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Journal articles on the topic 'Semiotics of images'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Dondero, Maria Giulia. "Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?" Semiotica 2019, no. 230 (2019): 121–42. http://dx.doi.org/10.1515/sem-2018-0104.

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AbstractIn this article we explore the relationship between semiotic analysis of images and quantitative analysis of vast image corpora, in particular the work produced by Lev Manovich and the Cultural Analytics Lab, called “Media Visualization.” Media Visualization has been chosen as corpus because of its metavisual operation (images are visualized and analyzed by images) and its innovating way of conceiving analysis: by visual instruments. In this paper semiotics is used as an approach to Media Visualization and taken as an object of study as well, especially visual semiotics. In this sense,

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Hébert, Louis. "Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité." Semiotica 2020, no. 234 (2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.

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AbstractThis article seeks to define what is semiotic and what is Semiotics. Provided first is a brief presentation of various perspectives of Semiotics. Pursuant to this, we will seek to uncover Semiotics’ particulars by evaluating various approaches. We will commence by framing the definitions of the word “Semiotic” to consider then Semiotics via eight particular anthropic – human-related – levels. This partition, derived by the author from a Rastier typology, defines the following levels: noumenophysical, phenophysical, semiotic, representational (“mental images” and concepts), sens (physic

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Stoian, Claudia Elena. "Analysing Images: A Social Semiotic Perspective." Scientific Bulletin of the Politehnica University of Timişoara Transactions on Modern Languages 14 (March 20, 2020): 23–30. http://dx.doi.org/10.59168/vbyt1151.

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The present paper introduces briefly one of the most important theories and models of visual social semiotics, namely Kress and van Leeuwen’s grammar of visual design. An image, advertising honeymoon packages, is used to illustrate to the reader the points presented by the theory. The conclusion includes practical implications of the theory, pointing out several areas where visual social semiotic analysis can be applied.

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Gluck, Myke. "Content Analysis, Semiotics, and Social Semiotics for Cartographic Analysis: Interpreting Geospatial Representations." Cartographic Perspectives, no. 31 (September 1, 1998): 4–25. http://dx.doi.org/10.14714/cp31.647.

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Several mutually informing methods for analyzing cartographic and geospatial images are presented and illustrated in this work. First, an apparently objective method, content analysis, is applied to a collection of corporate annual reports' geospatial imagery resulting in a categorization and description of those images. Then a traditional semiotic analysis is conducted on the same data done by experts who describe and express out of their personal expertise and intuitive insights the meaning of signs contained in the imagery. Subsequently, a user/viewer epistemological and ontological framewo

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Zhou, Yuhan, Fan Yang, Jialin Yang, and Huiying Wang. "The Influence of Feminist Movements on the Change of Female Images in Film and Television Dramas: Based on the Theory of Semiotics." SHS Web of Conferences 171 (2023): 03026. http://dx.doi.org/10.1051/shsconf/202317103026.

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Semiotics mainly studies the role of symbols in signals, language, culture, human behavior, and social mechanisms. Based on the semiotic theory of female images, this article explores the relationship between feminist ideas and female appearance, behavior, and self-choice in film and television dramas, the reasons for the prevalence of feminism, and the reasons why feminism influences female images in film and television dramas. Semiotics, a branch of linguistics, explores how signs and symbols convey meaning in various cultural and social contexts. It studies the use of signs and symbols to r

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Dondero, Maria Giulia. "Le plan de l’expression des images: Quelques réflexions sur support et apport." Semiotica 2020, no. 234 (2020): 253–70. http://dx.doi.org/10.1515/sem-2018-0124.

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AbstractIn this article we plan to revisit the notion of substance of the plane of expression, as found in semiotic studies of the image, and how this notion relates to the concepts of purport and form. The article is divided into three parts: The first section gives a brief history of the various ways substance has been addressed in (or excluded from) image analyses based on Greimassian semiotics and Groupe μ rhetoric. Drawing upon Jacques Fontanille’s semiotics of practices and Jean-François Bordron’s theory of iconicity, the second section concerns proposals that attempt to address the “mom

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Celis Bueno, Claudio. "Harun Farocki's Asignifying Images." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, no. 2 (2017): 740–54. http://dx.doi.org/10.31269/triplec.v15i2.874.

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With the recent publication of Signs and Machines by Maurizio Lazzarato and Critical Semiotics by Gary Genosko, the concept of asignifying semiotics introduced by Félix Guattari in the late 1960s is regaining attention. This revived interest responds largely to the rise and consolidation of new technologies of power based on algorithmic control and Big Data analysis. In the new context of informational capitalism, Guattari’s asignifying semiotics appears as a powerful conceptual tool for exploring the role of information technologies in the reproduction of capitalist power relations. This arti

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Mehwish Riaz and Thameem Ushama. "Representation of Islamic Thought and Civilisation at International Islamic University Malaysia Through Semiotics: An Analysis." Journal of Islam in Asia (E-ISSN 2289-8077) 21, no. 2 (2024): 142–71. https://doi.org/10.31436/jia.v21i2.1256.

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Signs, logos, and images have their languages, through which some hidden and cryptic message is delivered to society. Signs represent vision, philosophy, and value of thought in any context to guide society in conveying a message. This paper analyses Islamic thought and civilisation at the International Islamic University Malaysia through semiotic representation and its implementation. The data in images, signs, and logos were taken from IIUM. The data is analysed semiotically in all aspects and discussed to see to which extent these are related to Islamic thoughts and civilisation. The study’

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Allawi, Asst Lect Sundus Hussein. "A SEMIOTIC STUDY OF CARICATURE: THE STRUGGLE BETWEEN AMERICA AND CHINA." American Journal Of Social Sciences And Humanity Research 4, no. 10 (2024): 94–113. http://dx.doi.org/10.37547/ajsshr/volume04issue10-07.

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Visual communication is a compound process, which requires broad knowledge of semiotics. Semiotics is the education of signs and symbols. In what way these signs and symbols are interpreted is studied under semiotics. It has many concealed signs and connotations, for example: brand name, logo, package design, color, punch line and trade mark, etc. The present study presents one of the most significant philosophies and replicas of visual social semiotics, namely, Kress and van Leeuwen’s "Grammar of Visual Design". It involves the description of semiotic resources, what can be said and done with

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Martynov, Andriy. "Theoretical Foundations and Methodological Problems of the Semiotics of History." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 30 (November 1, 2021): 225–42. http://dx.doi.org/10.15407/mzu2021.30.225.

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The article deals with the theoretical and methodological problems of the semiotics of history. Semiotics is the science that studies the sign system. This system is used by people to transfer knowledge and information. Modern governance is semiotic. A separate fact can turn into a sign-symbol. The sign lives its own life in the virtual space, leaving the information space. The modern world is governed by language. The revolution starts with the language. Semiotics changes the epistemological regime. The code provides a communication system. Any code requires decoding. Cultural space codes are

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Shyam, Imon. "A study on Semiotics: Theory of word meaning in Media Analysis of Advertisement." International Journal of Science and Social Science Research 2, no. 1 (2024): 129–36. https://doi.org/10.5281/zenodo.13346170.

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The essay aims to elucidate the primary patterns in contemporary research on the semiotics of advertising. Thistext emphasises the unique characteristics of semiotic models in contemporary media advertising, which serve as a kindof visualised commercial communication. It also identifies the potential for the development of advertising semiotics asan independent field within the broader subject of semiotics. Modern advertising is seen as a product of mass culture. It isa cultural artefact that embodies the unique characteristics of postmodern aesthetics, particularly in terms of its meaningand

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Marotta, Anna, Roberta Spallone, Massimiliano Lo Turco, et al. "Visual Images and Language in Architecture: Signifier Semiotics and Meaning Semiotics." Proceedings 1, no. 9 (2017): 964. http://dx.doi.org/10.3390/proceedings1090964.

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Makarevich, Eduard Fedorovich, and Oleg Ivanovich Karpukhin. "Expansion of images in the media and their analysis: the possibilities of the semiotic method." Uchenyy Sovet (Academic Council), no. 11 (October 10, 2021): 858–69. http://dx.doi.org/10.33920/nik-02-2111-07.

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The development of the culture of mass communications opened up the possibilities of semiotics for creating, constructing an image, for analyzing existing, current images. Today it is possible to speak about the technology of analysis and construction of images. Communications architects regard semiotics as the science of signs, their creation, perception, a science that can enhance the very influence of mass communications. The authors show how semiotics was able to attract them. First of all, it is due to understanding that any object, event, concept, any entity has its own image, which is a

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Zhang, Yuping. "A Semiotic Study on Print Advertisements of Luxury Perfume Brands for Women." Asian Journal of Social Science Studies 4, no. 1 (2019): 15. http://dx.doi.org/10.20849/ajsss.v4i1.540.

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Semiotics is an indispensable theory of decoding images in modern times. In this paper, I will focus on three important scholars in the semiotics study area who are Saussure, Peirce and Barthes, their theories are extremely important and useful for helping us analyse advertisements. In this case, I use their theories to analyse two luxury perfume advertisements which is Dior J'adore and Burberry London, and can understand the meanings and structures of the advertisements by the theory of semiotics. These semiotic theories explain symbols in print advertisements of these luxury brands from the

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Pakirdinova, Sharofat Abdumutallibjonova To'ychiboyzoda Saidakbar G'ofur o'g'li. "THE SEMIOTICS IN ADVERTISING: DECODING THE IMAGES." CENTRAL ASIAN JOURNAL OF EDUCATION AND INNOVATION 2, no. 6 (2023): 92–97. https://doi.org/10.5281/zenodo.8019444.

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This article explores the use of semiotics in advertising and how it can be used to decode the images presented to consumers and also  this article highlights the power of semiotics in advertising and its role in shaping consumer behavior.

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Sabitov, Daniyar. "The Image that Does Not Represent: Mythological Approach." Linguistic Frontiers 7, no. 3 (2024): 1–8. https://doi.org/10.2478/lf-2024-0025.

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Abstract Can an image not signify? This paper explores two cases: self-referential images and mythological images. While Winfred Nöth defends the universality of semiotics against a potential paradox, this paper argues that subjection to semiotic logic can distort the understanding of domains such as myth. Mythological images do not adhere to formal logic and lack distinct signifiers and signified. By studying myth from within, without attempting to interpret it through external frameworks, the unique asemiotic nature of the identity between subject and object is revealed.

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Semetsky, Inna. "Visual Semiotics and Real Events." Video Journal of Education and Pedagogy 4, no. 2 (2019): 90–110. http://dx.doi.org/10.1163/23644583-00401006.

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This article adopts a semiotic (and edusemiotic) perspective that abolishes all binary divisions in favour of the process of semiosis that ensures a continuous translation of signs into other signs via the dynamic relations formed by the human mind, cultural artefacts, and events in real life. The mind, in edusemiotics, partakes of unconscious ideas in the form of mental images. As for culture, the field of communication phenomena calls for, according to Yuri Lotman, the identification of specific semiotic systems representing their ‘languages’, including non-verbal signs such as images, pictu

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Hussain, Muhammad, Muhammad Amjad, and Kalsoom Bugti. "ICONIC REPRESENTATION OF BALOCH CULTURE: A SEMIOTIC ANALYSIS." Journal of Social Sciences and Humanities 59, no. 1 (2020): 35–49. http://dx.doi.org/10.46568/jssh.v59i1.324.

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The present paper analyzes cultural attires and appearances of Marri and Bugti tribes in Balochistan to find out latent meanings attached to these artifacts. In doing so, the study uses Peirce’s framework of semiotics- an iconic perspective. The analysis has been carried out with the help of close reading (Semiotic perspective) of the cultural images and appearances. The results reveal underlying multi-meanings attached to these images and appearances. The findings reflect the richness and diversity of Marri and Bugti cultures and the invisible representational meanings of these objects. This

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Lukianova, Yulia. "SEMIOTICS OF PRODUCT LABELING." Fìlologìčnì traktati 16, no. 1 (2024): 132–40. http://dx.doi.org/10.21272/ftrk.2024.16(1)-13.

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This article examines the diversity of multimodality, that is, how different sign modes interact in texts. It highlights the importance of understanding the relationship between different modes of symbolic communication, especially in creating a connection between words and images. It examines how semiotics is closely related to visual communication and how it helps convey messages and engage the attention of an audience. The article also considers the extension of semiotics beyond language and the importance of studying sign processes in a multimodal context. It outlines various theoretical a

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Keum-Hee Ahn. "Reading images: Focused on semiotics and feminism." Journal of Art Education 29 (June 2011): 101–25. http://dx.doi.org/10.35657/jae.2011.29.0.005.

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Haider, Shirin. "Semiotics Ideology and Femininity in Popular Pakistani Women's Magazines." Hawwa 7, no. 3 (2009): 229–48. http://dx.doi.org/10.1163/156920709x12579112681765.

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AbstractDrawing on theoretical perspectives from Western feminist research on the genre of women's magazines, I adapt Lazar's model of feminist critical discourse analysis (2005; henceforth referred to as FCDA) to write a critique on the genre of popular Pakistani women's magazines as linguistic and semiotic constructs, which articulate a certain ideology regarding the construction of Pakistani womens' identity. Through semiotic analysis of certain sections of the magazines, I point out the underlying normative and ideological assumptions in order to show how these magazine representations pos

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Rejeki, Amanda Sri, and Juwita Oktaviani Pramudya. "Analisis Poster Film “Saya Nikahkan” Menggunakan Pendekatan Semiotika Roland Barthes." Magenta | Official Journal STMK Trisakti 8, no. 1 (2024): 1188–97. https://doi.org/10.61344/magenta.v8i1.141.

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Movie posters are often used as promotional media to communicate the content or conflict of the story contained in a movie. Various visual elements contained in the poster contain signs. These signs will later have a meaning that will try to convey to the audience. The science that studies signs is semiotics. Semiotics studies the theory of signs in the context of scenarios, images, texts or scenes in movies that can be interpreted. This research will discuss the analysis of the movie poster "Saya Nikahkan" using Roland Barthes' semiotic approach. The result of this research is known that the

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Švantner, Martin, and Jakub Záhora. "To See (Better) the International: Semiotics of the Image and the International Politics." Czech Journal of International Relations 57, no. 4 (2023): 41–69. http://dx.doi.org/10.32422/mv-cjir.203.

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This article contributes to the research program of “visual turn” in International Relations (IR). It specifically engages Ronald Bleiker's methodological proposal which is rooted in assemblage thinking and calls for a comprehensive and pluralistic understanding of the relationship between visuality and politics. In this framework, semiotics should play a prominent role in attending to the role of images in (co)constituting the international politics. However, we show that Bleiker’s conceptualization of semiotics and its concepts is rather vague. The text therefore discusses how we can approac

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Bani Omar, Khitam Ahmad. "Image Semiotics in the Book "Our Arabic Language" for the Third Grade in Jordan: An Analytical Study using Human and Artificial Intelligence." European Scientific Journal, ESJ 19, no. 32 (2023): 158. http://dx.doi.org/10.19044/esj.2023.v19n32p158.

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This paper focuses on identifying the image semiotics in the textbook “Our Arabic Language” for the third grade in Jordan, employing both human intelligence and artificial intelligence. To achieve the study objectives, a content and semiotic analysis method was adopted using human and artificial intelligence. The study sample consisted of 20 images, which represents the entire study population within the Arabic language textbook for third-grade students. The most prominent results revealed a male bias in terms of the number of characters, functional roles, social roles, talents, and activities

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Rezeki, Tri Indah, and Rakhmat Wahyudin Sagala. "Semiotics Analysis on Students’ English Textbook in Elementary School." VELES Voices of English Language Education Society 5, no. 2 (2021): 120–31. http://dx.doi.org/10.29408/veles.v5i2.3855.

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One of the most important components in teaching-learning activities is textbooks. The author of the textbook must tailor it to the cognitive development of children at a given age. Semiotics is one of the factors that can be examined in a textbook since the illustration of semiotics is a particular feature that substantially influences children's visual perception. The purpose of this research is to examine Semiotics in Elementary School English textbooks. This study applied qualitative research in terms of library research to collect the data from the students' English textbooks in the secon

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Torres-Martínez, Sergio. "Complexes, rule-following, and language games: Wittgenstein’s philosophical method and its relevance to semiotics." Semiotica 2021, no. 242 (2021): 63–100. http://dx.doi.org/10.1515/sem-2019-0113.

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Abstract This paper forges links between early analytic philosophy and the posits of semiotics. I show that there are some striking and potentially quite important, but perhaps unrecognized, connections between three key concepts in Wittgenstein’s middle and later philosophy, namely, complex (Philosophical Grammar), rule-following (Philosophical Investigations), and language games (Philosophical Investigations). This reveals the existence of a conceptual continuity between Wittgenstein’s “early” and “later” philosophy that can be applied to the analysis of the iterability of representation in

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Handayani, Chintia. "Dennotation, Connotation, And Myth Meanings In Mariah Carey’s Song Lyrics Through The Rain." Jurnal Ilmiah Multidisiplin 4, no. 03 (2025): 77–84. https://doi.org/10.56127/jukim.v4i03.2082.

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Semiotics a field linked to linguistics, studies how signs convey meaning. Unlike traditional linguistics, semiotics also includes symbols, images, and context in its analysis. When it comes to analyzing song lyrics, both linguistic and semiotic methods are essential in revealing the deeper meanings hidden in artistic expression. Lyrics frequently make use of figurative language such as metaphors and symbols, making them ideal subjects for semiotic exploration. The aim of this research is to analyze denotation, connotation, and myth meanings in Mariah Carey’s song lyrics “Through the Rain” usi

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MERKOULOVA, I. G. "IMAGES OF LITERARY DYSTOPIA FROM THE PERSPECTIVE OF LOTMAN’S SEMIOTICS OF CULTURE." Lomonosov Journal of Philology, no. 6, 2023 (December 17, 2023): 135–46. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-06-12.

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Dystopian images: myth or reality? How to understand the risks in the field of progress from the perspective of semiotics of culture? In the article we propose a semiotic approach to the ethics of the relationship between humans and artificial intelligence products in a literary context. The literary dystopia of the early 21st century is built on the principle of “feeling for the future” (Shklovsky) and at the same time “taking a closer look at similar events in the past” (Lotman). From the point of view of semiotics, a person in a dystopia is an image of a “thinking reed”: the ability to inno

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Kurokhtina, Sofia R. "The Visual Space of a City: A Semiotic Approach." Izvestiya of Saratov University. New Series. Series: Philosophy. Psychology. Pedagogy 20, no. 4 (2020): 364–68. http://dx.doi.org/10.18500/1819-7671-2020-20-4-364-368.

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The article deals with the problem of visuality in the context of space from the point of view of visual semiotics. The choice of the problem determined the methodology, which is based on a semiotic approach. Visual semiotics uses induction as the main tool: analyzing individual elements of space, i.e. signs, it moves to the generalization of the results at the level of semiotics as a whole. The author believes that visual images captured in various architectural structures play an important role in shaping the social structure, the space of everyday communication, and the interaction practice

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Verenich, Vadim. "Semiotics of visual evidence in law." Semiotica 2017, no. 216 (2017): 63–88. http://dx.doi.org/10.1515/sem-2015-0072.

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AbstractThe evaluation of visual aspects of law has had a profound influence in the last decade in specific fields of legal sciences (i. e., criminology, studies of legal evidence), focusing on the extent to which visual evidence (visual patterns, images, diagrams, and symbols) underpin what and how we can perceive different types of legal evidence, and how the difference in perception affects the manipulation of visual evidence in practice. Taking the recent development in the field of legal evidence seriously, we could claim that the visual communication in law is above all a means of commun

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Shabiriani, Uzda Nabila. "SEMIOTICS STUDY ON ASEI BARK PAINTING PATTERNS." Jurnal Bahasa Rupa 5, no. 2 (2022): 134–43. http://dx.doi.org/10.31598/bahasarupa.v5i2.926.

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There are meanings, stories and philosophies of the life of the ancestors of the Asei people which have been depicted on the bark for generations since 1600 and produce images related to the living space of the Asei people. The purpose of this study was to determine the meaning of the symbolic forms that exist in the Asei bark painting motifs related to the life of the Asei people and their social system. This study analyzes the colors that are often used and the dominance of images in Asei bark painting motifs. From the results of the analysis, 4 Asei bark paintings often use red from betel n

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SCHWARTZ, BARRY. "Frame images: Towards a semiotics of collective memory." Semiotica 121, no. 1-2 (1998): 1–40. http://dx.doi.org/10.1515/semi.1998.121.1-2.1.

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Muhammad, Muhsin Abdulsada. "The Use of Semiotic Choices in Social Media." JOURNAL OF LANGUAGE STUDIES 6, no. 1 (2022): 413–23. http://dx.doi.org/10.25130/jls.6.1.25.

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The present study examines the choices of semiotic in social media from a multimodal critical discourse analysis perspective. The study of signs and their meaning in society is known as semiotics. A sign is anything that can be used to represent something else – in other words, anything that has the ability to convey meaning. As a result, words, drawings, and photographs can all be used as signs. The aims of the study are to analyze, firstly; the process of word choices and the hidden ideologies behind such choices. Secondly, analyze the dimensions of images and the way of representing the ima

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Mendonca Carneiro, Marisa. "MULTILITERACIES AND SEMIOTICS." Cadernos de Linguagem e Sociedade 25, no. 2 (2024): 208–17. https://doi.org/10.26512/les.v25i2.56048.

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Professor Len Unsworth is the Research Director of Educational Semiotics in English and Literacy Pedagogy in the Institute for Learning Sciences and Teacher Education (ILSTE) at the Australian Catholic University (ACU) in Sydney. Len has been involved in educational research for over 30 years, including nine recent Australian Research Council funded projects. His key research interests include: literacy and learning in school curriculum areas; literature for children and adolescents; literacy development in the English curriculum K-12; and the pedagogic role of explicit knowledge about languag

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Pratiwi, Rahmi Dyah, and Handriyotopo Handriyotopo. "DI BALIK CITRA IKLAN SHAMPOO PANTENE (Makna Bias Gender pada Iklan Pantene versi Labels Against Women di Televisi)." Texture:Art and Culture Journal 1, no. 2 (2019): 101–15. http://dx.doi.org/10.33153/texture.v1i2.2434.

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ABSTRACTThis papaer is research on Pantene Shampoo advertisement Labels Against Women which visualizes gender bias and sexism. The aims are to find out messages, to outlines images conveyed through audio-visual advertising by comparing gender culture in Indonesia. Using qualitative descriptive research methods through Julia Kristevaâ€™s intertextual semiotic analysis. Analyze the frames of each scene to describe the ad as a whole, describing signs that contain elements of gender culture. As a result, this Pantene advertisement campaigned for gender equality, and determined working women as the

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Heryono, Heri, Helmy Faisal, and . "Semiotics at Discursive Texts and Images in Online News." International Journal of Engineering & Technology 7, no. 4.33 (2018): 241. http://dx.doi.org/10.14419/ijet.v7i4.33.23568.

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The paper established an inappropriate relationship of text and image that should interact in one whole package of online news. It applied Semiotics analysis to go under the problems occurred. The analysis was developed to respond the question: why should be the text and image in online news associated? Do they match? Developed in three levels of analysis processes-analysis of relevant engagement in text and image; extended analysis of discursive relationship involved in news that turned to hoax; the intention of attaching the misplaced image to the text. This paper used qualitative Semiotics

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عبد الله, عدنان قحطان. "Surat Al-Fath: A Study in Semantic Semiotics." JOURNAL OF LANGUAGE STUDIES 4, no. 4 (2023): 131–50. http://dx.doi.org/10.25130/jls.4.4.7.

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This study deals with the term semiotics by shedding light on the problematic application of this term and its branches, namely: semiotics of communication, semiotics of semantics, and semiotics of title, to the study of a Qur’anic text in order to link the modern linguistic lesson with the ancient linguistic study, to identify some images of the miracles of the Holy Quran, and the research was divided into Two parts, a theoretical study, followed by an applied study, and then the conclusion, in which the results were mentioned

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Salama, Amir H. Y. "The Kinetic-Vectorial Design of the Internet-Mediated L2 Teaching Practices: The Case of BBC Learning English Website." World Journal of English Language 14, no. 3 (2024): 120. http://dx.doi.org/10.5430/wjel.v14n3p120.

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This study offers new insights into the educational-linguistic visual semiotics of online teaching as a digital practice with kinetic-vectorial design. Towards this end, a twofold social semiotic approach is utilized as a synthetic methodology. First, Van Leeuwen’s (2016) kinetic design model is employed with a view to revealing the movement types of Internet-mediated L2 teaching practices. Second, Kress and Van Leeuwen’s (2021) model of ideational vector analysis is used in a way that uncovers the subtle pedagogical practices of the same type of teaching as directional and transactional acts

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Efthimiadou, Euphrosyne. "Semiotics of the Image: Addressing the Different Types of Mental Operation and Their Sematic Interpretation." Education, Society and Human Studies 1, no. 1 (2020): p68. http://dx.doi.org/10.22158/eshs.v1n1p68.

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Our era is dominated by the prevailing presence of images. The spectator often identifies with the characters and aims to interpret the signs evoked by the objects, since every image is governed by codes. If we look at the history of image semiotics, we observe a cognitive and pragmatic approach. According to Kant, the images we receive from the environment are not simply reproductions but often creative productions based on patterns generated by the imagination. According to recent research in semiotics, we observe that the pragmatic approach is extended by a study of stimuli collected by the

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Awallia, Putri, and Mustika Andini. "Interpreting Food Images in Gina S. Noer's Films." Cinematology: Journal Anthology of Film and Television Studies 4, no. 3 (2024): 84–95. https://doi.org/10.17509/ftv-upi.v4i3.66131.

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In an evolution of cinematography, the depiction of food in film serves not only as a visual element but also as a means of conveying artistic messages. This research aims to comprehend how Gina S. Noer, an Indonesian filmmaker, imbues meaning into the depiction of food in her works. Through an analysis of her films, including “Dua Garis Biru” and “Like and Share” this study explores various semiotic analysis employed by Noer to communicate the underlying significance of food imagery. The study utilizes film analysis and semiotics to interpret the use of food as symbols and metaphors within th

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Smith, Robert. "Images, forms and presence outside and beyond the pink ghetto." Gender in Management: An International Journal 29, no. 8 (2014): 466–86. http://dx.doi.org/10.1108/gm-02-2014-0012.

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Purpose – The purpose of this study is to consider entrepreneurial imagery that sheds light on differing and emerging patterns of female entrepreneurial identity which illustrate shifts in the locus of power that challenge masculine hegemony and power structures. As a concept, power has an image component, and shifts in power are often conveyed by subtle changes in the cultural semiotic. Globally, images of female-entrepreneurship are socially constructed using stereotypes which are often pejorative. The semiotics of gendered identity as a complex issue is difficult to measure, assess and unde

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Rascaroli, Laura. "Unfolding Borders: For a Semiotics of Essayistic Border Images." Comparative Cinema 10, no. 18 (2022): 32–52. http://dx.doi.org/10.31009/cc.2022.v10.i18.03.

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Problematic ideological strategies of in/visibility are played out today around borders by exploiting advanced image-making technologies and hegemonic media discourses that produce “thin” border images lacking in semiotic complexity. This article responds to calls to move beyond the “line in the sand” metaphor by investigating essay films that experiment with a performative relationship with the border. Their “borderwork” is self-reflexive to the point of becoming a form of theory. To elucidate this theorization of the border, I invoke Derrida’s limitrophic method of “thickening” the limit, me

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Kosarevska, Raddamila, Oleksii Levchenko, and Yuliia Tretiak. "QUANTUM SEMIOTICS AND FEATURES OF ITS APPLICATION TO THE FORMATION OF OBJECTS OF DESIGN, ARCHITECTURE AND ART." Current problems of architecture and urban planning, no. 64 (August 31, 2022): 63–82. http://dx.doi.org/10.32347/2077-3455.2022.64.63-82.

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The article considers the main approaches to defining the essence of the concept of quantum semiotics in the field of design, architecture, and art. The relevance of the study lies in the fact that quantum semiotics is gradually gaining ground in the modern world as a kind of response to evolutionary changes in the algorithms of human mental activity. This approach allows us to perceive information about the current reality and create its alternative version, in particular, in works of visual art. In this paper, quantum semiotics is considered as the ability of a person to perceive the world a

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Pramono, Firdyanza, Yan Yan Sunarya, and Acep Iwan Saidi. "ANALISIS SEMIOTIKA VISUAL DALAM DESAIN SITUS PERNIKAHAN THE BRIDE DEPT." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 1, no. 2 (2019): 321. http://dx.doi.org/10.25105/jsrr.v1i2.6741.

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<p><strong>Abstract</strong></p><p>Marriage is an important moment in a person’s life. In order to make the dream wedding come true, many bride-to-be take a lot of references from the internet, especially a wedding site, such as The Bride Dept. The visual elements of the Bride Dept's wedding site design such as colors, layouts, logos, typography, and images can communicate certain meanings to the reader. To find out the meaning production behind the visual elements of the site design of The Bride Dept, the researcher uses semiotics analysis from Roland Barthes wit

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Wangarry, Mario Alvine, and Acep Iwan Saidi. "Pengaruh Iklan Media Luar Ruang pada Ruang Publik di Kota Jakarta Selatan (Kampanye Pemilihan Calon Gubernur dan Wakil Gubernur Jakarta 2017)." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 1, no. 1 (2018): 37. http://dx.doi.org/10.25105/jsrr.v1i1.3888.

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Abstract<br />The billboard is an outdoor media for political campaign advertising that can provide stimulation of direct stimulation to the audience community through visual arrangements such as large screens through colors and images. The purpose of this research is to know the meaning of verbal and non-verbal visual language and placement of layout contained in outdoor media campaign advertisement in public space in South Jakarta City. In answering the problem, this research uses qualitative method with descriptive and interpretative descriptions supported by Roland Barthes's semiotic

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Nabifar, Nesa, and Mir Saeid Baghermousavi. "Social Semiotics Evaluation of English One by Gender." Studies in English Language and Education 2, no. 2 (2015): 75. http://dx.doi.org/10.24815/siele.v2i2.2692.

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Textbooks receive focal attention in every educational setting. In 2013, the English text books used in Iranian schools were changed and new books, the Prospect series, were introduced. The older English text books are not used for teaching anymore. One of these was English One which was used for teaching the first grade at junior high school. As far as the researchers know, there was no previous research using this book in terms of gender from a semiotic point of view. Therefore, the researchers tried to investigate it in terms of social semiotics as defined by Kress and van Leeuwen (2006). T

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Molochko, A., and N. Molochko. "MAP SEMIOTICS: A COMPLETE VIEW OF THE SCIENTIFIC LINGUISTIC CONCEPT OF MODERN CARTOGRAPHY THAT CLAIMS TO BE ITS GENERAL THEORY." Visnyk Taras Shevchenko National University of Kyiv. Military-Special Sciences, no. 2 (39) (2018): 39–47. http://dx.doi.org/10.17721/1728-2217.2018.39.39-47.

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The long history of cartography as a science, production and education shows that its general theory has always been consistent with the most urgent constantly changing requirements of society, making it an evolving scientific discipline, that develops nowadays in objective conditions of integration of sciences from various fields of knowledge : from natural to humanitarian sciences, methods of which are related. This integration process is perfectly illustrated by the theory of geo-images that focuses on the cognition of the peculiarities of the real-life objects representation forms obtained

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Nuswantara, Jaka Priyo. "Pesan Sosial dalam Foto Jurnalistik (Analisis Semiotika dalam Buku ‘Jakarta Estetika Banal’, Bab I, III, V, dan VII)." Jurnal The Messenger 6, no. 1 (2014): 14. http://dx.doi.org/10.26623/themessenger.v6i1.163.

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<p><em>This study aims to determine the meaning of denotation and connotation, and social message in the book 'Aesthetics Jakarta Banal', Chapter I, III, V, and VII. The author uses the theory Semiotics of Roland Barthes. Where Semiotics of Roland Barthes uses two stages of analysis denotation and connotation. The research method used is a Roland Barthes semiotic analysis method on the basis that this study analyzes the messages conveyed in the book 'Aesthetics Jakarta Banal', which gives an explanation and overview of issues related to the formulation. </em><em>Inferre

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China, Addie Sayers. "Racialization and gender in Tumblr: Beyoncé as a raciolinguistic semiotic resource." International Journal of the Sociology of Language 2020, no. 265 (2020): 81–105. http://dx.doi.org/10.1515/ijsl-2020-2104.

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AbstractCombining raciolinguistics and social semiotics, I explore a snapshot of socio-politically and historically contextualized multimodal digital activity in social networking site Tumblr involving American entertainer Beyoncé. I examine a set of 41 Tumblr posts, gathered in 2016 during Beyoncé’s heightened social and political salience, in which users expressed counterhegemonic stances. I first demonstrate how Tumblr users employ images and references of Beyoncé in ways that resist visual and linguistic hegemonic discourses and realize and index issues of race and gender. I show how Tumbl

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Diniati, Anisa, and Aqida Nuril Salma. "Digital Literacy Advocacy Reflection in Movie Poster “Missing” (2023)." WACANA: Jurnal Ilmiah Ilmu Komunikasi 24, no. 1 (2025): 167–77. https://doi.org/10.32509/wacana.v24i1.4282.

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Posters are an advertising medium, showcasing captivating images and incorporating information and symbols to capture the audience's attention. The study aims to analyze the semiotics of the 'Missing' (2023) movie posters and explore how these semiotic meanings relate to the needs of digital literacy advocacy. The focus of the study centers on the film poster for Missing (2023), specifically analyzing one of the three official IMDb advertisements for the movie. The study uses documentary analysis techniques grounded in Ferdinand De Saussure's theory of signification to interpret the semiotics

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