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Journal articles on the topic 'Senegalese Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Dardashti, Abigail Lapin. "“África Arte Negra” in Brazil." MODOS: Revista de História da Arte 8, no. 3 (2024): 557–82. https://doi.org/10.20396/modos.v8i3.8676415.

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This essay examines África arte Negra, a major exhibition of over 750 African artworks that traveled to Rio de Janeiro, São Paulo, and Brasília from 1969 to 1970. Organized by Henri Senghor, independent Senegal’s first ambassador to Brazil, in collaboration with both Senegalese and Brazilian officials and curators, the exhibition became a site of debate about Brazil’s national identity and definitions of art, presenting an idea of Africa through the art of numerous ethnic communities on the continent. The exhibition articulated independent Senegal’s theory of Négritude, broadly defined as an a

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2

Helfer, Anna. "In Search Of Our Roots. On The History Of Senegalese Paintings." Museological Review, no. 27 (January 17, 2025): 89–100. https://doi.org/10.29311/mr.vi27.4881.

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Ken Aicha Sy is a Senegalese French curator based in Dakar, Senegal. Her curatorial research project Survival Kit aims to create a tool, Magalogue (1), for understanding the history of contemporary Senegalese art, particularly from the 1960s to the 1990s.Hundreds of paintings, graphics, films, and archival documents from the École de Dakarare housed in European museums. At the same time, communities in Senegal have no access to their cultural heritage. Survival Kit takes up the urgency that people need to know their cultural roots, allowing collective remembrance of history to envision the fut

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Berktay, Asligul. "Senegal." Global Hip Hop Studies 3, no. 1 (2022): 97–105. http://dx.doi.org/10.1386/ghhs_00067_1.

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In 2018, Senegalese hip hop celebrated its thirtieth anniversary as one of Africa’s most vibrant hip hop scenes. Senegalese rap has asserted itself not only as an expedient form of urban art, but also as a socially, politically, and culturally powerful instrument of both persuasion and mobilization for the masses. From its privileged beginnings in Dakar’s posh nightclubs and Catholic high schools, the genre soon asserted itself as quite distinct from hip hop in other parts of the world, and its popularity increasingly grew to wide segments of the Senegalese public. From the mid-1990s, the unde

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Cham, Mbye B. "Islam in Senegalese literature and film." Africa 55, no. 4 (1985): 447–64. http://dx.doi.org/10.2307/1160177.

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Opening ParagraphIn few other places in the creative traditions of sub-Saharan Africa is the factor of Islam more prominent and influential than in Senegal. Manifested in form and subject matter and spanning a wide cross-section of talent in both the traditional and modern media of creative expression, this prominence and influence can be attributed to a number of factors ranging from the artistic maturity, religious sensibility, intellectual astuteness and ideological orientation of individual artists, to the more general impact that Islam as a dominant religious force is perceived to have ha

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5

Bode, Patty. "Senegalese Art in U.S. Schools: Transporting Contemporary African Diaspora with Decolonized Perspectives." Educational Forum 78, no. 1 (2013): 42–53. http://dx.doi.org/10.1080/00131725.2014.850983.

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6

Martinez-Yepes, Ruth. "Artificial intelligence, racialization, and art resistance." Cuadernos de Música, Artes Visuales y Artes Escénicas 19, no. 1 (2024): 222–35. http://dx.doi.org/10.11144/javeriana.mavae19-1.aira.

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Contemporary culture is shaped by information technology, in particular, artificial intelligence applications. One of the goals of this paper is to analyze how artistic practices could use machine learning algorithms as racial resistance. In addition, to remove from the black box how these applications work by relating the technical process that artists face. It will analyze the aesthetic and narrative perception around artificial intelligence, racism in the creation of data sets to train these algorithms and the possibilities that artificial intelligence opens to rethink concepts such as inte

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Diouf, Assane, Amandine Cournil, Khadidiatou Ba-Fall, et al. "Diabetes and Hypertension among Patients Receiving Antiretroviral Treatment Since 1998 in Senegal: Prevalence and Associated Factors." ISRN AIDS 2012 (December 1, 2012): 1–8. http://dx.doi.org/10.5402/2012/621565.

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Cardiovascular risk factors in people on antiretroviral treatment (ART) are poorly documented in resource-constrained settings. A cross-sectional study was conducted in 2009 to assess prevalence of diabetes and hypertension in a sample of 242 HIV-infected patients who had initiated ART between 1998 and 2002 in Dakar, Senegal (ANRS 1215 observational cohort). World Health Organization (WHO) criteria were applied to diagnose diabetes and hypertension. Multiple logistic regressions were used to identify factors associated with diabetes and hypertension. Patients had a median age of 46 years and h

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Picarelli, Enrica. "Selly Raby Kane: Surrealist Designer and Social Innovator." Fashion Studies 2, no. 1 (2019): 1–31. http://dx.doi.org/10.38055/fs020107.

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Selly Raby Kane is a renowned Senegalese fashion designer and artist involved in Africa’s booming art and design movement. Kane is an interesting case study to grasp fashion’s involvement in Africa’s current debate surrounding identity and empowerment through innovation. This article discusses Kane’s designs in light of her contribution not only to contemporary approaches to African fashion that emphasize individuality, but also to effecting change through fashion, examining the ways in which she mixes symbols, signs, and techniques of African and international cultures to inscribe Africa, and

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9

Cohen, Joshua I. "Introduction to “Art, Signs, and Cultures” (1977)." ARTMargins 12, no. 2 (2023): 106–11. http://dx.doi.org/10.1162/artm_a_00354.

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Abstract This document, translated from the original French, is an edited transcript of a conversation between the Senegalese painter Iba Ndiaye, the French art historian Jean Laude, and a moderator, Roger Pillaudin. It took place on the occasion of the Festival des arts et cultures africaines in Royan, France (March 1977), and was later broadcast on the radio channel France Culture. What stands out in the conversation is the way Laude seeks to negate Ndiaye's cross-cultural experience and background, and arguably his very legitimacy as a contemporary artist. Laude's insistence on adhering to

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Cohen, Joshua I. "Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980." African Arts 51, no. 3 (2018): 10–25. http://dx.doi.org/10.1162/afar_a_00413.

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Ndiaye, Iba, and Jean Laude. "Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin." ARTMargins 12, no. 2 (2023): 112–23. http://dx.doi.org/10.1162/artm_a_00355.

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Abstract This document, translated from the original French, is an edited transcript of a conversation between the Senegalese painter Iba Ndiaye, the French art historian Jean Laude, and a moderator, Roger Pillaudin. It took place on the occasion of the Festival des arts et cultures africaines in Royan, France (March 1977), and was later broadcast on the radio channel France Culture. What stands out in the conversation is the way Laude seeks to negate Ndiaye's cross-cultural experience and background, and arguably his very legitimacy as a contemporary artist. Laude's insistence on adhering to

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12

Cadieu, Morgane. "Afterword: The Littoral Museum of the Twenty-First Century." Comparative Literature 73, no. 2 (2021): 237–54. http://dx.doi.org/10.1215/00104124-8874117.

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Abstract The museum, the mausoleum, and the memorial are key concepts for theorizing beaches and ports in twenty-first-century literature and cinema. On the littoral, these constructions suggest the very opposite of a sealed off monumentality to become living museums of women’s labor in modern and contemporary France (Sciamma, Varda), bodily mausolea of migration on the Senegalese shoreline (Diop), and shapeshifting war memorials in Atlantic and Pacific tidelands (Darrieussecq, Rolin, Virilio). Examples of anamorphic seascapes, especially in photography, underscore the reversibility of sand an

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13

Gueye, Marame. "Modern Media and Culture in Senegal: Speaking Truth to Power." African Studies Review 54, no. 3 (2011): 27–43. http://dx.doi.org/10.1353/arw.2011.0052.

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Abstract:In a You Tube video, a young man performs a satirical poem about Senegalese President Abdoulaye Wade. The author brilliantly sums up Wade's tenure in one minute. He compares the president to “a rat's hole” and makes fun of his physical features while emphasizing many ways in which Wade has failed the nation. Some viewers thought the performance was disrespectful of the president, and others feared for the author's safety. This article argues that although the World Wide Web gives voice to African youth, it can be a dangerous space, especially for artists. The viewers' negative comment

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Panizzon, Marion. "Adjudicating labor mobility under France’s agreements on the joint management of migration flows: How courts politicize bilateral migration diplomacy." Theoretical Inquiries in Law 23, no. 2 (2022): 326–73. http://dx.doi.org/10.1515/til-2022-0021.

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Abstract France’s agreements on the joint management of migration flows (AJMs) figure centrally within studies of bilateral migration agreements. With their origins in friendship and navigation treaties of the late 19th century, the AJMs are successors to the postcolonial, circular mobility conventions of the 1960s, and are uniquely positioned for periodizing the evolution of bilaterally negotiated labor mobilities. Nonetheless, due to the European Union’s reluctance to embrace mass regularization and the EU Member States’ legislative powers over labor markets, they have time and again scotche

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Cham, Mbye B. "Islam and the Creative Imagination in Senegal." American Journal of Islam and Society 1, no. 2 (2021): 1–22. http://dx.doi.org/10.35632/ajis.v1i2.2811.

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In few other places in the creative traditions of sub-Saharan Africa isthe factor of Islam more prominent and influential than in Senegal.Manifested on the level of form and subject-matter and spanning a widecross-section of talent in both the traditional and modern media ofcreative expression, this prominence and influence can be attributed toanumber of factors ranging from the artistic maturity, religioussensibility, intellectual astuteness and ideological orientation ofindividual artists to the more general impact that Islam, as a dominantreligious force, is perceived to have had on secular

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Raugi, Dana N., Robert A. Smith, Selly Ba, et al. "Complex Patterns of Protease Inhibitor Resistance among Antiretroviral Treatment-Experienced HIV-2 Patients from Senegal: Implications for Second-Line Therapy." Antimicrobial Agents and Chemotherapy 57, no. 6 (2013): 2751–60. http://dx.doi.org/10.1128/aac.00405-13.

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ABSTRACTProtease inhibitor (PI)-based antiretroviral therapy (ART) can effectively suppress HIV-2 plasma load and increase CD4 counts; however, not all PIs are equally active against HIV-2, and few data exist to support second-line therapy decisions. To identify therapeutic options for HIV-2 patients failing ART, we evaluated the frequency of PI resistance-associated amino acid changes in HIV-2 sequences from a cohort of 43 Senegalese individuals receiving unboosted indinavir (n= 18 subjects)-, lopinavir/ritonavir (n= 4)-, or indinavir and then lopinavir/ritonavir (n= 21)-containing ART. Commo

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17

Osarenmwinda, Emokpae-Ogbebor. "Aspects de la Vie Socio-culturelle au Sénégal dans Le Revenant et La Grève des Battu d'aminata SowFall." NDỤÑỌDE : Calabar Journal of The Humanities 13, no. 2 (2018): 498–509. https://doi.org/10.5281/zenodo.1469104.

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Résumé Le Sénégal est un pays dont 90% des citoyens sont des croyants fervents de l’Islam. Aminata SowFall n’hésite pas à nous brosser des aspects de cette vie socio – culturelle de son pays riche en culture dont elle est fière. La littérature, dit-on, est le reflet ou le miroir de la société. SowFall en profite pour jeter un regard sur la société sénégalaise de son temps. Ces aspects consistent en la mendicité, le maraboutage, la naissance et le baptême entre autres

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18

Richards, Christopher. "Good as Gold: Fashioning Senegalese Women curated by Amanda Maples and Kevin Dumouchelle National Museum of African Art October 24, 2018–September 29, 2019." African Arts 52, no. 4 (2019): 84–86. http://dx.doi.org/10.1162/afar_r_00504.

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19

Lambert, Michael C. "Violence and the war of words: ethnicityv.nationalism in the Casamance." Africa 68, no. 4 (1998): 585–602. http://dx.doi.org/10.2307/1161167.

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Since 1982 the Mouvement des forces démocratique casamançais has been fighting for the independence of the Casamance region of Senegal. In 1989, when the Mouvement initiated a sustained military campaign, Senegal's official and independent press began to provide intensive coverage of its activities and objectives. This article documents the arguments for and against Casamançais independence as documented by Senegal's press in the year following the resurgence of this conflict. The Mouvement's leadership has consistently maintained that its efforts to win independence for the Casamance are legi

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20

Craig, Michelle Huntingford, and Elizabeth Harney. "Senegalese Modernisms." Art Journal 65, no. 4 (2006): 119. http://dx.doi.org/10.2307/20068504.

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21

Ostow, Robin. "Negritude, Americanization and human rights in Gorée, Senegal: The Maison de Esclaves 1966‐2019." International Journal of Francophone Studies 22, no. 3 (2019): 271–97. http://dx.doi.org/10.1386/ijfs_00005_1.

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Abstract Based on historical research, and in situ observations, this article examines the history of the Maison des Esclaves as an example of Moyn's argument that interest in human rights arose as a response to the failures of previous idealistic movements, especially nationalism and socialism, and, by the 1970s, the feeling that decolonization had failed. Originating as an expression of Negritude idealism and cultural nationalism, with the Senegalese state's loss of interest in the Maison, the state's larger failure to promote the interests of its inhabitants and ongoing American ties with S

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O'Brien, Donal B. Cruise. "The Senegalese exception." Africa 66, no. 3 (1996): 458–64. http://dx.doi.org/10.2307/1160962.

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23

Shain, Richard M. "The Re(Public) of Salsa: Afro-Cuban Music in Fin-de-Siècle Dakar." Africa 79, no. 2 (2009): 186–206. http://dx.doi.org/10.3366/e0001972009000680.

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This article explores why, despite its diminished popularity, Afro-Cuban music remains among the most performed musics in Senegalese music clubs. Since the Second World War, many Senegalese have associated Afro-Cuban music with cosmopolitanism and modernity. In particular, Senegalese who came of age during the Independence era associate Latin music with a new model of sociability that emphasized ‘correct’ behaviour – elegant attire and self-discipline. Participating in an emerging ‘café society’ was especially important. The rise of m'balax music in the late 1970s, deemed more culturally ‘auth

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Kayır, Oğuz. "Reconfiguring Senegalese filmmakers as Griots: Identity, migration and authorship practice." International Journal of Francophone Studies 25, no. 1 (2022): 119–39. http://dx.doi.org/10.1386/ijfs_00047_1.

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This article aims to designate the notion of ‘Griot’ ‐ the oral transmitter of history in West African cultures to the eclectic filmmakers from the post-independence period of Francophone Senegal who utilized film as an instrument to reassemble their nation’s lost image and carve an independent national identity that seeks liberation from the remnants of French imperial rule. Figuratively performing as Griots in the postcolonial film corpus, directors Ousmane Sembéne, Djibril Diop Mambéty and Mati Diop fabricated an original filmic language that represents the cultural milieu of Senegal after

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Dixon, Melvin. "Moustapha Paye: Senegalese Artist." Callaloo 13, no. 1 (1990): 145. http://dx.doi.org/10.2307/2931616.

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Martín, Ignacio, Inmaculada Rasines, Marcos Gómez, Cristina Rodríguez, Gloria Gradillas, and Olvido Chereguini. "Surface disinfection of Senegalese sole (Solea senegalensis, Kaup 1858) eggs using iodine." Aquaculture Research 47, no. 6 (2014): 2019–26. http://dx.doi.org/10.1111/are.12632.

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Cochrane, Laura L. "Religious expression in senegalese weavers' work." Material Religion 5, no. 2 (2009): 206–23. http://dx.doi.org/10.2752/174322009x12448040551684.

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Becker, Cynthia, and Alex Zito. "Yelimane Fall: Senegalese Calligraphy in Action." African Arts 47, no. 2 (2014): 28–39. http://dx.doi.org/10.1162/afar_a_00136.

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Patterson, Amy S. "The Dynamic Nature of Citizenship and Participation: Lessons from Three Rural Senegalese Case Studies." Africa Today 46, no. 1 (1999): 2–27. http://dx.doi.org/10.2979/aft.1999.46.1.2.

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Hill, Joseph. "‘All Women are Guides’: Sufi Leadership and Womanhood among Taalibe Baay in Senegal." Journal of Religion in Africa 40, no. 4 (2010): 375–412. http://dx.doi.org/10.1163/157006610x540735.

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AbstractIn Sufi Islamic groups in West Africa, the position of muqaddam, one appointed as a spiritual guide, is usually held by men. Although Senegalese Shaykh Ibrahim Niasse (1900-1975) appointed many Senegalese women as muqaddams throughout his life, few of his disciples were aware of these appointments. Since the 1990s a growing number of ‘Taalibe Baay’ (disciples of Niasse) women have more openly led active communities of disciples. Several factors have made it possible for these women to act uncontroversially as recognized leaders, including (1) Baye Niasse’s popularization of mystical kn

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BeLue, R., K. Ndiaye, PY Miranda, F. Ndao, and P. Canagarajah. "Diabetes management in Senegalese families: A dyadic-narrative illustration." Chronic Illness 14, no. 3 (2017): 182–93. http://dx.doi.org/10.1177/1742395317719141.

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Objectives In many Sub-Saharan African cultures, diabetes self-management behaviors such as dietary adherence do not occur in isolation but are carried out in the context of local culture, a significant factor in shaping those health behaviors. Methods Using a family-based narrative approach, we explore how Senegalese families manage diabetes. We interviewed twenty people living with diabetes and selected family caregivers from MBour, Senegal. Results We found that people living with diabetes experienced physical, emotional, and financial stressors as a result of managing their condition. In a

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Kohnert, Dirk. "Réformes économiques au Sénégal : les marges de manoeuvres limitées du nouveau pouvoir." Conservation 2024, no. 10 May 2024 (2024): 1–3. https://doi.org/10.5281/zenodo.13629237.

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ABSTRACT & ZUSAMMENFASSUNG : The election of Bassirou Diomaye Faye as President of Senegal on March 24, 2024, after a turbulent electoral process, reflects the resilience of Senegal's democratic institutions. It provides an opportunity to strengthen transparent governance and combat inequality. It was the first time since Senegal's independence from France in 1960 that an opposition candidate won already in the first round of presidential elections. Western media tried to show that Faye, who was portrayed as a "left-wing pan-Africanist," wanted to promote authentic African culture to break

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Umoke Chukwunalu Igbudu, Akuodor Godwin Christian, Okam Princeston Chukwuemeka, et al. "Hepatoprotective effect of the ethanol extract of Detarium senegalense stem bark in albino Wistar." International Journal of Biological and Pharmaceutical Sciences Archive 7, no. 1 (2024): 067–76. http://dx.doi.org/10.53771/ijbpsa.2024.7.1.0011.

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Aim: The hepatoprotective effect of Detarium senegalense ethanol stem bark extract was evaluated against paracetamol induced hepatic damage in albino rats. Material and methods: The ethanol stem bark extract of D. senegalense at doses of 100 mg/kg, 200 mg/kg and 400 mg/kg were orally administered once daily for 3 days.The liver function tests and biochemical investigation such as asparte transaminase (AST), alanine transaminase (ALT), alkaline phosphatase (ALP), total bilirubin (TB) and direct bilirubin were carried out against paracetamol induced hepatotoxicity in rats. Phytochemical investig

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Vives, Luna, and Iria Vazquez Silva. "Senegalese migration to Spain: transnational mothering practices." Journal of Ethnic and Migration Studies 43, no. 3 (2016): 495–512. http://dx.doi.org/10.1080/1369183x.2016.1186531.

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Maples, Amanda M. "Divas and dynamos: Decolonizing Senegalese histories through fashion." International Journal of Fashion Studies 9, no. 2 (2022): 317–37. http://dx.doi.org/10.1386/infs_00074_1.

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Fashion has been seen as either a rejection or an embracing of history and the past. In reality, fashion is constantly changing ‐ is fragmentary, transitory and borderless. Because fashion has no borders, it can be brave, bold and often contradictory, just as the women who design and wear it can themselves present unique ambiguities worth exploring. Grounded in field and curatorial research with three generations of Senegalese fashion designers, this article explores the ways in which women in Dakar and Saint-Louis reinscribe problematic histories in sartorial expressions and shift the narrati

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Marinho, Gonçalo, Helena Peres, and António Paulo Carvalho. "Effect of feeding time on dietary protein utilization and growth of juvenile Senegalese sole (Solea senegalensis)." Aquaculture Research 45, no. 5 (2012): 828–33. http://dx.doi.org/10.1111/are.12024.

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Grysole, Amélie. "Private school investments and inequalities: negotiating the future in transnational Dakar." Africa 88, no. 4 (2018): 663–82. http://dx.doi.org/10.1017/s0001972018000414.

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AbstractAs in many parts of the world, the school system in Senegal has suffered from state budget cuts associated with structural adjustment and neoliberal reform in the 1980s. As a result, the quality of elementary public schools has been compromised; meanwhile a significant private sector developed. This article analyses the proliferation of private schools in Dakar and the ways in which Senegalese parents navigate the multiplicity of school types (French, Franco-Arabic or Franco-English, Catholic or secular), to understand how families struggle to ensure their social and material reproduct

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Jong, Ferdinand de. "Politicians of the Sacred Grove: Citizenship and Ethnicity in Southern Senegal." Africa 72, no. 2 (2002): 203–20. http://dx.doi.org/10.3366/afr.2002.72.2.203.

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AbstractThis article examines the traditional initiation of the former Senegalese Minister of Agriculture. At the age of fifty-five the Catholic Minister was initiated into the secrets of the sacred grove and thus acquired the status of adult man. The article demonstrates that Jola ethnic discourse, in which male initiation has become an important symbol, forced the Minister to enter the grove. His initiation turned him into a full member of the Jola ethnic group and qualified him as a trustworhty man capable of representing the people. In the campaign of the Socialist Party internal elections

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Avendaño Anguita, Lina. "L’empire du mensonge d’Aminata Sow Fall : terroir de prospection éthique et esthétique." Çédille, no. 24 (2023): 103–21. http://dx.doi.org/10.25145/j.cedille.2023.24.06.

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This paper points out the place given to the creative act as a space for the transfer of the ancestral values and the change of the mind, in the work of Aminata Sow Fall. It will take into consideration that brings the Senegalese writer closer to the expression of emotion, her bergsonian concept of open soul, but also her vindication for the respectability of the most disadvantaged. This paper tries to explore the way with which the writing plural forms supports the ethics of Aminata Sow Fall

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Diamé, Lamine, Brian Taylor, Rumsaïs Blatrix, et al. "A preliminary checklist of the ant (Hymenoptera, Formicidae) fauna of Senegal." Journal of Insect Biodiversity 5, no. 15 (2017): 1. http://dx.doi.org/10.12976/jib/2017.5.15.

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This work presents the first checklist of the ant species of Senegal, based on a review of the literature and on recent thorough sampling in Senegalese orchard agrosystems during rainy and dry seasons. Eighty-nine species belonging to 31 genera and 9 subfamilies of Formicidae are known. The most speciose genera were Monomorium Mayr, 1855, and Camponotus Mayr, 1861, with 13 and 12 species, respectively. The fresh collection yielded 31 species recorded for the first time in Senegal, including two undescribed species. The composition of the ant fauna reflects the fact that Senegal is in intermedi

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Midiwo, Jacob O., Fidilia M. Omoto, Abiy Yenesew, et al. "The first 9-hydroxyhomoisoflavanone, and antiplasmodial chalcones, from the aerial exudates of Polygonum senegalense." Arkivoc 2007, no. 9 (2006): 21–27. http://dx.doi.org/10.3998/ark.5550190.0008.904.

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Mariama Nicole, Pouye, Diop Gora, Mbengue Babacar, et al. "GENETIC ARCHITECTURE AND DYNAMICS OF PFKELCH13S PROPELLER DOMAIN IN SENEGALESE PLASMODIUM FALCIPARUMCLINICAL ISOLATES." International Journal of Advanced Research 9, no. 09 (2021): 18–25. http://dx.doi.org/10.21474/ijar01/13369.

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Plasmodium resistance to Artemisinin Combination-based Therapies (ACT) in Southeast Asia is a major public health concern that is sporadically appearing in Africa. Senegal has shifted from malaria control to elimination plans. Given notable progresses obtained through robust strategic plans,it is still crucial to assess genetic variability of the Plasmodium falciparumartemisinin resistance gene marker Kelch13 (PfKelch13)in circulating field isolates.We herereportan analysis of PfKelch13-propeller polymorphism in clinical isolates collected nine years after ACT introduction in five Senegalese r

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Rabine, Leslie W. "A fashionable wedding in Dakar, Senegal." International Journal of Fashion Studies 9, no. 2 (2022): 413–27. http://dx.doi.org/10.1386/infs_00080_7.

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A young bride and groom, Zeynab Dieng (25) and Abdoulaye Ly (28), asked me to photograph their Muslim/Peulh wedding festivities in Dakar, Senegal. Dakarois wedding celebrations centre around the bride, who demonstrates her dignity and savoir faire as a new matron by appearing in a succession of fashionable outfits. Within the Senegalese fashion system, these outfits fall into the style categories labelled ‘ethnic’, ‘pan-African’ and ‘European’. Among the many Senegalese weddings that I have attended and photographed, the wedding of Abdoulaye and Zeynab was startlingly original in its fashions

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Platt, Katherine. "States of Grace: Senegalese in Italy and the New European Immigration:States of Grace: Senegalese in Italy and the New European Immigration." American Anthropologist 101, no. 4 (1999): 878–79. http://dx.doi.org/10.1525/aa.1999.101.4.878.

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Kaag, Mayke. "Transnational Elite Formation: The Senegalese Murid Community in Italy." Journal of Ethnic and Migration Studies 39, no. 9 (2013): 1425–39. http://dx.doi.org/10.1080/1369183x.2013.815410.

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Hogarth, Christopher. "NomadicFrancophonie, Francophone Nomads: The Case of the Senegalese Novel." Contemporary French and Francophone Studies 10, no. 1 (2006): 53–62. http://dx.doi.org/10.1080/17409290500429244.

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Barroso, Carolina, Rodrigo O. A. Ozório, António Afonso, Julieta R. E. Moraes, and Benjamín Costas. "Immune responses and gut morphology in Senegalese sole (Solea senegalensis) fed dietary probiotic supplementation and following exposure toPhotobacterium damselaesubsp.piscicida." Aquaculture Research 47, no. 3 (2014): 951–60. http://dx.doi.org/10.1111/are.12553.

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Racky, Wade-Kane, Camara Momar, Nwachukwu Christopher Chinwuba, et al. "Pregnancy-related psychological reactions among pregnant women followed-up at the Mermoz improved health post." Annals of Psychiatry and Treatment 8, no. 1 (2024): 001–8. http://dx.doi.org/10.17352/apt.000056.

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Abstract:

Introduction: The bodily and psychological changes of pregnancy can be a source of well-being, but also of vulnerability and psychological suffering. The aim of this study was to investigate pregnancy-related psychological reactions in Senegalese pregnant women. Methodology: This was a prospective, descriptive, and analytical study of pregnant women attended at the Mermoz Health Post in Dakar, Senegal from October 04, 2022, to December 26, 2022. We studied psychological reactions using the Brief Pregnancy Experience Scale, the Depression Anxiety Stress Scale 21, the Marital Support Scale, and

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Taylor, Lauren. "The Spiral and The Crossroads: The Dual Universalisms of Senegal's First Art Museum." African Arts 57, no. 4 (2024): 44–59. https://doi.org/10.1162/afar_a_00785.

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Bryant, Kelly Duke. "‘In my Senegalese quality and as a compatriot’: Senegalese students in the metropolis and the language of affinity, 1880–1890." African and Black Diaspora: An International Journal 2, no. 1 (2009): 55–65. http://dx.doi.org/10.1080/17528630802513441.

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