Academic literature on the topic 'Senses and perception'

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Journal articles on the topic "Senses and perception"

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Zaredar, Arezou. "Considering the Five Senses in Architecture." Current World Environment 10, Special-Issue1 (June 28, 2015): 138–43. http://dx.doi.org/10.12944/cwe.10.special-issue1.19.

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Despite fully attention of most current architects to the sense of eyesight, architecture stimulates all of our senses. This paper discusses the perception of senses in architecture, explaining how they work and influence on each other and the differences between them. Besides giving examples of programs to improve conscious perception in an architectural space. In author`s Thesis announced with “Five Senses Museum” it has been attempted to consider all senses in frame of architecture because consciously or spontaneous they affect perception of space and also make it a place to remind with five senses. To approach this aim, this museum contains five main galleries to deal with five senses, notes the correct behavior to the senses and attempts to guide human to recognize itself with practicing domination to senses and recognizing them and learning to be in the moment concentrated. So a beyond perception among the traditional museums is possible.
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Richardson, Louise. "Non Sense-Specific Perception and the Distinction Between the Senses." Res Philosophica 91, no. 2 (2014): 215–39. http://dx.doi.org/10.11612/resphil.2014.91.2.4.

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Szczepańska, Magdalena, Agnieszka Wilkaniec, Daria Łabędzka, and Joanna Micińska. "NON-VISUAL PERCEPTION OF LANDSCAPE – USE OF HEARING AND OTHER SENSES IN THE PERCEPTION OF SELECTED SPACES IN THE CITY OF POZNAŃ." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 9, no. 2 (June 30, 2013): 68–79. http://dx.doi.org/10.35784/teka.2535.

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Perception of landscape is associated with the perception of space first of all by the sense of sight. Visual perception is supplemented by sensations collected by the other senses. The aim of the conducted investigations was to identify landscapes in the city of Poznań perceived both positively and negatively, using the senses of hearing, smell and touch. The questionnaire method was applied in this study. It was determined that for most respondents a decisive role in the perception of landscape, apart from sight, was played by the sense of smell and hearing.
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Sakai, Nobuyuki. "Sensation and perception of chemical senses." Journal of Japan Association on Odor Environment 37, no. 6 (2006): 397. http://dx.doi.org/10.2171/jao.37.397.

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Słuchocka, Katarzyna. "SENSES IN ARCHITECTURE." space&FORM 2020, no. 44 (December 3, 2020): 163–76. http://dx.doi.org/10.21005/pif.2020.44.b-10.

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Optimisation of architectural design and its perception involves a comprehensive sensory analysis of the human body response to the stimuli received by the brain. Owing to sensual haptic characteristics, expressed through relevant motor activity, we can reliably create trends among the future users. Proper assessment and sensuality of architecture shall underlie justified, reference parameters predetermining a selection of appropriate measures shaping our daily life context. Opportunities which haptic spatial perception offers facilitate a short-cut in our research to model design processes. Implementation of sensory evaluation methodology into design processes will facilitate a congruent definition of architecture and improve its quality.
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Benninga, Sara. "The Changing Perception of the Five Senses." Ikonotheka, no. 29 (September 16, 2020): 103–22. http://dx.doi.org/10.31338/2657-6015ik.29.14.

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This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context
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Stoffregen, Thomas A., and Benoît G. Bardy. "On specification and the senses." Behavioral and Brain Sciences 24, no. 2 (April 2001): 195–213. http://dx.doi.org/10.1017/s0140525x01003946.

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In this target article we question the assumption that perception is divided into separate domains of vision, hearing, touch, taste, and smell. We review implications of this assumption for theories of perception and for our understanding of ambient energy arrays (e.g., the optic and acoustic arrays) that are available to perceptual systems. We analyze three hypotheses about relations between ambient arrays and physical reality: (1) that there is an ambiguous relation between ambient energy arrays and physical reality, (2) that there is a unique relation between individual energy arrays and physical reality, and (3) that there is a redundant but unambiguous relation, within or across arrays, between energy arrays and physical reality. This is followed by a review of the physics of motion, focusing on the existence and status of referents for physical motion. Our review indicates that it is not possible, in principle, for there to be a unique relation between physical motion and the structure of individual energy arrays. We argue that physical motion relative to different referents is specified only in the global array, which consists of higher-order relations across different forms of energy. The existence of specificity in the global array is consistent with the idea of direct perception, and so poses a challenge to traditional, inference-based theories of perception and cognition. However, it also presents a challenge to much of the ecological approach to perception and action, which has accepted the assumption of separate senses.
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Lehrer, Keith, and John-Christian Smith. "Reid on Testimony and Perception." Canadian Journal of Philosophy Supplementary Volume 11 (1985): 21–38. http://dx.doi.org/10.1080/00455091.1985.10715888.

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Reid defended common sense against scepticism by appeal to the claim that our faculties should be considered trustworthy until some argument proves them to be untrustworthy. He believed, of course, that no such argument would be forthcoming. In this paper, we shall investigate Reid's defense of the faculty of perception and the evidence of the senses by analogy with the faculty of language and the evidence of testimony. Reid argued that the evidence of testimony should be trusted unless there is reason to think it untrustworthy and by analogy, that the evidence of the senses should be trusted unless there is reason to think it untrustworthy. He admitted the fallibility of such evidence but contended that such fallibility is characteristic of all our faculties. Moreover, and perhaps most important, Reid developed a psychological theory of the faculties of perception and language that showed the analogy between these two faculties to be very exact indeed.
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Amedi, Amir, and Shelly Levy-Tzedek. "The action-perception loop examined across senses." Multisensory Research 26, no. 1-2 (2013): 38. http://dx.doi.org/10.1163/22134808-000s0023.

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Schneider, Eve R., Elena O. Gracheva, and Slav N. Bagriantsev. "Evolutionary Specialization of Tactile Perception in Vertebrates." Physiology 31, no. 3 (May 2016): 193–200. http://dx.doi.org/10.1152/physiol.00036.2015.

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Evolution has endowed vertebrates with the remarkable tactile ability to explore the world through the perception of physical force. Yet the sense of touch remains one of the least well understood senses at the cellular and molecular level. Vertebrates specializing in tactile perception can highlight general principles of mechanotransduction. Here, we review cellular and molecular adaptations that underlie the sense of touch in typical and acutely mechanosensitive vertebrates.
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Dissertations / Theses on the topic "Senses and perception"

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O'Connell, Erin K. "Senses of Place." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276954023.

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Irizarry, Yoeldi B. "Sensorium: The Sum of Perception." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/88514.

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We live in a world full of stimuli. We can see, smell, feel, taste and hear because stimuli surrounds us. However, when we are conceived in the womb of our mothers we are formed with no senses. During that time we are totally isolated from our environment. Interestingly enough senses start to develop only after 8 weeks of fetal development, being touch the first one to mature. Smell, taste, hearing and sight appear later on. Humans connect to their surroundings through senses, and as these senses start developing in our bodies our brain starts applying them to perceive our environment. Through our senses we are able to interact with our environment and we are able to learn, pass on knowledge, and form, create and treasure memories. It is because of our senses that we can enjoy the beautiful colors of autumn, the balmy breeze of late summer days, or the avian symphony of spring. Each sense is like a link through which we connect our inner self with the outside world and allows us to uniquely experience each setting. However, when one or more of the senses is missing, those links are broken and the outside world is perceived very differently from individual to individual. Experiencing the built environment is no different. Since buildings are usually designed with a fully sensory individual in mind sensory-impaired populations typically find it difficult to navigate or make use of the spaces the building offers. The following pages of this thesis demonstrate the universal access system as a tool for those who lack one or more of the senses in order for them to fully enjoy and use the spaces in the same way any fully sensorial person can. Another important aspect which is explored architectonically is the aspect of social inequalities, which many handicapped individuals face on regular basis as users of a building.
MARCH
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Maule, John. "Ensemble perception of hue." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61471/.

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In order to rapidly get the gist of new scenes or recognise objects, the brain must have mechanisms to process the large amount of visual information which enters the eye. Previous research has shown that observers tend to extract the average feature from briefly seen sets of multiple stimuli that vary along a dimension (e.g., size), a phenomenon called ensemble perception. This thesis investigates ensemble perception of hue. Paper 1 (Maule, Witzel & Franklin, 2014) demonstrates that human observers have memories biased towards the mean hue of a rapidly-presented ensemble of colours. Paper 2 (Maule & Franklin, 2015) further shows that observers are able to identify the mean hue from a distractor fairly reliably, provided the range of hues is manageable. Paper 3 provides evidence that, while observers' settings of the mean hue converge quite closely on the true mean across many trials, the precision of those settings is low and does not support claims that ensemble perception can surpass the limits of visual working memory. Paper 4 found that adults with autism have an enhanced ability to discriminate members from non-members of multi-hue ensembles, and a similar ability to extract the mean hue compared to typical adults, but are worse at averaging small sets. Finally, paper 5 investigated colour afterimages in adults with autism and whether they are affected by top-down gist of a scene. It was found that afterimages were no different in autism compared to a typical group. Overall these studies provide the first comprehensive exploration of ensemble perception of hue, showing that observers can extract and estimate the mean hue of a rapidly-presented multi-colour ensemble with a small hue variance. The ability to average hue may be driven by a sub-sampling mechanism, but results from autistic adults suggests that it can be modulated by processing style.
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Chan, Chung Man. "Sex pheromone in caenorhabditis : its production and perception /." View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?BIOL%202007%20CHANC.

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Van, Jaarsveld Karien. "The effect of the senses on the perception of a brand." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4130.

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Thesis (MComm (Business Management))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: Against the background of the challenge marketers face in influencing consumer perceptions of brands, this study attempts to assess the effect of the senses on the perception of a brand. Perception is the way in which consumers interpret the world around them, with the senses as the receptors of information from the environment. One way of influencing consumer perceptions is by stimulating or involving multiple senses in brand building. To test this statement, the following research question was drawn: ‘Do the senses affect the perception of a brand?’The empirical study was one of an experimental nature, and a 2 x 2 x 2 factorial design was used to assess the effect of the senses on the perception of a brand. In order to focus the research and to provide information to a leading distributor of alcohol spirits in South Africa, it was decided to concentrate on alcohol, more specifically, brandy. Due to the nature of the selected brand, sensory properties in relation to the product were used to measure the effect of the senses on brand perception. The nature of the brand is a consumable, and taste was used as the dependant variable to measure perceptions. The stimulated senses in the experiment are sight, sound and smell. The stimuli were: sight with the visible brandy colour, sound in the form of brandy being poured into a glass and smell as an enhanced honey aroma. Several experiments were conducted in a sensory laboratory, which assessed the effect of the senses on the perception of a brand, by way of individual main effects, two-way interactions and a three-way interaction. A convenience sample of 240 alcohol spirit consumers, from the Western Cape, was used to conduct the experiment. The empirical results indicated that the three independent variables (individual main effects or two-way interactions) did not have significant effects on perception. Most importantly, it was found that the three-way interaction of sight, sound and smell did have a significant effect on the perception of a brand. Therefore, this study revealed that multiple stimulated senses affect the perception of a brand.
AFRIKAANSE OPSOMMING: Hierdie studie handel oor die effek van sintuie op persepsie van ’n handelsmerk, teen die agtergrond van die bemarkings uitdaging wat bemarkers teenstaan om verbruikers se persepsie van handelsmerke te beinvloed. Persepsie is die manier waarop verbruikers die wêreld interpreteer, met die sintuie as ontvangers van inligting vanuit die omgewing. Een manier waarop persepsies beinvloed kan word, is deur die stimulering en betrekking van ‘n meerderheid van sintuie met die bou van handelsmerke. Om hierdie stelling te toets is die volgende navorsingsvraag gestel: ‘Beinvloed die sintuie die perspesie van ‘n handelsmerk?’Die empiriese studie was eksperimenteel van aard, en ‘n 2 x 2 x 2 faktoriese ontwerp is gebruik om te bepaal wat die effek van die sintuie op ‘n handelsmerk persepsie is. Om inligting aan ‘n verspreider, wat ‘n markleier van alkohol spirietes in Suid-Afrika is, te verskaf, is daar besluit om op alkohol, en meer spesifiek, brandewyn te fokus. Weens die aard van die gekose handelsmerk is sensoriese eienskappe in verband met die produk gebruik om die effek van die sintuie op die handelsmerk te bepaal. Die produk is ‘n verbruikbare produk, en smaak is as die onveranderlike gebruik om persepsie te meet. Die gestimuleerde sintuie in die eksperiment was sig, klank en reuk. Die stimuli was: • sig met die sigbaarheid van die brandewyn kleur, • klank in die vorm van ‘n brandewyn wat geskink word en • reuk as ‘n beklemtoonde heuningreuk. Verskeie eksperimente is uitgevoer in ‘n sensoriese laborotorium om te bepaal wat die effek van die sintuie op die persepsie van ‘n handelsmerk is. ‘n Geriefliksheidsteekproefmetode van 240 verbruikers, van die Wes Kaap, was gebruik om die eksperiment uit te voer. Hierdie respondente was almal alkohol verbruikers wat ook spirietes gebruik. Die empiriese resultate het getoon dat die drie veranderlikes (individuele hoof effekte of tweerigting interaksies) geen beduidende effek op persepsie gehad het nie. Die belangrikste bevinding was die dat die drierigting interaksie van sig, klank en reuk wel ‘n beduidende effek op die persepsie van ‘n handelsmerk gehad het. Die studie het getoon dat, dus veelvoudige gestimuleerde sintuie die persepsie van ‘n handelsmerk beinvloed.
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Wojno, Alexandra. "Senses of Darkness: An Exploration of Blind Navigation Through Architecture." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/52628.

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Based on the principle of sequential lessons for teaching orienteering, the program is a center that teaches navigation to people who are blind, located in the remains of the Chesapeake and Ohio Canal in Harpers Ferry, West Virginia. Through the use of materials, light, and this program of sequential patterns, the architecture focuses on heightening the working senses of the occupants using the progression throughout the building. This connection of the body and mind to architecture creates an awareness of space, unifying a perception of place, while bridging the old life to the new.
Master of Architecture
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Kobue-Lekalake, Rosemary Ikalafeng. "Sensory perception of bitterness and astringency in sorghum." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-01152009-175536.

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Mota, Rui Manuel Nunes. "Designing for the senses through food design and psychophysiology." Master's thesis, ISA/UL, 2018. http://hdl.handle.net/10400.5/17971.

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Tavassoli, Teresa. "Sensory perception in autism spectrum conditions." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610035.

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So, Wai Kar. "Sex pheromone in caenorhabditis : defining its identity and its perception pathway /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?AMCE%202006%20SO.

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Books on the topic "Senses and perception"

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Gregory, R. L. Illusion: Making sense of the senses. Oxford: Oxford University Press, 2002.

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M, Ward Lawrence, ed. Sensation & perception. 3rd ed. London: Harcourt Brace Jovanovich, 1989.

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Coren, Stanley. Sensation & perception. 3rd ed. San Diego: Harcourt Brace Jovanovich, 1989.

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T, Enns James, and Ward Lawrence M, eds. Sensation and perception. 4th ed. Fort Worth: Harcourt Brace College Publishers, 1994.

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M, Ward Lawrence, and Enns James T, eds. Sensation and perception. 6th ed. Hoboken, NJ: J. Wiley & Sons, 2004.

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Coren, Stanley. Sensation and perception. 4th ed. Fort Worth, TX: Harcourt Brace College Publishers, 1994.

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M, Ward Lawrence, and Enns James T, eds. Sensation and perception. 5th ed. Fort Worth: Harcourt Brace College Publishers, 1999.

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Sensation & perception. 3rd ed. Sunderland, MA: Sinauer Associates, 2012.

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James, Foley Hugh, ed. Sensation and perception. 3rd ed. Boston: Allyn and Bacon, 1992.

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W, Matlin Margaret, ed. Sensation and perception. 2nd ed. Boston: Allyn and Bacon, 1988.

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Book chapters on the topic "Senses and perception"

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Peacocke, Christopher. "Spatial Perception, Magnitudes, and Analogue Representation." In Spatial Senses, 49–69. 1 [edition]. | New York : Taylor & Francis, 2019. | Series: Routledge studies in contemporary philosophy ; 122: Routledge, 2019. http://dx.doi.org/10.4324/9781315146935-4.

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Young, Benjamin D. "The Many Problems of Distal Olfactory Perception." In Spatial Senses, 148–69. 1 [edition]. | New York : Taylor & Francis, 2019. | Series: Routledge studies in contemporary philosophy ; 122: Routledge, 2019. http://dx.doi.org/10.4324/9781315146935-9.

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Heider, Daniel. "Internal Senses." In Aristotelian Subjectivism: Francisco Suárez’s Philosophy of Perception, 217–54. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67341-3_5.

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Mendelovici, Angela. "Immediate and Reflective Senses." In Perception, Cognition and Aesthetics, 187–208. 1 [edition]. | New York : Taylor & Francis, 2019. | Series: Routledge studies in contemporary philosophy ; 119: Routledge, 2019. http://dx.doi.org/10.4324/9780429462658-11.

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Zanker, Johannes M. "Chemical Senses: Smell and Taste." In Sensation, perception and action, 112–23. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-09210-6_9.

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Heider, Daniel. "External Senses II." In Aristotelian Subjectivism: Francisco Suárez’s Philosophy of Perception, 139–215. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67341-3_4.

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Heider, Daniel. "External Senses I." In Aristotelian Subjectivism: Francisco Suárez’s Philosophy of Perception, 67–138. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67341-3_3.

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Seo, Han-Seok. "Chemical Senses and Flavor Perception." In Food Aroma Evolution, 23–55. 1st edition. | Boca Raton : CRC Press, 2019. | Series: Food analysis & properties, 2475-7551: CRC Press, 2019. http://dx.doi.org/10.1201/9780429441837-3.

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Nudds, Matthew. "The Non-Visual Senses." In Current Controversies in Philosophy of Perception, 95–106. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315733029-9.

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Phillips, Stephen. "Perception in Nyāya." In The Senses and the History of Philosophy, 49–61. 1 [edition]. | New York : Routledge, 2019. | Series: Rewriting the history of philosophy: Routledge, 2019. http://dx.doi.org/10.4324/9781315184418-5.

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Conference papers on the topic "Senses and perception"

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Ahishakiye, Emmanuella. "Cross-modal Perception in Kirundi." In 2nd International Conference on Soft Computing, Artificial Intelligence and Machine Learning (SAIM 2021). AIRCC Publishing Corporation, 2021. http://dx.doi.org/10.5121/csit.2021.111007.

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Languages do not always use specific perception words to refer to specific senses. A word from one sense can metaphorically express another physical perception meaning. For Kirundi, findings from a corpus-based analysis revealed a cross-modal polysemy and a bidirectional hierarchy between higher and lower senses. The attested multisensory expression of auditory verb kwûmva ‘hear’ allows us to reduce sense modalities to two –vision and audition. Moreover, the auditory experience verb kwûmva ‘hear’ shows that lower senses can extend to higher senses through the use of synaesthetic metaphor (e.g. kwûmva akamōto ‘lit:hear a smell’/ururírīmbo ruryōshé ‘lit: a tasty song’/ururirimbo ruhimbâye ‘lit: a pleasant song). However, in collocations involving emotion words, it connects perception to emotion (e.g.; kwûmva inzara ‘lit: hear hunger’, kwûmva umunêzēro ‘lit: hear happiness’). This association indicates that perception in Kirundi gets information from both internal and external stimuli. Thus, considering feelings as part of the perception system.
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Ferreira, Andressa, Rennan Teles, Bárbara Da Silva, David Da Silva, Monick Macena, Pedro Dias, and João N. Júnior. "SEnsES: Uma Ferramenta de Suporte a Personalização do Ensino de Engenharia de Software." In Escola Regional de Computação Ceará, Maranhão, Piauí. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/ercemapi.2020.11469.

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Com o passar dos anos, a personalização do ensino tem se mostrado uma forte tendência nos processos de ensino e aprendizagem. Na área de Engenharia de Software (ES), é cada vez mais comum encontrar abordagens de ensino centradas no aluno (e.g. projetos práticos, jogos e simuladores). Mediante esse cenário, este trabalho tem como objetivo apresentar uma ferramenta de software capaz de personalizar o ensino de ES. A ferramenta utiliza como base para o seu algoritmo o Team Role Self-Perception Inventory (TRSPI), método proposto na área de psicologia ocupacional. Como forma de avaliação, a ferramenta proposta foi analisada por docentes da área e obteve resultados positivos.
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Broderick, James, Jim Duggan, and Sam Redfern. "Using Auditory Display Techniques to Enhance Decision Making and Perceive Changing Environmental Data Within a 3D Virtual Game Environment." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.012.

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When it comes to understanding our environment, we use all our senses. Within the study and implementation of virtual environments and systems, huge advancements in the quality of visuals and graphics have been made, but when it comes to the audio in our environment, many people have been content with very basic sound information. Video games have strived towards powerful sound design, both for player immersion and information perception. Research exists showing how we can use audio sources and waypoints to navigate environments, and how we can perceive information from audio in our surroundings. This research explores using sonification of changing environmental data and environmental objects to improve user's perception of virtual spaces and navigation within simulated environments, with case studies looking at training and for remote operation of unmanned vehicles. This would also expand into how general awareness and perception of dynamic 3D environments can be improved. Our research is done using the Unity3D game engine to create a virtual environment, within which users navigate around water currents represented both visually and through sonification of their information using Csound, a C based programming language for sound and music creation.
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Ugur, Secil, Monica Bordegoni, S. G. A. Wensveen, Raffaella Mangiarotti, and Marina Carulli. "Embodiment of Emotions Through Wearable Technology." In ASME 2011 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/detc2011-47845.

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Due to the huge impact of communication technologies, the meaning of social existence is changing towards the use of electronic devices as extensions of senses. While technology is becoming intimate, reaching farther into user’s lives than ever before, wearable technology has emerged as a new research field where technology is worn to provide a sensory interface. Through the integration of technology and garments, the research aims to discover new ways of creating wearables that provide new avenues for emotional expression and social interaction. Emotional embodiment through Wearable Technology can strengthen social bonds through a paradigm of increased emotional expression, understanding, and trust. To verify this hypothesis, a set of dynamic garments has been built by developing both virtual and real prototypes and performing user tests. This paper addresses to new scenarios of sensing, interacting, and interpreting emotions through Wearable Technology and its’ effects on the user’s perception.
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Luís-Ferreira, Fernando, Catarina Marques-Lucena, João Sarraipa, and Ricardo Jardim-Goncalves. "Framework for Management of Internet Objects in Their Relation With Human Sensations and Emotions." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-65227.

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Emotions are what make us human and emotions are what make us different. A person can make a list of such expressions about the role of human emotions, as they play a central role in our lives, in our interactions with others and the surrounding environment. Emotions are in a broad sense the regulators of our interaction with the world as they play a central role in our perception of the world and in our knowledge construction. In another angle, sensations are our immediate detector of the surrounding environment as, since ever, we see, touch and smell what is around us, we ear friendly voices or run from predator’s sounds and taste food that keep us alive. Both emotions and sensations can be used to describe our living and our main interactions with the world. However, despite that important role of senses and emotions, there is a poor representation of sensorial information and lack of understanding of emotions from the side of computational systems. Subsequently it is noticeable the absence of support to acquire and fully represent human sensorial experience and lack of ability to represent, and appropriately react, from those systems to emotional activity. The proposed work consists in developing a framework that acquires knowledge about human emotions from self-reporting or the interaction with Internet objects and media. In particular, it intends to facilitate their emotions description at the Internet from proposed samples of sensorial information allowing a later management of that knowledge for the most diverse objectives, as an example, for searching objects or media through similarities of emotional and sensorial patterns.
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Capilla, Vicente Collado, and Sonia Gómez-Pardo Gabaldón. "URBAN LANDSCAPE ASSESSMENT." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6020.

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URBAN LANDSCAPE ASSESSMENT Vicente Collado Capilla1 and Sonia Gómez-Pardo Gabaldón21Servicio de Infraestructura Verde y Paisaje. Generalitat Valenciana. Ciutat Administrativa 9 D'Octubre-Torre 1, C/ Castán Tobeñas 77, 46018 Valencia; 2Servicio Territorial de Urbanismo. Provincia de Valencia. Generalitat Valenciana. Prop I, C/ Gregorio Gea, nº 27, 46009 Valencia. E-mail: vcc.arq@gmail.com sgpg.sgpg@gmail.com Key words: urban_landscape, streetcape, landscape_value, andscape_assessment, landscape_preferences. The urban landscape assesment as an important element in the quality of life and the sustainable development of the city constitutes an incipient field of investigation from a new perspective that adds meanings and values. An analysis of the different methodological developments and national and international experiences in the assessment of these landscapes will highlight its importance as a strategic element to improve the quality of the city. It starts from the concept of assessment as a system where tangible and intangible values ​​are considered by the population and the experts. These include among other formal, economic, environmental, social, cultural issues (…) and the relationships between them. Consideration of the opinions of experts from different points of view such as urbanism and architecture but also environment, economy, geography, history, archeology, sociology, social assistance, etc. Together with the preferences expressed by the population regarding the spaces they inhabit on a daily basis and their aspirations, strengthen the sense of belonging and the identity of the place as key elements in the perception of the urban landscapes that allows to contribute new qualities, integration criteria and ​​contemporary values to any type of intervention. These are strategies and intervention procedures that start from the complexity of the city as a system and incorporate the perception that citizens have or will have of their immediate environment. References: Czynska Klara and Pawel Rubinowicz (2015). ´Visual protection Surface method: Cityscape values in context of tall buildings´. SSS10 Proceedings of the 10 th International Space Syntax Symposium. Paquette Sylvain (2008). Guide de gestion des paysages au Québec. Université de Montréal Pallasmaa, Juhani (2005). The Eyes of the Skin. Architecture and the Senses. New York: John Wiley. Ministry of Environment and Energy The National Forest and Nature Agency (1997). International Survey of Architectural Values in the Environment. Denmark . The Landscape Institute and Institute of Environmental Management & Assessment (2013). Guidelines for Landscape and Visual Impact Assessment. Third Edition, London: Routledge.
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Wagersten, Ola, Karin Forslund, Casper Wickman, and Rikard So¨derberg. "A Framework for Non-Nominal Visualization and Perceived Quality Evaluation." In ASME 2011 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/detc2011-48270.

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Perceived Quality clusters different aspects that influence the customer’s perception of non-functional quality on a product that are perceive through senses. All together those aspects and the harmony between them reflect the producer’s ability to control product parameters and thereby also mirror the functional quality of the product. High Perceived Quality cannot be added to the product at the end of the developing process. Project prerequisites, system solution, factory capability etc. are criterion to succeed. Therefore, it is important to be able to evaluate Perceived Quality early in the process when product system solutions and architecture are defined, although data maturity is low. This paper presents a comprehensive framework to manage and support evaluation of Perceived Quality aspects in a product development process. The framework is based on an industrial process in combination with recent research within the field. The framework focuses on activities that can be performed at different stages in the developing process based on maturity of the CAD or styling data. For example, if the styling data is divided into different components by split-lines it has reached higher level of maturity then styling data that not has been divided. Consequently, the choice of applied method is based on data maturity, regardless phase in the developing process. The framework contains methods based on several different simulation and analysis techniques. Design methods, Computer-Aided Tolerancing and FEA based non-rigid variation simulation are represented in the framework.
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Gudavalli, M. Ram, Charles N. R. Henderson, Robert Vining, Lynne Carber, Avinash G. Patwardhan, and Christine Goertz. "Neck Pain Participant’s Perception of Traction Forces During Chiropractic Manual Cervical Distraction." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-85971.

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In this exploratory study, we measured applied traction forces during a chiropractic manual cervical distraction procedure for each of three “treatment” perceptions; (i) beginning to feel a stretch, (ii) stretch feels like it could be a treatment, and (iii) stretch definitely feels like a treatment. A single trained clinician performed manual cervical distraction procedures on 10 neck pain participants using a commercially available table that was embedded with force and motion sensors. Participants were prone on the table while manual distraction was applied with gradually increasing force. When the specified perception was experienced, the study participant depressed a hand switch. Data was summarized with descriptive statistics and plotted for graphical analysis. Point estimates and 95% confidence intervals were calculated for the distractive force associated with each of the 3 treatment perceptions. Mean traction forces with 95% confidence intervals, corresponding to each of the 3 perception levels were: i) beginning to feel a stretch 18.6 N (11.9–25.2 N), ii) stretch feels like it could be a treatment 25.5 N (18.3–32.6 N), and iii) stretch definitely feels like a treatment 36.2 N (26.2–46.1 N).
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Berger, Christopher C., and Mar Gonzalez-Franco. "Expanding the sense of touch outside the body." In SAP '18: ACM Symposium on Applied Perception 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3225153.3225172.

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Nguyen, Anh, Yannick Rothacher, Bigna Lenggenhager, Peter Brugger, and Andreas Kunz. "Effect of Sense of Embodiment on Curvature Redirected Walking Thresholds." In SAP '20: ACM Symposium on Applied Perception 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3385955.3407932.

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Reports on the topic "Senses and perception"

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Porcel Magnusson, Cristina. Unsettled Topics Concerning Coating Detection by LiDAR in Autonomous Vehicles. SAE International, January 2021. http://dx.doi.org/10.4271/epr2021002.

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Autonomous vehicles (AVs) utilize multiple devices, like high-resolution cameras and radar sensors, to interpret the driving environment and achieve full autonomy. One of these instruments—the light detection and ranging (LiDAR) sensor—utilizes pulsed infrared (IR) light, typically at wavelengths of 905 nm or 1,550 nm, to calculate object distance and position. Exterior automotive paint covers an area larger than any other exterior material. Therefore, understanding how LiDAR wavelengths interact with vehicle coatings is extremely important for the safety of future automated driving technologies. Sensing technologies and materials are two different industries that have not directly interacted in the perception and system sense. With the new applications in the AV industry, multidisciplinary approaches need to be taken to ensure reliability and safety in the future. Unsettled Topics Concerning Coating Detection by LiDAR in Autonomous Vehicles provides a transversal view of different industry segments, from pigment and coating manufacturers to LiDAR components and vehicle system development and integration. The report includes a structured decomposition of the different variables and technologies involved.
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Ng, Reuben, Yichen Zh, Wenshu Yang, and Luyao Liu. Sense-making Public Perceptions of Falls, Bone Health, and Caregiving. Canary Intelligence and Analytics, March 2021. http://dx.doi.org/10.47523/lkyamgnai1.

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Berenji, Hamid R. Perception-based Co-evolutionary Reinforcement Learning for UAV Sensor Allocation. Fort Belvoir, VA: Defense Technical Information Center, February 2003. http://dx.doi.org/10.21236/ada411839.

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Razdan, Rahul. Unsettled Topics Concerning Human and Autonomous Vehicle Interaction. SAE International, December 2020. http://dx.doi.org/10.4271/epr2020025.

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This report examines the current interaction points between humans and autonomous systems, with a particular focus on advanced driver assistance systems (ADAS), the requirements for human-machine interfaces as imposed by human perception, and finally, the progress being made to close the gap. Autonomous technology has the potential to benefit personal transportation, last-mile delivery, logistics, and many other mobility applications enormously. In many of these applications, the mobility infrastructure is a shared resource in which all the players must cooperate. In fact, the driving task has been described as a “tango” where we—as humans—cooperate naturally to enable a robust transportation system. Can autonomous systems participate in this tango? Does that even make sense? And if so, how do we make it happen?
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Ripey, Mariya. NUMBERS IN THE NEWS TEXT (BASED ON MATERIAL OF ONE ISSUE OF NATIONWIDE NEWSPAPER “DAY”). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11106.

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The article is devoted to the analysis of the digital content of publications of one issue of the daily All-Ukrainian newspaper “Den” (March 13-14, 2020). The author aims to identify the main thematic groups of digital designations, as well as to consider cases of justified and unsuccessful use of digital designations. Applying the content analysis method, the author identifies publications that contain numerical notations, determines the number of such notations and their affiliation with the main subject groups. Finds that the thematic group of digital designations “time” (58.6% of all digital designations) is much more dominant. This indicates that timing is the most important task of a newspaper text. The second largest group of digital designations is “measure” (15.8% of all digital designations). It covers dimensions and proportions, measurements of distance, weight, volume, and more. The third largest group of digital signage is money (8.2% of all digital signage), the fourth is numbering (5.2% of all digital signage), and the fifth is people (4.4% of all digital signage). The author focuses on the fact that the digits of the journalist’s text are both a source of information and a catch for the reader. Vivid indicators give the text a sense of accuracy. When referring digital data to the text, journalists must adhere to certain rules for the writing of ordinal numbers with incremental graduation; submission of dates; pointing to unique integers that are combined (or not combined) with units of physical quantities, monetary units, etc.; writing a numerator at the beginning of a sentence; unified presentation of data. This will greatly facilitate the reader’s perception of the information.
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Lavadenz, Magaly, Sheila Cassidy, Elvira G. Armas, Rachel Salivar, Grecya V. Lopez, and Amanda A. Ross. Sobrato Early Academic Language (SEAL) Model: Final Report of Findings from a Four-Year Study. Center for Equity for English Learners, Loyola Marymount University, 2020. http://dx.doi.org/10.15365/ceel.seal2020.

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The Sobrato Early Academic Language (SEAL) Model Research and Evaluation Final Report is comprised of three sets of studies that took place between 2015 and 2019 to examine the effectiveness of the SEAL Model in 67 schools within 12 districts across the state of California. Over a decade ago, the Sobrato Family Foundation responded to the enduring opportunity gaps and low academic outcomes for the state’s 1.2 million English Learners by investing in the design of the SEAL Model. The SEAL PreK–Grade 3 Model was created as a whole-school initiative to develop students’ language, literacy, and academic skills. The pilot study revealed promising findings, and the large-scale implementation of SEAL was launched in 2013. This report addresses a set of research questions and corresponding studies focused on: 1) the perceptions of school and district-level leaders regarding district and school site implementation of the SEAL Model, 2) teachers’ development and practices, and 3) student outcomes. The report is organized in five sections, within which are twelve research briefs that address the three areas of study. Technical appendices are included in each major section. A developmental evaluation process with mixed methods research design was used to answer the research questions. Key findings indicate that the implementation of the SEAL Model has taken root in many schools and districts where there is evidence of systemic efforts or instructional improvement for the English Learners they serve. In regards to teachers’ development and practices, there were statistically significant increases in the use of research-based practices for English Learners. Teachers indicated a greater sense of efficacy in addressing the needs of this population and believe the model has had a positive impact on their knowledge and skills to support the language and literacy development of PreK- Grade 3 English Learners. Student outcome data reveal that despite SEAL schools averaging higher rates of poverty compared to the statewide rate, SEAL English Learners in grades 2–4 performed comparably or better than California English Learners in developing their English proficiency; additional findings show that an overwhelming majority of SEAL students are rapidly progressing towards proficiency thus preventing them from becoming long-term English Learners. English Learners in bilingual programs advanced in their development of Spanish, while other English Learners suffered from language loss in Spanish. The final section of the report provides considerations and implications for further SEAL replication, sustainability, additional research and policy.
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