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Journal articles on the topic 'Senryaku'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

GENDA, Y. "Defure Hanten no Seicho Senryaku (Strategies for Growth by Countering Deflation)." Social Science Japan Journal 15, no. 1 (2011): 162–64. http://dx.doi.org/10.1093/ssjj/jyr023.

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2

Imai, Ken-Ichi. "Book Review: Mô Takutô Jidaino Kôgyôka Senryaku: Sansen Kensetsu no Seiji Keizaigaku." China Information 17, no. 1 (2003): 152–54. http://dx.doi.org/10.1177/0920203x0301700129.

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3

PARK, H., and A. YONEZAWA. "Nizu Chushin no Fukushi Shakai e--Tojisha Shuken no Jisedai Fukushi Senryaku (Towards a Needs-Based Welfare Society--Next Generation Individual Autonomy Welfare Strategies)." Social Science Japan Journal 13, no. 2 (2010): 290–93. http://dx.doi.org/10.1093/ssjj/jyq020.

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4

MIDFORD, P. "Senshu B ei kokufuku no senryaku: Nihon no anzenhosh o d toraeru ka (A Strategy for Overcoming Defensive Defense: How Can Japan Achieve Security?)." Social Science Japan Journal 18, no. 1 (2014): 112–15. http://dx.doi.org/10.1093/ssjj/jyu040.

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5

Мията, М. "Japanese poetry “Senryu” as a reflection of culture and lifestyle of Japan." Иностранные языки в высшей школе, no. 3(66) (October 24, 2023): 60–66. http://dx.doi.org/10.37724/rsu.2023.66.3.007.

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В статье исследуется отражение культуры и стиля жизни Японии в юмористической поэзии сэнрю на протяжении существования этого жанра, то есть с начала XVII века. Для достижения цели автор описывает историю японской поэзии до образования жанра сэнрю и ситуацию с конкурсами сэнрю в Японии в наши дни, определяет понятие юмора в жанре и анализирует стихи сэнрю, занявшие высокие места на конкурсе The Salaryman Senryu Contest в 2020 и 2021 годах и отражающие жизнь во время пандемии COVID-19. Исследование показывает, что современные стихотворения сэнрю, получившие призовые места, охватывают темы, котор

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6

Deluty, Robert H. "Senryu." Food, Culture & Society 9, no. 3 (2006): 355–59. http://dx.doi.org/10.2752/155280106778813251.

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7

deluty, robert h. "Senryu." Gastronomica 9, no. 2 (2009): 10. http://dx.doi.org/10.1525/gfc.2009.9.2.10.

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8

Takabayashi, Akinobu. "分別される生命―二十世紀社会の医療戦略 Osamu Kawagoe and Akihito Suzuk, eds., Bunbetsu sareru seimei: nijisseiki shakai no iryo senryaku [Classifying Lives: Social Modernity and Medical Strategies in the Twentieth Century]". East Asian Science, Technology and Society: an International Journal 3, № 2-3 (2009): 393–95. http://dx.doi.org/10.1007/s12280-009-9095-4.

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9

Dewi, Fitriana Puspita, Elizabeth Worobroto, and Santi Andayani. "BENTUK KIGO PADA HAIKU DAN ISI SINDIRAN PADA SENRYU OLEH MAHASISWA SASTRA JEPANG UNIVERSITAS BRAWIJAYA." IZUMI 5, no. 1 (2016): 25. http://dx.doi.org/10.14710/izumi.5.1.25-31.

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In the Japanese literature, poetry has its own type and form, including Haiku and Senryu with 5-7-5 syllabic structure. Another prominent characteristic of Haiku is the topic concerning beauty of nature and the elements like Kigo or Kisetsu no Kotoba (the words marking the seasons) in which it shows the closeness of Japanese people with nature. Senryu has humorous and witty elements, including satire and the story about people; it does not describe season at all. Therefore, cultural background and social condition of society will affect content and form of the satire. This research aims to ana

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10

Fitriani, Indah. "Haiku dan Senryu dalam Puisi Bahasa Indonesia." Metahumaniora 8, no. 3 (2018): 360. http://dx.doi.org/10.24198/metahumaniora.v8i3.20715.

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AbstrakHaiku yang merupakan puisi tradisional Jepang dikatakan sebagai genre puisi yang sedang digiatkan di Indonesia. Tidak hanya penyair, orang awam pun banyak yang tertarik dengan genre puisi Jepang ini. Haiku memiliki 17 suku kata yang terbagi dalam pola 5-7-5, terdiri atas 5 suku kata pada larik pertama, 7 suku kata pada larik kedua, dan 5 suku kata pada larik ketiga. Selain itu, yang menjadi ciri khas haiku adalah adanya kigo (kata-kata penanda musim) dan kireji (kata-kata pemotong yang menunjukkan jeda). Berkenaan dengan musim, Jepang dan Indonesia tentu memiliki musim yang berbeda. Kig

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11

Fitriani, Indah. "Haiku dan Senryu dalam Puisi Bahasa Indonesia." Metahumaniora 8, no. 3 (2018): 360. http://dx.doi.org/10.24198/mh.v8i3.20715.

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AbstrakHaiku yang merupakan puisi tradisional Jepang dikatakan sebagai genre puisi yang sedang digiatkan di Indonesia. Tidak hanya penyair, orang awam pun banyak yang tertarik dengan genre puisi Jepang ini. Haiku memiliki 17 suku kata yang terbagi dalam pola 5-7-5, terdiri atas 5 suku kata pada larik pertama, 7 suku kata pada larik kedua, dan 5 suku kata pada larik ketiga. Selain itu, yang menjadi ciri khas haiku adalah adanya kigo (kata-kata penanda musim) dan kireji (kata-kata pemotong yang menunjukkan jeda). Berkenaan dengan musim, Jepang dan Indonesia tentu memiliki musim yang berbeda. Kig

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12

Fitriani, Indah, Lina Meilinawati, and N. Rinaju Purnomowulan. "Otaku Subculture Character in Japanese Poetry Anthology Otaku Senryu." Jurnal Humaniora 28, no. 2 (2016): 176. http://dx.doi.org/10.22146/jh.v28i2.16400.

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This paper focuses on one the subcultures existing in Japan, known as otaku. Subculture is a forum for youth community media and technology enthusiasts, like manga (Japanese comics), anime (Japanese cartoons), video games, computers, and the Internet. In the process, otaku who initially labeled negatively has contributed significantly to Japan as the most advanced industrialized country in Asia, not only in the field of culture, but also in the fields of science and economics. Using data from Japanese poem anthology (senryu) in Otaku Senryu(OS), this paper focuses on 1) distinctiveness of otak

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13

Pak, Hyesong. "Work and Japanese study through the ‘Salaryman Senryu’." Hankuk University of Foreign Studies Literature Studies 85 (February 28, 2022): 39–62. http://dx.doi.org/10.22344/fls.2022.85.39.

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14

Lee, H. J. S. "Writing Colonial Relations of Everyday Life in Senryu." positions: east asia cultures critique 16, no. 3 (2008): 601–28. http://dx.doi.org/10.1215/10679847-2008-015.

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15

엄인경. "Japanese Popular Poetry “Senryu” and Folklore in Colonial Korea." Journal of the society of Japanese Language and Literature, Japanology ll, no. 63 (2013): 241–68. http://dx.doi.org/10.21792/trijpn.2013..63.013.

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16

이토 타카오 and 백정희. "Imagined Scenery of Japanese elderly people in “Silver Senryu”." Journal of Japanese Studies ll, no. 60 (2014): 181–204. http://dx.doi.org/10.15733/jast.2014..60.181.

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17

모리타유키코. "Practical examples of senryu class in high school of Korea." Journal of Japanese Language Education Association ll, no. 76 (2016): 1–14. http://dx.doi.org/10.26591/jpedu.2016..76.001.

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18

PHILIPPINI, Paulo, and Glauco CAZÉ. "Brasil - Japão, a literatura unida por poucas palavras: do haiku ao haicai/senryuu." LUMEN 31, no. 1 (2022): 73–89. http://dx.doi.org/10.24024/23579897v31n1a2022p73089.

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19

Ken Kurumisawa. "Imperial Rescript (Chokugo), Imperial Rescript (Shousho) and an Anti-war Senryu." Cross-Cultural Studies 51, no. ll (2018): 25–44. http://dx.doi.org/10.21049/ccs.2018.51..25.

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20

Park, Hyesong. "Contemporary Japanese thinking as seen through the study of 'Salaryman Senryu’." Hankuk University of Foreign Studies Literature Studies, no. 65 (February 7, 2016): 253–79. http://dx.doi.org/10.22344/fls.2017.65.253.

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21

Ito Takao. "The Characteristics of Vocabulary Expression and Imagined Scenery in Funeral Senryu." 일본연구 ll, no. 25 (2016): 53–74. http://dx.doi.org/10.32624/stofja.2016..25.53.

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22

伊藤貴雄. "The Characteristics of Vocabulary Expression and Imagined Scenery in “Otaku Senryu”." 일본연구 ll, no. 27 (2017): 315–42. http://dx.doi.org/10.32624/stofja.2017..27.315.

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23

Rosenow, C. "Written in the Face of Adversity: The Senryu Tradition in America." Literary Imagination 12, no. 2 (2010): 210–28. http://dx.doi.org/10.1093/litimag/imp100.

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24

Ito, Takao. "The Characteristics of Vocabulary Expression and Imagined Scenery in "Salaryman Senryu"." Japanese Language Association Of Korea 49 (September 30, 2016): 91. http://dx.doi.org/10.14817/jlak.2016.49.91.

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25

Rosenow, Ce. "Written in the Face of Adversity: The Senryu Tradition in America." Literary Imagination 12, no. 2 (2010): 210–28. https://doi.org/10.1353/lim.2010.a942586.

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26

MARK E. CAPRIO. "Kyōdaisei Onokun no senryōki gokuchū nikki (University of Kyōto student Ono’s occupation-era prison diary)." Sungkyun Journal of East Asian Studies 18, no. 2 (2018): 263–66. http://dx.doi.org/10.21866/esjeas.2018.18.2.007.

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27

Gardner, Richard, and Makoto Ueda. "Light Verse from the Floating World: An Anthology of Premodern Japanese Senryu." Asian Folklore Studies 59, no. 2 (2000): 328. http://dx.doi.org/10.2307/1178926.

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28

이토 타카오. "A Study of Vocabulary Expression and Imagined Scenery in “Part-time Senryu”." Journal of Japanese Studies ll, no. 63 (2015): 457–77. http://dx.doi.org/10.15733/jast.2015..63.457.

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29

Ito, Takao. "A Study of vocabulary and nuances in the expression “Married Couple Senryu”." Journal of Japanese Studies 72 (April 30, 2024): 173–95. http://dx.doi.org/10.18841/2024.72.08.

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30

Zou, Ying. "A Comparative Study of Interesting Utterances in Chinese and Japanese from the Perspective of Cross-cultural Linguistics: Taking the Popular Word and Senryu (or Tik Tok Meme) in China and Japan from 2018 to 2022 as an example*." BCP Business & Management 49 (August 16, 2023): 48–57. http://dx.doi.org/10.54691/bcpbm.v49i.5385.

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As one of the East Asian civilizations, China and Japan have formed their own language characteristics over thousands of years. Compared with other types of linguistic classification, interesting utterances are small in amount and have a low degree of concern, but it contains a substantial pragmatic value. Due to the cross-cultural communication is emphasized in the 21 century, the interesting utterance of the two countries is undoubtedly a perfect research tool. It can also help people find the similarities and differences between the language characteristics and life patterns in Chinese and

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31

Ito, Takao. "A Study of Vocabulary Expression and Semantic Features Found in ‘Examination Students Senryu’." Korean Journal of Japanese Education 50 (February 28, 2020): 217–33. http://dx.doi.org/10.21808/kjje.50.14.

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32

伊藤貴雄. "A Study of Vocabulary Expression and Imagined Scenery Found the Osaka Dialect Senryu." 일본연구 ll, no. 29 (2018): 5–40. http://dx.doi.org/10.32624/stofja.2018..29.5.

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33

Joe, Sun Young. "Lessons with Senryu for Learning Japanese: Introduction to the lesson and the students' impression." Korean Journal of Japanese Education 48 (August 30, 2019): 191–206. http://dx.doi.org/10.21808/kjje.48.12.

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34

Fernandes, Frederico Augusto Garcia. "A poesia do corpo, o corpo da poesia - Entrevista a Alfredo Fressia conduzida por Frederico Fernandes." Boitatá 9, no. 17 (2014): 297. http://dx.doi.org/10.5433/boitata.2014v9.e31667.

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Alfredo Fressia é uma daquelas figurinhas raras, que não tem repetida no pacote e que, quando a gente encontra, deve manter sobre ela todo carinho e zelo, pois dificilmente haverá outra igual. Eu o conheci recentemente, em 2013, por conta do Festival Literário de Londrina – o Londrix, em que ele nos contemplou com uma belíssima conferência intitulada “O corpo na poesia latino-americana”. Nascido em Montevidéu, em 1948, mudou-se para São Paulo em 1976, por conta da ditadura de Juan Maria Bordaberry, iniciada 3 anos antes e cujo processo duraria até 1985. Aqui, Fressia deu continuidade à sua ati

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35

Kim, Mi-Hye. "The Response of Amateur Writers and the Task of Literary Education in an Age of Disconnection - Focusing on literary communication around the Silver Senryu -." Korean Literature Education Research 83 (March 31, 2024): 79–109. http://dx.doi.org/10.37192/kler.83.3.

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36

Pinnington, Noel John. "An Anthology of Premodern Japanese Senryu. Light Verse from the Floating World. By Makoto Ueda. pp. ix, 270. New York, Columbia University Press, 1999." Journal of the Royal Asiatic Society 11, no. 3 (2001): 417–19. http://dx.doi.org/10.1017/s1356186301420347.

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37

Sato, Hiroaki. "Light Verse from the Floating World: An Anthology of Premodern Japanese Senryu. Compiled, translated, and with an introduction by Makoto Ueda. New York: Columbia University Press, 1999. 273 pp. $17.50." Journal of Asian Studies 59, no. 4 (2000): 1041–43. http://dx.doi.org/10.2307/2659259.

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38

Schultz, Elizabeth. "Hunt by Jessica Cuello, and: The Bow Must Bear the Brunt by Devon Balwit, and: Winnows: Haiku and Senryu "Plundered" from Herman Melville's Moby Dick by Maxianne Berger, and: Or, The Ambiguities by Karen Weiser." Leviathan 20, no. 1 (2018): 47–54. http://dx.doi.org/10.1353/lvn.2018.0004.

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39

Chaudhuri, Soma, and Joydeep Bhattacharya. "The Power of Brevity: Creativity Judgments in English Language Haiku and Senryu Poetry." Journal of Creative Behavior 59, no. 2 (2025). https://doi.org/10.1002/jocb.70018.

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ABSTRACTUnderstanding how creativity is judged in brief, structured texts is essential for exploring aesthetic and emotional engagement in minimalist art forms. Haiku and Senryu, two concise poetic genres, provide a unique lens to investigate how creativity is perceived under constraints of brevity. This study examines how readers' subjective experiences of poems, their personality traits, and the structure of their semantic memory networks influence creativity judgments. Fifty‐one participants evaluated 140 English‐language poems (70 Haiku and 70 Senryu) and 70 nonpoetic control texts in a la

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40

Wyndham Thomas, Dilys, and Itzel Bazerque. "Corona Seasons: haiku and senryu sequence (since 2020)." San Antonio Review, May 8, 2022. http://dx.doi.org/10.21428/9b43cd98.66da57d7.

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41

Ito, Takao. "One Section of the Vocabulary, Technique and Contents in Contemporary Senryu : The Distinctive Features and Imagined Scenery of Modern Japanese in 'Salaryman Senryu'." Japanese Language Association Of Korea 39 (March 31, 2014). http://dx.doi.org/10.14817/jlak.2014.39.175.

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42

Friedenberg, Jay, Colleen Farrelly, Isabel Cameron, and Richard Mourani. "The Linguistic Structure of Haiku/Senryu and Its Evolution Over Time." Empirical Studies of the Arts, July 2, 2023. http://dx.doi.org/10.1177/02762374231185299.

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Although computational linguistic methods have been applied to spoken and written text, they have only recently been used to study poetry. Here, we examine the linguistic components of contest-winning haiku and compare them to a control sample of poems published in an industry-standard journal. We look also at differences between haiku and senryu and what stylistic trends may have affected these poems over time. The results show that winning haiku are shorter than those in a representative journal. Journal poems also have fewer pronouns and more adjectives and nouns. All of the poems show a de

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43

"Light verse from the floating world: an anthology of premodern Japanese senryu." Choice Reviews Online 37, no. 09 (2000): 37–4941. http://dx.doi.org/10.5860/choice.37-4941.

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44

Niikuni, Keiyu, Ming Wang, Michiru Makuuchi, Masatoshi Koizumi, and Sachiko Kiyama. "Pupil Dilation Reflects Emotional Arousal Via Poetic Language." Perceptual and Motor Skills, September 23, 2022, 003151252211267. http://dx.doi.org/10.1177/00315125221126778.

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We investigated pupillary responses to the world’s shortest fixed verses, Japanese haiku as aesthetic poetry (AP) and senryu as comic poetry (CP), in comparison with non-poetry control stimuli (NP) comprised of slogans that had the same rhythm patterns. Native Japanese speakers without literary training listened to these stimuli while we recorded their pupil diameters. We found that participants’ pupils were significantly dilated for CP compared to NP in an early time window. While AP also evoked larger dilations than NP, the latency for AP-related pupil dilation was relatively long. Thus, lay

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45

Zhang, Bing. "Nihon Senryoka no Chugoku Musurimu: Kahoku oyobi Monkyo niokeru Minzoku Seisaku to Jyoshi Kyoiku [Muslims in China under Japanese occupation: The ethnic minority policy and women’s education in the North China and Mongol military governments]." Journal of Contemporary East Asia Studies, March 26, 2020, 1–3. http://dx.doi.org/10.1080/24761028.2020.1742456.

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46

Kang, Ji-Hyun. "The Study of the Various Drawing Activities of Gesakusya Living in Local Areas - Mainly on Jipposya-ichimaru's Picture Books of Magic Tricks "Tezuma-hayadenjyu" and Picture Books of Senryu "Irohagura-sin-yanagidaru"-." Korean Journal of Japanese Language and Literature, December 30, 2022, 159–87. http://dx.doi.org/10.18704/kjjll.2022.12.95.159.

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