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Relevant bibliographies by topics / Senegalese Art

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Academic literature on the topic 'Senegalese Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Senegalese Art"

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Dardashti, Abigail Lapin. "“África Arte Negra” in Brazil." MODOS: Revista de História da Arte 8, no. 3 (2024): 557–82. https://doi.org/10.20396/modos.v8i3.8676415.

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This essay examines África arte Negra, a major exhibition of over 750 African artworks that traveled to Rio de Janeiro, São Paulo, and Brasília from 1969 to 1970. Organized by Henri Senghor, independent Senegal’s first ambassador to Brazil, in collaboration with both Senegalese and Brazilian officials and curators, the exhibition became a site of debate about Brazil’s national identity and definitions of art, presenting an idea of Africa through the art of numerous ethnic communities on the continent. The exhibition articulated independent Senegal’s theory of Négritude, broadly defined as an a

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Helfer, Anna. "In Search Of Our Roots. On The History Of Senegalese Paintings." Museological Review, no. 27 (January 17, 2025): 89–100. https://doi.org/10.29311/mr.vi27.4881.

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Ken Aicha Sy is a Senegalese French curator based in Dakar, Senegal. Her curatorial research project Survival Kit aims to create a tool, Magalogue (1), for understanding the history of contemporary Senegalese art, particularly from the 1960s to the 1990s.Hundreds of paintings, graphics, films, and archival documents from the École de Dakarare housed in European museums. At the same time, communities in Senegal have no access to their cultural heritage. Survival Kit takes up the urgency that people need to know their cultural roots, allowing collective remembrance of history to envision the fut

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Berktay, Asligul. "Senegal." Global Hip Hop Studies 3, no. 1 (2022): 97–105. http://dx.doi.org/10.1386/ghhs_00067_1.

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In 2018, Senegalese hip hop celebrated its thirtieth anniversary as one of Africa’s most vibrant hip hop scenes. Senegalese rap has asserted itself not only as an expedient form of urban art, but also as a socially, politically, and culturally powerful instrument of both persuasion and mobilization for the masses. From its privileged beginnings in Dakar’s posh nightclubs and Catholic high schools, the genre soon asserted itself as quite distinct from hip hop in other parts of the world, and its popularity increasingly grew to wide segments of the Senegalese public. From the mid-1990s, the unde

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Cham, Mbye B. "Islam in Senegalese literature and film." Africa 55, no. 4 (1985): 447–64. http://dx.doi.org/10.2307/1160177.

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Opening ParagraphIn few other places in the creative traditions of sub-Saharan Africa is the factor of Islam more prominent and influential than in Senegal. Manifested in form and subject matter and spanning a wide cross-section of talent in both the traditional and modern media of creative expression, this prominence and influence can be attributed to a number of factors ranging from the artistic maturity, religious sensibility, intellectual astuteness and ideological orientation of individual artists, to the more general impact that Islam as a dominant religious force is perceived to have ha

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Bode, Patty. "Senegalese Art in U.S. Schools: Transporting Contemporary African Diaspora with Decolonized Perspectives." Educational Forum 78, no. 1 (2013): 42–53. http://dx.doi.org/10.1080/00131725.2014.850983.

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Martinez-Yepes, Ruth. "Artificial intelligence, racialization, and art resistance." Cuadernos de Música, Artes Visuales y Artes Escénicas 19, no. 1 (2024): 222–35. http://dx.doi.org/10.11144/javeriana.mavae19-1.aira.

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Contemporary culture is shaped by information technology, in particular, artificial intelligence applications. One of the goals of this paper is to analyze how artistic practices could use machine learning algorithms as racial resistance. In addition, to remove from the black box how these applications work by relating the technical process that artists face. It will analyze the aesthetic and narrative perception around artificial intelligence, racism in the creation of data sets to train these algorithms and the possibilities that artificial intelligence opens to rethink concepts such as inte

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Diouf, Assane, Amandine Cournil, Khadidiatou Ba-Fall, et al. "Diabetes and Hypertension among Patients Receiving Antiretroviral Treatment Since 1998 in Senegal: Prevalence and Associated Factors." ISRN AIDS 2012 (December 1, 2012): 1–8. http://dx.doi.org/10.5402/2012/621565.

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Cardiovascular risk factors in people on antiretroviral treatment (ART) are poorly documented in resource-constrained settings. A cross-sectional study was conducted in 2009 to assess prevalence of diabetes and hypertension in a sample of 242 HIV-infected patients who had initiated ART between 1998 and 2002 in Dakar, Senegal (ANRS 1215 observational cohort). World Health Organization (WHO) criteria were applied to diagnose diabetes and hypertension. Multiple logistic regressions were used to identify factors associated with diabetes and hypertension. Patients had a median age of 46 years and h

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Picarelli, Enrica. "Selly Raby Kane: Surrealist Designer and Social Innovator." Fashion Studies 2, no. 1 (2019): 1–31. http://dx.doi.org/10.38055/fs020107.

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Selly Raby Kane is a renowned Senegalese fashion designer and artist involved in Africa’s booming art and design movement. Kane is an interesting case study to grasp fashion’s involvement in Africa’s current debate surrounding identity and empowerment through innovation. This article discusses Kane’s designs in light of her contribution not only to contemporary approaches to African fashion that emphasize individuality, but also to effecting change through fashion, examining the ways in which she mixes symbols, signs, and techniques of African and international cultures to inscribe Africa, and

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Cohen, Joshua I. "Introduction to “Art, Signs, and Cultures” (1977)." ARTMargins 12, no. 2 (2023): 106–11. http://dx.doi.org/10.1162/artm_a_00354.

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Abstract This document, translated from the original French, is an edited transcript of a conversation between the Senegalese painter Iba Ndiaye, the French art historian Jean Laude, and a moderator, Roger Pillaudin. It took place on the occasion of the Festival des arts et cultures africaines in Royan, France (March 1977), and was later broadcast on the radio channel France Culture. What stands out in the conversation is the way Laude seeks to negate Ndiaye's cross-cultural experience and background, and arguably his very legitimacy as a contemporary artist. Laude's insistence on adhering to

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Cohen, Joshua I. "Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980." African Arts 51, no. 3 (2018): 10–25. http://dx.doi.org/10.1162/afar_a_00413.

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Dissertations / Theses on the topic "Senegalese Art"

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Schiavone, Cristina. "La parole plaisante nel romanzo senegalese postcoloniale /." Roma : Bulzoni, 2001. http://catalogue.bnf.fr/ark:/12148/cb39043972h.

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Norambuena, Filcun Fernando. "Senegalese sole (solea senegalensis) broodstock nutrition: arachidonic acid (20:4n-6, ARA) and reproductive physiology." Doctoral thesis, Universitat Autònoma de Barcelona, 2012. http://hdl.handle.net/10803/96872.

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Considerando la total ausencia del desove natural y fertilización de huevos en reproductores de lenguado Senegalés (Solea senegalensis) nacidos en cautividad (G1) comparados con peces salvajes mantenidos en cautivo que son capaces de producir huevos fertilizados viables para su cultivo. Esta tesis se realizó con el objetivo de determinar la importancia dietética de los ácidos grasos, específicamente del ácido graso araquidónico (20:4n-6, ARA) y su interacción en la disfunción reproductiva presentada en peces G1. Se compararon los contenidos de lípidos y ácidos grasos (FA), la expresión génica

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Gilbert, Véronique. "'Mokk pooj' : gender, interpretive labour and sexual imaginary in Senegal's art/work of seduction." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23635.

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This thesis examines the evolving gender relationships exposed by and contested through the Senegalese art of seduction, mokk pooj. The Wolof expression encompasses a set of feminine attitudes and actions (culinary prowess, docility, eroticism) that reflect values such as teraanga (hospitality), sutura (discretion), and muñ (patience, endurance). These beliefs and the discursive practices that perpetuate them are central to the reproduction of a gendered, normative, patriarchal, polygamous Senegalese sexual imaginary, but are framed within the playful and pleasurable realm of seduction and sex

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Paoletti, Giulia. "Un Nouveau Besoin: Photography and Portraiture in Senegal (1860-1960)." Thesis, 2015. https://doi.org/10.7916/D8TX3DJ2.

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Senegal’s leading role in the development of African modernism in the 1960s is well known. Lesser-known is that, a century earlier, photography first arrived and took root in Senegal before circulating across French West Africa. This dissertation focuses on the genre of photographic portraiture in a country that did not have sculptural or masquerade traditions. It studies the ways in which photography accommodated and fostered new social and artistic practices and identities in Senegal between 1860—when the first studio opened in Saint Louis, the historical capital—and the 1960s, when photogra

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Books on the topic "Senegalese Art"

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Fauville, Daniel. Art populaire et art contemporain du Sénégal. Antécédence ASBL, 1994.

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Grabski, Joanna L. The historical invention and contemporary practice of modern Senegalese art: Three generations of artists in Dakar. Bell & Howell Information and Learning Co., 2001.

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Dia, Mouhamadou. Journée du tirailleur Sénégalais: Batisseurs du monde libre. La Rochette, 2016.

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Snipe, Tracy David. Arts and politics in Senegal, 1960-1996. Africa World Press, 1998.

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Houdrouge, Jennifer, Gaëlle Le Roy Barro, Olivia Marsaud, and Aminat Agoro. "L'art dans la cité": "Art in the city" : Dakar, Partcours, 10e édition, 2021. Edited by Bāh ʻAbduh author, Ken Bugul author, Ndiaye Karine translator, and Partcours (10 ; 2021 ; Dakar). Partcours, 2021.

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Sy, El Hadji. El Hadji Sy: Painting, performance, politics. Edited by Deliss Clémentine, Mutumba Yvette, and Weltkulturen Museum (Frankfurt am Main, Germany). Diaphanes, 2015.

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Akeba. Akeba. [Publisher not given], 2017.

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Fall, Youma. Beneen bët: Otra mirada : del 13 al 29 de abril de 2005, Santa Cruz de Tenerife, Sala de Exposiciones de la Demarcación de Tenerife, La Gomera y El Hierro del Colegio Oficial de Arquitectos de Canarias. Cámara de Comercio de Las Palmas, 2005.

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Senegal) Salon national des arts visuels du Sénégal (10th 2019 Dakar. 10ème édition Salon national des arts visuels du Sénégal: Thème: "Art et questions nationales: la place de l'artiste dans le PSE" : du 05 au 20 novembre 2019. Galerie nationale, 2019.

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Be, Alun, Marc Montaret, Mauro Petroni, and Amadou Seck. Miroirs: Atelier Céramiques Almadies : Partcours 10e édition : exposition du 28 novembre 2021 au 30 janvier 2022. Partcours, 2020.

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Book chapters on the topic "Senegalese Art"

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Ludl, Christine. "“Ambivalent Cosmopolitans”? Senegalese and Malian Migrants in Johannesburg." In The Arts of Citizenship in African Cities. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481887_11.

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Jung, Philipp Roman. "Multinational Migration in the Global South: Complex and Non-linear Trajectories of Senegalese Migrants in Brazil." In IMISCOE Research Series. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12503-4_8.

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AbstractA growing number of studies emphasise the non-linearity of migration. Aspirations and capabilities for multinational migration often develop or change during the migration process. These dynamics have mostly been analysed with regards to movements within the European Union or to countries in the so-called ‘Global North’. This chapter aims to broaden this focus by including movements in the context of South-South migration. It discusses multinational migration by Senegalese migrants in Brazil, which is both a destination and an origin of movements that connect a variety of countries and

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Dioh, Adrien. "Access to Social Protection by Immigrants, Emigrants and Resident Nationals in Senegal." In IMISCOE Research Series. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51237-8_16.

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AbstractThe Senegalese social protection system has been designed and implemented for the exclusive benefit of workers and their families to protect them against economic and social risks which may cause a (partial or total, temporary or permanent) loss of their earning capacity or the capacity to satisfy their basic needs. The system, which is essentially financed by the contributions of workers and employers, does not include the larger part of the population which evolves in the informal sector. The relevant regulations introduced a principle of equal opportunity for all benefits offered to

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Mensah, Joseph, Joseph Kofi Teye, and Mary Boatemaa Setrana. "The Janus-Face of Contemporary Migration: Perspectives on West African Return Migration and Transnationalism with a Focus on Ghana and Senegal." In IMISCOE Research Series. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97322-3_12.

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AbstractRecently, a burgeoning literature has emerged on the return experience of migrants, with some analysts touting the benefits of return to the socioeconomic development of countries of origin, especially in Sub-Saharan Africa. Still, only few studies have examined how return migrants create and sustain transnational connectivity with their countries of destination upon their return to the homeland, and fewer still have analyzed how these dynamics play out in the context of West African migrants. This primarily theoretical paper explores the interconnections between return migration and t

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Fredericks, Rosalind. "“The Old Man Is Dead”: Hip Hop and the Arts of Citizenship of Senegalese Youth." In The Arts of Citizenship in African Cities. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481887_7.

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Feal, Laura, and Estrella Sendra. "Curating Africa in Contemporary Film Festivals in Senegal: An Analysis of the Constellation of Collaborations." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_3.

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Abstract Seventy years after the first African-directed productions on the continent, the film industry is still precarious. In response, some festivals in Senegal are innovatively networking and collaborating to build capacity and enhance the circulation of both Senegalese and African films more broadly. However, such innovation is still under-researched within film festival studies, particularly in the context of the African continent. This chapter addresses this academic gap through an in-depth analysis of these collaborative forms. We describe them as “constellations of collaborations”, a

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Flikweert, Wendy, Özge Bilgili, and Kim Caarls. "Remittance-Sending Behaviour Along Migration Trajectories: The Case of Senegalese, Ghanaian and Congolese Migrants." In IMISCOE Research Series. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12503-4_4.

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AbstractIn this chapter, we examine the remittance-sending behaviour of Ghanaian, Congolese and Senegalese migrants along their migration trajectories to Europe. We aim to understand the extent to which and why sending remittances might differ when the migrants consider themselves to be either en route or settled. We hypothesise that migrants on the move experience legal and economic precariousness and have a lesser capacity and, hence, probability to remit. Moreover, we argue that migrants with close family members and assets in the origin country have higher incentives to remit but are less

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Fouquet, Thomas. "Dakar by Night: Engaging with a Cosmopolitanism by Contrast." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67365-9_4.

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AbstractDrawing on 20 years of anthropological research in Dakar, this study aims at bringing to light some ways of being-in-town that organize towards desires for being-in-the-world. It relies on a simple and yet substantial premise: a very large number of urban Senegalese youths express a strong willingness to move North, or West, while only a small minority is able to achieve such an expectation. The questioning focuses on those who actually stay, but whose modes of sticking here are deeply influenced by their longings for a larger world. Such configurations can be understood through the co

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Hogarth, Christopher. "Fighting as a Trope for Flight from Conflict: Combat Sports in Le Débrouillard (N.G.M. Faye) and L’Appel des arènes (Aminata Sow Fall)." In Pour le Sport. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856899.003.0014.

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Christopher Hogarth discusses boxing as ‘a small-scale civilizing machine’ and the resulting tension when the trope of combat is used in narratives about Senegalese migration in a post-independence context. Comparing multiple texts and films, he demonstrates the difficulties of representing African identities in a complicated, ever-changing world. After examining the theories of boxing proposed by Loïc Wacquant and others, Hogarth discusses two novels written by Senegalese authors that depict the act of fighting as a greater form of self-knowledge, portraying different resultant forms of ‘civi

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"‘We are all part of the Terminus’." In Urban Displacement and Trade in a Senegalese Market. UCL Press, 2024. http://dx.doi.org/10.2307/jj.7263505.11.

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Conference papers on the topic "Senegalese Art"

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Turpin, Joe. "Uncovering the History of the Nazi Holocaust in Senegal Through Artistic and Historical Research." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35899.

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This paper describes the author’s residency in Dakar, Senegal, where he created artworks in response to the history of anti-Semitic laws and the Sébikhotane concentration camp, established by the Vichy French Colonial Regime in West Africa. The artworks aim to inform audiences about this littleknown history and use symbolism that Senegalese people can relate to. The paper discusses the research conducted, the positive reception of the artworks, and the author’s role as an artist, researcher, and performer. The paper also provides descriptions and explanations of some of the artworks created du

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Jagtenberg, Pieter, and Zach Brown. "Water Injection Pressure Management in a Deepwater Subsea Development: A Case Study from the Sangomar Field Development." In SPE Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/210721-ms.

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Abstract The Sangomar Field (formerly known as the SNE Field), containing both oil and gas, is located 100 kilometres south of Dakar and is Senegal’s first offshore oil development. The deep-water field comprises a series of multi-stacked reservoir units. Treated and filtered seawater will be injected into the primary oil reservoirs to provide pressure maintenance and sweep to maximise production and recovery. The injection water treatment system is designed to safeguard well injectivity and support long term injection under matrix conditions. The window between initial reservoir pressure and

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Reports on the topic "Senegalese Art"

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Czajka, Leo, Florence Kondylis, Bassirou Sarr, and Mattea Stein. Data Management at the Senegalese Tax Authority: Insights from a Long-term Research Collaboration. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/ictd.2022.020.

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As they increasingly adopt digital infrastructure, public administrations worldwide are increasingly collecting, generating and managing data. Empirical researchers are, at the same time, collaborating more and more with administrations, accessing vast amounts of data, and setting new research agendas. These collaborations have taken place in low-income countries in particular, where administrative data can be a valuable substitute for scarce survey data. However, the transition to a full-fledged digital administration can be a long and difficult process, sharply contrasting the common leap-fr

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Abizaid, Olga, Maguette Diop, Adama Soumaré, and Emilie Wilson. Waste Pickers Are Part of the Solution to Solid Waste Management in Senegal. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/core.2023.012.

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Waste pickers from the Bokk Diom organisation, working at Dakar’s Mbeubeuss landfill – in Senegal’s capital city –, continued to provide essential waste management services throughout the Covid-19 pandemic, contributing to public health, reducing environmental harm, and mitigating greenhouse gases. As with many, their incomes were impacted by the pandemic, especially those of women. However, the greatest threat to their incomes and livelihoods is the transformation of the waste management system, a process which they are excluded from. Drawing on research carried out with Women in Informal Emp

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Sy, Ibrahima. Unlocking Adaptation Potential: Insights into Senegal’s climate change policies, initiatives and local actions. APRI - Africa Policy Research Private Institute gUG (haftungsbeschränkt)., 2023. http://dx.doi.org/10.59184/ca023.001.

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This report presents findings of research on climate change adaptation policies, strategies and local actions in Senegal, West Africa. It highlights locally led adaptation (LLA) strategies, practices and lessons that can inform and guide the implementation of the Nationally Determined Contributions (NDCs) and climate actions at the local and national levels.

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Sow, Khoudia, and Mariam Boyon. Roundtable report: Epidemic preparedness and response in Senegal. Institute of Development Studies, 2024. http://dx.doi.org/10.19088/sshap.2024.034.

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On 8 December 2023, SSHAP convened a roundtable discussion on social science research in epidemic preparedness and response in Senegal. The event was organised in Dakar by the Centre Régional de Recherche et de Formation à la Prise en Charge Clinique de Fann (CRCF) based at the Centre Hospitalier National Universitaire (CHNU), and the Centre des Opérations d'Urgence Sanitaire (COUS). It took place in the Conseil National de Lutte contre le SIDA. The objectives were to: Share strategic information derived primarily from social science research with the various actors involved in epidemic prepar

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