Relevant bibliographies by topics / Semitic museum

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Semitic museum'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Semitic museum"

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Cussini, Eleonora, Maura K. Heyn, Jeremy M. Hutton, Nathaniel E. Greene, and Catherine E. Bonesho. "The Harvard Semitic Museum Palmyrene Collection." Bulletin of the American Schools of Oriental Research 380 (November 2018): 231–46. http://dx.doi.org/10.5615/bullamerschoorie.380.0231.

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Gavin, Carney E. S. "G. E. Wright at the Harvard Semitic Museum." Biblical Archaeologist 50, no. 1 (1987): 10–20. http://dx.doi.org/10.2307/3210080.

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Dobbs-Allsopp, F. W., Chris Hooker, and Gregory Murray. "Some Initial Reflections on XML Markup for an Image-Based Electronic Edition of the Brooklyn Museum Aramaic Papyri." Journal of Religion, Media and Digital Culture 5, no. 1 (2016): 50–72. http://dx.doi.org/10.1163/21659214-90000070.

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A collaborative project of the Brooklyn Museum and a number of allied institutions, including Princeton Theological Seminary and West Semitic Research, the Digital Brooklyn Museum Aramaic Papyri (DBMAP) is to be both an image-based electronic facsimile edition of the important collection of Aramaic papyri from Elephantine housed at the Brooklyn Museum and an archival resource to support ongoing research on these papyri and the public dissemination of knowledge about them. In the process of building out a (partial) prototype of the edition, to serve as a proof of concept, we have discovered lit
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Greene. "A Complicated Legacy: The Original Collections of the Semitic Museum." Journal of Eastern Mediterranean Archaeology & Heritage Studies 5, no. 1 (2017): 57. http://dx.doi.org/10.5325/jeasmedarcherstu.5.1.0057.

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Tappy, Ron E. "The Harvard Expedition to Samaria: A Story of Twists and Turns in the Opening Season of 1908." Buried History: The Journal of the Australian Institute of Archaeology 52 (January 1, 2017): 3–30. http://dx.doi.org/10.62614/hf08a972.

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The previously unpublished field diaries of the principal leaders involved in the first season of the Harvard Expedition to Samaria are held by the University’s Semitic Museum. The narrative they contain sheds light on the organization and archaeological techniques applied at the site and gives some context to the much acclaimed final publication of the excavations (Reisner, Fisher & Lyon, 1924).
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Kitchen, K. A. "A West Semitic title on an Egyptian stela in Rio de Janeiro." Journal of Egyptian Archaeology 73, no. 1 (1987): 218–20. http://dx.doi.org/10.1177/030751338707300124.

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A preliminary publication is given of the stela Cat. 2442 of the National Museum at Rio de Janeiro, which features a couple, Raia and Maia, of about the Nineteenth Dynasty, worshipping Osiris with a short hymn. Raia's only title is q-d̲-n (in group-writing), otherwise unknown in Egyptian (and different from kd̲n/kt̲n, ‘charioteer’). This word is probably a loan from West Semitic qṣ, ‘commander/leader/boss’; perhaps Raia had been so termed by foreigners in his charge.
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Lenoir, Timothy. "A ciência produzindo a natureza: o museu de história naturalizada." Episteme – Filosofia e História das Ciências em Revista 2, no. 4 (1997): 55–72. https://doi.org/10.5281/zenodo.6509731.

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<strong>RESUMO</strong>: A partir da hist&oacute;ria dos museus de hist&oacute;ria natural, este texto discute como a natureza tem sido representada nestes espa&ccedil;os privilegiados, os quais t&ecirc;m &ldquo;autenticado&rdquo; vis&otilde;es de natureza, desde o s&eacute;culo passado. Tais representa&ccedil;&otilde;es da natureza t&ecirc;m sido produzidas de acordo com os interesses pol&iacute;ticos, econ&ocirc;micos, etc., dos grupos que as produzem. Examinando a hist&oacute;ria do estabelecimento da Exposi&ccedil;&atilde;o do Pal&aacute;cio de Cristal e do Museu Brit&acirc;nico de Hist&oa
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Vârtejanu-Joubert, Mădălina. "The Beginnings of Photography, the Beginnings of the Photography Archive: Bonfils at the Harvard Semitic Museum." Martor. The Museum of the Romanian Peasant Anthropology Review 24 (November 15, 2019): 13–26. http://dx.doi.org/10.57225/martor.2019.24.02.

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The article highlights the creation of the Maison Bonfils photographic collection and its transformation into a museum archive by the Harvard Semitic Museum. On the one hand, it examines the archiving of reality through photographic practice and analyses the epistemological premises of documentary photogra¬phy applied to the object “The Holy Land.” On the other hand, it describes the transformation of the Bonfils collection into a corpus and its reception by the scientific community of the Ancient Near East. In both cases, we observe the im¬plementation of a literal conception: on the one hand
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Saadoon, Abather, and Nicholas Kraus. "The Lost Months of Ur: New Early Dynastic and Sargonic Tablets from the British Museum." Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, no. 1 (2024): 1–11. http://dx.doi.org/10.1515/za-2024-0001.

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Abstract This article presents new tablets and fragments from the British Museum that belong to the collection of Early Dynastic and Sargonic tablets discovered at Ur. Having been overlooked for almost a century, the tablets offer new insights into Early Dynastic and Sargonic archives from Ur. Most significant among the contributions are the names of several months demonstrating that the Early Semitic calendar was in use in Ur during the Early Dynastic IIIa period. Second, the tablets contribute a new month name to the calendar of pre-Sargonic Ur and permit a possible reconstruction of the ord
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Clemens, David M. "Akkadian Loanwords in Biblical Hebrew. By Paul V. Mankowski, S.J.. Harvard Semitic Museum Publications, Harvard Semitic Studies, no. 47. Winona Lake, Indiana, 2000. Pp. xviii + 232. $29.95." Journal of Near Eastern Studies 62, no. 4 (2003): 290–94. http://dx.doi.org/10.1086/380360.

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Dissertations / Theses on the topic "Semitic museum"

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Machado, Lívia Cristina de Souza. "Comunicação imersiva dos museus: a semiótica em Auschwitz-Birkenau e no Museu da Língua Portuguesa." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/3804.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-03-21T17:28:09Z No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-03-22T11:47:07Z (GMT) No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b (MD5)<br>Made available in DSpace on 2017-03-22T11:47:07Z (GMT). No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b
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Semedo, Joana Filipa Duarte. "O logótipo como elemento de comunicação:estudo de caso dos Museus em Portugal." Master's thesis, Instituto Superior de Ciências Sociais e Políticas, 2013. http://hdl.handle.net/10400.5/12668.

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Dissertação de Mestrado Em Comunicação Social – vertente de Comunicação Estratégica<br>Os logótipos representam uma dada marca ou instituição através de uma composição gráfica que permite a quem os observa a sua identificação. No contexto dos museus, a criação de uma marca que seja capaz de refletir a sua missão, através de um símbolo que seja representativo da mesma e, ao mesmo tempo, memorizável e estéticamente apelativo, traduz-se numa forma eficaz de o destacar dos demais e, ao mesmo tempo, posicioná-lo no mercado cada vez mais abrangente da cultura e do lazer. Os logótipos assumem assim u
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Horta, Maria de Lourdes Parreiras. "Museum semiotics : a new approach to museum communication." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35304.

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The research explores the theoretical possibility of a semiotic approach to the Museum phenomenon, seen as a process of communication and signification, and the consequences on the determination of the social function of museums, in its semantic and pragmatic levels. It proposes a new discipline for the field - that of 'Museum Semiotics', as a theoretical background and a tool for the understanding of museums as 'semiosic spaces', acting in the cultural process through their 'communicative actions'. PARTS I and II propose the basic assumptions and premises for the study of the specific Museum
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Albuquerque, Mariana Ferraz de. "Os processos comunicacionais do Museu da Língua Portuguesa: a língua como experiência sensível." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4716.

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Made available in DSpace on 2016-04-26T18:15:15Z (GMT). No. of bitstreams: 1 Mariana Ferraz de Albuquerque.pdf: 15845066 bytes, checksum: bf7bb88628c51f6d64b693e81dc03dfb (MD5) Previous issue date: 2015-07-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The Portuguese language, officially present in eight countries and spoken by over 270 million people, is celebrated at the Portuguese Language Museum, in São Paulo, the city with the largest number of Portuguese speakers in the world. What can be learned from the linguistic and literary manifestations of this community as
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Cady, Alyssa R. "Representing the Holocaust: German and American Museums in Comparative Perspective." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470051050.

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Huang, P. H. J. "Examining museums collections from a semiotic viewpoint : a historical review." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604703.

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This dissertation aims to use Saussure's and Peirce's sign theories to offer new insights into museum communication. One of the key practices for museum professionals is to interpret exhibited objects and to send out the interpretations to audiences. Yet so far very little work has been done to explore the significance of classification principles/structures in meaning-giving. The primary objectives of this dissertation are hence to establish classification principles as the centre of museum communication and to investigate related interceptive issues systematically. Saussure's semiology and s
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Ferrara, Fabiano D. Alessio. "O museu como espaço midiático: da exposição ao entretenimento." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/4526.

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Made available in DSpace on 2016-04-26T18:13:08Z (GMT). No. of bitstreams: 1 Fabiano D Alessio Ferrara.pdf: 37054426 bytes, checksum: 9573cba425c4e18992f4282b49b5f6f3 (MD5) Previous issue date: 2013-06-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The object of the present research is the museum in the transformation processes which mark its cultural function and transcend its character of keeper of memory. The main objective is to study the multiple and paradoxal functions of the museum that range from exhibition to contemplation and entertainment, through image
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Pujol, Tost Laia. "Arqueologia, museus i ordinadors. Aproximació semiòtica a l'ús de la Realitat Virtual per la difusió de l'Arqueologia als museus." Doctoral thesis, Universitat Autònoma de Barcelona, 2006. http://hdl.handle.net/10803/5515.

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Davant l'augment de l'ús de reconstruccions virtuals als museus arqueològics, aparentment sense una veritable reflexió teòrica (museològica i epistemològica) que les recolzi, aquesta tesi pretén esbrinar la utilitat de la Realitat Virtual com a instrument de presentació de l'Arqueologia i per quins motius, i alhora proposar unes bases teòriques per aquest ús, a partir de la construcció d'un marc teòric i metodològic semiòtic.<br/>La tesi s'estructura en tres volums. En el primer es presenta un panorama general del projecte (objectius, metodologia, contribució a l'estat de la qüestió, perspecti
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Lima, Fábio Rogério Batista [UNESP]. "Imagem & tecnologia: webmuseu de arte." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93645.

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Made available in DSpace on 2014-06-11T19:26:43Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-11-30Bitstream added on 2014-06-13T18:55:04Z : No. of bitstreams: 1 lima_frb_me_mar.pdf: 1381876 bytes, checksum: 732a3a9364ef71fce939f43c9554a19f (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Com o Ciberespaço surgiram os webmuseus, que se caracterizam como ambientes informacionais com exposições de obras de arte apresentadas virtualmente, afetando o uso da imagem. A partir de um dispositivo de acesso à rede Internet, qualquer pessoa pode visitar obras de artist
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Lima, Fábio Rogério Batista. "Imagem & tecnologia : webmuseu de arte /." Marília, 2012. http://hdl.handle.net/11449/93645.

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Orientador: Plácida Leopoldina Ventura Amorim da Costa Santos<br>Banca: Maria Lucia de Niemeyer Matheus Loureiro<br>Banca: Maria José Vicentini Jorente<br>Resumo: Com o Ciberespaço surgiram os webmuseus, que se caracterizam como ambientes informacionais com exposições de obras de arte apresentadas virtualmente, afetando o uso da imagem. A partir de um dispositivo de acesso à rede Internet, qualquer pessoa pode visitar obras de artistas consagrados sem sair do lugar em que está, uma característica da ubiquidade (estar presente em vários lugares ao mesmo tempo) oferecida pelas tecnologias de inf
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Books on the topic "Semitic museum"

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Museum, Harvard Semitic. A visual testimony : Judaica from the Vatican Library: Harvard Semitic Museum April 23-July 9, 1989. Harvard College, 1989.

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Wallenfels, Ronald. Seleucid archival texts in the Harvard Semitic Museum: Text editions and catalogue raisonné of the seal impressions. Styx, 1998.

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British Museum. Department of Oriental Printed Books and Manuscripts. Catalogue of Syriac printed books and related literature in the British Museum. Gorgias Press, 2008.

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Demaria, Cristina, and Patrizia Violi. Reading Memory Sites through Signs. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722810.

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What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case
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Library, Harvard College. Catalog of the Bernice and Henry Tumen collection of Jewish ceremonial objects in the Harvard College Library and the Harvard Semitic Museum. Harvard University Library, 1993.

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K, Bell Pearl, Steel Ronald, and Harvard Semitic Museum, eds. The Jewish experience at Harvard and Radcliffe: An introduction to an exhibition presented by the Harvard Semitic Museum on the occasion of Harvard's 350th anniversary, September, 1986. The Museum, 1986.

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Pezzini, Isabella. Semiotica dei nuovi musei. Laterza, 2011.

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Borusiewicz, Mirosław. Semiotyka muzeum: Rola i znaczenie języka w pragmatyce muzealnej. Muzeum Pałacu Króla Jana III w Wilanowie, 2020.

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Association suisse de sémiotique. Colloque international. Analyser le musée: Actes du colloque international organisé par l'Association suisse de sémiotique (ASS/SGS), Lausanne 21-22 avril 1995. Centre de recherches sémiologiques, Université de Neuchâtel, 1996.

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Díez, Santos Zunzunegui. Metamorfosis de la mirada: El museo como espacio del sentido. Alfar, 1990.

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Book chapters on the topic "Semitic museum"

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Phillips, Kim. "3. CCR XI: Acts and Catholic Epistles." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0455.03.

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The first part of the chapter provides a detailed codicological description of the early-period (c. sixth century) CPA Acts and Catholic Epistles manuscript: CCR XI. Six bifolia were recycled from this manuscript for use in CCR in the tenth century. The description includes a discussion of the paratextual features of the manuscript, and an initial discussion of the manuscript’s punctuation. The second part of the chapter provides a fresh transcription of the CPA text of the eleven folios currently held by Museum of the Bible. Each page includes two brief marginal apparati: the first lists the
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Phillips, Kim. "2. CCR II: Pauline Epistles." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0455.02.

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The first part of the chapter provides a detailed codicological description of the early-period (c. sixth century) CPA Pauline Epistles manuscript: CCR II. Twenty-five bifolia were recycled from this manuscript for use in CCR in the tenth century. The description includes a discussion of the paratextual features of the manuscript, and an initial discussion of the manuscript’s punctuation. The second part of the chapter provides a fresh transcription of the CPA text of the forty-one folios currently held by Museum of the Bible. Each page includes two brief marginal apparati: the first lists the
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Arad, Dotan, and Esther-Miriam Wagner. "P.4.c: Letter from Ṣedaqah Nis to Moses b. Judah." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0352.22.

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Gębski, Wiktor. "8. Conclusions." In Semitic Languages and Cultures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0394.08.

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This section offers a summary of the key linguistic features of Jewish Gabes, highlighting both commonalities and distinctions with other Jewish and Muslim dialects in the region. Additionally, it suggests potential directions for future research.
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Khan, Geoffrey. "3. The Correspondence with Eparchs." In Semitic Languages and Cultures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0391.03.

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Twenty-five of the documents of the corpus constitute correspondence with the eparchs of the Nubian king. The eparchs were based in Qaṣr Ibrīm. A large proportion of these are letters sent to the eparch Uruwī (1–16). There are two letters sent by the eparch Uruwī (17–18), two letters sent to the eparch Īsū (19–20), and five letters sent to an unnamed eparch (21–25). One letter (26) is written to the deputy of the eparch Darmā and one to the secretary of the eparch Uruwī (27). The chapter describes what is known about the named eparchs and their correspondents. Many of the senders of letters we
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Khan, Geoffrey. "4. Other Correspondence and Accounts." In Semitic Languages and Cultures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0391.04.

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Letters 28–40 are not sent to the eparch or his office, but rather constitute miscellaneous pieces of correspondence. Most of these are within the Muslim community. Item 41 of the corpus is a poem, which was apparently written by a travelling merchant. Documents 42 and 43 are accounts of merchants. The content and structure of the documents are described.
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Gębski, Wiktor. "2. Phonology." In Semitic Languages and Cultures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0394.02.

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This chapter provides an in-depth examination of the phonology of Jewish Gabes and its position within the spectrum of Tunisian Arabic dialects, with a particular focus on the Jewish ones. Notably, the study reveals substantial distinctions between the Muslim and Jewish dialects of Gabes, especially concerning the realisation of specific consonants and phonemic vowels. The Muslim variant aligns phonologically with Bedouin-type dialects, while the Jewish dialect displays characteristics typical of sedentary varieties, like the plosive realisation of interdentals and uvular realisation of /q/. T
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Kantor, Benjamin Paul. "Previous Studies on the Interface between the Medieval Hebrew and Arabic Grammatical Traditions." In Semitic Languages and Cultures. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0382.02.

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The second chapter summarises previous scholarship on the interface between the medieval Hebrew and Arabic grammatical traditions and their respective literatures. In particular, it considers research on Jewish education in Muslim countries, the Arabic sources for the Hebrew grammarians’ works, attitudes towards sacred texts, comparative Semitic philology of the Middle Ages, terminology for the languages, traditional Jewish and Arab societies, and literary genres and topoi. Though none of the existing scholarship is specifically devoted to the interface of language ideology between the two tra
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Kantor, Benjamin Paul. "Conclusions." In Semitic Languages and Cultures. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0382.06.

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The sixth and concluding chapter outlines systematically how these six lines of striking similarity cohere to maintain and perpetuate a cohesive standard language ideology among the Hebrew grammarians (who wrote in Judeo-Arabic) and the Arabic grammarians of the ʿAbbasid period. An argument is also made that at least some of these similarities are not the merely due to a shared cultural framework but actually the result of direct influence of the Arabic grammatical tradition on the Hebrew grammatical tradition. Such findings have profound implications not only for how we conceive of the histor
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Khan, Geoffrey. "1. Introduction." In Semitic Languages and Cultures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0391.01.

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The introduction presents a description of the geographical region of Nubia followed by an overview of its history from late antiquity until the Mamluk period. Christianity was introduced into Nubia in the sixth century AD under the auspices of the church organisation of Byzantine Egypt, and subsequently the churches of the region came under the jurisdiction of the Coptic patriarchate of Alexandria. At that period Nubia consisted of three kingdoms: Nobadia, Makuria and Alodia. These kingdoms were subsequently united in a single kingdom with its capital at Dongola. In the early Islamic period t
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Conference papers on the topic "Semitic museum"

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Canto, Aylana, and Ana Helena da Silva Delfino. "The MASP online: the educational strategies from the museum in the pandemic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.69.

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This article has the target sharing the current research of master degree circumscribed into the Program of Post-graduation in Museology from Federal University of Bahia (PPGMuseum/UFBA) oriented by Ph.d Ana Helena da S. Duarte. In our research we make inquiries into the action of cultural mediation proposed and done by the Museu de Arte de Sao Paolo – MASP during the COVID-19 pandemic. In such a way specially, though, on the Instagram Social Media this Museum interchanged and instigated your audience to learn, to interact and to produce with art objects from your collection. Therefore, throug
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Canto, Aylana, and Ana Helena da Silva Delfino Duarte. "El MASP online: las estrategias educativas del museo en la pandemia." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.69.g63.

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Este artículo tiene como objetivo compartir la investigación actual de maestría circunscrita al Programa de Postgrado en Museología de la Universidad Federal de Bahía (PPGMuseum/UFBA) orientado por la Doctora Ana Helena da S. Duarte. En nuestra investigación estudiamos la acción de mediación cultural propuesta y realizada por el Museu de Arte de Sao Paolo - MASP durante la pandemia del COVID-19. Nuestro estudio se centra especialmente en la red social Instagram, a partir de la cual este Museo intercambió e instigó a su audiencia a aprender, interactuar y producir con objetos de arte de su cole
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Sujinah and Encik Savira Isnah. "Muslim Representation on Children’s Cyber Literature in Indonesia Deconstructive Semiotics Study." In 1st Annual International Conference on Natural and Social Science Education (ICNSSE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210430.034.

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Santos, Alessandra, and Dunya Azevedo. "A fotografia como documento e memória para a Ciência da Informação." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.1902.

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Este trabalho de revisão bibliográfica procurou abordar a importância do tratamento da fotografia como fonte documental na construção de repositórios voltados para o registro da memória institucional em arquivos, museus e bibliotecas. Nesse sentido, o tratamento da fotografia envolve sua representação como documento, seu armazenamento, sua organização e a sua disponibilização ao acesso público e deve ter suas especificidades consideradas, uma vez que a imagem fotográfica explicita relações hegemônicas de cultura, suas representações sociais e culturais e as práticas organizacionais, reconstrui
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Coutinho, Davison, Vera Nojima, Nilton G. Junior, and Jorge Langone. "Signos de um percurso: uma análise semiótica de artefatos artesanais do Museu de Favela." In 9° Congresso Internacional de Design da Informação. Editora Blucher, 2019. http://dx.doi.org/10.5151/9cidi-congic-3.0243.

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Canto, Aylana, and Ana Helena da Silva Delfino Duarte. "O MASP online: as estratégias educacionais do museu na pandemia." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.69.g64.

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Este artigo tem como objetivo compartilhar a atual pesquisa de mestrado vinculada ao Programa de Pós-Graduação em Museologia da Universidade Federal da Bahia (PPGMuseu / UFBA) orientada pela Doutora Ana Helena da S. Duarte. Em nossa pesquisa investigamos a ação de mediação cultural proposta e realizada pelo Museu de Arte de São Paulo - MASP durante a pandemia COVID-19. Nas redes sociais, em especial no Instagram, este Museu intercambiou e instigou seu público a aprender, interagir e produzir com objetos de arte de seu acervo. Através de estratégias educacionais, consideramos a Abordagem Triang
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Cruz Barbosa, Jennifer Carolina. "Museos y espacios arquitectónicos históricos: La narrativa transmedia como herramienta para la difusión de información." In Congreso CIMED - I Congreso Internacional de Museos y Estrategias Digitales. Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/cimed21.2021.12151.

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En la actualidad las nuevas generaciones se encuentran en constante consumo de información a través de diferentes dispositivos electrónicos. Celulares, computadoras, iPads, entre otros se hacen presentes en la vida cotidiana de las personas. Es por esto, que los consumidores esperan recibir información a través de distintos medios, los cuales se complementan y convergen entre sí.La narrativa transmedia (transmedia storytelling) se define como un concepto/ historia que se va complementando e integrando a través de diferentes plataformas y dispositivos. Esto genera que el usuario juegue un papel
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McKinney, Ellen Carol, and Sophia Luu. "Efficacy of Material Culture and Semiotics in Developing Cultural Understanding of Textile Artifacts with Limited Provenance: Elucidating Meanings of Japanese Textile Artifacts for a Museum Audience." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12039.

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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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Reports on the topic "Semitic museum"

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Vuksanovic, Vuk. The Spillover Effect: The Gaza Conflict and Potential Ramifications to the Western Balkans. Belgrade Centre for Security Policy (BCSP), 2024. http://dx.doi.org/10.55042/wfpm5307.

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This report outlines potential security and geopolitical risks for the Western Balkans stemming from the war in Gaza. While none of these security challenges are inevitable, they are possible. Depending on whether the conflict in Gaza continues in its current form or whether it escalates in intensity and number of the belligerents, there are at least three potential ramifications for the Western Balkans. The first concerns the potential radicalisation in the local Muslim communities involving anti-Semitism and acts of violence that could disrupt harmony between local religious communities. The
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