Relevant bibliographies by topics / Senghor

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Senghor'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Senghor"

1

Gaulme, François. "Senghor." Études Tome 397, no. 7 (July 1, 2002): 0. http://dx.doi.org/10.3917/etu.971.20.

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Smith, Étienne. "« Senghor voulait qu'on soit tous des Senghor »." Vingtième Siècle. Revue d'histoire 118, no. 2 (2013): 87. http://dx.doi.org/10.3917/ving.118.0087.

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Drabinski, John E. "Senghor's Anxiety of Influence." Journal of French and Francophone Philosophy 24, no. 1 (October 12, 2016): 68–80. http://dx.doi.org/10.5195/jffp.2016.758.

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An examination of the question of influence in Senghor's work, with particular attention to the concept of assimilation - which I argue allows Senghor to responsibly adopt notions from French vitalist and life-philosophy traditions, despite their close ties to colonial and imperial histories.
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Wake, Clive, and Janice Spleth. "Leopold Sedar Senghor." Modern Language Review 82, no. 4 (October 1987): 984. http://dx.doi.org/10.2307/3729117.

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Diagne, Pathé. "Senghor in Context." Research in African Literatures 33, no. 4 (December 2002): 12–16. http://dx.doi.org/10.2979/ral.2002.33.4.12.

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Jollivet, Servanne. "Senghor et Evtouchenko." Po&sie 116, no. 2 (2006): 105. http://dx.doi.org/10.3917/poesi.116.0105.

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Garnier, Xavier. "Vertiges de Senghor." Po&sie 157-158, no. 3 (2016): 258. http://dx.doi.org/10.3917/poesi.157.0258.

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Saivre, Denyse de. "Léopold Sédar Senghor." Présence Africaine 154, no. 2 (1996): 72. http://dx.doi.org/10.3917/presa.154.0072.

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Wauthier, Claude. "Témoignage sur Senghor." Présence Africaine 154, no. 2 (1996): 77. http://dx.doi.org/10.3917/presa.154.0077.

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Shaw, Devin Zane. "The Vitalist Senghor." Comparative and Continental Philosophy 5, no. 1 (May 2013): 92–98. http://dx.doi.org/10.1179/1757063813z.0000000009.

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Dissertations / Theses on the topic "Senghor"

1

Salia, Issaka. "Léopold Sedar Senghor, poète et humaniste." Rennes 2, 1986. http://www.theses.fr/1986REN20004.

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La première partie est consacrée aux particularités négro-africaines de l'oeuvre et de la pensée de Senghor, liées au milieu géniteur, et enracinées dans la tradition par les aspects onomastiques, les éléments culturels et politiques qui en constituent la toile de fond sur laquelle se déroule l'opération de l'écriture. La deuxième partie insiste davantage sur l'âme noire dans l'oeuvre senghorienne. Senghor s'identifie sans exclusive a cette âme, dont les vertus les plus essentielles et les plus positives sont chantées pour exprimer son humanisme ainsi que la vision globalisante du monde négroafricain, par opposition a la vision dichotomique voire antinomique du monde européen. La troisième partie est consacrée à tous les éléments de l'humanisme senghorien débouchant sur sa conception de la civilisation de l'universel : l'art poétique senghorien; Senghor, critique littéraire ; la négritude selon Senghor. Ces divers points montrent comment la pensée de Senghor est cohérente, logique à l'intérieur de son propre système. En effet, Senghor n'est pas seulement poète, mais il est aussi un humaniste dont les principes et les préoccupations anthropocentristes, se manifestent aussi bien dans sa poésie que dans ses discours politiques, ses essais et études critiques. Cette troisième partie montre l'évolution de la pensée du poète qui va du Sénégal à l'humanité, de l'homme à l'universel et se termine par un essai de définition de l'humanisme senghorien, tel qu'il est cerné et qui impose une lecture suivie de l'écrivain, penseur et homme politique. L'oeuvre de Senghor, qui se résume par la formule civilisation de l'universel, est une solide entité, un tout monolithique et pose un projet qui tient compte des conditions de l'homme, et de l'avenir de l'humanité prise dans le tourment de l'angoisse contemporaine
The first part is devoted to the negro-african features of Senghor's production and thought, linked as they are the ancestral milieu and rooted in tradition through the onomastic aspects, the cultural and political elements which serveas a backcloth to the writing process. The second part lays greater emphasis on black consciousness in Senghor's literary production. Senghor identifies unreservedly with that consciousness, whose most essential and positive virtues he sings with a view to voicing his humanism as well as his comprehensive vision of the negro-african world, which contrasts with his dichotomic and even antinomic vision of the european world. The third part is devoted to all the elements of Senghor's humanism that contribute to his conception of a universal civilisation: Senghor's poetics ; Senghor as literary critic ; negritude according to Senghor. These several points show the coherence and intrinsic logic of Senghor's thought. Indeed, senghor is not only a poet, but he is also a humanist, whose principles and anthropocentric preoccupations come out in his poetry as much as in his political speeches and his critical essays and studies. This third part outlines the evolution of the poet's thought as it expands from Senegal to humanity, from man to the universe, and it concludes with a tentative definition of senghor's humanism, such as i have tried to describe it, and which necessitates a sustained reading of the writer, both as thinker and politician. Senghor's production, which may be epitomized in the phrase "universal civilization", constitutes a robust entity, a monolithic whole, and sets forth a project which takes account of man's conditions and of the future of mankind caught in the convulsion of contemparary angst
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Dziri, Rachid. "Culture et spiritualité chez Léopold Sédar Senghor." Paris 4, 1996. http://www.theses.fr/1996PA040063.

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La pensee de l. S. Senghor est doublement impregnee, d'un cote par la culture traditionnelle negro-africaine et de l'autre par la culture europeenne. Chez lui, culture et spiritualite se trouvent intimement liees l'une a l'autre. Elles traduisent les themes les plus chers a son coeur a savoir l'amour, la fraternite et cet autre humanisme issu de la philosophie traditionnelle de son terroir. Ainsi sa pensee se veut-elle un plaidoyer pour l'homme, la verite et les notions humanistes les plus diverses. Loin de traiter de la negritude senghorienne, nous avons essaye d'evaluer sa pensee a travers nombre de points que nous avons juges importants pour la comprehension de ses propos divers autour de l'homme, la culture, la civilisation etc. . . En effet, culture et spiritualite traduisent chez lui cette relation correlative qui existe entre les differentes formes de la vie quotidienne en afrique noire. Les deux notions ne peuvent etre dissociees car l'une appelle l'autre. Il existe une certaine dependance interne entre elles. Nous decelons a travers son discours poetique une sorte de mystique africaine et des couleurs fideles a sa culture authentique. A travers notre analyse eclectique de ses differents ecrits, nous pouvons remarquer la force du mot qu'il emploie et des images qu'il nous presente pour mettre a nue sa pensee d'homme plein d'espoir et d'ambition et convaincu de l'avenement d'une "aube nouvelle" pour tout le monde. En somme notre etude se voulait une lecture optimiste de l'ideologie de leopold sedar senghor
The philosophy of leopold sedar senghor is doubly impregnated. On the one hand, by the traditionally black african culture and on the other hand by the european one. In his writings, culture an spirituality are intimately related. They translate senghor's verry favorite themes, such as love, fraternity and the humanism issued from the authentic tradition of african philosophy. Hence, his conception is seen as defending man, truth and the verry diverse human values. Out of senghorian negritude, we have tried to evaluate his conception on different angles that we have judged crucial to the comprehension of his different ideas on man, culture, civilization tec. . . In fact, culture and spirituality translate in his works this corelative relation wich exists between different forms of every day life in black africa. The two concepts cannot be dissociated because they are complementary. There is a certain interdependance between. We discover throughout his poetic discourse a kind of african mysticism and a faithfulness of his authentic culture. By way of an ecclectic analysis of his various works, we notice the impact of the language he uses and the images he offers and display his throught as a man full of hope, ambition and conviction for the advent of a "new eve" for mankind. Our stady is meant to be a optimistic outlook on leopold sedar senghor's philosophy
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Lebaud-Kane, Geneviève. "L'oeuvre poetique de leopold sedar senghor et sa mythologie." Toulouse 2, 1986. http://www.theses.fr/1986TOU20038.

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La premiere partie de la these est consacree a une etude des rapports entre l'imaginaire et la creation dans l'oeuvre poetique de l. S. Senghor. Apres une analyse de la mythologie des origines et des liens qui existent entre cette mythologie et le concept de negritude, l'auteur evoque l'influence exercee par les tendances profondes de l'imaginaire sur certains aspects du langage du poete: predilection pour l'imparfait, transferts du passe au present ou au futur, silences et ellipses, gout de la melodie et des jeux d'echos sonores, role des grandes images archetypes dans la composition du poeme et dans la structure de certains recueils, apparition de systemes d'images analogues a ceux que l'on rencontre dans les mythes. La plupart de ces aspects revelent l'influence exercee sur le poete par les techniques de la litterature traditionnelle d'afrique noire. La deuxieme partie de la these est consacree a l'etude des lettres d'hivernage et de quelques-uns des grands themes de ce recueil: dialectique du temps, figures de mediation spatiale, entithese du jour et de la nuit, nostalgie de l'ailleurs et mythe de la dame chatelaine, symbolique des oiseaux et des fleurs. Cette deuxieme partie s'acheve par une etude des lithographies realisees par marc chagall pour l'edition originale des lettres d'hivernage
The first part of the thesis is devotes to the links between imagination and creation in the poetical works of l. S. Senghor. After studying the mythology of the origins and the connection between this mythology and the concept of negritude, the author mentions the influence exerted on certain aspects of the poet's language by the underlying tendencies of imagination : the poet's predilection for the imperfect, the transfer to present or to future, the pauses and ellipsis, the choice of melodismus and the use of resounding echoes, the part of great archetypes images in the composition of the poem and of certain collections, the use of systems of images similar to these existing in myths. Most of these aspects show the influence exerted on the poet by the traditional techniques of black african's literature. The second part of the thesis is devotes to the study of lettres d'hivernage and some of the most important themes of the collection : time dialectics, spatial mediations, antithesis of day and nyght, nostalgie for elsewhere and the myth of the lady, birds and flowers'symbolics. This seconds part ends with lithographs made by marc chagall for the first edition of lettres d'hivernage
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Adjambao, Akatiwa. "Le monde antique dans l'œuvre de Léopold Sédar Senghor." Tours, 1996. http://www.theses.fr/1996TOUR2044.

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Senghor n'a jamais connu, de la sixième à la terminale, des études gréco-latines facultatives, comme nombre d'élèves de son temps. Il a hérité d'une très solide formation en latin et en grec, commencée chez les Pères missionnaires, à N'Gasobil. Après son succès au baccalauréat en 1928, Senghor vint en France, ou il fut reçu à l'agrégation de grammaire, en 1935. Très tôt, Senghor prit conscience de sa différence d'être colonisé. Cela donnera naissance au mouvement de la négritude, dont Senghor voulut partager la paternité avec Aimé Césaire et Léon-Gontran Damas. Mais comment réussir une entreprise aussi colossale sans des bases logiques solides ? Senghor et ses amis épousèrent les courants intellectuels, moraux et philosophiques de L'antiquité, notamment le stoïcisme, qui assura la promotion doctrinaire de la négritude. C’est grâce au stoïcisme que Senghor et ses amis vont se proclamer "nègres". À ce titre le "Cahier d'un retour au pays natal" de Césaire, que Senghor cite beaucoup et où le credo, stoïcien, de la négritude est codifié, trahit la grande influence du stoïcisme sur les deux poètes. Mais la grande règle de Senghor a été de n'indiquer que rarement ses modèles, comme si le poète de Joal voulait tester la sagacité de son lecteur. En effet, on ne peut appréhender la négritude senghorienne sans s'intéresser aux mots et à l'organisation du discours de l'écrivain. Or cette étude montre en Senghor un grand rhéteur, rompu aux techniques de la rhétorique antique
L. S. Senghor has a dound training in greek and latin, studied at N'Gasobil. After having his baccalaureate in 1928, he went in France, where he became a holder of the agregation (grammar). But early, he became conscient of his personality. He knew that he was a colonized human. So he decide ho create a movement of the negritude, with Aimé Cesaire and L. -G. Damas. But, how to have his dream come struc without a strong logic? Senghor and his friends adopted greek philosophies, such as stoicism, which gave the creed of the negritude, credo celebrated in "Cahier d'un retour au pays natal" by Césaire. Senghor is used to test his reader, therefore he hasn't, always, named his ancient masters. In fact, nobody can know the meaming of his negritude without knowing, before, the meaming of his words and the organization of his speech. Senghor is a great rhetor who is very strong in the using of ancient rhetoric
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Samba, Moussa. "Le dépassement de la révolte dans l’œuvre de Senghor." Brest, 2011. http://www.theses.fr/2011BRES1001.

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Dans ce travail, sont abordés et développés plusieurs thèmes. Des origines de la révolte chez Senghor jusqu’au dépassement de celle-ci par l’accomplissement de l’humanité à travers la civilisation de l’universel en passant bien sûr par le relativisme culturel (africanisme et panafricanisme) visant la réhabilitation complète de l’homme noir, par la négritude comme pur moment d’explosion et l’engagement politique comme première tentative de dépassement de la révolte. L’idée qui émerge de ce laborieux travail est que la révolte chez Senghor relève d’une évidente volonté d’existence, d’une part, et le dépassement de celle-ci d’une évidente volonté de puissance, d’autre part. Entre les deux, se campe l’engagement politique comme volonté et quête du pouvoir et un tremplin vers le dépassement de la révolte à travers la réflexion. Cette analyse est suivie et complétée par un projet d’édition des lettres de Senghor qui permettent de mieux comprendre le sens du message de l’auteur
In this work are discussed and developed several themes. Origins of the revolt in Senghor to the passing thereof by the completion of humanity through the universal civilization including of course the cultural relativism (and Pan Africanism) to the full rehabilitation of black man, by the blackness as pure moment of explosion and political commitment as the first passing attempt of revolt. The idea that emerges from this laborious work is that the revolt at Senghor is an obvious desire of existence, on the one hand, and the overcoming of it an obvious desire for power, on the other. Between the two camps is political commitment as the will and quest for power and a springboard towards overcoming the revolt through reflection. This analysis is followed and complemented by a publishing project of Senghor’s letters to better understand the meaning of the author’s message
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Chivers, Adam John. "The biodiversity and ecology of Senghor Seamount (NE Atlantic)." Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227185.

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Seamounts are often typified by highly rich and diverse communities of predominantly large suspension feeding organisms such as gorgonian and antipatharian corals, which are often the focus of seamount research. By comparison few studies have focused on the more enigmatic but no less important infauna. The study of Senghor Seamount, which is located near to the Cape Verde Archipelago in the NE Atlantic, sought to address this knowledge gap and provides the very first quantitative and systematic analysis of a seamount macrofaunal community. In addition to the investigation of seamount macrobenthic community characteristics, the response of the community to a range of environmental variables was also determined. In particular, the potential effect of topography-flow interactions upon the macrobenthic community was investigated. In order to achieve these objectives a Multicorer (MUC) was used to quantitatively sample four transects on the seamount from summit (~100 m) to base (~3300 m) depths. There were a number of key findings. The hydrodynamic regime was found to be particularly complex and was a result of a number of interacting flow components. This was found to alter sediment characteristics and may have also resulted in an alteration of the downward particulate organic carbon flux. Consequently, inter-transect variation of community characteristics was observed at some depth ranges. Depth, and the environmental variables which covary with this gradient, was also found to dominantly structure the community on Senghor Seamount. However, any explanation for the variation of community characteristics on the seamount may be highly multivariate and further biological and environmental observations would be required to adequately resolve these patterns.
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Lebaud-Kane, Geneviève. "L'Oeuvre poétique de Léopold Sédar Senghor et sa mythologie." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37599121g.

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Konaré, Alhousseyni. "Mystique et prophétie chez Léopold Sédar Senghor et Aimé Césaire." Paris 4, 1986. http://www.theses.fr/1986PA040286.

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Giguet, Frédéric. "Présence et représentation dans l'Oeuvre Poétique de Léopold Sédar Senghor." Paris 4, 2004. http://www.theses.fr/2004PA040111.

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La présente thèse part du principe qu'un probème irréductible préside à la naissance de l'oeuvre poétique de L. S. Sanghor et conditionne son développement. Cette irréductibilité, c'est celle de la présence au monde qui sous-tend l'art négro-africain, à l'art mimétique européen de la représentation. L'oeuvre devient alors le lieu d'une contradiction profonde, qui en détermine la structure. Après avoir montré comment la question centrale de la présence traverse les écrits théorique et poétique, et permet de définir une poétique de la présence, on s'attache à comprendre comment le conflit de la représentation est, non pas résolu, mais contourné, d'une part dans la construction virtuelle du texte poétique (conditions d'oralité de la parole, structure polyrythmique), et d'autre part dans les procédés d'essentialisation qui matérialisent le mouvement créateur de la parole (poésie de l'absence, distorsion des cadres spatio-temporels, expression de la généricité, système de l'image analogique. . . )
That an irreducible problem is the origin of the poetic work of L. S. Senghor and conditions its development is the assumption of this thesis. This irreducibility stands between the presence's link to the world, that structures the negro-african art, and the european mimetic art structured by representation. Senghor's poetry enters into a deep contradiction, that determines its structure. We shall, first of all, demonstrate how the central question of presence goes through his philosophical, aesthetic, poetic writings and enables to define a poetics of presence. Then, we shall understand how the problem of representation is bypassed, rather than resolved, throughout processes of essentialisation showing the creative movement of words (poetry of absence, distortion of the spatiotemporal structures, expression of genericity, system of the analogical image. . . . )
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Matsala, Yangota Emery Arnold. "La Phénoménologie de la Phantasia dans la poésie senghorienne." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30089/document.

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Cette étude consiste à questionner la légitimité de proposer un contenu sémantique définitif et une illustration picturale fixe aux poèmes de Léopold Sédar Senghor. Pour ce faire, elle démontre que la lecture des poèmes senghoriens est une expérience de phantasia permettant au sujet-lisant de se construire intérieurement, par l’énergie de la présentification, un livre-vu conforme au sens instable de la poésie senghorienne. Et, cette localisation du livre-vu au carrefour du perçu et du phantasmé n’est pas sans incidences sur l’intelligence de la poésie senghorienne ainsi que sur son illustration. Parce qu’en pointant l’impossibilité d’une saisie effective et définitive du sens des poèmes senghoriens, elle pose sans détours la question de la fiabilité et de la recevabilité des illustrations picturales de ces derniers
This study offers a questioning of the legitimacy of a definitive semantic content and a fixed pictorial illustration of Léopold Sédar Senghor’s poems. To do this, it shows that the reading of senghorien poems is a phantasy experience allowing the reading-subject to build internally, by the energy of presentification, a picture-book conforms to the unstable meaning of Senghor’s poetry. And, the location of the picture-book at the crossroads between the perceived and the fantasized is not without implications for the understanding of Senghor's poetry as well as its illustration. Because in pointing the impossibility of an effective and definitive understanding of the meaning of senghorien poems, it asks bluntly raises the question of the reliability and admissibility of these pictorial illustrations
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Books on the topic "Senghor"

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Simon, Njami. C'était Senghor. Paris: Fayard, 2006.

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Benoist, Joseph-Roger de. Léopold Sédar Senghor. Paris: Beauchesne, 1998.

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Guibert, Armand. Léopold Sédar Senghor. Paris: P. Seghers, 2006.

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L.S. Senghor: Élégies. Paris: Harmattan, 2009.

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Département de littératures et civilisations africaines de l'Université MarienNgouabi (Brazzaville). Le siècle Senghor. Paris: L'Harmattan, 2001.

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Jean-Rene, Bourrel, Giguet Frederic, Association pour la diffusion de la pensée française., and France. Ministere des affaires etrangeres., eds. Leopold Sedar Senghor. Paris: Adpf, 2006.

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Pierre, Brunel. Léopold Sédar Senghor. Paris: Adpf = Association pour la diffusion de la pensée française, 2006.

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Léopold Sédar Senghor. Boston: Twayne Publishers, 1985.

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Senghor porteur de paroles. Dakar, Sénégal: Presses universitaire de Dakar, 2010.

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Saint-Cheron, François de. Senghor et la terre. Paris: Editions Sang de la terre, 1988.

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Book chapters on the topic "Senghor"

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Wild, Gerhard. "Senghor, Léopold Sédar." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17938-1.

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Mudimbe, V. Y. "Senghor, Léopold Sédar." In Encyclopedia of African Religions and Philosophy, 631–33. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_348.

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Murphy, David. "Senghor, Lamine (1889–1927)." In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 1–3. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-91206-6_330-1.

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Murphy, David. "Senghor, Lamine (1889–1927)." In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 2404–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-29901-9_330.

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NDOUR, Emmanuel Mbégane. "Senghor, Leopold Sédar (1906–2001)." In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 1–6. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-91206-6_331-1.

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Wake, Clive. "L.S. senghor and lyrical poetry." In Comparative History of Literatures in European Languages, 462–75. Budapest: Akadémiai Kiadó, 1986. http://dx.doi.org/10.1075/chlel.vi.36wak.

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NDOUR, Emmanuel Mbégane. "Senghor, Leopold Sédar (1906–2001)." In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 2406–11. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-29901-9_331.

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Niang, Aliou Cissé. "Political Ethics of Léopold Sédar Senghor." In The Palgrave Handbook of African Social Ethics, 257–81. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36490-8_16.

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Ortner, Claudia, and KLL. "Senghor, Léopold Sédar: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–5. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17939-1.

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Fleischmann, Ulrich. "Senghor, Léopold Sédar: Négritude et humanisme." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17940-1.

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Conference papers on the topic "Senghor"

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Nisa, Azkiya, and Diah Lasman. "Critique of French Colonialism in Poem Neigesur Paris (1945)by Léopold Sedar Senghor." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294870.

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Lourenço da Silva, Hiago, and Valquiria F. Dutra. "Pabstiella BRIEGER SENGHAS (ORCHIDACEAE) NO ESPÍRITO SANTO, BRASIL." In 40º Encontro Regional de Botânicos - Regional MG, BA, ES. ,: Even3, 2021. http://dx.doi.org/10.29327/40erbot.302584.

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Nurhayati, Betty, Pranoto, and Dwi Aries Himawanto. "Pyrolysis sengon (Paraserianthe falcatari) as a renewable energy potential." In THE 3RD INTERNATIONAL SEMINAR ON CHEMISTRY: Green Chemistry and its Role for Sustainability. Author(s), 2018. http://dx.doi.org/10.1063/1.5082437.

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Istikorini, Yunik, Noor Farikhah Haneda, Ulfah Juniarti Siregar, and Dhea Amelia Kusuma. "Isolation of Seed-borne Fungal Endophytes on Sengon (Falcataria Moluccana)." In 3rd KOBI Congress, International and National Conferences (KOBICINC 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/absr.k.210621.093.

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Haneda, NF, A. Ichtisinii, UJ Siregar, Y. Istikorini, and A. Lestari. "Chemical Component of Sengon Tree Digested Xystrocera festiva (Coleoptera: Cerambycidae) Larvae." In 3rd KOBI Congress, International and National Conferences (KOBICINC 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/absr.k.210621.049.

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Al-Badawi, Habib. "Sengo kenpo 1947 Vs. Meiji kenpo 1889: comparative study." In Development of legal systems in Russia and foreign countries: problems of theory and practice. ru: Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02061-6-20-37.

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Abstract:
This article is a comparative study between not only two manuscripts of constitutions of Japan, but also analytic research revealing all the cultural, ideological, and political aspects that led the Japanese authorities to adopt each of them. The Meiji Constitution was proclaimed in 1889 during the imperialistic phase of Japanese history where the country was named Empire of Greater Japan (大日本帝国), where Tokyo was a dominant world power. While the recent Constitution of Japan (日本国憲法) was issued in 1947 under the supervision of the Supreme Commander for the Allied Powers (SCAP), which is eventually, a foreign occupation authority. Through the detailed analysis, premising, and reasoning this study will reveal the historical events that resulted those constitutions and will open the debate to discuss the future prospects of the Japanese armament attempts, which is confined and restricted by Article 9 (日本国憲法第9条).
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Trisanti, Prida N., Mohammad Rifan, Pandu Akbar Arafat, Ignatius Gunardi, and Sumarno Sumarno. "The effect of alkaline concentration in the alkaline delignification-assisted sonication on sengon wood." In 4TH INTERNATIONAL SEMINAR ON CHEMISTRY. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0052075.

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Iskandar, Edy Budiarso, Isna Yuniar Wardhani, and Agus Sulistyo Budi. "Optimal Thickness and Heating Time Based on Physical and Mechanical Properties of Densified Sengon Board." In Joint Symposium on Tropical Studies (JSTS-19). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/absr.k.210408.034.

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PRIADI, DODY. "Daya kecambah dan multiplikasi tunas in vitro sengon (Paraserianthes falcataria) unggul benih segar dan yang disimpan selama empat tahun." In Seminar Nasional Masyarakat Biodiversitas Indonesia. Masyarakat Biodiversitas Indonesia, 2015. http://dx.doi.org/10.13057/psnmbi/m010645.

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Sriyono, Mukhlasin, Arpan Nawawi, and Aang Hudriana. "The effect of fiber orientations on the mechanical properties of ramie-sea sengon wood composites for wind turbin blades." In 2017 International Conference on Computing, Engineering, and Design (ICCED). IEEE, 2017. http://dx.doi.org/10.1109/ced.2017.8308097.

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