Relevant bibliographies by topics / Senghor, Leopold Sedar

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Academic literature on the topic 'Senghor, Leopold Sedar'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Senghor, Leopold Sedar"

1

Wake, Clive, and Janice Spleth. "Leopold Sedar Senghor." Modern Language Review 82, no. 4 (October 1987): 984. http://dx.doi.org/10.2307/3729117.

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Beier, Ulli. "Leopold Sedar Senghor: A Personal Memoir." Research in African Literatures 33, no. 4 (2002): 3–11. http://dx.doi.org/10.1353/ral.2002.0102.

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Martin, Michel Louis, and Jacqueline Sorel. "Leopold Sedar Senghor: L'Emotion et la Raison." International Journal of African Historical Studies 31, no. 2 (1998): 438. http://dx.doi.org/10.2307/221134.

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Vaillant, Janet G. "Homage to Leopold Sedar Senghor: 1906-2001." Research in African Literatures 33, no. 4 (2002): 17–24. http://dx.doi.org/10.1353/ral.2002.0131.

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Lamouth, Juan Sánchez. "Choral Salute to the Poet Leopold Sedar Senghor." Black Scholar 45, no. 2 (April 3, 2015): 65–66. http://dx.doi.org/10.1080/00064246.2015.1013003.

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Hymans, Jacques, and Janet G. Vaillant. "Black, French, and African: A Life of Leopold Sedar Senghor." International Journal of African Historical Studies 24, no. 2 (1991): 413. http://dx.doi.org/10.2307/219808.

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Johnson, G. Wesley, and Janet G. Vaillant. "Black, French, and African: A Life of Leopold Sedar Senghor." American Historical Review 97, no. 1 (February 1992): 260. http://dx.doi.org/10.2307/2164681.

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Nicol, Davidson, and Janet G. Vaillant. "Black, French and African: A Life of Leopold Sedar Senghor." African Studies Review 35, no. 3 (December 1992): 138. http://dx.doi.org/10.2307/525141.

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Westley, David. "A Select Bibliography of the Works of Leopold Sedar Senghor." Research in African Literatures 33, no. 4 (2002): 88–100. http://dx.doi.org/10.1353/ral.2002.0134.

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ALIM, Eray. "Post-Kolonyalizm ve Leopold Sedar Senghor: Tartışmalı Bir Düşünür Üzerine Bir İnceleme." Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi 9, Toplum & Siyaset (March 29, 2021): 19–31. http://dx.doi.org/10.18506/anemon.819284.

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Dissertations / Theses on the topic "Senghor, Leopold Sedar"

1

Lebaud-Kane, Geneviève. "L'oeuvre poetique de leopold sedar senghor et sa mythologie." Toulouse 2, 1986. http://www.theses.fr/1986TOU20038.

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La premiere partie de la these est consacree a une etude des rapports entre l'imaginaire et la creation dans l'oeuvre poetique de l. S. Senghor. Apres une analyse de la mythologie des origines et des liens qui existent entre cette mythologie et le concept de negritude, l'auteur evoque l'influence exercee par les tendances profondes de l'imaginaire sur certains aspects du langage du poete: predilection pour l'imparfait, transferts du passe au present ou au futur, silences et ellipses, gout de la melodie et des jeux d'echos sonores, role des grandes images archetypes dans la composition du poeme et dans la structure de certains recueils, apparition de systemes d'images analogues a ceux que l'on rencontre dans les mythes. La plupart de ces aspects revelent l'influence exercee sur le poete par les techniques de la litterature traditionnelle d'afrique noire. La deuxieme partie de la these est consacree a l'etude des lettres d'hivernage et de quelques-uns des grands themes de ce recueil: dialectique du temps, figures de mediation spatiale, entithese du jour et de la nuit, nostalgie de l'ailleurs et mythe de la dame chatelaine, symbolique des oiseaux et des fleurs. Cette deuxieme partie s'acheve par une etude des lithographies realisees par marc chagall pour l'edition originale des lettres d'hivernage
The first part of the thesis is devotes to the links between imagination and creation in the poetical works of l. S. Senghor. After studying the mythology of the origins and the connection between this mythology and the concept of negritude, the author mentions the influence exerted on certain aspects of the poet's language by the underlying tendencies of imagination : the poet's predilection for the imperfect, the transfer to present or to future, the pauses and ellipsis, the choice of melodismus and the use of resounding echoes, the part of great archetypes images in the composition of the poem and of certain collections, the use of systems of images similar to these existing in myths. Most of these aspects show the influence exerted on the poet by the traditional techniques of black african's literature. The second part of the thesis is devotes to the study of lettres d'hivernage and some of the most important themes of the collection : time dialectics, spatial mediations, antithesis of day and nyght, nostalgie for elsewhere and the myth of the lady, birds and flowers'symbolics. This seconds part ends with lithographs made by marc chagall for the first edition of lettres d'hivernage
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Thiam, Cheikh Ahmadou Bamba. "A philosophy at the crossroads the shifting concept of negritude in Leopold Sedar Senghor's oeuvre /." Diss., Online access via UMI:, 2007.

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3

Bibang, Bi-Nguema Claver. "Approche comparée de la nuit (et du jour) dans le texte de Maurice Blanchot et Leopold Sedar Senghor." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040020.

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« Comparaison n’est pas raison ». Célèbre pamphlet formulé par René Etiemble en 1963, qui fait date, aujourd’hui encore dans toute tentative de comparabilité poétique. La présente thèse essaie d’aller au-delà de cette prescription théorique, sans toutefois perdre de vue la mesure et la pertinence qui la supposent. Maurice Blanchot et Léopold Sédar Senghor. Deux auteurs que tout semble éloigner. Le premier, Européen de culture, a produit une œuvre marquée par la distance heuristique, le désœuvrement infini et la discrétion interminable d’un sujet qui va disparaissant. Le second, Africain et académicien a écrit des recueils de poèmes et des essais sur le Socialisme et l’Esthétique négro-africaine. Rien ne présageait une quelconque rencontre entre ces deux écrivains. Ils ont cependant en commun la poétique de la Nuit, espace d’expression thématique qui structure ce travail. Blanchot et Senghor sont distants à l’égard des modes traditionnels de la Raison. L’un a écrit des fictions fragmentaires, des récits marqués par des apophtegmes ainsi que des textes critiques iconoclastes. L’autre a jeté un soupçon radical sur la Raison discursive et la pensée géométrique. La Nuit est le lieu de ces renversements herméneutiques. A partir d’une approche ouverte, la thèse procède à la réévaluation des outils classiques de lisibilité des textes littéraires, en tentant de répondre à trois questions cardinales : Pourquoi et Comment la Nuit chez Blanchot et Senghor ? Quelles sont donc les discontinuités qui s’étendent dans cette région obscure et étrange ? Mais encore, Comment surmonter l’absence d’échanges effectifs, pour approcher le débat ainsi manqué chez ces deux auteurs ? Telles sont les apories principales qui gouvernent cette recherche. Pour s’y risquer, une poétique transversale est convoquée : les Psychanalyses littéraires, pour saisir les frustrations initiales qui se métamorphosent dans le Jour et fondent le texte dans la Nuit. La Mythocritique et son dispositif triangulaire, pour observer les rapports entre le héros mythique, le personnage romanesque (ou poétique) et l’écrivain. Et enfin, la Déconstruction, pour suivre le réceptacle théorique qui est le point de condensation de ces dissymétries. La Nuit apparaît alors comme une opération de démantèlement des institutions du Savoir, qui étire la parole littéraire jusqu’à l’abolition radicale des différences : inaccessibilité de l’Altérité chez Blanchot, hétérogénéité du rythme intuitif, l’Autre de la raison chez Senghor
"Comparison is not reason." Pamphlet made famous by Rene Etiemble in 1963, which today, has aplace in all attempts of poetry comparison. This thesis tries to go beyond the theoretical limitation without losing sight of the relevance and pertinence that it is supposed by.Maurice Blanchot and Léopold Sédar Senghor. Two authors that differ in every respect. The first, influenced by European culture in order to produce a piece of work marked by heuristic difference, infinite boredom, and an endless discretion of a topic that will eventually disappear. The Second, an African academic that wrote collections of poems and essays on Socialism and the Negro-African Aesthetics. Nothing boded any meeting between these two writers. They have in common the poetics of the Night, a thematic expression that structures this work. Blanchot and Senghor are far from the traditional modes of reason. One wrote fragments of fiction and narratives marked by sayings and iconoclastic critical texts. The other had cast suspicion on radical discursive reason and geometric thinking. Night is the place of these hermeneutic reversals . From an open approach, the thesis is re-evaluating the standard tools of readable literary texts, trying to answer three cardinal questions: Why and how do Blanchot and Senghor use night in their work ? What are the discontinuities that lie in this strange and dark region? Moreover, How to overcome the absence of effective exchanges, in order to approach the missing debates within in the works of these two authors? These are the main aspects that govern this research. To take the risk, a poetry section is called : the litery psychoanalysis, to capture the initial frustrations that are transformed in the day and melt the text in the night. The Mythocritique and its triangular form of analysis is used in order to observe the relationship between the mythical hero, the fictional (or poetic character) and the writer. Finally, Deconstruction is used, to monitor the theoretic receptacle which serves as the point of condensation of these asymmetries. Night appears as an operation to dismantle the institutions of knowledge, whilst stretching the literary language until the radical abolition of differences: inaccessibility of Otherness in Blanchot, intuitive rhythm heterogeneity, the other of reason in Senghor
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Fisher, James J. "An Intellectual History of Thomas Sankara." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1538989985964085.

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Capdepuy, Arlette. "Félix Eboué, 1884-1944 : mythe et réalités coloniales." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30051/document.

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Descendant d’esclaves, Félix Éboué est né dans le milieu de la petite bourgeoisie de Cayenne (Guyane) en 1884. Il termine ses études secondaires à Bordeaux puis ses études supérieures à Paris : il sort diplômé de l’École coloniale en 1908. A sa demande, il est affecté en Oubangui-Chari (colonie de l’AEF). Il reste en brousse vingt deux ans avant de devenir administrateur en chef (1931). Il est ensuite nommé à différents postes : secrétaire général de la Martinique (1932-1934), secrétaire général du Soudan français (1934-1936), gouverneur de la Guadeloupe (1936-1938), gouverneur du Tchad (1938-1940). A l’été 1940, il choisit le camp de la Résistance avec de Gaulle. Le ralliement du Tchad donne au chef de la France libre un territoire français en Afrique, d’une importance stratégique capitale. En novembre 1940, de Gaulle le nomme gouverneur général de l’AEF à Brazzaville et Compagnon de la Libération. Jusqu’à février 1944, grâce à sa maîtrise de l’administration coloniale, il gère les hommes et les ressources de l’AEF pour le plus grand profit de la France libre et des Alliés. Épuisé et malade, il décède au Caire en mai 1944.La mémoire d’État s’empare de sa mémoire pour en faire rapidement une icône : il entre au Panthéon en mai 1949. Mais, Félix Éboué ne se réduit pas à son mythe : s’il est un personnage emblématique de la IIIe République, il est un homme ancré dans son époque par son appartenance à des réseaux de pouvoirs et par ses idées. Sa spécificité est d’avoir espéré réformer le système colonial et d’avoir cru qu’il était possible de lutter contre le préjugé de couleur, contre le racisme au nom des valeurs de la République. S’il fut un pionnier, c’est par le domaine du sport qui était pour lui un outil par excellence de l’intégration et d’épanouissement de l’individu
Descendant of slaves, Felix Eboue was born in the middle of the lower middle class of Cayenne (Guiana) in 1884. He finished high school in Bordeaux and his graduate studies in Paris: he graduated from the “Ecole coloniale” in 1908. At his request, he was assigned in Oubangui-Chari (AEF colony). It remains in the bush twenty two years before becoming Chief (1931). He was appointed to various positions: Secretary General of Martinique (1932-1934), Secretary General of the French Sudan (1934-1936), governor of Guadeloupe (1936-1938), governor of Chad (1938-1940). In the summer of 1940, he chose the side of the Resistance with de Gaulle. The rallying Chad gives the leader of Free France, a French territory in Africa, a strategic importance. In November 1940, de Gaulle appointed Governor General of the AEF in Brazzaville and Companion of the Liberation. Until February 1944, thanks to his mastery of the colonial administration, he manages people and resources of the AEF for the benefit of Free France and the Allies. Exhausted and ill, he died in Cairo in May 1944. The memory State seizes his memory to make an icon rapidly enters the Pantheon in May 1949. But Felix Eboue is not limited to the myth: it is an iconic character of the Third Republic, he is a man rooted in his time by his membership in networks of power and ideas. Its specificity is to be hoped reform the colonial system and have believed it was possible to fight against the prejudice of color against racism on behalf of the values of the Republic. If he was a pioneer, this is the sport that was for him an ideal tool for the integration and development of the individual
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Adão, Jorge Manoel. "O negro e a educação : movimento e política no Estado do Rio Grande do Sul : 1987-2001." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2002. http://hdl.handle.net/10183/158680.

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This Master Research is a boarding of the public politics in education of blacks in Rio Grande do Sul State, realized since the praxis, performance, proposal and organization of the entities and groups that constitute the gaúcho black movement, for the Project “The Black and the Education” of the Educational Secretary of State and “Advice of Development Participation and of the Black Community of the Rio Grande do Sul State”: public-institutional spaces created with the task to implement and to develop public black-educative politics. This Master Research has this theoretical reference as the black-Brazilian paradigm which unites the afrocentricity, blackness and affirmative actions, as reflexive and concrete form of incrementation of these public politics; and my experience and black militancy with an eye challenge that bring up-to-date an epistemological perspective where the researcher constitutes himself as the subject and the object, involved in this reality, at the same time.
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Books on the topic "Senghor, Leopold Sedar"

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Jean-Rene, Bourrel, Giguet Frederic, Association pour la diffusion de la pensée française., and France. Ministere des affaires etrangeres., eds. Leopold Sedar Senghor. Paris: Adpf, 2006.

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Leopold Sedar Senghor: Lumiere noire. [Paris]: Menges, 2006.

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Léopold Sédar Senghor: From politics to poetry. New York: P. Lang, 1997.

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Collins, Grace. Man of destiny: Léopold Sédar Senghor of Senegal. Mt. Airy, MD: Sights Productions, 1997.

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Black, French, and African: A life of Léopold Sédar Senghor. Cambridge, Mass: Harvard University Press, 1990.

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Blede, Logbo. Melanges: Regard critique sur un aspect de l'ecriture dramatique de Leopold Sedar Senghor, Aime Cesaire, Bernard Dadie, Charles Nokan, Sony Labou Tansi. Abidjan: Presses Universitaires de Côte d'Ivoire, Université de Cocody, 2001.

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What we say, who we are: Leopold Senghor, Zora Neale Hurston, and the philosophy of language. Lanham, MD: Lexington Books, 2009.

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English, Parker. What we say, who we are: Leopold Senghor, Zora Neale Hurston, and the philosophy of language. Lanham, Md: Lexington Books, 2010.

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Li͡akhovskai͡a, N. D. Leopolʹd Sedar Sengor. Moskva: Nasledie, 1995.

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Navigating the African diaspora: The anthropology of invisibility. Minneapolis: University of Minnesota Press, 2010.

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Book chapters on the topic "Senghor, Leopold Sedar"

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"LEOPOLD SEDAR SENGHOR (1906-)." In Postcolonial African Writers, 457–69. Routledge, 2012. http://dx.doi.org/10.4324/9780203058558-53.

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"Preface." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, v—vi. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-001.

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"Préface." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, vii—viii. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-002.

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"Chapter I. From the Sine to the Seine." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 1–26. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-003.

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"Chapter II. The Experience of Negritude: Exile and the Kingdom." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 27–43. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-004.

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"Chapter III. The Basis of Negritude: Black African Ontology." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 44–73. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-005.

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"Chapter IV. The Expression of Negritude: Black African PsychophysioIogy." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 74–109. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-006.

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"Chapter V. The Fundamental Traits of Negritude: Rhythm and Imagery." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 110–51. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-007.

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"Chapter VI. The Future of Negritude: The "Civilization of the Universal"." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 152–80. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-008.

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"Translations of Selected Poems." In The Concept of Negritude in the Poetry of Leopold Sedar Senghor, 181–280. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867134-009.

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