Academic literature on the topic 'Sensed via glimpses'

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Journal articles on the topic "Sensed via glimpses"

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Min, Yijie. "A Glimpse into Black-Box: How Investors Make Sense on Family Firm Succession Via Media Coverage?" Academy of Management Proceedings 2021, no. 1 (August 2021): 13324. http://dx.doi.org/10.5465/ambpp.2021.13324abstract.

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Bird, Matthew D., Alejandra Hidalgo, Erika León, and Vicente M. León. "Everything that Rises Must Converge: Huaicos, Communitas, and Humanitarian Exchange in Peru." Human Organization 79, no. 3 (September 2020): 201–15. http://dx.doi.org/10.17730/1938-3525-79.3.201.

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While terms such as solidarity and communitas are invoked, sometimes interchangeably, to characterize the feeling of togetherness supporting mutual aid during the emergency phase of disasters, they are not identical phenomena. This article examines the 2017 Peruvian huiaco disaster to understand the role communitas and reciprocity play in the mobilization of emergency aid and the growing sense of togetherness buttressing its distribution. Via an in situ qualitative study conducted as the disaster unfolded, we analyze how the huaicos or flashfloods and mudslides caused by the El Niño phenomenon
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Blanken-Webb, Jane. "Big Data's Call to Philosophers of Education." Philosophical Inquiry in Education 24, no. 4 (July 27, 2020): 310–22. http://dx.doi.org/10.7202/1070689ar.

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This paper investigates the intersection of big data and philosophy of education by considering big data’s potential for addressing learning via a holistic process of coming-to-know. Learning, in this sense, cannot be reduced to the difference between a pre- and post-test, for example, as it is constituted at least as much by qualities of experience as it is the situation, process of inquiry and its consequences. Long a perennial concern of philosophers of education, the author suggests that big data offers a budding opportunity for philosophers to engage in dialogue with empirical research in
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Orduña-Malea, Enrique, Alberto Martín-Martín, Juan M. Ayllon, and Emilio Delgado López-Cózar. "The silent fading of an academic search engine: the case of Microsoft Academic Search." Online Information Review 38, no. 7 (November 4, 2014): 936–53. http://dx.doi.org/10.1108/oir-07-2014-0169.

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Purpose – The purpose of this paper is to describe the obsolescence process of Microsoft Academic Search (MAS) as well as the effects of this decline in the coverage of disciplines and journals, and their influence in the representativeness of organizations. Design/methodology/approach – The total number of records and those belonging to the most reputable journals (1,762) and organizations (346) according to the Field Rating indicator in each of the 15 fields and 204 sub-fields of MAS, have been collected and statistically analysed in March 2014, by means of an automated querying process via
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Burman, Erica, Anat Greenstein, Joanna Bragg, Terry Hanley, Afroditi Kalambouka, Ruth Lupton, Lauren McCoy, Kate Sapin, and Laura Winter. "Subjects of, or subject to, policy reform? A Foucauldian discourse analysis of regulation and resistance in UK narratives of educational impacts of welfare cuts: The case of the ‘bedroom tax’." education policy analysis archives 25 (March 27, 2017): 26. http://dx.doi.org/10.14507/epaa.25.2320.

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This paper draws on material generated from a qualitative study of educational impacts of a British welfare reform affecting housing rent subsidy, size and location commonly known as ‘the bedroom tax’ (Bragg et al., 2015), which was partly taken as a topic for study specifically because of its iconic status as a controversial and unpopular welfare ‘reform’ (or cut). The analysis draws on Foucauldian understandings of subjectification or subject-formation - as elaborated both from within and in relation to the social (Foucault, 1970; 1983; Ball, 1990; Olssen, 2006; Popkewitz & Brennan, 1998
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O'Shaughnessy, Katherine. "The 1866 Vercoe and Harding map and the axonometric: the object of subjective representation." Architectural History Aotearoa 7 (October 30, 2010): 58–65. http://dx.doi.org/10.26686/aha.v7i.6792.

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The 1866 Vercoe and Harding map of Auckland provides a visual description of colonial development during the 1860s. This map is a static representation of the past and the backdrop to an exploration of the site via architectural drawing. This paper outlines the process of excavating a site through axonometric drawing looking specifically at an area within Freemans Bay. It explains how the two dimensional Vercoe and Harding map has been extruded into a three dimensional representation of the site. The idea of the map as a subjective representation of the past will be explored alongside the use
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Saunders, John. "Editorial." International Sports Studies 42, no. 1 (June 22, 2020): 1–5. http://dx.doi.org/10.30819/iss.42-1.01.

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Covid 19 – living the experience As I sit at my desk at home in suburban Brisbane, following the dictates on self-isolation shared with so many around the world, I am forced to contemplate the limits of human prediction. I look out on a world which few could have predicted six months ago. My thoughts at that time were all about 2020 as a metaphor for perfect vision and a plea for it to herald a new period of clarity which would arm us in resolving the whole host of false divisions that surrounded us. False, because so many appear to be generated by the use of polarised labelling strategies whi
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Kuusamo, Altti. "”Douce Mélancolie” à la Scena per Angolo: The Sublime Melancholy of Hubert Robert – Detached from Roman Models." Tahiti 9, no. 1 (March 18, 2019). http://dx.doi.org/10.23995/tht.79910.

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In this paper I trace how melancholy and paintings of ruins link together in Hubert Robert’s (1733–1808) images and how we can also comprehend some other concepts close to melancholy in order to understand his images. As far as I know there has not been a great deal of serious discussion of what implications Denis Diderot’s characterization of Robert’s ruin paintings as douce mélancolie would have. In this sense the question is how we can see, sense or grasp a certain kind of melancholy on the level of painted scenes and dominant visual elements of Robert’s works.
 While the Renaissance e
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Kytö, Meri. "Kerrostalokodin akustemologiaa – yksityisen äänitilan rakentuminen." Elore 17, no. 1 (May 1, 2010). http://dx.doi.org/10.30666/elore.78849.

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This article deals with the articulation of sonic space in urban apartment block homes in Finland. The home soundscape does not limit itself to the inside of the apartment but includes sounds seeping from the outside like the clatter of the elevator, nearby traffic signals, a neighbour singing in the shower and the leaping steps of the paperboy on the stairs. Following the methodological idea of acoustemology (i.e., acoustic epistemology), the producing of sounds and listening are connected with cultural practices that, in their turn, produce and mould our concepts of place, space and time. Wh
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Lewis, Tania, Annette Markham, and Indigo Holcombe-James. "Embracing Liminality and "Staying with the Trouble" on (and off) Screen." M/C Journal 24, no. 3 (June 21, 2021). http://dx.doi.org/10.5204/mcj.2781.

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Setting the Mood Weirdly, everything feels the same. There’s absolutely no distinction for me between news, work, walking, gaming, Netflix, rock collecting, scrolling, messaging. I don’t know how this happened, but everything has simply blurred together. There’s a dreadful and yet soothing sameness to it, scrolling through images on Instagram, scrolling Netflix, walking the dog, scrolling the news, time scrolling by as I watch face after face appear or disappear on my screen, all saying something, yet saying nothing. Is this the rhythm of crisis in a slow apocalypse? Really, would it be possib
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Dissertations / Theses on the topic "Sensed via glimpses"

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Latimer, Christine. "The invisible view betwixt and between : exegesis submitted in partial fulfilment of requirements for the degree of Masters of Art & Design, AUT University, November, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/456.

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This thesis explores the idea of a liminal space, as being dreamlike, suspended in time and physically unlocatable. It questions and exploits the boundary between abstraction and figuration in painting. This investigation has been considered from a subjective viewpoint allowing a distancing of space to illuminate new perceptions and experiences through the language of painting. The project has sought to explore the relationship between the natural world and seeing, to deepen and emphasize the other worldliness of an in-between space. This third space has been evoked by a process of abstrac
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Book chapters on the topic "Sensed via glimpses"

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Hai-Jew, Shalin. "Global Evocations of South-Ness Online." In Advances in Media, Entertainment, and the Arts, 383–408. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9821-3.ch015.

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To understand mass evocations of the Global South and its depiction via formal and informal media, it may help to capture a sense of the human massmind by using some mass-scale methods: mass search data, text search data from a mass digitized published-text corpus, related tag networks from social imagery, article-article networks from a crowd-sourced encyclopedia, and hashtag tweetstreams. It may help to contrast the sense of “south-ness” with those of “north-ness,” “east-ness,” and “west-ness,” given how people maintain mental models of regions and places—in terms of peoples, cultures, values, social practices, languages, and other dimensions. This data-heavy, bottom-up coding approach, based on grounded theory, enables the creation of mass-scale glimpses and ephemera, through the indirection of verbal and visual inferences at web scale.
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Nguyen, Phuong Tran. "From Grief to Gratitude." In Becoming Refugee American. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041358.003.0003.

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The 130,000 Indochinese evacuated out of Saigon and resettled in America were encouraged to become “good refugees” by forgetting past traumas in order to move forward, the same advice Americans were allegedly giving themselves. This chapter argues that the losers of the Vietnam War, both Americans and Vietnamese alike, affirmed the past not by forgetting it, but by rewriting it. Through camp newsletters and other primary sources, we get a close glimpse of the profound sense of guilt and dishonour that compelled the US to employ selective memory in the shaping of a new collective memory, so that the rescue of 130,000 refugees—rather than the war that killed millions of people—would come to define America. As a result, refugees entered a charitable sponsorship bubble that come to shape their expectations vis-à-vis a guilt-ridden American nation. Refugees were expected to be on their best behaviour—exemplified by gratitude and promises of assimilation—by a country compelled by guilt to be on its own best behaviour.
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