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Dissertations / Theses on the topic 'Senegal – In literature'

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Published: 4 June 2021
Last updated: 13 February 2022

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1

Gadio, Cheikh Tidiane. "Institutional reform of telecommunications in Senegal, Mali and Ghana : the interplay of structural adjustment and international policy diffusion." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1232539740.

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2

Camara, Samba. "Recording Postcolonial Nationhood: Islam and Popular Music in Senegal." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510780384221502.

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3

Moahi, Refilwe M. "Women's Advancement in Francophone West Africa: A Comparison of Mali and Senegal." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/256.

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This research begins to explore what political tools are necessary to elevate women’s position in society by transforming legislation. Women in Francophone West Africa do not enjoy certain basic rights and there is need to improve their status. The promotion and appointment of women to the position of prime minister, Mame Madior Boyé in Senegal in 2001 and Mariam Kaidama Cissé Sidibé in Mali in 2011, gives us hope that women-friendly agendas will be given priority. I pose the question: Did the appointment of these two women to the heads of their respective governments improve the status of wom
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4

Remy, Avonelle Pauline. "Infiltrating the colonial city through the imaginaries of Metissage: Saint-Louis (Senegal), Saint-Pierre (Martinique) and Jeremie (Haiti)." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1896.

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In this dissertation, I investigate the ways in which the phenomenon of racial and cultural hybridity inform and alter the social, political and cultural fabric of three creole cities of significant colonial influence, namely Saint-Louis of Senegal, Saint-Pierre of Martinique and Jérémie of Haiti during and after the colonial era. In particular, I examine the relevance of the French colonial city not only as a nexus of relational complexity but also as an ambiguous center of attraction and exclusion where multiple identities are created and recreated according to the agendas that influence the
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5

Diop, Samba. "The oral history and literature of the Wolof people of Waalo, Northern Senegal : the master of the word (Griot) in the Wolof tradition /." Lewiston (N.Y.) ; Queenston (Ont.) ; Lampeter (G.B.) : E. Mellen press, 1995. http://catalogue.bnf.fr/ark:/12148/cb377512560.

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6

Perret, Arnaud. "Mariama Bâ: un féminisme né à l'intersection de deux cultures." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5350/.

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Many critics consider Mariama Bâ as a feminist writer, but the reader of her two novels might wonder what characterizes her work as such. Therefore, the aim of each chapter, in order of appearance, is to analyze first the genres, then the elements of African tradition and Western modernity, the characters of both works and the themes of the novels, with the intention of defining the author's feminism, which takes its source in dichotomies, paradoxes and contradictions. In order to expose the author's point of view on the condition of women, it appears important to situate the diegesis in its
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7

Klein, Giovani Roberto. "O Edipo de Seneca : tradução e estudo critico." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270374.

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Orientador: Paulo Sergio de Vasconcellos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-04T03:26:24Z (GMT). No. of bitstreams: 1 Klein_GiovaniRoberto_M.pdf: 648589 bytes, checksum: 991c810a5e01dd879d84e6760e82712d (MD5) Previous issue date: 2005<br>Resumo: Este trabalho apresenta uma tradução anotada da tragédia Édipo do autor latino Sêneca, acompanhada de uma introdução e de três estudos ensaísticos: o primeiro contrastando o papel do destino no Édipo rei de Sófocles e no Édipo de Sêneca, mostrando as i
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8

Skabelund, Andrew G. "Governing Gorée: France in West Africa Following the Seven Years' War." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3655.

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In 1763, France had just suffered a devastating loss to the British in the Seven Years' War. In almost an instant, France's claims to West Africa shrank to the tiny island of Gorée off the coast of Senegal and a few trading posts on the mainland. This drastic reversal of fortunes forced France to reevaluate its place in the world and rethink its overall imperial objectives and colonial strategies, and in an effort to regroup, the French Empire sent a new governor, Pierre François Guillaume Poncet de la Rivière, on a mission to regain its foothold in West Africa. From this tiny island, France e
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9

Freitas, Renata Cazarini de. "CVNCTA QVATIAM - Medeia abala estruturas. O teatro de Sêneca e sua permanência na cena contemporânea: tradução e estudo da recepção." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-09102015-135558/.

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Tomando como base teórica os Estudos da Recepção de Clássicos, esta pesquisa de mestrado centrou-se durante três anos na tragédia latina Medeia, de Sêneca, incluindo sua tradução em português e uma análise abrangente de aspectos retóricos, para identificar elementos que se tenham provado elos permanentes na cadeia de recepção de peças de teatro da Antiguidade clássica. Esta investigação assumiu como textos mediadores nesse intervalo de vinte séculos tanto o repertório shakespeariano como o Teatro da Crueldade de Antonin Artaud, sendo que ambos foram em alguma medida apropriados por dramaturgos
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10

Payne, Matthew. "Aberration and criminality in Senecan tragedy." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16476.

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This thesis tackles the pervasiveness of aberration in Senecan tragedy. Aberration infects all aspects of the drama, and it is deeply entwined with Senecan criminality. In my introduction, I define my terminology of the aberrant, and I discuss a series of ongoing scholarly debates on the tragedies, showing how understanding the aberrant in Seneca's dramas can shed new light on these questions. In Chapter 1, I examine the relationship between the language of crime in the plays, tracing the Latin words for crime back to their instances in Republican Roman tragedy and other genres and seeing how
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11

Slaney, Helen. "Language and the body in the performance reception of Senecan tragedy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:72f9cf38-6e9c-40a1-b387-12a754e4d0ea.

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Seneca’s contribution to the development of Western European theatre and conceptions of theatricality has been underestimated in comparison to that of Greek tragedy. This thesis argues for the continuous importance of Senecan drama in theatrical theory and practice from the sixteenth century until the present day. It examines significant instances of Seneca in performance, and shows how these draw on particular aspects of Seneca’s style and dramaturgical technique to coalesce into a sub-genre of tragedy termed here ‘hypertragedy’ or the ‘senecan aesthetic’. The underlying premise of this repre
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Coral, Jordi. "The subjectivity of revenge : Senecan drama and the discovery of the tragic in Kyd and Shakespeare." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/13995/.

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This thesis re-examines the relationship between Senecan drama and the emergence of the public tragedy of the 1580s and '90s. In criticism, this relationship has been understood as a continuation of the 'influence' Seneca had been exerting on the Universities and the Inns-of Court since the 1560s. This thesis challenges this established view on the grounds that it fails to explain the innovativeness of the public tragedies: the formative impact of Seneca could not be the same on conventional academic authors as on creative public dramatists. Chapter I of this thesis explores and formulates thi
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13

Safferling, Cordula [Verfasser], and Severin [Akademischer Betreuer] Koster. "Untersuchungen zu den Praefationes von Seneca pater / Cordula Safferling. Betreuer: Severin Koster." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2013. http://d-nb.info/1054164150/34.

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14

Ballard, Genny D. "The implied reader in the hispanic children's literature of the "EnCuento" series." Lexington, Ky. : [University of Kentucky Libraries], 2005. http://lib.uky.edu/ETD/ukyhpst2005d00315/GDB.pdf.

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Thesis (Ph. D.)--University of Kentucky, 2005.<br>Title from document title page (viewed on November 1, 2005). Document formatted into pages; contains v, 209 p. : ill. Includes abstract and vita. Includes bibliographical references (p. 196-208).
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15

Clay, Jason. "Seneca's Agamemnon: A Literary Translation with Annotations." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491308000521512.

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16

Taoka, Yasuko. "Philosophy and erotics in Seneca's Epistulae morales." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1179944055.

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17

Fasbender, Christoph. "Et non sit tibi cura quis dicat, sed quid dicatur. Kleine Gebrauchsgeschichte eines Seneca-Zitates." Universitätsbibliothek Chemnitz, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-77208.

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Der Vortrag verfolgt die Geschichte und rhetorischen Funktionalisierungen des Seneca-Zitats, dass es nicht darauf ankomme, wer spricht, sondern allein darauf, was gesagt werde, von der Spätantike bis ins Spätmittelalter. Das Zitat erweist sich als polyfunktional: Geistlichen dient es zur Absicherung gegenüber der Gemeinde, Akademikern hilft es in Fällen anonymer Überlieferung - sogar eine Frau, die über das Waffenhandwerk publiziert, lenkt damit von sich als Verfasserin ab.
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18

Green, K. L. "When literature comes to our aid : investigations into psychological understanding in the writing of Seneca and Montaigne, Wordsworth and George Eliot." Thesis, University of Liverpool, 2018. http://livrepository.liverpool.ac.uk/3025512/.

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This thesis investigates the ways in which literature creates therapeutic spaces in which to do personal thinking. By a combination of literary analysis and practical experimentation this thesis seeks to provide a contribution to the relation of the reading of literature to the practice of psychology. It argues that literature has a vital role to play in the real world, whilst insisting that the methods of close literary analysis and literary thinking are preserved. Chapter one establishes the relationship between Stoicism and certain modern day psychological therapies. It offers an analysis o
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19

Wiener, Claudia. "Stoische Doktrin in römischer Belletristik das Problem von Entscheidungsfreiheit und Determinismus in Senecas Tragödien und Lucans Pharsalia /." München : K.G. Saur, 2006. http://catalog.hathitrust.org/api/volumes/oclc/65427476.html.

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20

Bruno, Pauliane Targino da Silva. "Do mito à tragédia: Agamêmnon entre Grécia e Roma." www.teses.ufc.br, 2013. http://www.repositorio.ufc.br/handle/riufc/8112.

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BRUNO, Pauliane Targino da Silva. Do mito à tragédia: Agamêmnon entre Grécia e Roma. 2013. 106f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2013.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-05-20T12:18:37Z No. of bitstreams: 1 2013_dis_ptsbruno.pdf: 618945 bytes, checksum: b28089be7b538773a0de3992cad026c6 (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-05-20T13:31:36Z (GMT) No. of bitstreams: 1 2013_dis_ptsbruno.pdf: 618945 bytes, checksum: b28089be7
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Melanchthon, Philipp. "Elementa rhetorices = Grundbegriffe der Rhetorik : Mit den Briefen Senecas, Plinius' d. J. und den "Gegensätzlichen Briefen" Giovanni Picos della Mirandola und Franz Burchards. - [2. Aufl.]." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2011/5144/.

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Daß die Rhetorik für die Literatur und Wissenschaft der Frühen Neuzeit von größter Bedeu-tung ist, gehört seit langem zum Grundbestand der Forschung. Trotzdem ist praktisch keine der großen Rhetoriken dieser Zeit in einer neuen Ausgabe oder gar Übersetzung zugänglich. Die vorliegende Ausgabe ist ein erster Schritt, dieser unbefriedigenden Situation Abhilfe zu verschaffen, indem sie Philipp Melanchthons Elementa rhetorices zum ersten Mal in einer kritischen Ausgabe und Übersetzung zur Verfügung stellt. Neben den De copia verborum ac rerum des Erasmus sind Melanchthon Elementa rhetorices wahrsch
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Conroy, Dene. "The development of a practical moral identity in Seneca's Epistulae morales 1-29." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52512.

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Thesis (MA)--Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: In the Epistulae Morales Seneca presents his moral philosophy. Scholars such as Hadot, Mans and Smuts have studied Seneca's moral philosophy in the Epistulae Morales. The question is, how does Seneca present and develop his moral philosophy in the Epistulae Morales, i.e. what literary technique does he use? Scholars have pointed out that Seneca's use of the epistolary form is an integral part of this literary technique. The epistolary form was an ideal medium for conveying his moral philosophy: "[Seneca] presented himself a
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Bruno, Pauliane Targino da Silva. "Do mito à tragÃdia: AgamÃmnon entre GrÃcia e Roma." Universidade Federal do CearÃ, 2013. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=10310.

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nÃo hÃ<br>Na GrÃcia Antiga, mitos como o de AgamÃmnon eram narrados em meios sociais e adaptados ao momento, no qual eram apresentados, possibilitando, assim, vÃrias versÃes de uma mesma narrativa. Acerca do mito de AgamÃmnon, o chefe dos gregos, restaram alguns textos escritos como: na poesia Ãpica, IlÃada e Odisseia de Homero; no poema lÃrico, PÃtica XI de PÃndaro; nas tragÃdias, Oresteia de Ãsquilo, no Ãjax e na Electra de SÃfocles, na HÃcuba, Troianas, AndrÃmaca, Electra, IfigÃnia em TÃuris, Orestes e IfigÃnia em Ãulis de EurÃpides; nos poemas Cantos CÃpriose Ret
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24

De, Carli Elisana. "A espacialidade no teatro de Sêneca : um estudo sobre As Troianas e Agamêmnon /." Araraquara : [s.n.], 2008. http://hdl.handle.net/11449/102384.

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Orientador: Maria Celeste Consolin Dezotti<br>Banca: Neiva Ferreira Pinto<br>Banca: José Perozim<br>Banca: Edvanda Bonavina da Rosa<br>Banca: Brunno Vinicius Gonçalves Vieira<br>Resumo: A presente pesquisa tem como objetivo examinar a construção da espacialidade nos textos dramáticos de Sêneca, As Troianas e Agamêmnon. O espaço é considerado como uma categoria fundamental no teatro, desse modo, ao se especificar a configuração dessa categoria e a sua repercussão na obra, é possível constatar a teatralidade do texto e referendar seu status junto ao gênero. A partir de referenciais contemporâneo
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De, Carli Elisana [UNESP]. "A espacialidade no teatro de Sêneca: um estudo sobre As Troianas e Agamêmnon." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/102384.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-10-01Bitstream added on 2014-06-13T18:43:01Z : No. of bitstreams: 1 decarli_e_dr_arafcl.pdf: 783676 bytes, checksum: f8aac6320e0f3bc9939a59b61ceeb629 (MD5)<br>A presente pesquisa tem como objetivo examinar a construção da espacialidade nos textos dramáticos de Sêneca, As Troianas e Agamêmnon. O espaço é considerado como uma categoria fundamental no teatro, desse modo, ao se especificar a configuração dessa categoria e a sua repercussão na obra, é possível constatar a teatralidade do texto e
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Popelková, Eva. "Les tragédies de Sénèque et leur réception dans le théâtre jésuite scolaire de la province tchèque aux XVIIe et XVIIIe siècles (1623–1773)." Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEP033.

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L’étude de la réception des tragédies de Sénèque dans le théâtre scolaire des jésuites de la province tchèque s’articule autour de trois axes : la description des mécanismes et des manifestations de passions ; l’enjeu pédagogique lié à la figure du tyran, avec l’attention portée également aux personnages féminins ; et l’image des divinités antiques. Elle est basée sur la comparaison des textes de Sénèque et des pièces provenant du théâtre scolaire de la Compagnie de Jésus. Le corpus est constitué de trois parties : les pièces imprimées de Carolus Kolczawa ; les pièces d’Arnoldus Engel, à la fo
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Kaplan, Sylvia Gray. "The judicial message in Seneca's Apocolocyntosis." PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4183.

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Seneca's Apocolocyntosis is a sat.ire on the deceased emperor Claudius. probably written in the early months after his death in AD54. Although the authorship and title of the work have been called into question. scholars have now reached a consensus that the sat.ire was written by Seneca and is titled "Apocolocyntosis." Its purpose, characteristic of the Menippean genre, was didactic.
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Cameron, Peter. "Approaching death in the classical tradition." Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/495.

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The thesis consists of five chapters: the first functions as an overture; the second, third and fourth deal with Plato, Cicero and Montaigne respectively; and the fifth raises some questions. The overture explores the ways in which Odysseus, Lucretius and Seneca approached death, and in the process introduces some obvious distinctions - between death viewed as the act of dying and death viewed as the state of being dead, between the death which comes to everyone and the death which comes to me, between our own death and the death of others - and anticipates certain recurring themes. The second
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Konate, Sié. "La litterature d'enfance et de jeunesse en Afrique noire francophone les cas du Burkina Faso, de la Cote d'Ivoire et du Senegal : l'impérialisme culturel a travers la production et la distribution du livre pour enfants /." 1993. http://catalog.hathitrust.org/api/volumes/oclc/32338900.html.

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Niem, Annrose. "Seneca, De Providentia. Ein Kommentar." Doctoral thesis, 2003. https://repositorium.ub.uni-osnabrueck.de/handle/urn:nbn:de:gbv:700-2003012712.

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Seneca, De Providentia. Ein Kommentar. De Providentia ist ein fiktiver Dialog, den Seneca mit dem als Adressaten seiner Epistulae Morales bekannten Freund Lucilius führt. Im Verlauf dieses "Dialogs" versucht Seneca seinem Freund und Schüler die Frage nach dem Leid, das dem vir bonus widerfährt, obwohl die Welt von der göttlichen providentia gelenkt wird, zu beantworten. Es handelt sich also um das Theodizeeproblem, das Seneca hier auf der Basis einer Frage des Lucilius zu lösen versucht, die im Verlauf des Texts 7-mal wiederkehrt, jeweils dem Gedankenfortschritt angepasst oder ihn auch manchm
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Huelsenbeck, Bart. "Figures in the Shadows: Identities in Artistic Prose from the Anthology of the Elder Seneca." Diss., 2009. http://hdl.handle.net/10161/1078.

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<p>The anthology of the elder Seneca (c. 55 BC - c. 39 AD) contains quotations from approximately 120 speakers who flourished during the early Empire. The predominant tendency in modern scholarship has been to marginalize these speakers and the practice they represent (declamation): they are regarded as a linguistic and literary monolith, and their literary productions while recognized as influential are treated as discrete from those of other, "serious" authors. The present dissertation challenges this viewpoint by focusing on the following questions: To what extent can a speaker quoted in
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Diatta, Abdoulaye. "Abordagem comunicativa e avaliação no processo de ensino/aprendizagem de português língua estrangeira no Senegal." Master's thesis, 2016. http://hdl.handle.net/10451/25082.

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O estudo visa compreender a relação que existe entre as práticas letivas nas aulas de Português Língua Estrangeira/ Língua Segunda e o processo de avaliação implementado no controlo das aprendizagens. Com a investigação, pretendemos contribuir para melhorar as práticas pedagógicas vigentes no processo do ensino aprendizagem da língua portuguesa no Senegal. Para dar resposta à problemática apresentada, realizámos uma análise de testes elaborados para o Baccalaureat, um exame nacional, cujo diploma dá acesso ao ensino superior. Esta análise de testes diz respeito principalmente aos formatos de
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Eisgrub, Alexander [Verfasser]. "Seneca, Hercules furens : Handlung, Bühnengeschehen, Personen und Deutung / vorgelegt von Alexander Eisgrub." 2003. http://d-nb.info/969694377/34.

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Star, Christopher. "Action and self-control : apostrophe in Seneca, Lucan, and Petronius /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3108114.

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Tsoka, Aikaterini [Verfasser]. "Politik und Drama in Griechenland und Rom : zum politischen Hintergrund der Troerinnen von Euripides und Seneca / vorgelegt von Aikaterini Tsoka." 2007. http://d-nb.info/985654716/34.

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Rudoni, Elia. "Speech Disorders. The Speaking Subject and Language in Neronian Court Literature." Thesis, 2020. https://doi.org/10.7916/d8-3ht9-2t68.

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By combining literary criticism, philology, and contemporary psychoanalysis, this dissertation offers an innovative interpretation of Neronian court literature (Seneca, Lucan, and Petronius). I argue that the works of these three authors thematize and embody a problematic relation between the human subject and language. Language is not conceived or represented as an inert tool that can be easily appropriated by the speaking subject, but rather as a powerful entity that may, and often does, take control of the human subject, directing it from without. Besides analyzing how Seneca, Lucan, and Pe
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Kruk, Magdalena. "Medea--monster and victim : the representation of Medea's image in the works of Euripides, Seneca, Corneille, Anouilh and Pasolini /." 2007. http://www.consuls.org/record=b2909786.

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Thesis (M.A.) -- Central Connecticut State University, 2007.<br>Thesis advisor: Louis Auld. "... in partial fulfillment of the requirements for the degree of Master of Arts in French." Includes bibliographical references (leaves 61-64). Also available via the World Wide Web.
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Popelková, Eva. "Senekovy tragédie a jejich recepce v latinském školském jezuitském dramatu české provincie v 17. a 18. století (1623-1773)." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-408180.

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Seneca's Tragedies and their Reception in the Jesuit School Theatre of the Bohemian Province in the 17th and 18th Centuries (1623-1773) Eva Popelková Abstract The study of the reception of Seneca's tragedies in the Jesuit School theatre in the Bohemian province is focused on three aspects: the description of the mechanism and the expression of passions; the pedagogical issue linked to the figure of a tyrant, with an emphasis on female characters; and the image of pagan gods. The research is based on a comparison of Senecan tragedies and school plays from the Society of Jesus. The corpus consis
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Cohen, Sarah Thea. "Exile in the political language of the early principate /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060200.

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Babatunde, Samuel Olufemi. "Engagement et militantisme dans le Docker Noir (1956), les Bouts de bois de Dieu (1960) et Xala (1973) de Sembène Ousmane." Thesis, 2015. http://hdl.handle.net/10500/19617.

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Text in French<br>Member of the union of black workers in the port of Marseille, in France, and an eyewitness to the misery of black workers in the European environment, Sembène Ousmane, in 1956, wrote, using his personal experiences, his first book entitled The Black Docker. In this novel, he describes the sufferings of the working class, the struggle between colonisers and colonised. In 1960, he uses as a pretext the strike of the Senegalese railway workers in 1937 to write a book entitled God's Bits of Wood. In this story where two forces clashed, on one hand, the colonised struggling again
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