaysia through semiotic representation and its implementation. The data in images, signs, and logos were taken from IIUM. The data is analysed semiotically in all aspects and discussed to see to which extent these are related to Islamic thoughts and civilisation. The study’
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Allawi, Asst Lect Sundus Hussein. "A SEMIOTIC STUDY OF CARICATURE: THE STRUGGLE BETWEEN AMERICA AND CHINA." American Journal Of Social Sciences And Humanity Research 4, no. 10 (2024): 94–113. http://dx.doi.org/10.37547/ajsshr/volume04issue10-07.

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Visual communication is a compound process, which requires broad knowledge of semiotics. Semiotics is the education of signs and symbols. In what way these signs and symbols are interpreted is studied under semiotics. It has many concealed signs and connotations, for example: brand name, logo, package design, color, punch line and trade mark, etc. The present study presents one of the most significant philosophies and replicas of visual social semiotics, namely, Kress and van Leeuwen’s "Grammar of Visual Design". It involves the description of semiotic resources, what can be said and done with
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Martynov, Andriy. "Theoretical Foundations and Methodological Problems of the Semiotics of History." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 30 (November 1, 2021): 225–42. http://dx.doi.org/10.15407/mzu2021.30.225.

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The article deals with the theoretical and methodological problems of the semiotics of history. Semiotics is the science that studies the sign system. This system is used by people to transfer knowledge and information. Modern governance is semiotic. A separate fact can turn into a sign-symbol. The sign lives its own life in the virtual space, leaving the information space. The modern world is governed by language. The revolution starts with the language. Semiotics changes the epistemological regime. The code provides a communication system. Any code requires decoding. Cultural space codes are
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Dissertations / Theses on the topic "Semiotics of images"

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Oyama, Rumiko. "Visual semiotics : a study of images in Japanese advertisements." Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/10019140/.

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The thesis begins an exploration of the way in which Japanese visual semiotics works. In this it focuses on the formal representations of visual elements: visual syntax. Specifically, this thesis examines the way in which visual representations are realisations of three types of semiotic metafunctions: the Ideational, Textual and Interpersonal. In order to gain a clear idea about Japanese visual semiotics, I compare them with British counterparts in a relatively minor way. There is some consideration of Japanese and British cultural value systems as revealed through an analysis of the visual.
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Shields, Timothy Brian. "Seething brains : images of madness in the world of Shakespeare's plays." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390134.

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Lau, Man-chu Sunny, and 劉敏珠. "Postmodernism and semiotics: the tyranny of images of beauty on the female body and postmodern feminist resistance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950644.

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Lau, Man-chu Sunny. "Postmodernism and semiotics : the tyranny of images of beauty on the female body and postmodern feminist resistance /." [Hong Kong] : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13787305.

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Huang, Ying. "CONSTRUCTING THE WEST IN CHINESE MAGAZINE ADVERTISING: A CONTENT AND SEMIOTIC ANALYSIS." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/343.

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In the context of globalization, commercialization, and the increasing presence of Western images (Western models, Western languages, and Western settings) in Chinese society, this study examines how these images are constructed in Chinese magazine advertising. It utilizes quantitative content analysis, facilitated by semiotic analysis to approach issues of race, gender and power reflected in the images of the West. Methodologically, this study sees quantitative content analysis and semiotics as two complementary methods in the study of contemporary visually dominant print advertising. Theori
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Joaquim, Marina Guiglielmin de Godoy. "Imagens na comunicação do conhecimento em livros didáticos de química e física: uma análise à luz da semiótica peirceana." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/81/81132/tde-26052017-101455/.

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O presente trabalho visa contribuir para as reflexões acerca da filosofia da Química, em especial as relacionadas às estratégias e especificidades empregadas na comunicação de seu conhecimento. Como objeto de pesquisa apresentam-se as imagens empregadas nas discussões de conteúdos que são abordados em livros didáticos de Física e Química aprovados pelo Programa Nacional do Livro Didático de 2015 (PNLD - 2015), analisadas à luz da semiótica peirceana. Tais imagens, bem como seu contexto, foram analisadas sob duas perspectivas: o que se pretende comunicar, através da categorização das imagens fr
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D'Andreamatteo, Rosane Mendes Silva. "Análise semiótica de publicidade médica em aulas de inglês instrumental." Programa de Pós-Graduação em Letras e Linguística da UFBA, 2006. http://www.repositorio.ufba.br/ri/handle/ri/11412.

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Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-05-16T12:04:52Z No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc2198eb5510b5c0 (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-27T21:35:22Z (GMT) No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc2198eb5510b5c0 (MD5)<br>Made available in DSpace on 2013-05-27T21:35:22Z (GMT). No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc21
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Lindqvist, Linda. "Views of the Ending of the Cold War : A case study that compares multimodal images in Swedish newspapers and history textbooks." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77701.

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This study compares how newspaper yearbooks and current upper secondary school history textbooks represent the Cold War between the years 1985-1991. As earlier research, this multimodal study focuses discourses and images. In addition I examine the usefulness of mediatization as illuminating tool in this context. For these aims, I have constructed a three-step model, in which concepts from mediatization theory are operationalized, and combined with Theo Van Leeuwen’s social semiotic theory. This thesis compares 356 representations from two yearbooks to 16 ones from three textbooks. At present,
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Häggblom, Jeanette, and Emma Lindahl. "En bild säger mer än tusen ord : En analys av GQ Magazines omslagsbilder och årskurs 9 elevers tolkning av dem." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-99322.

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A picture says more than thousand words - an analysis of GQ Magazine´s cover images and ninth grade student´s views of them is an essay in media and communication studies covering 15 hp. This essay examines how men and women are depicted on the cover of GQ Magazine and how ninth grade students perceive these images. Our research questions are: How is gender presented in cover images? How do the students interpret these images? What possible differencies or similarities are there? Our theoretical framework is based on gender theory. Methods used are a survey conducted at Tegs Central school and
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Alač, Morana. "How brain images reveal cognition an ethnographic study of meaning-making in brain mapping practice /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3222050.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed September 19, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
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Books on the topic "Semiotics of images"

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Eco, Umberto. L'expérience des images. INA, 2011.

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Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Intervention Press, 1996.

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Alessandria, Jorge. Imagen y metaimagen. Instituto de Lingüística, Facultad de Filosofía y Letras, 1996.

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Eco, Umberto. L'expérience des images. INA, 2011.

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Butor, Michel. Les images et l'image. Editions de la Différence, 2003.

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Congress, SIETAR Europa. Images, cultures, communication: Images, signs, symbols : the cultural coding of communication. SIETAR Europa, 1997.

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Béguin-Verbrugge, Annette. Images en texte, images du texte: Dispositifs graphiques et communication écrite. Presses universitaires du Septentrion, 2006.

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Murielle, Gagnebin, and Astic Guy, eds. Les images parlantes. Champ vallon, 2005.

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Murielle, Gagnebin, and Astic Guy, eds. Les images parlantes. Champ vallon, 2005.

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Laurent, Jullier, Marie Michel 1945 author, and Qiao Yizhen translator, eds. Jie du dian ying: Lire les images de cinéma. Zhongguo dian ying chu ban she, 2014.

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Book chapters on the topic "Semiotics of images"

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Danesi, Marcel. "Love Images." In The Semiotics of Love. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18111-6_5.

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Hu, Yirong. "Art Images." In Semiotics of the Image. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-4592-3_5.

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Trifonas, Peter Pericles. "Text and Images." In International Handbook of Semiotics. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_53.

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Grayson, James H. "Images, semiotics and political transitions." In Stamps, Nationalism and Political Transition. Routledge, 2022. http://dx.doi.org/10.4324/9781003048886-2.

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Higuchi, Tadahiko. "The Images of Japanese Landscapes: A Typological Approach." In Foundations of Semiotics. John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/fos.8.05hig.

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Semetsky, Inna. "Edusemiotics and the Language of Images." In International Handbook of Semiotics. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_55.

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Chen, Yixiong, Csilla Weninger, and Fei Victor Lim. "Chapter 4. Multimodality." In Research Methods in Applied Linguistics. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/rmal.6.04che.

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Multimodality examines how language and other resources (e.g., images and gestures) are integrated to make meaning for communication. This chapter aims to introduce two approaches to multimodality from a systemic-functional semiotic perspective, namely social semiotics and systemic functional multimodal discourse analysis (SF-MDA), and discuss their applications in applied linguistics. Specifically, this chapter begins with an overview of the theoretical underpinnings of the two approaches, focusing on their shared functionalist origins and the origin’s theoretical and methodological implicati
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Lacey, Nick. "Semiotics." In Image and Representation. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-28800-4_4.

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Lacey, Nick. "Semiotics." In Image and Representation. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26712-5_3.

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Zehairy, Lujain Ahmed, and Paul Wilson. "Be What You See: How Advertising Change and Female Visibility Between 2012 and 2021 Reflect the Transformative Ambition of Saudi Vision 2030." In Proceedings in Technology Transfer. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-8588-9_34.

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Abstract Developed from Ph.D. research which aims to investigate ways in which Saudi Airlines (SAUDIA) advertising portrays females within the evolving landscape of social and economic change in Saudi Arabia, this paper looks to explore ways in which advertising images reflect the transformative ambitions and potential that are at the heart of Vision 2030. With a focus on the strategic objectives of economic and social sustainability through the empowerment of women and increasing their participation in the labour market, which aligns with broader global targets for gender equality as part of
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Conference papers on the topic "Semiotics of images"

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences
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Blanchini, Marco, Giovanna Dimitri, Lydia Abady, Benedetta Tondi, Tarcisio Lancioni, and Mauro Barni. "Semiotic-Based Construction of a Large Emotional Image Dataset with Neutral Samples." In 2025 IEEE/CVF Winter Conference on Applications of Computer Vision (WACV). IEEE, 2025. https://doi.org/10.1109/wacv61041.2025.00734.

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Kozlovs, Normunds. "TOPIC OF ECOLOGY IN RIGA STENCIL GRAFFITTI." In 24th SGEM International Multidisciplinary Scientific GeoConference 2024. STEF92 Technology, 2024. https://doi.org/10.5593/sgem2024v/4.2/s19.50.

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The relationship of contemporary human beings to the nature is in the centre of the public debate worldwide and in particular countries because of climate change. Different social groups develop different perspectives on the issue based on ideologies, values and lifesyles. They express it through verbal arguments, but also through visual messages that use well known symbols and emotionally louded images in public spaces one of forms usual for supposedly muted groups beeing stencil graffiti. The aim of this research is to explore and describe the care of environment ideology within subcultural
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Attri, Shalini, and Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.

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The wide variety of the components of signs stems from verbal communication to visual gestures, ciphers, images, music, and Morse code. Barthes’ Semiotic Theory restructured the theory of analyzing signs and allowed for a new understanding and interpretation of signs through seeing diverse cultures and societies. Saussure’s definition of the sign as a combination of signifier and signified led Barthes to further elucidate sign as connotative (cultural) and denotative (literal) processes. Semiotics can be applied to all aspects of life, as meaning is produced not in isolation but in totality, e
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Santangelo, Antonio, Ilaria Ingrao, and Seyedeh Maede Mirsonbol. "IMAGINING WAR WITH AI: AN EXPERIMENT IN EDUCATIONAL SEMIOTICS." In 1st International Scientific Conference Education and Artificial Intelligence. University of Niš, Pedagogical Faculty, Vranje, 2025. https://doi.org/10.46793/edai24.027s.

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The present study aims to describe how generative AI was used for an educational experiment based on the principles of visual socio-semiotics. In fact, hundreds of images posted on Instagram by Italian and Iranian mass media were collected and stored related to the beginning of the last Israeli-Palestinian conflict in the Gaza Strip. We analyzed them using structural semiotics and described their meanings through keywords and short sentences aimed at reproducing the topics and focusing points of the messages they conveyed. The results were presented to young teenagers—Italian and Iranian stude
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Gorokhov, V. L., V. V. Vitkovsky, and D. V. Kholodnyak. "Semiotics of scientific metaphors of cognitive images of multidimensional data." In 2017 XX IEEE International Conference on Soft Computing and Measurements (SCM). IEEE, 2017. http://dx.doi.org/10.1109/scm.2017.7970684.

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Zantides, Evripides, and Anna Zapiti. "STRIKE A POSE: THE SEMIOTICS OF ELECTORAL IMAGES IN CYPRUS AFTER STATE INDEPENDENCE IN 1960 UNTIL 2013." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-044.

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Javier-Rivero, Rowena. "Approaches to a Semiotics of Visual Language: Reconstructing Images of the Filipino Superheroines." In The European Conference on Arts & Humanities 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2188-1111.2024.10.

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Topuria, Ekaterine. "SEMIOTICS OF THE POLITICAL ADVERTISEMENT DISCOURSE ANALYSIS IN TRANSLATION." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.309t.

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Discourse analysis and the theory of Translation provide a framework for critically analyzing advertisements beyond their surface meanings, revealing the complex ways in which they communicate ideas, values, and desires to audiences. By examining the language, ideology, narrative structures, audience reception, and discursive strategies of advertisements, discourse analysts can uncover deeper insights into their social, cultural, and political significance via the translated text. Dialogue in communication and media studies can be a valuable tool for examining texts of advertisements in Englis
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Yang, Baolei, and Guo Zhao. "Semiotics: Important Way for Improving College Students’ Abilities of Images Reading and Critical Thinking." In 6th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210121.039.

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Reports on the topic "Semiotics of images"

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จักกะพาก, รัตนา. จินตทัศน์ทางสังคมและกลวิธีการเล่าเรื่องในภาพยนตร์ของ อาคิระ คุโรซาว่า : การวิเคราะห์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.15.

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The aims of this research are to analyse the films directed by Akira Kurosawa in the narrative structure, the patterns of plot and the model of binary oppositions of structuralism; to analyse their contents based on the quest model and the semiotic square, to study the film language regarding point of view, the mise-en scene, the montage, the use of sound effect, and the narrative system in relation to the media, the types of the story and the auteurship. The results of the research finds that the plots reflect social problems. The contents are mostly represented by mise-en scene, motage, soun
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