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Journal articles on the topic 'Semitic museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Cussini, Eleonora, Maura K. Heyn, Jeremy M. Hutton, Nathaniel E. Greene, and Catherine E. Bonesho. "The Harvard Semitic Museum Palmyrene Collection." Bulletin of the American Schools of Oriental Research 380 (November 2018): 231–46. http://dx.doi.org/10.5615/bullamerschoorie.380.0231.

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2

Gavin, Carney E. S. "G. E. Wright at the Harvard Semitic Museum." Biblical Archaeologist 50, no. 1 (1987): 10–20. http://dx.doi.org/10.2307/3210080.

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Dobbs-Allsopp, F. W., Chris Hooker, and Gregory Murray. "Some Initial Reflections on XML Markup for an Image-Based Electronic Edition of the Brooklyn Museum Aramaic Papyri." Journal of Religion, Media and Digital Culture 5, no. 1 (2016): 50–72. http://dx.doi.org/10.1163/21659214-90000070.

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A collaborative project of the Brooklyn Museum and a number of allied institutions, including Princeton Theological Seminary and West Semitic Research, the Digital Brooklyn Museum Aramaic Papyri (DBMAP) is to be both an image-based electronic facsimile edition of the important collection of Aramaic papyri from Elephantine housed at the Brooklyn Museum and an archival resource to support ongoing research on these papyri and the public dissemination of knowledge about them. In the process of building out a (partial) prototype of the edition, to serve as a proof of concept, we have discovered lit

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4

Greene. "A Complicated Legacy: The Original Collections of the Semitic Museum." Journal of Eastern Mediterranean Archaeology & Heritage Studies 5, no. 1 (2017): 57. http://dx.doi.org/10.5325/jeasmedarcherstu.5.1.0057.

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Tappy, Ron E. "The Harvard Expedition to Samaria: A Story of Twists and Turns in the Opening Season of 1908." Buried History: The Journal of the Australian Institute of Archaeology 52 (January 1, 2017): 3–30. http://dx.doi.org/10.62614/hf08a972.

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The previously unpublished field diaries of the principal leaders involved in the first season of the Harvard Expedition to Samaria are held by the University’s Semitic Museum. The narrative they contain sheds light on the organization and archaeological techniques applied at the site and gives some context to the much acclaimed final publication of the excavations (Reisner, Fisher & Lyon, 1924).

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6

Kitchen, K. A. "A West Semitic title on an Egyptian stela in Rio de Janeiro." Journal of Egyptian Archaeology 73, no. 1 (1987): 218–20. http://dx.doi.org/10.1177/030751338707300124.

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A preliminary publication is given of the stela Cat. 2442 of the National Museum at Rio de Janeiro, which features a couple, Raia and Maia, of about the Nineteenth Dynasty, worshipping Osiris with a short hymn. Raia's only title is q-d̲-n (in group-writing), otherwise unknown in Egyptian (and different from kd̲n/kt̲n, ‘charioteer’). This word is probably a loan from West Semitic qṣ, ‘commander/leader/boss’; perhaps Raia had been so termed by foreigners in his charge.

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Lenoir, Timothy. "A ciência produzindo a natureza: o museu de história naturalizada." Episteme – Filosofia e História das Ciências em Revista 2, no. 4 (1997): 55–72. https://doi.org/10.5281/zenodo.6509731.

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<strong>RESUMO</strong>: A partir da história dos museus de história natural, este texto discute como a natureza tem sido representada nestes espaços privilegiados, os quais têm “autenticado” visões de natureza, desde o século passado. Tais representações da natureza têm sido produzidas de acordo com os interesses políticos, econômicos, etc., dos grupos que as produzem. Examinando a história do estabelecimento da Exposição do Palácio de Cristal e do Museu Britânico de Hist&oa

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Vârtejanu-Joubert, Mădălina. "The Beginnings of Photography, the Beginnings of the Photography Archive: Bonfils at the Harvard Semitic Museum." Martor. The Museum of the Romanian Peasant Anthropology Review 24 (November 15, 2019): 13–26. http://dx.doi.org/10.57225/martor.2019.24.02.

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The article highlights the creation of the Maison Bonfils photographic collection and its transformation into a museum archive by the Harvard Semitic Museum. On the one hand, it examines the archiving of reality through photographic practice and analyses the epistemological premises of documentary photogra¬phy applied to the object “The Holy Land.” On the other hand, it describes the transformation of the Bonfils collection into a corpus and its reception by the scientific community of the Ancient Near East. In both cases, we observe the im¬plementation of a literal conception: on the one hand

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Saadoon, Abather, and Nicholas Kraus. "The Lost Months of Ur: New Early Dynastic and Sargonic Tablets from the British Museum." Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, no. 1 (2024): 1–11. http://dx.doi.org/10.1515/za-2024-0001.

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Abstract This article presents new tablets and fragments from the British Museum that belong to the collection of Early Dynastic and Sargonic tablets discovered at Ur. Having been overlooked for almost a century, the tablets offer new insights into Early Dynastic and Sargonic archives from Ur. Most significant among the contributions are the names of several months demonstrating that the Early Semitic calendar was in use in Ur during the Early Dynastic IIIa period. Second, the tablets contribute a new month name to the calendar of pre-Sargonic Ur and permit a possible reconstruction of the ord

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Clemens, David M. "Akkadian Loanwords in Biblical Hebrew. By Paul V. Mankowski, S.J.. Harvard Semitic Museum Publications, Harvard Semitic Studies, no. 47. Winona Lake, Indiana, 2000. Pp. xviii + 232. $29.95." Journal of Near Eastern Studies 62, no. 4 (2003): 290–94. http://dx.doi.org/10.1086/380360.

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Czyżewski, Andrzej. "The experience of the “anti-Zionist campaign” from the autobiographical perspective of its victims." Wrocławski Rocznik Historii Mówionej 14 (November 29, 2024): 210–40. http://dx.doi.org/10.26774/wrhm.396.

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The aim of this article is to deepen the reflection on the ways in which the events of March ’68 in Poland are described by those who were targeted by the brutal anti-Semitic campaign of the period. The main analytical category used here is “experience” as proposed by Martin Jay, in which the distinction between Erfahrung and Erlebnis is of fundamental importance. The proposed analysis is primarily based on the previously unused interviews with members of what is known as the “post-March emigration” collected at the POLIN Museum of the History of Polish Jews. Those are extensively supplemented

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12

Sack, Ronald H. "The Neo-Babylonian Empire and Babylon in the Latter Prophets. By David Stephen Vanderhooft. Harvard Semitic Museum Publications, Harvard Semitic Prophets, no. 59. Atlanta: Scholars Press, 2000. Pp. xii + 246. $29.95." Journal of Near Eastern Studies 62, no. 1 (2003): 71–73. http://dx.doi.org/10.1086/375949.

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13

Deletant, Dennis. "Ion Antonescu and the Holocaust in Romania." East Central Europe 39, no. 1 (2012): 61–100. http://dx.doi.org/10.1163/187633012x635627.

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Ion Antonescu’s obsession with what he saw as the Bolshevik menace drove his policy towards the Jews. The vast majority of those living in the provinces bordering on, and occupied by, the Soviet Union between 1940 and 1941—Bessarabia and Bukovina—were deported to Transnistria, where more than seventy percent of them were murdered or died of disease and starvation. Ukrainian militias and ethnic German Selbstschutz played a major role in the massacres, the former under the direction of Romanian gendarmes in Bogdanovka camp in the winter of 1941/1942, and the latter, independently, in southeaster

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14

Miller, J. Maxwell. "The Image of the East: Nineteenth-Century near Eastern Photographs by Bonfils from the Collection of the Harvard Semitic Museum." Bulletin of the American Schools of Oriental Research 272 (November 1988): 85–87. http://dx.doi.org/10.2307/1356789.

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Oswalt, Philipp. "On the necessity of symbolic interventions in dissonant monuments." Protection of Cultural Heritage 2, no. 21 (2024): 103–12. https://doi.org/10.35784/odk.6154.

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The Charter of Venice stipulates that changes to a monument are only permitted on the basis of functional requirements. Changes to the symbolic function are explicitly excluded. However, this principle leads to conceptual problems with dissonant heritage, as illustrated by a number of recent monument conflicts in Germany concerning buildings of National Socialism as well as anti-Semitic, racist, colonial and militaristic monuments. The planned restoration of the Haus der Kunst München (1933-37) to its original state by Chipperfield Architects in accordance with the monument requirements has le

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Löffler, Emily. "“Living room art” and the material culture of provenance: Retracing bourgeois everyday life and art collecting practices through restitution files." International Journal of Cultural Property 28, no. 3 (2021): 369–88. http://dx.doi.org/10.1017/s0940739121000321.

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AbstractThe Landesmuseum Mainz holds a bundle of objects (paintings, works on paper, furniture) that entered its collections in September 1943 as a transferral ordered by the Oberfinanzpräsident of the State of Hesse. The objects had been confiscated by the fiscal authorities of Mainz and Darmstadt immediately after their owners had been deported. In terms of artistic quality, these pieces could be described as “living room art,” a term that well reflects the social function of Jewish upper-middle-class material culture. By combining the methodologies of provenance research and material cultur

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17

Miller, Patrick D. "Adam in Myth and History: Ancient Israelite Perspectives on the Primal Human. By Dexter E. Callender, Jr.. Harvard Semitic Museum Publications, Harvard Semitic Studies, no. 48. Winona Lake, Indiana: Eisenbrauns, 2000. Pp. xviii + 244. $29.95." Journal of Near Eastern Studies 62, no. 4 (2003): 304–5. http://dx.doi.org/10.1086/380367.

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18

Langin-Hooper, Stephanie M. "SELEUCID-PARTHIAN FIGURINES FROM BABYLON IN THE NIPPUR COLLECTION: IMPLICATIONS OF MISATTRIBUTION AND RE-EVALUATING THE CORPUS." Iraq 78 (October 17, 2016): 49–77. http://dx.doi.org/10.1017/irq.2016.3.

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This article formally documents an important correction to the provenance attribution of three reclining female figurines from Babylon that reside in the Nippur collection at the University of Pennsylvania Museum and were published with that corpus. Few scholars have noticed the misattribution of these figurines, and the problem has not been formally documented for scholarship. Through historiographical analysis of the late nineteenth century Nippur Expeditions and early twentieth century cataloguing and publication of the Nippur corpus, this article reconstructs how and why these three reclin

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Landowski, Zbigniew. "Orientalists and Oriental Studies in Interwar Vilnius (1920–1939)." Tom 69, Numer 2 2024, no. 2 (2024): 33–68. http://dx.doi.org/10.4467/0023589xkhnt.24.014.19819.

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In interwar Poland, academic Oriental studies developed in three distinct centres, although the Orientalist community remained decentralized. In Vilnius, several scholars in this field were active and conducted both research and instruction of Oriental languages. Among them were Poles, Jews, Karaites and Tatars. Professionally, they were also diverse, including linguists, biblical scholars, Palestinologists, museologists, lecturers, and rabbis. Their academic pursuits encompassed religious studies, Semitic studies (with a focus on Hebrew), Ancient Eastern philology, Sanskrit, Ottoman Turkish s

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20

Nermin, Novruzova. "A SEMIOTIC ANALYSIS OF PERSONAL BELONGINGS IN THE HOUSE-MUSEUM OF HUSEYN JAVID." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 19. https://doi.org/10.5281/zenodo.15476833.

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Huseyn Javid, a leading intellectual figure of the early 20th century, stood out not only through his literary works but also through his approach to social values and his worldview. The personal belongings preserved in his house-museum in Nakhchivan represent the material embodiment of this worldview. This paper provides a semiotic analysis of Javid’s personal belongings and reveals the encoded meanings they

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21

Mayer, Gabriel. "Historical Museums in Israel: Semiotics of Culture." Journal of Arts and Humanities 6, no. 01 (2017): 43. http://dx.doi.org/10.18533/journal.v6i01.1089.

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<p>Tiny by physical size, the State of Israel retains some of the world’s most important cultural treasures, along with many other great cultural institutions. Archeological treasures have yielded much information as far as biblical history and have been well adapted to a Zionist narrative by both the Jewish press and international news organizations, such as the New York Times whose archives are replete with reports of Jewish history being dug up by the Jewish people. Once the State of Israel gained independence in 1948, the course was set for the development of historical museums whose

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22

Garanina, Ekaterina V. "Literature in the System of Cultural Texts: Specificity of Semiotic Approach to the Study of Literary Museum Discourse." Общество: философия, история, культура, no. 3 (March 19, 2025): 202–8. https://doi.org/10.24158/fik.2025.3.28.

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Employing a semiotic approach, this paper argues for the examination of cultural texts exhibited within literary museums, alongside an investigation into the museum’s own discursive space as a holistic semantic entity. These museums, conceived as socio-cultural phenomena of modern society, offer a rich field for semiotic analysis. Human culture-building activities inherently involve the construction of worldviews through the de-ployment of established and readily recognizable images. Within this framework, the concepts of the sign and the symbol form an integral component of the conceptual app

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Dewi, Rosa Bila Putri. "THE SEMIOTIC CONSTRUCTION OF MEANING AND VALUE: CANTHIK KIAI RAJAMALA AS A SYMBOL IN THE CONTEMPORARY SOCIAL PERSPECTIVES." Paradigma: Jurnal Kajian Budaya 14, no. 3 (2014): 528–41. https://doi.org/10.17510/paradigma.v14i3.1449.

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Canthik Kiai Rajamala is one of the heirlooms owned by the Keraton Kasunanan Surakarta. There are two Canthik Kiai Rajamala, each stored in the Keraton Surakarta Museum and the Radya Pustaka Museum. Surakarta is the only region traversed by the Bengawan Solo River that possesses a canthik, making it a distinctive and unique cultural heritage for the people of Surakarta. This research addresses the issue of how the meaning and value construction of Canthik Kiai Rajamala can be interpreted using Pierce’s semiotic triangle theory. Additionally, this study examines how contemporary Surakarta socie

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А.О., Сошніков. "СЕМІОТИЧНА МОВА МУЗЕЙНОЇ ЕКСПОЗИЦІЇ". Вісник ХНПУ імені Г. С. Сковороди "Філософія", № 50 (27 червня 2018): 17–22. https://doi.org/10.5281/zenodo.1298982.

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This research is based on the presentation of the functioning and evolution of the museum exposition as a sign system, in which the exhibit – an element of the "text" of the exposition – corresponds to a sign of a certain type. At a semiotic examination of a museum museum items act as signs. They are the main sources of accumulation, storage and transmission of information in the museum space. The museum object, from the point of view of semiotics, can be considered as an object of natural heritage or artificially created by people, seized from the environment of its exis

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Ravelli, Louise, and Viviane M. Heberle. "Bringing a museum of language to life: the use of multimodal resources for interactional engagement in the Museu da Língua Portuguesa, Brazil." Revista Brasileira de Linguística Aplicada 16, no. 4 (2016): 521–46. http://dx.doi.org/10.1590/1984-639820159920.

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Abstract: The popular and highly successful Museu da Língua Portuguesa1 in São Paulo, Brazil, is renowned for its visitor engagement strategies. While this success is often attributed to high levels of technological interactivity enabled in the museum displays, we argue that the success of the museum also comes from a range of other multimodal resources. Using a social semiotic approach to spatial discourse analysis, we examine each of the three levels/floors of the museum, identifying the various meaning-making resources across the representational, organizational, and interactional metafunct

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Mukhin, Andrei Sergeevich. "Actualization of the history of navigation in the image policy of the state (Estonian Maritime Museum in Tallinn)." Vestnik of Saint Petersburg State University of Culture, no. 4 (53) (December 2022): 65–70. http://dx.doi.org/10.30725/2619-0303-2022-4-65-70.

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The article is published based on the materials of the report of the same name, delivered at the second scientific and practical conference «Popularization of technical heritage in the museum» (Saint-Petersburg, GET, October 11, 2022). The author examines the transport thesaurus of maritime museums through the prism of state image policy. The Maritime Museum forms value categories related to the dignity of the state, its history, and the national narrative. The article examines the features of the exposition of the Estonian Maritime Museum in Tallinn, analyzes the place of finds in the phenome

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Christidou, Dimitra, and Sophia Diamantopoulou. "Seeing and Being Seen: The Multimodality of Museum Spectatorship." Museum and Society 14, no. 1 (2017): 12–32. http://dx.doi.org/10.29311/mas.v14i1.623.

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This article argues that museum visiting and the act of ‘spectatorship’, both of which are often assumed to be ocularcentric, are multimodal events. Anchored in Goffman’s dramaturgy and frame analysis theory, as well as Kress’s multimodal and social semiotic theory of representation and communication, this article presents an apposite interpretative and methodological framework to account for what has not been widely addressed by museum studies; that is, the multimodality of the museum experience. By drawing upon audio-visual excerpts of museum encounters, this analysis brings to the fore the

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Biliuk, Yuliia. "History and modernity: multimodality and interactivity of museums' communication (based on coronation 2023 exhibitions at british museums)." Current issues of Ukrainian linguistics: theory and practice, no. 49 (2024): 201–18. https://doi.org/10.17721/apultp.2024.49.201-218.

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The article explores multimodality and interactivity at British museums exhibitions on occasion of the King Charles III and Queen Camilla coronation May 6, 2023. The research can be considered a significant contribution to museum studies, particularly in the realm of visitor engagement and education. Drawing on a multimodal discourse analysis framework, the study examines how museums utilise a combination of semiotic resources, such as visual, textual, audio, sensory as well as digital elements, to engage visitors both onsite and online. This analysis highlights museums as dynamic communicativ

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Hammad, Manar. "Semiotic reading of a museum." Museum International 39, no. 2 (1987): 56–60. http://dx.doi.org/10.1111/j.1468-0033.1987.tb00668.x.

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Wilczyk, Wojciech. "„Pamiątka, Zabawka, Talizman” czyli Żydzi fantomowi." Studia Litteraria et Historica, no. 3–4 (January 31, 2016): 260–64. http://dx.doi.org/10.11649/slh.2015.013.

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Souvenir, Talisman, Toy or phantom JewsThe exhibition Souvenir, Talisman, Toy, prepared by Erica Lehrer and shown in Cracow’s Ethnographic Museum in Summer 2013, deals with the phenomena of Jew figures production and currently extremely popular the "Jew with a coin" image. The phenomenon bears full characteristics of folk art. However, it is Holocaust that took place in Poland during the German occupation that should be its valid reference. This historical context that results in, for example, stereotypical way of portraying the exterminated neighbours (this way is often perceived as intention

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Pardee, Dennis. "“Each Man Cried Out to His God”: The Specialized Religion of Canaanite and Phoenician Seafarers. By Aaron Jed Brody. Harvard Semitic Museum Monographs 58. Atlanta: Scholars Press, 1998. Pp. x + 177 + 79 figs. $29.95." Journal of Near Eastern Studies 64, no. 4 (2005): 287–90. http://dx.doi.org/10.1086/498363.

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Haj Yahya, Athar. "Multiculturalism as Reflected in the Linguistic and Semiotic Landscape of Arab Museums in Israel." Israel Studies Review 36, no. 1 (2021): 68–91. http://dx.doi.org/10.3167/isr.2021.360106.

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Multiculturalism is respectful of diversity among individuals and communities in a society, allowing them to retain and express their particular identities and engage in egalitarian dialogue. This article examines how the multiculturalist approach is reflected in the linguistic and semiotic landscape of Arab museums in Israel. It focuses on a case study of the Umm al-Fahm Art Gallery as a window onto the sociocultural realities of Israel. The article’s findings are based on an analysis of the linguistic and semiotic landscape elements of the museum space and a semi-structured in-depth intervie

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Sacha, Magdalena Izabella. "Visible, Unrecognisable – Recognisable, Silenced? Representations of Evangelism in Permanent Museum Exhibits in Masuria." Studia Religiologica 53, no. 4 (2020): 319–32. http://dx.doi.org/10.4467/20844077sr.20.022.13040.

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The article addresses representations of the Evangelical denomination at contemporary permanent museum exhibits in the region of Masuria, inhabited between 1525–1945 by a Protestant majority. Applying semiotic analysis, the author presents the outcomes of field studies in the local museums in Olsztyn, Mikołajki, Mrągowo, Ogródek, Szczytno, and in the open-air museum in Olsztynek. The principal research question is the issue of visibility and recognisability of Evangelism-related items at permanent exhibits. The author concludes that there are three types of omissions in the presentation of the

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Romantsova, Tatyana. "Author’s Fiction and Non-Fiction Prose in the Narrative System of the Literary Museum." Humanitarian Vector 19, no. 4 (2024): 80–90. https://doi.org/10.21209/1996-7853-2024-19-4-80-90.

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The article specifi es the concept of narrative in relation to the museum sphere as a space of new media. The article describes the narratives of museum communication that actualize the conceptual meanings of Valentin Rasputin’s prose. We show how an integral museum narrative is formed on the basis of the author’s fi ction and non-fi ction texts with grammatically, structurally and functionally complex narrative. In the structure of the integral museum narrative the attention is focused on the excursion narrative consisting of a set of biographical and a set of “creative” narratives. We propos

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Biliuk, Julia. "Experiencing Shakespeare: multimodal communication and multisensory engagement in Stratford-upon-Avon." Current issues of Ukrainian linguistics: theory and practice, no. 50 (2025): 122–40. https://doi.org/10.17721/apultp.2025.50.122-140.

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The article examines how Shakespearean heritage institutions in Stratford-upon-Avon are redefining contemporary museum exhibition practices through immersive, multimodal and multisensorial storytelling. Framed within the context of participatory museum discourse, the study explores how sites such as Shakespeare's Birthplace, New Place, and the Schoolroom & Guildhall use a synergy of text and image, along with sound, scent, touch, and taste, to foster rich, layered experiences that support narrative meaning-making. Moving beyond passive observation, these venues implement interactive strate

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Azmi, Andi. "MUSEUM BRAWIJAYA DAN LEGITIMASI KEKUASAAN MILITER." Kusa Lawa 2, no. 1 (2022): 8–17. http://dx.doi.org/10.21776/ub.kusalawa.2022.002.01.02.

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Brawijaya Museum and Legitimacy of Military Power. This study aims to describe how the legitimacy of military power is seen in the Braijaya Museum, Malang City. The method used in this research is a qualitative method with a semiotic approach. The theory used is the semiotic theory of Ferdinand de Saussure. The results showed that during the New Order era the military was used as the application of ideology and instilling national values. Departing from the problem of how the military constructs for the legitimacy of power in society through the display layout of the Brawijaya museum Keywords:

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Albedil, Margarita F. "Thing in museum space: change of status and other transformations." Orientalistica 4, no. 3 (2021): 620–34. http://dx.doi.org/10.31696/2618-7043-2021-4-3-620-634.

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The article deals with the “thing”, i.e. the “museum item” and its diverse nature. This phenomenon is analyzed based on modern thought, which recognizes the subjectivity and agency for things. Previously, these categories were used exclusively as applied to human beings. The items, which reflect the universe of traditional cultures of diverse peoples, when preserved in ethnographic museums have to be traditionally included in the general worldview system along with language, myths, rituals and social institutions. Apart from their utilitarian purpose, things also serve as cultural symbols and

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Schroer, Silvia. "Peter Enns, Exodus Retold. Ancient Exegesis of the Departure from Egypt in Wis 10:15-21 and 19:1-9 (Harvard Semitic Museum Monographs 57), Atlanta, GA (Scholars) 1997, 204 S., $ 29.95; ISBN 0-7885-0403-7." Biblische Zeitschrift 44, no. 1 (2000): 119–20. http://dx.doi.org/10.1163/25890468-04401013.

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Aristova, Ulyana V., Alexandra D. Persheeva, and Olga Liuka V. Sharp. "Accessibility and expansion of the narratives’ space: convergent technologies and semiotics of exposition in an art museum." Scientific and analytical journal Burganov House. The space of culture 20, no. 4 (2024): 105–26. http://dx.doi.org/10.36340/2071-6818-2024-20-4-105-126.

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The development of convergent technologies opens up new horizons for expanding the sensory experience of museum visitors, especially the people with disabilities and alternative perception. We argue that augmented reality (AR) technologies, mainly used to develop applications that visually expand physical spaces, may serve not only as a tool of inclusion and immersion, but also an instrument of reviewing the narrative of art history delivered by a classical museum. Although AR technologies are focused mainly on visuality, detecting and localizing objects and images, as well as mapping and augm

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이재걸. "Damien Hirst’s Demythologized Museum - Exhibition’s Semiotic Strategy." Korean Journal of Art and Media 17, no. 1 (2018): 33–56. http://dx.doi.org/10.36726/cammp.2018.17.1.33.

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Szitanyi, Stephanie. "Semiotic Readings of the USS Midway Museum." International Feminist Journal of Politics 17, no. 2 (2014): 253–70. http://dx.doi.org/10.1080/14616742.2013.876300.

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Golańska, Dorota. "Against the “Moonlight and Magnolia” myth of the American South. A new materialist approach to the dissonant heritage of slavery in the US: The case of Whitney Plantation in Wallace, LA." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 137–60. http://dx.doi.org/10.46284/mkd.2020.8.4.9.

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The article presents an analysis of the operations of the Whitney Plantation Museum, which opened in 2014 in Wallace, LA (USA), situated within the context of plantation heritage tourism in the American South. The argumentation offers an illustration of the significant transition, even though still of marginal character, of the dominant tendencies of representing slavery in heritage sites (plantation museums) devoted to cultivating knowledge about the history of the region. New materialist in its orientation, the analysis subscribes to the most fundamental assumption of this philosophical tend

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Polina V., Abramova. "The reproduction of traditional costumes in the framework of the museum actualization of folk rituals." Vestnik of Saint Petersburg State University of Culture, no. 1 (50) (2022): 12–17. http://dx.doi.org/10.30725/2619-0303-2022-1-12-17.

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Traditional rituals that are lost in the environment of everyday life are now actively presented by museums in cultural and educational activities. Since the ceremony has not only an action, but also an objective side, traditional costumes are used during its presentation – festive and ritual. In order not to harm the museum object, reproductions of traditional costumes are made. The methods of reproduction of ethnographic costumes are replication and modeling. When creating reproductions, it is necessary to focus on the specifics of the object being recreated. From the standpoint of the semio

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Ananiev, Vitaly G. "Structural-semiological approach to museum and museum object: towards analysis of theory by E. Taborsky." Vestnik of Saint Petersburg State University of Culture, no. 4 (29) (2016): 64–68. http://dx.doi.org/10.30725/2619-0303-2016-4-64-68.

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This concept of a Canadian semiologist E. Taborsky is analyzed, developed socio-structural approach to understanding the phenomenon of the museum and semiotic approach to the evaluation of the museum object. In the general context of her research main attention was paid to her two most influential articles: «The sociostructural role of the museum» and «The discursive object». From her point of view, the museum is a part of a set of social practices surrounding a particular structural pattern of understanding of the environment and interact with it. A museum object exists as a sign, its interpr

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Pireddu, Silvia. "Voices in the museum: Exploring soundscapes in curatorial practices." Punctum. International Journal of Semiotics 10, no. 2 (2024): 111–33. https://doi.org/10.18680/hss.2024.0024.

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The semiotics of curating is a theoretical approach that focuses on constructing, communicating, and interpreting signs, symbols, and meanings in museum exhibitions. With the increasing prevalence of digital technologies, curators are tasked with balancing different technologies, encompassing visual, sound, and multimodal experiences. In this perspective, the paper examines the role of sound as a semiotic dimension within exhibition contexts, analyzing how it functions as a potent signifier and enriching the interpretation of curated spaces with exhibited artefacts. This study explores the sem

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Hewitt, Jason T. "The Identity of Objects: Form & Nature in Digital Museums." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 9, no. 2 (2011): 520–30. http://dx.doi.org/10.31269/triplec.v9i2.308.

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Reconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to informatic control over objects in a mu- seum collection. The model is deployed in the context of Edwina Taborsky's description of the historical transformation of the cultural syntax of museums. It is argued that the pattern of transformation is not random, but rather follows a specific and recognizable pattern. This pattern is consistent with a general trend in culture, identified by Heidegger,

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Hewitt, Jason T. "The Identity of Objects: Form & Nature in Digital Museums." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 9, no. 2 (2011): 520–30. http://dx.doi.org/10.31269/vol9iss2pp520-530.

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Reconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to informatic control over objects in a mu- seum collection. The model is deployed in the context of Edwina Taborsky's description of the historical transformation of the cultural syntax of museums. It is argued that the pattern of transformation is not random, but rather follows a specific and recognizable pattern. This pattern is consistent with a general trend in culture, identified by Heidegger,

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Voutounos, Chrysanthos, and Andreas Lanitis. "A Cultural Semiotic Aesthetic Approach for a Virtual Heritage Project." Techné: Research in Philosophy and Technology 20, no. 3 (2016): 198–215. http://dx.doi.org/10.5840/techne201653147.

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This paper presents an integrated framework applied towards the design and evaluation of a virtual museum of Byzantine art that combines the theorized fields of semiotics, virtual heritage (VH), and Byzantine art. A devised semiotic model, the case study semiosphere, synthesizes important principles from the theoretical background justifying the overall design and evaluation methodology. The approach presented has theoretical extensions to the understanding of the role technology plays in promoting a consummatory aesthetic experience for Byzantine art in virtual environments, complementing the

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Ilan, David. "Walled Up to Heaven: The Evolution of Middle Bronze Age Fortification Strategies in the Levant. By Aaron Burke. Studies in the Archaeology and History of the Levant 4. Harvard Semitic Museum Publications. Winona Lake: Eisenbrauns, 2008. Pp. xix + 362 + 100 figs. + 37 tables. $59.50 (cloth)." Journal of Near Eastern Studies 71, no. 1 (2012): 164–67. http://dx.doi.org/10.1086/664529.

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Voutounos, Chrysanthos, and Andreas Lanitis. "A Cultural Semiotic Aesthetic Approach for a Virtual Heritage Project." Techné: Research in Philosophy and Technology 22, no. 2 (2018): 230–61. http://dx.doi.org/10.5840/techne20184581.

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Continuing from Part A (2016), in which we discuss the semiotic foundation for designing a virtual museum of Byzantine art, Part B presents an applied methodology for the representation of cultural artifacts through virtual technologies and semiotic techniques. We discuss how our semiotic model, case study semiosphere, contributes to design and evaluation research of such unique art-form representation and why the approach contributes as a whole to the field of Virtual Heritage (VH). Theorizing further the design implications integrating the overall approach including the evaluation experiment

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