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Dissertations / Theses on the topic 'Semitic museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Machado, Lívia Cristina de Souza. "Comunicação imersiva dos museus: a semiótica em Auschwitz-Birkenau e no Museu da Língua Portuguesa." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/3804.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-03-21T17:28:09Z No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-03-22T11:47:07Z (GMT) No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b (MD5)<br>Made available in DSpace on 2017-03-22T11:47:07Z (GMT). No. of bitstreams: 1 liviacristinadesouzamachado.pdf: 3558238 bytes, checksum: d0feaed6408387c61405375d30577c0b

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Semedo, Joana Filipa Duarte. "O logótipo como elemento de comunicação:estudo de caso dos Museus em Portugal." Master's thesis, Instituto Superior de Ciências Sociais e Políticas, 2013. http://hdl.handle.net/10400.5/12668.

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Dissertação de Mestrado Em Comunicação Social – vertente de Comunicação Estratégica<br>Os logótipos representam uma dada marca ou instituição através de uma composição gráfica que permite a quem os observa a sua identificação. No contexto dos museus, a criação de uma marca que seja capaz de refletir a sua missão, através de um símbolo que seja representativo da mesma e, ao mesmo tempo, memorizável e estéticamente apelativo, traduz-se numa forma eficaz de o destacar dos demais e, ao mesmo tempo, posicioná-lo no mercado cada vez mais abrangente da cultura e do lazer. Os logótipos assumem assim u

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Horta, Maria de Lourdes Parreiras. "Museum semiotics : a new approach to museum communication." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35304.

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The research explores the theoretical possibility of a semiotic approach to the Museum phenomenon, seen as a process of communication and signification, and the consequences on the determination of the social function of museums, in its semantic and pragmatic levels. It proposes a new discipline for the field - that of 'Museum Semiotics', as a theoretical background and a tool for the understanding of museums as 'semiosic spaces', acting in the cultural process through their 'communicative actions'. PARTS I and II propose the basic assumptions and premises for the study of the specific Museum

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Albuquerque, Mariana Ferraz de. "Os processos comunicacionais do Museu da Língua Portuguesa: a língua como experiência sensível." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4716.

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Made available in DSpace on 2016-04-26T18:15:15Z (GMT). No. of bitstreams: 1 Mariana Ferraz de Albuquerque.pdf: 15845066 bytes, checksum: bf7bb88628c51f6d64b693e81dc03dfb (MD5) Previous issue date: 2015-07-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The Portuguese language, officially present in eight countries and spoken by over 270 million people, is celebrated at the Portuguese Language Museum, in São Paulo, the city with the largest number of Portuguese speakers in the world. What can be learned from the linguistic and literary manifestations of this community as

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Cady, Alyssa R. "Representing the Holocaust: German and American Museums in Comparative Perspective." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470051050.

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6

Huang, P. H. J. "Examining museums collections from a semiotic viewpoint : a historical review." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604703.

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This dissertation aims to use Saussure's and Peirce's sign theories to offer new insights into museum communication. One of the key practices for museum professionals is to interpret exhibited objects and to send out the interpretations to audiences. Yet so far very little work has been done to explore the significance of classification principles/structures in meaning-giving. The primary objectives of this dissertation are hence to establish classification principles as the centre of museum communication and to investigate related interceptive issues systematically. Saussure's semiology and s

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Ferrara, Fabiano D. Alessio. "O museu como espaço midiático: da exposição ao entretenimento." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/4526.

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Made available in DSpace on 2016-04-26T18:13:08Z (GMT). No. of bitstreams: 1 Fabiano D Alessio Ferrara.pdf: 37054426 bytes, checksum: 9573cba425c4e18992f4282b49b5f6f3 (MD5) Previous issue date: 2013-06-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The object of the present research is the museum in the transformation processes which mark its cultural function and transcend its character of keeper of memory. The main objective is to study the multiple and paradoxal functions of the museum that range from exhibition to contemplation and entertainment, through image

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8

Pujol, Tost Laia. "Arqueologia, museus i ordinadors. Aproximació semiòtica a l'ús de la Realitat Virtual per la difusió de l'Arqueologia als museus." Doctoral thesis, Universitat Autònoma de Barcelona, 2006. http://hdl.handle.net/10803/5515.

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Davant l'augment de l'ús de reconstruccions virtuals als museus arqueològics, aparentment sense una veritable reflexió teòrica (museològica i epistemològica) que les recolzi, aquesta tesi pretén esbrinar la utilitat de la Realitat Virtual com a instrument de presentació de l'Arqueologia i per quins motius, i alhora proposar unes bases teòriques per aquest ús, a partir de la construcció d'un marc teòric i metodològic semiòtic.<br/>La tesi s'estructura en tres volums. En el primer es presenta un panorama general del projecte (objectius, metodologia, contribució a l'estat de la qüestió, perspecti

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Lima, Fábio Rogério Batista [UNESP]. "Imagem & tecnologia: webmuseu de arte." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93645.

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Made available in DSpace on 2014-06-11T19:26:43Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-11-30Bitstream added on 2014-06-13T18:55:04Z : No. of bitstreams: 1 lima_frb_me_mar.pdf: 1381876 bytes, checksum: 732a3a9364ef71fce939f43c9554a19f (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Com o Ciberespaço surgiram os webmuseus, que se caracterizam como ambientes informacionais com exposições de obras de arte apresentadas virtualmente, afetando o uso da imagem. A partir de um dispositivo de acesso à rede Internet, qualquer pessoa pode visitar obras de artist

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Lima, Fábio Rogério Batista. "Imagem & tecnologia : webmuseu de arte /." Marília, 2012. http://hdl.handle.net/11449/93645.

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Orientador: Plácida Leopoldina Ventura Amorim da Costa Santos<br>Banca: Maria Lucia de Niemeyer Matheus Loureiro<br>Banca: Maria José Vicentini Jorente<br>Resumo: Com o Ciberespaço surgiram os webmuseus, que se caracterizam como ambientes informacionais com exposições de obras de arte apresentadas virtualmente, afetando o uso da imagem. A partir de um dispositivo de acesso à rede Internet, qualquer pessoa pode visitar obras de artistas consagrados sem sair do lugar em que está, uma característica da ubiquidade (estar presente em vários lugares ao mesmo tempo) oferecida pelas tecnologias de inf

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MATTOS, I. M. "MUSEU e Escola: Espaços de Sentidos." Universidade Federal do Espírito Santo, 2015. http://repositorio.ufes.br/handle/10/2466.

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Made available in DSpace on 2016-08-29T11:12:09Z (GMT). No. of bitstreams: 1 tese_9050_IVANA - dissertação final.pdf: 8864333 bytes, checksum: 6a43eaf660860d2b32b4ba9780397c70 (MD5) Previous issue date: 2015-08-03<br>Esta pesquisa procurou compreender como o Museu de Arte do Espírito Santo (MAES) atua na produção de sentidos dos estudantes, a partir das relações estabelecidas com a escola, e, nesse proceder, como o museu compreende a arte e a escola como destinatária de suas ações. Os sujeitos da pesquisa foram 98 crianças, do 5º ano do Ensino Fundamental I, de uma escola privada de Vitória.

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Silva, Tahis Virgínia Gomes da. "Práticas informacionais em contexto museológico: o Museu Casa de José Américo." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/3902.

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Made available in DSpace on 2015-04-16T15:23:12Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2287735 bytes, checksum: 3b6ec7489ea1e266aede7e26c096d133 (MD5) Previous issue date: 2011-03-16<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Information Science and Museology show openness to dialogue discipline. Both areas interested in the museum exhibitions (LOUREIRO, LOUREIRO, SILVA, 2008; MORAES, 2008) included as the main vehicle for creating social significance of the museum. This thesis aims to analyze the narrative exposition of the Casa of José Américo Museu

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Al, Balushi Iqbal Abdul Qadir. "Critical Semiotic Order Theory: The Misconstruction of Arab and Muslim Identities and Voices in Hollywood Movies." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/344217.

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In the age of multi-literacies, contemporary theories and devices are required to decipher increasingly complicated challenges which are presented by the digital technological revolution. Some of the existing approaches and frameworks of could inspire us but are not well equipped to address the complexities and multi-perspectives of the eccentric challenges that scholars face on diverse issues. Therefore, I present the critical semiotic order theory (CSOT) as a new eclectic theory to analyze discourse and moving and still images critically, semiotically and using systematic orders simultaneous

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Mattos, Ivana de Macedo. "Museu e escola : espaços de sentidos." reponame:Repositório Institucional da UFES, 2015. http://repositorio.ufes.br/handle/10/1699.

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Submitted by Elizabete Silva (elizabete.silva@ufes.br) on 2015-11-26T19:03:39Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) MUSEU E ESCOLA ESPAÇOS DE SENTIDOS.pdf: 8860905 bytes, checksum: 31d8ff85fa1203db44925b150a8ef4d7 (MD5)<br>Approved for entry into archive by Patricia Barros (patricia.barros@ufes.br) on 2016-02-01T11:51:08Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) MUSEU E ESCOLA ESPAÇOS DE SENTIDOS.pdf: 8860905 bytes, checksum: 31d8ff85fa1203db44925b150a8ef4d7 (MD5)<br>Made ava

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Stenglin, Maree K. "Packaging curiosities towards a grammar of three-dimensional space /." Connect to full text, 2004. http://hdl.handle.net/2123/635.

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Thesis (Ph. D.)--University of Sydney, 2004.<br>Title from title screen (viewed 14 May 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Linguistics, Faculty of Arts. Includes bibliographical references. Also available in print form.

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Stenglin, Maree Kristen. "Packaging curiosities : towards a grammar of three-dimensional space." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/635.

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Western museums are public institutions, open and accessible to all sectors of the population they serve. Increasingly, they are becoming more accountable to the governments that fund them, and criteria such as visitation figures are being used to assess their viability. In order to ensure their survival in the current climate of economic rationalism, museums need to maintain their audiences and attract an even broader demographic. To do this, they need to ensure that visitors feel comfortable, welcome and secure inside their spaces. They also need to give visitors clear entry points for

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Stenglin, Maree Kristen. "Packaging curiosities : towards a grammar of three-dimensional space." University of Sydney. Linguistics, 2004. http://hdl.handle.net/2123/635.

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Western museums are public institutions, open and accessible to all sectors of the population they serve. Increasingly, they are becoming more accountable to the governments that fund them, and criteria such as visitation figures are being used to assess their viability. In order to ensure their survival in the current climate of economic rationalism, museums need to maintain their audiences and attract an even broader demographic. To do this, they need to ensure that visitors feel comfortable, welcome and secure inside their spaces. They also need to give visitors clear entry points for

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Albergamo, Maria. "Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie." Doctoral thesis, Università di Catania, 2012. http://hdl.handle.net/10761/1192.

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Tradicionalmente el espacio museal es uno espacio fisico, pero también uno espacio de relacion, el lugar de la experencia estetica y sensibile. En el plano de la expression el espacio fisico del museo se caracteriza, tradicionalmente, por tres componentes principales: personas, espacios de su movimento y espacios de las cosas y en el plano del contenido solamente las aciones de los visitantes. Uno espacio no puede existir sin las praticas que tienen lugar en sí mismo, si el espacio toma el proprio sentido solamente por l uso, no podemos separar entonces el elemento espacial da elemento del ac

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Lesaffre, Gaëlle. "Objets de patrimoine, objets de curiosité : Le statut des objets extra-occidentaux dans l’exposition permanente du musée du quai Branly." Thesis, Avignon, 2011. http://www.theses.fr/2011AVIG1115/document.

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La question du statut des objets issus des sociétés extra-occidentales conservés dans les musées occidentaux restait posée, jusqu’à récemment, dans les termes du paradigme construit au cours du vingtième siècle opposant le statut ethnographique au statut esthétique, et à partir d’une conception intrinsèque du statut des objets. La controverse suscitée par l’annonce du projet du musée du quai Branly au sein des communautés anthropologique et muséale en témoigne. Cette recherche propose de renouveler l’approche du statut des objets extra-occidentaux en adoptant une conception extrinsèque du stat

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Bon, Gabriela. "Mediação profissional em instituições museais de porto alegre : interações discursivas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/49357.

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Cette thèse se propose à mieux comprendre le rôle du médiateur et son insertion dans le système discursif d'une exposition d'art en faisant une réflexion ponctuel sur les régimes d'interaction et de sens présents dans son propre discours. Dans cette perspective, on a utilisé le référenciel théorique de la sociossemiotique, en particulier les régimes d'interaction proposés par Landowski (2004, 2009). Pour atteindre ce but, on a fait des entrevues avec les médiateurs et les coordonnateurs des deux principales institutions qui développent professionnelment la pratique de la médiation à Porto Aleg

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Nascimento, Marcélia Marques do. "Pedra que te quero palavra: discursividade e semiose no (con)texto arqueológico da tradição Itaparica." Pontifícia Universidade Católica do Rio Grande do Sul, 2010. http://hdl.handle.net/10923/3759.

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Made available in DSpace on 2013-08-07T18:57:46Z (GMT). No. of bitstreams: 1 000422401-Texto+Completo-0.pdf: 3861068 bytes, checksum: e0333426132fb949a9e735a97d09c927 (MD5) Previous issue date: 2010<br>The primal idea of this thesis concentrates on the constitution and apprehension of material culture as a textual expression in the dimensions of discursively and semiotics. The archaeological material culture of the Itaparica Tradition, a hunter-gatherer society chronologically dated into the early Holocene period, is perceived as a silent text, which is read and later put into words in the d

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Silva, Simone Trindade Vicente da. "Referencialidade e representação:um resgate do modo de construção de sentido nas pencas de balangandãs a partir da coleção Museu Carlos Costa Pinto." Programa de Pós- Graduação em Artes Visuais da UFBA, 2005. http://www.repositorio.ufba.br/ri/handle/ri/9811.

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230f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-05T14:17:52Z No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Approved for entry into archive by Lêda Costa(lmrcosta@ufba.br) on 2013-04-18T11:59:03Z (GMT) No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5)<br>Made available in DSpace on 2013-04-18T11:59:03Z (GMT). No. of bitstreams: 1 Silva.pdf: 8355396 bytes, checksum: eb06176813a1c16b8fe17346255cd844 (MD5) Previous issue date: 2005<br>O presente trabalho aborda, através da anál

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Eriksson, Elin. "Museet i en digital värld : En visuell analys av Nationalmuseums digitaliserade verksamheter." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448612.

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Digital technology has changed the nature of how humans live as a society with lives orbiting a digital core of internet, smartphones, social media etc. There is now not only a physical world but a digital one too. This far-reaching transformation also applies to cultural institutions to digitize their activities, a result of responding to the expectations of a contemporary audience. The aim of this study is to examine the digitization of art- and cultural heritage in a digital world. The essay examines the digital activities of the Swedish National Museum of fine art that has developed before

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Cholet, Céline. "Représenter la découverte en sciences naturelles : étude sémiotique sur la médiation scientifique : le cas des publications scientifiques du Muséum national d'histoire naturelle." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30019/document.

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Dans le cadre de cette recherche, nous posons la problématique suivante : comment représente-t-on la découverte botanique en sciences naturelles ? Notre démarche sera sémiotique et particulièrement fondée sur la théorie greimassienne. Nous la lierons à une recherche sémantique qui s’appuiera notamment sur les travaux de François Rastier. Et parce que la représentation scientifique articule étroitement le texte linguistique au texte visuel, nous engagerons notre étude dans une perspective qui rendra compte du système visuel. Ce dernier sera interrogé à partir des écrits de Maria Giulia Dondero

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Said, Manhal. "Les discours publicitaires de trois sites de rencontres sur internet, étude comparée de deux sites de rencontres francophones, l'un destiné à un public occidental, l'autre à un public oriental, et un troisième site de rencontres arabophone irakien." Thesis, Artois, 2014. http://www.theses.fr/2014ARTO0002/document.

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La publicité est omniprésente sur presque tous les supports médiatiques, dans la presse, à la télévision, à la radio. Depuis plusieurs décennies, son utilisation a connu une expansion et une évolution considérable, mais c’est grâce aux nouvelles technologies de l’information et de la communication qu’elle a acquis une nouvelle dimension. En effet, la diffusion d’Internet et l’élargissement de ses ressources a permis la mise en place de nouvelles formes de communication de type publicitaire. Celles-ci occupent aujourd’hui une large partie de l’espace virtuel de la toile mondiale.De nombreuses é

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Petrelius, Ausi, and Charlotte Årling. "Revolutionen är en man : Genus, nationalitet och nyhetsvärdering i de svenska mediernas rapportering om den arabiska våren." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-89355.

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In this study we examine four Swedish newspapers’ visual coverage of the Tunisian and Egyptian uprisings in 2010 and 2011 – commonly known as the “Arab Spring Revolution”, the “Jasmine revolution” and in Sweden also the “Women’s revolution” – focusing on three main perspectives: news values and framing, postcolonialism, and gender. By means of a comprehensive content analysis and an in-depth semiotic analysis, the purpose of this study is to investigate how Swedish written media frames the revolution and its initiators and partakers through news photographs, headlines, lead paragraphs and phot

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Samuelsson, Anna. "I naturens teater : Kultur- och miljösociologiska analyser av naturhistoriska utställningar och filmer." Doctoral thesis, Uppsala universitet, Sociologiska institutionen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9336.

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This thesis is a study of constructions of reality in visual and textual representations in current exhibitions in the Swedish Museum of Natural History in Stockholm with comparisons to the Natural History Museum in Gothenburg and minor excursions to other museums. The study also includes seven giant screen films in Cosmonova: an IMAX theatre which is part of the Swedish Museum of Natural History. The study consists of three parts: I. Historical and theoretical contextualisation: The emergence of museums is understood as an aspect of modernity and nature, and analytical concepts from semiotics

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Bouhadiba, Feriel. "Du dire musical comme expression de l'être : culturalité et subjectivité compositionnelles : neuroesthétique, poïétique et sémiotique des musiques modales arabo-musulmanes de tradition orale." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010561.

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Sur le fil invisible reliant la temporalité tridimensionnelle de l'ancestral, du présent et du devenir, se profilent les pas du compositeur. Parcours individuel, traversée sociale, épopée humaine, l'acte créatif émane des profondeurs du ressenti de l'être et des profondeurs de la collectivité sociale. Notre recherche se veut un voyage en vue d'une reconstitution du parcours du dire musical en tant qu'expression de l'être impliquant culturalité et subjectivité compositionnelles et aboutissant à l'œuvre musicale en tant qu'entité-signe. En consacrant notre réflexion aux musiques modales arabo-mu

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GENOVA, Roberta. "SPAZI IN GIOCO DAL MUSEO ALLA CITTÀ UN’INDAGINE SEMIOTICA." Doctoral thesis, 2012. http://hdl.handle.net/10447/94906.

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Bricker, Ivy. "Hybrid interface: an interior design for the Jewish Heritage Centre of Western Canada." 2011. http://hdl.handle.net/1993/4870.

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The exploration of emerging trends in museum design and theory informs a redefined spatial realm for the design of the Jewish Heritage Centre of Western Canada (JHCWC). The JHCWC has been forced to respond to a growing immaterial culture as a result of the current digital revolution. As an institution they have experienced amalgamation and re-location, which has drastically reduced the exhibition and museum space at the Asper Jewish Community Campus. The design will explore a new museum paradigm that is facing technological and digital advancements. Through the exploration of the effects of a

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Morais, Ricardo Marinho Alves 1987. "A analogia e a metáfora no desenho arquitectónico : estudo sobre a Casa das Histórias, Paula Rego." Master's thesis, 2015. http://hdl.handle.net/11067/1553.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2015<br>Exame público realizado em 3 de Junho de 2015<br>A analogia, muitas vezes domiciliada aos campos da filosofia e da ciência, é um tema transversal ao mundo das artes e do conhecimento em geral. Na arquitectura incide na prática dos arquitectos, no acto criativo de projectar podendo elevar uma obra arquitectónica a uma dimensão poética ou cair na mimese. A presente dissertação procura reflectir sobre o conceito de analogia e a sua relação com a metáfora como processo de transferência, afastando-se da memó

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Čemanová, Lucia. "Semiotická analýza dance-popovej hudby v roku 2013." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-340228.

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This Magister thesis is an attempt at analysis of ten chosen dance-pop songs released in the year of 2013 using semiotic method. The purpose of this thesis is to find out whether the statement that this genre is isomorphic is right or wrong. The thesis is divided into two parts. In the theoretical part we will define the term popular music and its evolution. Then we will focus on functioning of semiotic method in the musical analysis and communication of music. The second part will be dedicated to semiotic analysis itself where we will analyze the structure and lyrics of chosen dance-pop songs

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BARONE, TIZIANA. "Dinamiche e forme di comunicazione degli spazi espositivi. Innesti, contaminazioni e innovazioni dal marketing retail alla musealizzazione." Doctoral thesis, 2018. http://hdl.handle.net/11573/1084739.

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Questa ricerca si propone di modellizzare la variabilità dei consumi nella società odierna attraverso il meccanismo comunicativo degli spazi espositivi, con particolare riferimento al retail contaminato dai processi di musealizzazione. Lo spazio espositivo del retail, non sempre dedicato alla “vendita fisica” dei prodotti, è comunque un luogo di consumo ed uno spazio di esperienza estetica. Questi luoghi presentano oltremodo una congiunzione con lo spazio architettonico e nella maggior parte dei casi, con la collezione di prodotti e la proposta di visione e fruizione degli stessi. Se rifletti

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Woźniak-Koch, Milena. "Kolekcja i tożsamość. Kolekcjonerstwo warszawskiej burżuazji i inteligencji pochodzenia żydowskiego jako wyraz identyfikacji kulturowo-narodowej (1880-1939). Studium przypadków." Doctoral thesis, 2020. https://depotuw.ceon.pl/handle/item/3651.

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Abstract:

Praca oparta została na omówieniu postaci czterech warszawskich kolekcjonerów, których (poza Bronisławem Krystallem) określić można jako nieznanych. Edward Reicher, Leon Franciszek Goldberg-Górski, Gustaw Wertheim i Bronisław Krystall to przedstawiciele szczególnej, w dużym stopniu zapomnianej dziś warstwy – burżuazji i inteligencji pochodzenia żydowskiego. Bardzo wielu kolekcjonerów warszawskich (i nie tylko, również łódzkich, wrocławskich, krakowskich) wywodziło się właśnie z tzw. kręgów zasymilowanych, akulturowanych do polskości (w zależności od zaboru również do niemieckości). Tadeusz Jar

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