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Relevant bibliographies by topics / Seneca.js

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Academic literature on the topic 'Seneca.js'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Seneca.js"

1

Hudson-williams, A. "Notes on Some Passages in Seneca's Tragedies and the Octavia." Classical Quarterly 39, no. 1 (May 1989): 186–96. http://dx.doi.org/10.1017/s000983880004057x.

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The text quoted above each note is that of the edition of Seneca's tragedies by Otto Zwierlein (Zw.), OCT 1986; numerous passages are discussed in his Kritischer Kommentar zu den Tragüdien Senecas (K.K.), Stuttgart, 1986; various textual suggestions were made in a correspondence with Zw. by B. Axelson (Ax.). Other works on Seneca's tragedies, referred to by the scholar's name only, are: (i)Text and translation: F. J. Miller, Loeb, 1917; L. Herrmann, Budé, 1924–6. (ii)Text with commentary: R. J. Tarrant, Agamemnon (Cambridge, 1976), and Thyestes (Atlanta, 1985); J. G. Fitch, Hercules Furens (Ithaca, 1987). (iii) Text with commentary and translation: Elaine Fantham, Troades (Princeton, 1982); A. J.Boyle, Phaedra (Liverpool, 1987).

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Pingree, David. "Book Review: Seneca's Natural Questions: Senecas Naturales Quaestiones: Komposition, Naturphilosophische Aussagen und Ihre Quellen." Journal for the History of Astronomy 23, no. 2 (May 1992): 146–47. http://dx.doi.org/10.1177/002182869202300208.

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Langlands, Rebecca. "Latin Literature." Greece and Rome 60, no. 1 (March 12, 2013): 159–66. http://dx.doi.org/10.1017/s0017383512000320.

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Gareth Williams’ engaging new study of Seneca's Natural Questions is called The Cosmic Viewpoint, a pleasing title that evokes his central thesis: Seneca's study of meteorological phenomena is a work where science and ethics are combined, designed to raise the reader up towards a cosmic perspective far beyond mortal woes, the better to combat adversity in Stoic style. Chapter 1, ‘Interiority and Cosmic Consciousness in the Natural Questions’, introduces the idea of Seneca's worldview, contrasting it in particular with the approaches of Cicero and of Pliny. In contrast to Cicero, Seneca's emphasis is on interiorization, and his ‘cosmic consciousness’ takes his perspective far above the Imperial consciousness of Pliny's Encyclopaedia, which for all its all-encompassing scope still takes a terrestrial Roman perspective. In Chapter 2, Williams addresses the question of how Seneca's moralizing interludes are to be understood in relation to the technical discussion of meteorology; this is a key issue for Williams, since his overall thesis is that Seneca's work has an integrated ‘physico-ethical agenda’ (73). From now on the chapters reflect this integration between the moral and the scientific. Chapter 3 focuses on Seneca's discussion of the flooding of the Nile in Book 4a and its integration with the theme of the vice of flattery. In a nice discussion of ‘The Rhetoric of Science’, Chapter 4 argues that Seneca's presentation in Book 4b of his investigation into the question of how hail and snow are produced is such as to invite critical reflection on the scientific procedures involved (these procedures are: reliance on influential authority, argument by analogy, argument by bold inference, competing arguments, and superstition in contention with reason), but that the aim is not to reject the possibility of attaining scientific truth, but rather to suggest that to attain it one must rise above these petty arguments to find the cosmic perspective, and that to do this is in itself morally improving regardless of any knowledge gained. Chapter 5 discusses Seneca's treatment of the winds in Book 5 and his implicit contrast of the natural phenomena with the transgressive actions of human beings who plunder the earth's resources and wage war on one another. Chapter 6 examines the ‘therapeutic program’ (256) of Seneca's treatment of earthquakes in Book 6. Chapter 7 explores how Seneca's treatment of ancient theories about comets reflects the ascension of the mind to the celestial plane that is the ultimate aim of his scientific enquiry. In Chapter 8, Williams discusses the significance of Seneca's excursus on divination within his treatment of thunder and lightning. Finally, a brief epilogue explains the way that the progression of ideas across traditional book order (where the final books are Books 1 and 2) can be understood to serve Seneca's moral programme. This is a rich and compelling study of Seneca's Natural Questions that establishes it as a work of considerable literary and philosophical qualities. Williams’ final, gentle suggestion is that we moderns, too, might find some peace and liberation in Seneca's cosmic viewpoint, far above the troubles of our everyday lives.

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Larson, Victoria Tietze, Seneca, and A. J. Boyle. "Seneca's "Troades"." Classical World 90, no. 1 (1996): 68. http://dx.doi.org/10.2307/4351913.

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Harrison, G. W. M., and Norman T. Pratt. "Seneca's Drama." Classical World 78, no. 3 (1985): 218. http://dx.doi.org/10.2307/4349730.

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Harrison, George W. M., Richard J. Tarrant, and Seneca. "Seneca's Thyestes." Classical World 80, no. 3 (1987): 219. http://dx.doi.org/10.2307/4350022.

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Lefevre, Eckard, R. J. Tarrant, and Seneca. "Seneca's Thyestes." Phoenix 40, no. 4 (1986): 475. http://dx.doi.org/10.2307/1088182.

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Costa, C. D. N. "SENECA’S MEDEA." Classical Review 52, no. 1 (March 2002): 20–21. http://dx.doi.org/10.1093/cr/52.1.20.

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Mader, Gottfried. "Seneca’s Thyestes." Classical Review 55, no. 1 (March 2005): 139–41. http://dx.doi.org/10.1093/clrevj/bni079.

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Henry, E. "SENECA'S HECUBA." Bulletin of the Institute of Classical Studies 35, Supplement_51 (February 1, 1988): 44–52. http://dx.doi.org/10.1111/j.2041-5370.1988.tb02010.x.

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Dissertations / Theses on the topic "Seneca.js"

1

Sénèque, Frank Marica. "Seneca's "Phoenissae" /." Leiden ; New York ; Köln : E.J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb370624992.

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Eager, Max. "Seneca's influence with Nero." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:013641d2-8f6d-40bb-9255-0b65a9ee3743.

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This dissertation attempts to illuminate the enigma of Seneca as seen in Tacitus, Seneca politicus, and his capacity at the Palace. The project thus evaluates the three most accessible sources for both how Nero would have viewed Seneca and how Seneca presented himself to Nero - Nero's childhood and education, Apocolocyntosis, and De clementia. Assessment of these sources through the game-theoretical model of signaling and signal games forms a model of their relationship, which itself becomes the thesis of the dissertation. The thesis contends that, post accession, Seneca en-gaged Nero in a didactic relationship focusing on philosophy, or rather, on his own insights into ethical decision-making and morality in interpersonal dealings. But the details surrounding this deduction nuance its interpretation. His presentation of philosophy to Nero smacks of practicality. It is opportunistic, utilizing the philosophi-cally propaedeutic nature of Nero's education; and his own contribution to the imperi-al intellect, clementia, is not convincingly Stoic. Seneca wished to be trusted for his ability to offer advice on interpersonal dealings, and to form acute judgments about other people and their actions.

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Mocanu, Alin. "Ovidian influences in Seneca's Phaedra." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121474.

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The following thesis is an examination of the way Seneca constructs Phaedra, the main character of an eponymous tragedy. It aims to prove that the tragedian uses a mixing of mainly two literary genres, tragedy and elegy, and it analyzes the way the elegiac genre is transformed so it can fit this new generic hybrid. Seneca finds inspiration for the elegiac topoi in Ovid's love poems. The author uses the recurrent elegiac convention involving a soft man, the lover, and a dominant woman, the beloved, but he reverses this literary tradition: Phaedra becomes the lover while Hippolytus becomes the beloved. Besides a series of elegiac topoi such as fiery love metaphors, servitium amoris or symptoms of love, Seneca also deals with the erotic hunting. Roman love elegy often associates the lover, the feeble man, with a hunter, while it represents the beloved, the dominant woman, as his prey. In Phaedra, Hippolytus, a true hunter, becomes an erotic prey, while the female character takes on the role of the erotic predator, which causes the young man's tragic death.
Dans ce mémoire de maîtrise on examine la manière dont Sénèque construit Phèdre dans la tragédie portant le même nom. On prouve que pour créer son personnage, le tragédien romain mélange deux genres littéraires : la tragédie et l'élégie. On analyse aussi la façon dont Sénèque altère le genre élégiaque afin qu'il puisse créer un nouveau genre littéraire hybride. L'auteur trouve son inspiration pour les topoi élégiaques dans les poèmes érotiques ovidiens. En dépit de l'utilisation d'une convention élégiaque par excellence qui concerne la relation entre un amoureux, un homme faible, et une bien-aimée, une femme forte et dominante, Sénèque inverse ces éléments et Phèdre devient l'amoureux, tandis qu'Hyppolite se voit attribué le rôle du bien-aimé. À part une série de topoi élégiaques comme les métaphores érotiques du feu, le servitium amoris ou les symptômes de l'amour, le tragédien emploie aussi le lieu commun de la chasse érotique. L'élégie romaine associait très souvent l'homme faible à un chasseur et la femme forte à sa proie. Dans Phèdre, Hippolyte, un vrai chasseur, devient une proie érotique, tandis que le personnage féminin prend le rôle du prédateur, ce qui mène le jeune homme à une fin tragique.

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Smith, Antony. "Seneca's 'De ira' : a study." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c64a2fba-8ba0-4f14-919f-f59ce11cfe34.

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This thesis offers new philosophical and literary interpretations of Seneca's 'De ira'. It takes as its starting-point the observation that both the philosophical position on which the text relies and the way in which it is organised appear to be chaotic, and it investigates how far and why this is the case. It shows that a coherent philosophical position underlies the text but that the text presents it as incoherent, and that it does this for therapeutic purposes. Similarly, it shows that the text is organised in a far more orderly way than has been previously appreciated, and it explains how the (apparent) disruption of that organisational system serves the text's therapeutic function. In making these arguments, it presents new readings of the De ira that reveal the text's philosophical and literary qualities, arguing that it constitutes a more sophisticated response to Seneca's philosophical predecessors than previous accounts have claimed, and that the text, as it progresses, introduces new therapeutic strategies that provide 'safety nets' should its earlier principal strategies have failed. The thesis aims to be methodologically innovative in using Seneca's descriptions of emotional responses as well as more explicit theorising to reconstruct his philosophical position and in suggesting a new approach to interpreting the role of interlocutors and addressees in didactic and dialogic texts.

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Frank, Marica. "Seneca's 'Phoenissae' : introduction and commentary." Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/15510.

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The Introduction deals primarily with issues regarding Seneca's Phoenissae specifically, but includes some discussion of more general questions. It consists of the following sections: 1. Title (in which the problem of the two titles, Phoenissae and Thebais, is considered); 2. The Nature and Structure of the Work (which includes discussion of; the unity and state of completion of the Phoenissae, the question of the absence of a chorus, the possibility that the prologue is missing, the ending of the play, Seneca's dramatic purpose); 3. Seneca's Treatment of the Theban Legend (in which Seneca's debt to both his dramatic and non-dramatic precursors is discussed); 4. Philosophy, Rhetoric and Politics in the Phoenissae; 5. Staging (in which there is a general consideration of the question, followed by a discussion of the particular difficulties involved in the Phoenissae); 6. Chronology (which deals with the problem of dating Seneca's plays and the criteria for establishing a relative chronology). The Commentary is a line-by-line literary analysis of the Phoenissae, which includes discussion of syntactical, metrical, textual and philological questions. It is based on the 1986 OCT text of Otto Zwierlein.

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6

Kaplan, Sylvia Gray. "The judicial message in Seneca's Apocolocyntosis." PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4183.

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Seneca's Apocolocyntosis is a sat.ire on the deceased emperor Claudius. probably written in the early months after his death in AD54. Although the authorship and title of the work have been called into question. scholars have now reached a consensus that the sat.ire was written by Seneca and is titled "Apocolocyntosis." Its purpose, characteristic of the Menippean genre, was didactic.

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7

Hirschberg, Theo. "Senecas Phoenissen Einleitung und Kommentar /." Berlin ; New York : W. de Gruyter, 1989. http://catalogue.bnf.fr/ark:/12148/cb350712260.

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8

Schäfer, Nicole. "Senecas Phaedra : eine gelungene aemulatio /." Amsoldingen : Eigenverlag Schäfer, 1997. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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Höffl, Marc. "A new programming model for enterprise software : Allowing for rapid adaption and supporting maintainability at scale." Thesis, KTH, Elkraftteknik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-215103.

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Companies are under constant pressure to adapt and improve their processes to staycompetitive. Since most of their processes are handled by software, it also needs toconstantly change. Those improvements and changes add up over time and increase thecomplexity of the system, which in turn prevents the company from further adaption.In order to change and improve existing business processes and their implementation withinsoftware, several stakeholders have to go through a long process. Current IT methodologies arenot suitable for such a dynamic environment. The analysis of this change process shows thatfour software characteristics are important to speed it up. They are: transparency, adaptability,testability and reparability. Transparency refers to the users capability to understand what thesystem is doing, where and why. Adaptability is a mainly technical characteristic that indicatesthe capability of the system to evolve or change. Testability allows automated testing andvalidation for correctness without requiring manual checks. The last characteristic is reparability,which describes the possibility to bring the system back into a consistent and correct state, evenif erroneous software was deployed.An architecture and software development patterns are evaluated to build an overall programmingmodel that provides the software characteristics. The overall architecture is basedon microservices, which facilitates decoupling and maintainability for the software as well asorganizations. Command Query Responsibility Segregation decouples read from write operationsand makes data changes explicit. With Event Sourcing, the system stores not only the currentstate, but all historic events. It provides a built-in audit trail and is able to reproduce differentscenarios for troubleshooting and testing.A demo process is defined and implemented within multiple prototypes. The design of theprototype is based on the programming model. It is built in Javascript and implements Microservices,CQRS and Event Sourcing. The prototypes show and validate how the programmingmodel provides the software characteristics. Software built with the programming model allowscompanies to iterate faster at scale. Since the programming model is suited for complex processes,the main limitation is that the validation is based on a demo process that is simpler and thebenefits are hard to quantify.
ör att fortsatt vara konkurrenskraftiga är företag under konstant press att anpassa ochförbättra sina processer. Eftersom de flesta processer hanteras av programvara, behöveräven de ständigt förändras. Övertiden leder dessa förbättringar och förändringar till ökadsystemkomplexitet, vilket i sin tur hindrar företaget från ytterligare anpassningar. För attförändra och förbättra befintliga affärsprocesser och dess programvara, måste idag typiskt fleraaktörer vara en del av en lång och tidskrävande process. Nuvarande metoder är inte lämpade fören sådan dynamisk miljö. Detta arbete har fokuserat på fyra programvaruegenskaper som ärviktiga för att underlätta förändringsprocesser. Dessa fyra egenskaper är: öppenhet, anpassningsförmåga,testbarhet och reparerbarhet. Öppenhet, hänvisar till förmågan att förstå varför, var ochvad systemet gör. Anpassningsbarhet är huvudsakligen en teknisk egenskap som fokuserar påsystemets förmåga att utvecklas och förändras. Testbarhet strävar efter automatisk testning ochvalidering av korrekthet som kräver ingen eller lite manuell kontroll. Den sista egenskapen ärreparerbarhet, som beskriver möjligheten att återhämta systemet till ett konsekvent och korrekttillstånd, även om felaktig programvara har använts. En programmeringsmodell som rustarprogramvara med de ovan beskrivna programegenskaperna är utvecklad i detta examensarbete.Programmeringsmodellens arkitektur är baserad på diverse micro-tjänster, vilka ger brafrånkopplings- och underhållsförmåga för en programvara, samt användarorganisationerna.Command Query Responsibility Segregation (CQRS) frånkopplar läsoperationer från skrivoperationeroch gör ändringar i data explicita. Med Event Sourcing lagrar systemet inte endastdet nuvarande tillståndet, utan alla historiska händelser. Modellen förser användarna medett inbyggt revisionsspår och kan reproducera olika scenarion för felsökning och testning. Endemoprocess är definierad och implementerad i tre olika prototyper. Designen av prototypernaär baserad på den föreslagna programmeringsmodellen. Vilken är byggd i Javascript och implementerarmicro-tjänster, CQRS och Event Sourcing. Prototyperna visar och validerar hurprogrammeringsmodellen ger programvaran rätt egenskaper. Programvara byggd med dennaprogrammeringsmodell tillåter företag att iterera snabbare. De huvudsakliga begränsningarna iarbetet är att valideringen är baserad på en enklare demoprocess och att dess fördelar är svåraatt kvantifiera.

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Taoka, Yasuko. "Philosophy and erotics in Seneca's Epistulae morales." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1179944055.

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Books on the topic "Seneca.js"

1

Annaeus, Seneca Lucius. Seneca's Phoenissae. Leiden: E.J. Brill, 1995.

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1945-, Tarrant R. J., ed. Seneca's Thyestes. Atlanta, Ga: Scholars Press, 1985.

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J, Boyle A., ed. Seneca's Phaedra. Liverpool, Great Britain: F. Cairns, 1987.

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Lydia, Motto Anna, ed. Seneca's Moral epistles. Wauconda, Ill: Bolchazy-Carducci Publishers, 2001.

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Genesee country Senecas. Geneseo, N.Y: Chestnut Hill Press, 1992.

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Abel, Karlhans. Senecas "Lex vitae". Marburg/Lahn: Marburger Gelehrten Gesellschaft, 1987.

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McNee, John Hamilton. Aspects of Seneca's "Phaedra". (s.l: The author), 1987.

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Land of the Senecas. Interlaken, N.Y: Empire State Books, 1986.

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Kunz, Franz. Sentenzen in Senecas Tragödien. Wiener-Neustadt: Selbstverlag des K. K. Staats-Ober-Gymnasiums, 1991.

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Speyer, Augustin. Kommunikationsstrukturen in Senecas Dramen. Göttingen: Vandenhoeck & Ruprecht, 2003. http://dx.doi.org/10.13109/9783666252488.

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Book chapters on the topic "Seneca.js"

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Goyette, Michael. "Seneca’s corpus." In Bodily Fluids in Antiquity, 272–86. Abingdon, Oxon ; New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429438974-23.

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Stroh, Wilfried, and Barbara Breitenberger. "Inszenierung Senecas." In Orchestra, 248–69. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-663-12276-0_22.

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Gardiner, Stephen M. "2. Seneca's Virtuous Moral Rules." In Virtue Ethics, Old and New, edited by Stephen M. Gardiner, 30–59. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501724275-004.

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Merry, David. "Seneca’s Argumentation and Moral Intuitionism." In Argumentation Library, 231–43. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70817-7_12.

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Seidensticker, Bernd. "Plura non habui. Senecas Medea und der Comparativus Senecanus." In Studien zu Homer, zur Tragödie und zum Satyrspiel, 245–58. Rombach Wissenschaft, 2020. http://dx.doi.org/10.5771/9783968216546-245.

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Asmis, Elizabeth. "Seneca’s Originality." In The Cambridge Companion to Seneca, 224–38. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781139542746.021.

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Wray, David. "Seneca’s Shame." In The Cambridge Companion to Seneca, 199–211. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781139542746.019.

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"Seneca's Sources." In Seneca's "Hercules Furens", 44–50. Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501718267-005.

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Graver, Margaret R. "Seneca’s Peripatetics." In Arius Didymus on Peripatetic Ethics, Household Management, and Politics, 309–42. Routledge, 2017. http://dx.doi.org/10.4324/9780203703854-10.

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Sorabji, Richard. "Seneca's Defence." In Emotion and Peace of Mind, 55–65. Oxford University Press, 2002. http://dx.doi.org/10.1093/acprof:oso/9780199256600.003.0004.

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Conference papers on the topic "Seneca.js"

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AZEVEDO BEZERRA, ANA, and ISABELLA TARDIN CARDOSO. "The ideal reader of Seneca's Epistle 1.2." In XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Campinas - SP, Brazil: Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51326.

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Reports on the topic "Seneca.js"

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Kaplan, Sylvia. The judicial message in Seneca's Apocolocyntosis. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6067.

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