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1

Gaulme, François. "Senghor." Études Tome 397, no. 7 (July 1, 2002): 0. http://dx.doi.org/10.3917/etu.971.20.

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2

Smith, Étienne. "« Senghor voulait qu'on soit tous des Senghor »." Vingtième Siècle. Revue d'histoire 118, no. 2 (2013): 87. http://dx.doi.org/10.3917/ving.118.0087.

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3

Drabinski, John E. "Senghor's Anxiety of Influence." Journal of French and Francophone Philosophy 24, no. 1 (October 12, 2016): 68–80. http://dx.doi.org/10.5195/jffp.2016.758.

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An examination of the question of influence in Senghor's work, with particular attention to the concept of assimilation - which I argue allows Senghor to responsibly adopt notions from French vitalist and life-philosophy traditions, despite their close ties to colonial and imperial histories.
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4

Wake, Clive, and Janice Spleth. "Leopold Sedar Senghor." Modern Language Review 82, no. 4 (October 1987): 984. http://dx.doi.org/10.2307/3729117.

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5

Diagne, Pathé. "Senghor in Context." Research in African Literatures 33, no. 4 (December 2002): 12–16. http://dx.doi.org/10.2979/ral.2002.33.4.12.

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6

Jollivet, Servanne. "Senghor et Evtouchenko." Po&sie 116, no. 2 (2006): 105. http://dx.doi.org/10.3917/poesi.116.0105.

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7

Garnier, Xavier. "Vertiges de Senghor." Po&sie 157-158, no. 3 (2016): 258. http://dx.doi.org/10.3917/poesi.157.0258.

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8

Saivre, Denyse de. "Léopold Sédar Senghor." Présence Africaine 154, no. 2 (1996): 72. http://dx.doi.org/10.3917/presa.154.0072.

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9

Wauthier, Claude. "Témoignage sur Senghor." Présence Africaine 154, no. 2 (1996): 77. http://dx.doi.org/10.3917/presa.154.0077.

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10

Shaw, Devin Zane. "The Vitalist Senghor." Comparative and Continental Philosophy 5, no. 1 (May 2013): 92–98. http://dx.doi.org/10.1179/1757063813z.0000000009.

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11

Sellin, Eric, and Janice Spleth. "Léopold Sédar Senghor." World Literature Today 61, no. 1 (1987): 145. http://dx.doi.org/10.2307/40142661.

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12

Diagne, Pathe, and R. H. Mitsch. "Senghor in Context." Research in African Literatures 33, no. 4 (2002): 12–16. http://dx.doi.org/10.1353/ral.2002.0106.

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13

Tarot, Laure, Fatou Kandé Senghor, and Christine Eyene. "Fatou Kandé Senghor." Africultures 85, no. 3 (2011): 88. http://dx.doi.org/10.3917/afcul.085.0088.

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14

Lamola, Malesela John. "Senghor, globalism and Africanity." Phronimon 17, no. 2 (2016): 51–67. http://dx.doi.org/10.17159/2413-3086/2016/1967.

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15

Ouattara, Bourahima. "Senghor, lecteur de Barrès." Présence Africaine 191, no. 1 (2015): 215. http://dx.doi.org/10.3917/presa.191.0215.

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16

Soyinka, Wole. "Senghor: Lessons in Power." Research in African Literatures 33, no. 4 (December 2002): 1–2. http://dx.doi.org/10.2979/ral.2002.33.4.1.

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17

Riesz, J´nos. "Senghor and the Germans." Research in African Literatures 33, no. 4 (December 2002): 25–37. http://dx.doi.org/10.2979/ral.2002.33.4.25.

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18

Moore, Gerald. "Senghor: Poet of Night." Research in African Literatures 33, no. 4 (December 2002): 51–59. http://dx.doi.org/10.2979/ral.2002.33.4.51.

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19

Martin-Granel, Nicolas. "Colloque SENGHOR (Brazzaville, 1996)." Études littéraires africaines, no. 2 (1996): 53. http://dx.doi.org/10.7202/1042636ar.

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20

Havard, Jean-François. "Senghor ? Y'en a marre !" Vingtième Siècle. Revue d'histoire 118, no. 2 (2013): 75. http://dx.doi.org/10.3917/ving.118.0075.

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21

Mbow, Penda. "Hommage au Président Senghor !" Présence Africaine 154, no. 2 (1996): 59. http://dx.doi.org/10.3917/presa.154.0059.

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22

Tati Loutard, Jean-Baptiste. "Senghor et le Surréalisme." Présence Africaine 154, no. 2 (1996): 176. http://dx.doi.org/10.3917/presa.154.0176.

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23

Little, R. "AN UNCOLLECTED SENGHOR POEM." French Studies Bulletin 31, no. 114 (March 1, 2010): 10–12. http://dx.doi.org/10.1093/frebul/ktq004.

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24

Moore, Gerald. "Senghor: Poet of Night." Research in African Literatures 33, no. 4 (2002): 51–59. http://dx.doi.org/10.1353/ral.2002.0117.

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25

Riesz, Janos, and Aija Bjornson. "Senghor and the Germans." Research in African Literatures 33, no. 4 (2002): 25–37. http://dx.doi.org/10.1353/ral.2002.0123.

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26

Soyinka, Wole. "Senghor: Lessons in Power." Research in African Literatures 33, no. 4 (2002): 1–2. http://dx.doi.org/10.1353/ral.2002.0128.

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27

Ouattara, Bourahima. "Senghor, lecteur de Barrès." Études de lettres, no. 2 (September 15, 2017): 111–32. http://dx.doi.org/10.4000/edl.1062.

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28

Denda, A., C. Mohn, H. Wehrmann, and B. Christiansen. "Microzooplankton and meroplanktonic larvae at two seamounts in the subtropical and tropical NE Atlantic." Journal of the Marine Biological Association of the United Kingdom 97, no. 1 (January 20, 2016): 1–27. http://dx.doi.org/10.1017/s0025315415002192.

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Spatial distribution patterns of microzooplankton (0.055–0.3 mm) biomass and abundance were studied in relation to the hydrographic situation and the local flow field in the waters off Ampère and Senghor, two shallow seamounts in the subtropical and tropical NE Atlantic, in comparison with unaffected open ocean reference sites. Ampère was sampled during November/December 2010 and Senghor during December 2011 and February 2013. The study includes taxonomic composition, abundance of meroplanktonic larvae and an estimation of the respiratory carbon demand. Biomass (dry weight) standing stocks of microzooplankton in the upper 100 m ranged between 30–120 mg m−2 over Ampère and 140–260 mg m−2 over Senghor Seamount, corresponding to 33 and 24% of the total zooplankton (0.055–20 mm). Highest total abundance was always found in the upper 50 m with numbers of 1070–5060 Ind m−3 at Ampère and 5050–20,000 Ind m−3 at Senghor with microzooplankton contributing 70–95%. Zooplankton accumulated mainly at the thermocline coincident with the deep fluorescence maximum and was ascertained by food supply rather than by oxygen limitation. The microzooplankton contribution to the total respiratory carbon demand was ~50% in the subtropical waters off Ampère and ~30% at Senghor, reflecting the important role of microzooplankton in the waters of the NE Atlantic subtropical gyre. Clear evidence of local seamount effects resulting in enhanced microzooplankton biomass compared with the unaffected reference sites were not detected. However, we confirmed Senghor as a hotspot for meroplanktonic larvae, suggesting a retention potential that results in significantly enhanced larval abundance in the seamount waters as compared with the open ocean.
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29

Amadessi, Veronica. "Aa. Vv., «Jeune Afrique», Senghor." Studi Francesi, no. 154 (LII | I) (June 1, 2008): 227–28. http://dx.doi.org/10.4000/studifrancesi.9348.

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30

Smolej, Tone. "Léopold Sédar Senghor pri slovencih." Ars & Humanitas 3, no. 1-2 (December 31, 2009): 175–85. http://dx.doi.org/10.4312/ars.3.1-2.175-185.

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31

Diarra, Eloi. "Hommage à Léopold Sedar Senghor." Études Normandes 55, no. 2 (2006): 55–62. http://dx.doi.org/10.3406/etnor.2006.1636.

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32

Tilliette, Xavier. "Senghor, poète du soleil noir." Études Tome 397, no. 7 (July 1, 2002): 0. http://dx.doi.org/10.3917/etu.971.05.

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33

Dramé, Kandioura, and Kandioura Drame. "Léopold S. Senghor: Introductory Notes." Callaloo 13, no. 1 (1990): 11. http://dx.doi.org/10.2307/2931590.

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34

Carrère, Charles, and Hamidou Dia. "Senghor : un poète en politique." Présence Africaine 154, no. 2 (1996): 61. http://dx.doi.org/10.3917/presa.154.0061.

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35

Fonkoua, Romuald. "Léopold Sédar Senghor (1906-2001)." Présence Africaine 163-164, no. 1 (2001): 61. http://dx.doi.org/10.3917/presa.163.0061.

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36

Smolej, Tone. "Léopold Sédar Senghor pri slovencih." Ars & Humanitas 3, no. 1-2 (December 31, 2009): 175–85. http://dx.doi.org/10.4312/ah.3.1-2.175-185.

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37

Ranaivoson, Dominique. "L’Anthologie de Senghor comme manifeste." Études littéraires africaines, no. 29 (2010): 20. http://dx.doi.org/10.7202/1027492ar.

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38

Molinié, Georges. "Poéticité de Senghor : les "parallélismes asymétriques"." L Information Grammaticale 32, no. 1 (1987): 26–28. http://dx.doi.org/10.3406/igram.1987.2099.

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39

Mégevand, Martin. "Soyinka, Senghor: retour sur un différend." Ponts-Ponti: Langues littératures civilisations des Pays francophones, no. 12 (December 2012): 51–69. http://dx.doi.org/10.7358/pont-2012-012-mege.

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40

Diagne, Souleymane Bachir. "Senghor et la Révolution de 1889." Romanic Review 100, no. 1-2 (January 1, 2009): 103–11. http://dx.doi.org/10.1215/26885220-100.1-2.103.

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41

Beier, Ulli. "Leopold Sedar Senghor: A Personal Memoir." Research in African Literatures 33, no. 4 (2002): 3–11. http://dx.doi.org/10.1353/ral.2002.0102.

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42

Pereira, Maria Helena da Rocha. "Léopold Senghor e os Estudos Clássicos." Boletim de Estudos Clássicos 49 (2008): 103–7. http://dx.doi.org/10.14195/0872-2110_49_15.

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43

Mboussa, Boniface Mongo. "Pour une relecture dynamique de Senghor." Études de lettres, no. 3-4 (December 15, 2017): 101–12. http://dx.doi.org/10.4000/edl.1040.

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44

Mboussa, Boniface Mongo. "Pour une relecture dynamique de Senghor." Études de lettres, no. 3-4 (December 15, 2017): 101–12. http://dx.doi.org/10.4000/edl.2487.

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45

Ranaivoson, Dominique. "Senghor, « le profane et le sacré »." Africultures 65, no. 4 (2005): 144. http://dx.doi.org/10.3917/afcul.065.0144.

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46

Heiniger, Sébastien. "Paradis perdu et champs verdoyants : figures de l’utopie dans la pensée de Léopold Sédar Senghor." Quêtes littéraires, no. 11 (December 30, 2021): 147–57. http://dx.doi.org/10.31743/ql.13316.

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Léopold Sédar Senghor était un penseur et poète de la Négritude, et il était aussi un homme politique, député à l’Assemblée nationale française dans un contexte où la décolonisation était inéluctable. Avec le soutien théorique de Paul Ricœur, cet article explore l’utopie chez Senghor pour réfléchir à la fonction qu’occupent ces lieux irréels dans sa pensée et restaurer la vision de l’avenir qui était la sienne. Figures de son eutopia, tant le Royaume du Sine que la France Confédérée se proposaient comme communautés harmonieuses à l’aune desquelles imaginer l’avenir. Si Senghor ne défie pas l’idéologie coloniale avec une utopie conservatrice, où le Royaume du Sine retrouverait sa forme ancienne, mais bien avec celle d’une France décolonisée parce que fédérale, où il existerait une égalité de droits politiques, civiques et sociaux entre membres de cet État plurinational, la question de savoir s’il était utopiste demeure.
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47

Vrančić, Frano, and Helga Ptiček. "MARXISME ET CHRISTIANISME SELON DAMAS, CÉSAIRE ET SENGHOR / MARKSIZAM I KRŠĆANSTVO PREMA DAMASU, CÉSAIREU I SENGHORU." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 181–208. http://dx.doi.org/10.46352/23036990.2020.181.

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The aim of this paper is to analyze the relationships of Marxism and Christianity in the literary work of the three Baobabs of Negritude – the Guyanase Léon-Gontran Damas (1912-1978), the Martiniquais Aimé Césaire (1913-2008) and the Senegalese Léopold Sédar Senghor (1906-2001). Starting from the first cries of black revolt against “the civilizing mission” and the disproportionate exploitation of the human and natural wealth of the formerly colonized countries, we will try to describe how the Marxist vision of the colonial world of young angry writers influences the virulence of their attitudes against the assimilationist policies of the French Third Republic and the colonial clergy. Finally, we will explain how Senghoraian Negritude differs from that expressed in Césaireʼs and Damasʼ work and how his catholicism and the experience of peaceful cohabitation between Senegalese Christians and Muslims inspire him to preach the civilization of the Universal, that is to say to the mixing of men and women of different races and cultures.
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48

Bongie, Chris. "Francophone conjunctures." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 3-4 (January 1, 1997): 291–307. http://dx.doi.org/10.1163/13822373-90002610.

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[First paragraph]Decolonizing the Text: Glissantian Readings in Caribbean and African-American Literatures. DEBRA L. ANDERSON. New York: Peter Lang, 1995. 118 pp. (Cloth US$46.95)L'Eau: Source d'une ecriture dans les litteratures feminines francophones. YOLANDE HELM (ed.). New York: Peter Lang, 1995. x + 295 pp. (Cloth US$ 65.95)Postcolonial Subjects: Francophone Women Writers. MARY JEAN GREEN, KAREN GOULD, MICHELINE RICE-MAXIMIN, KEITH L. WALKER & JACK A. YEAGER (eds.). Minneapolis: University of Minnesota Press, 1996. xxii + 359 pp. (Paper US$ 19.95)Statue cou coupe. ANNIE LE BRUN. Paris: Jean-Michel Place, 1996. 177 pp. (Paper FF 85.00) Although best remembered as a founding father of the Negritude movement along with Aime Cesaire, Leopold Senghor was from the very outset of his career equally committed - as both a poet and a politician - to what he felt were the inseparable concepts of la francophonie and metissage. Senghor's has been an unabashedly paradoxical vision, consistently addressing the unanswerable question of how one can be essentially a "black African" and at the same time (in Homi Bhabha's words) "something else besides" (1994:28). In his "Eloge du metissage," written in 1950, Senghor ably described the contradictions involved in assuming the hybrid identity of a metis (an identity that offers none of the comforting biological and/or cultural certainties - about "rhythm," "intuition," and such like - upon which the project of Negritude was founded): "too assimilated and yet not assimilated enough? Such is exactly our destiny as cultural metis. It's an unattractive role, difficult to take hold of; it's a necessary role if the conjuncture of the 'Union francaise' is to have any meaning. In the face of nationalisms, racisms, academicisms, it's the struggle for the freedom of the Soul - the freedom of Man" (1964:103). At first glance, this definition of the metis appears as dated as the crude essentialism with which Senghor's Negritude is now commonly identified: in linking the fate of the metis to that of the "Union francaise," that imperial federation of states created in the years following upon the end of the Second World War with the intention of putting a "new" face on the old French Empire, Senghor would seem to have doomed the metis and his "role ingrat" to obsolescence. By the end of the decade, the decolonization of French Africa had deprived the "Union franchise" of whatever "meaning" it might once have had. The uncompromisingly manichean rhetoric of opposition that flourished in the decolonization years (and that was most famously manipulated by Fanon in his 1961 Wretched of the Earth) had rendered especially unpalatable the complicities to which Senghor's (un)assimilated metis was subject and to which he also subjected himself in the name of a "humanism" that was around this same time itself becoming the object of an all-out assault in France at the hands of intellectuals like Foucault.
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49

Bobo, Rostand Sylvanius. "Le je lyrique chez Léopold Sédar Senghor." Anales de Filología Francesa 27, no. 1 (November 18, 2019): 23–34. http://dx.doi.org/10.6018/analesff.381941.

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El lirismo es una forma de expresión que extiende su imperio a todas las artes. En la literatura, fue traído a su cima por el romanticismo que lo hizo su línea de fuerza. Ha conocido una variedad de fortunas desde entonces. Asumido por algunos, vilificados por otros, sigue siendo hoy en día el corazón de las preocupaciones de muchos críticos. Nuestro estudio propone estudiar la letra I en un poema de Leopold Sédar Senghor: el Kaya Magan, extraído de su colección Etícuos. Es una contribución humilde a las numerosas obras dedicadas a esta importante figura de la literatura Afroafricana, principalmente a aquellos que tienen como eje principal la dimensión lírica. La prueba una vez más que el lirismo y el compromiso pueden ser una buena limpieza. Es un enfoque lingüístico de la autoescritura que incorpora referencias al contexto sociohistórico. Lyricism is a form of expression that extends its empire to all arts. In literature, it was brought to its pinnacle by the romanticism that made it its line of strength. He has known a variety of fortunes since then. Assumed by some, vilified by others, it remains today still at the heart of the concerns of many critics. Our study proposes to study the lyric I in a poem by Leopold Sédar Senghor: the Kaya Magan, extracted from his collection Ethiopiques. It is a humble contribution to the many works devoted to this major figure of the Negro-African literature, mainly to those who have as a major axis the lyrical dimension. The proof once again that lyricism and commitment can be good housekeeping. It is a linguistic approach to self-writing that incorporates references to the socio-historical context. Le lyrisme est une forme d’expression qui étend son empire à tous les arts. En littérature, il a été porté à son pinacle par le romantisme qui en a fait sa ligne de force. Il a connu des fortunes diverses depuis. Assumé par les uns, vilipendé par les autres, il demeure aujourd’hui encore au cœur des préoccupations de nombreux critiques. Notre étude se propose d’étudier le je lyrique dans un poème de Léopold Sédar Senghor : Le Kaya Magan, extrait de son recueil Éthiopiques. Elle se veut une humble contribution aux nombreux travaux consacrés à cette figure majeure de la littérature négro-africaine, principalement à ceux qui ont pour axe majeur la dimension lyrique. La preuve une fois encore que le lyrisme et engagement peuvent faire bon ménage. C’est une approche linguistique de l’écriture de soi qui intègre les références au contexte socio-historique.Mots-clés : Lyrisme-je lyrique/ethos poétique-ode-négritude
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50

Kesteloot, Lilyan. "Senghor et la religion. Ambivalence et ambiguïté." Littératures 15, no. 1 (1986): 161–65. http://dx.doi.org/10.3406/litts.1986.1889.

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