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Books on the topic 'Senior art exhibition'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Museum, SUNY Plattsburgh Art. Identity: Senior exhibition, 2007 : Burke Gallery & Myers Lobby Gallery, Plattsburgh State Art Museum, April 21-May 12, 2007. State University of New York College at Plattsburgh, 2007.

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2

Palenzuela, Juan Carlos. Nuestro señor Don Quijote: Pintura e ilustraciones de Luis Guevara Moreno, Régulo Pérez, Pedro León Zapata. Museo de Arte Contemporaneo Sofía Imber, 1992.

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3

Moonen, Rob. Camera silens: Ein Projekt. 2nd ed. Edited by Arndt Olaf 1961-, Kroesinger Hans-Werner, Parochialkirche (Berlin Germany), Neue Gesellschaft für Bildende Kunst., and Podewil Berlin. Edition Nautilus, 1995.

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4

Sabapathy, T. K. Piyadasa: An overview, 1962-2000. Balai Seni Lukis Negara, 2001.

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5

Lilly Library (Indiana University, Bloomington), ed. The art of leadership: A companion to an exhibition from the senatorial papers of Birch Bayh, January 29-May 5, 2007 : United States Senator from Indiana, 1963-1980. Lilly Library, Indiana University, 2007.

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6

1933-, Shen Yizheng, Xiong Yizhong, Xue Zhang, Zhang Luoshan, Guo li Taiwan yi shu jiao yu guan., and Jinling yi shu zhong xin (Taipei, Taiwan)., eds. Ba shi zhi mei: Zi shen yi shu jia lian zhan = The beauty of the eighties joint exhibition of senior artists. Guo li Taiwan yi shu jiao yu guan, 1995.

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7

Jeanette, Doyle, McCaffrey Mark, Mulroney Annie, and Hugh Lane Municipal Gallery of Modern Art., eds. Return to sender: An exhibition of contemporary Irish art via air mail. Dogbowl & Bones Publishing, 1998.

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8

Prayūn ʻUluchāda: Nithatsakān chœ̄tchū kīat sinlapin ʻāwusō Phutthasakkarāt 2537 na Phiphitthaphanthasathān hǣng Chāt, Hō̜sin, Thanon Čhaofā, Krung Thēp..., 15 Singhākhom-4 Kanyāyon 2537 = Prayura Uluchadha : a special art exhibition 1994 painting exhibtion honouring the senior artist at the National Gallery, Chao-Fa Road, Bangkok, 15 August-4 September 1994. Krom Sinlapākō̜n, 1994.

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9

Cheryl, Kramer, and Handwerker Gallery (Ithaca, N.Y.), eds. 2008 senior student show: April 17-May 18, 2008. Handwerker Gallery, 2008.

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10

Cheryl, Kramer, Armbruster Kalia, and Handwerker Gallery (Ithaca, N.Y.), eds. 2007 senior student show: April 12-May 20, 2007. Handwerker Gallery, 2007.

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11

Bibliothèque historique de la ville de Paris., ed. Léopold Sédar Senghor: Le poète et les peintres. Paris bibliothèques, 2006.

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12

Cheryl, Kramer, and Handwerker Gallery (Ithaca, N.Y.), eds. 2006 senior student show: April 13-May 14, 2005 ; Handwerker Gallery. Handwerker Gallery, 2006.

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13

Jean-Gérard, Bosio, and Dérens Jean, eds. Léopold Sedar Senghor, le poète et les peintres: Exposition, Paris, Bibliothèque historique, 21 sept.-22 oct. 2006. Paris Bibliothèques, 2006.

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14

Barker, Thomas. Indonesian Cinema after the New Order. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528073.001.0001.

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In the two decades since the fall of the New Order regime in 1998, Indonesia cinema has become one of the most productive and exciting film industries in Asia. From a position in the 1990s when local films were on the cultural periphery, they are now part of the mainstream with two new films in the cinemas every week. This book traces how the film industry reformed and returned to popularity and conceptualises it as a process of going mainstream. It overturns long held paradigms of national cinema and statism to see the film industry as pop culture in which market mechanisms are determinant. In going mainstream, new independent-minded filmmakers representing new creativity had to accommodate with capital and producers from old production companies. Appeal to audiences has resulting in the reimagining of the horror film and its traumas and the representation of new kinds of piety in a new subgenre Islamic themed films. Yet legacy structures and players remain, as the film industry has struggled to overcome regulation and censorship and the oligopoly of senior producers. In catering to a growing audience, the exhibition sector has become the focus of new investment as it becomes a site for competing local operators and global capital. The book argues for a reconceptualization of Indonesian cinema as pop culture with consequences to how Asian cinema is studied.
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15

Kling, Sheri D. Avoiding a Fatal Error: Extending Whitehead’s Symbolism Beyond Language. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429566.003.0008.

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Typically, discussion of Whitehead’s modes of perception and symbolic reference are limited to the perception of sense-data and the use and interpretation of language as symbolic, but Whitehead’s thought can be connected to the imaginal realm of art, dream symbols, and archetypes when he argues that broadening our definition of perception beyond solely sense perception ‘can be of no importance unless we can detect occasions of experience exhibiting modes of functioning which fall within its wider scope. If we discover such instances of non-sensuous perception, then the tacit identification of perception with sense-perception must be a fatal error barring the advance of systematic metaphysics’ (AI 180). In order to avoid the ‘fatal error’ of limiting perception to strictly sense perception, this chapter argues that since Whitehead included aesthetic expression in his understanding of symbolism, and was open to non-sensory perception, Whitehead’s symbolism can be connected to that of Carl Jung to broaden and enrich the scholarship on symbolism, and that such an integration can positively influence human society’s intensity of experience and overall aliveness, vitality, and zest for life, especially when a practice of dream work is incorporated in this integration.
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16

Ashwell, Ken, ed. Neurobiology of Monotremes. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643103153.

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Neurobiology of Monotremes brings together current information on the development, structure, function and behavioural ecology of the monotremes. The monotremes are an unusual and evolutionarily important group of mammals showing striking behavioural and physiological adaptations to their niches. They are the only mammals exhibiting electroreception (in the trigeminal sensory pathways) and the echidna shows distinctive olfactory specialisations. 
 The authors aim to close the current gap in knowledge between the genes and developmental biology of monotremes on the one hand, and the adult structure, function and ecology of monotremes on the other. They explore how the sequence 'embryonic structure › adult structure › behaviour' is achieved in monotremes and how this differs from other mammals. 
 The work also combines a detailed review of the neurobiology of monotremes with photographic and diagrammatic atlases of the sectioned adult brains and peripheral nervous system of the short-beaked echidna and platypus. Pairing of a detailed review of the field with the first published brain atlases of two of the three living monotremes will allow the reader to immediately relate key points in the text to features in the atlases and will extend a universal system of brain nomenclature developed in eutherian brain atlases by G Paxinos and colleagues to monotremes.
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