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1

Liu, Xiusheng. "Mencius, Hume, and Sensibility Theory." Philosophy East and West 52, no. 1 (2002): 75–97. http://dx.doi.org/10.1353/pew.2002.0002.

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2

ROSS, PETER W., and DALE TURNER. "SENSIBILITY THEORY AND CONSERVATIVE COMPLANCENCY." Pacific Philosophical Quarterly 86, no. 4 (2005): 544–55. http://dx.doi.org/10.1111/j.1468-0114.2005.00241.x.

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3

Spacks, Patricia Meyer. "Oscillations of Sensibility." New Literary History 25, no. 3 (1994): 505. http://dx.doi.org/10.2307/469464.

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4

Kirchin, Simon. "Quasi-Realism, Sensibility Theory, and Ethical Relativism." Inquiry 43, no. 4 (2000): 413–27. http://dx.doi.org/10.1080/002017400750051224.

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5

Chandler, James. "The Question of Sensibility." New Literary History 49, no. 4 (2018): 467–92. http://dx.doi.org/10.1353/nlh.2018.0032.

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6

Ray, Joan Klingel. "Austen's Sense and Sensibility." Explicator 60, no. 1 (2001): 15–19. http://dx.doi.org/10.1080/00144940109597155.

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7

Strong, Tom. "Approaching problem gambling with a discursive sensibility." Journal of Gambling Issues, no. 25 (June 1, 2011): 68. http://dx.doi.org/10.4309/jgi.2011.25.6.

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In this paper, I outline some aspects of what I describe as a "discursive sensibility." Drawing from discourse theory and research, I consider problem gambling in terms of this sensibility: an appreciation for and flexibility in working with differences in how language is used in describing and addressing gambling. I look specifically at how this discursive sensibility can be reflected in particular approaches to practice and research.
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8

Michael K. Shim. "Ideal Embodiment: Kant's Theory of Sensibility (review)." Journal of the History of Philosophy 48, no. 2 (2010): 248–49. http://dx.doi.org/10.1353/hph.0.0214.

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9

Herzog, Lisa, and Bernardo Zacka. "Fieldwork in Political Theory: Five Arguments for an Ethnographic Sensibility." British Journal of Political Science 49, no. 2 (2017): 763–84. http://dx.doi.org/10.1017/s0007123416000703.

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This article makes a positive case for an ethnographic sensibility in political theory. Drawing on published ethnographies and original fieldwork, it argues that an ethnographic sensibility can contribute to normative reflection in five distinct ways. It can help uncover the nature of situated normative demands (epistemic argument); diagnose obstacles encountered when responding to these demands (diagnostic argument); evaluate practices and institutions against a given set of values (evaluative argument); probe, question and refine our understanding of values (valuational argument); and uncover underlying social ontologies (ontological argument). The contribution of ethnography to normative theory is distinguished from that of other forms of empirical research, and the dangers of perspectival absorption, bias and particularism are addressed.
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10

Kanner, Melinda, and George W. Stocking,. "Romantic Motives: Essays on Anthropological Sensibility." Antioch Review 54, no. 3 (1996): 361. http://dx.doi.org/10.2307/4613358.

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11

Maurer, Shawn Lisa. "At Seventeen: Adolescence inSense and Sensibility." Eighteenth-Century Fiction 25, no. 4 (2013): 721–50. http://dx.doi.org/10.3138/ecf.25.4.721.

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12

Jones, Chris. "Helen Maria Williams and radical sensibility." Prose Studies 12, no. 1 (1989): 3–24. http://dx.doi.org/10.1080/01440358908586357.

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13

F., R. S. "Editorial: Sense, Sensibility, Money, and Poetry." Antioch Review 54, no. 2 (1996): 132. http://dx.doi.org/10.2307/4613289.

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14

Howell, W. H. "In the Realms of Sensibility." American Literary History 25, no. 2 (2013): 406–17. http://dx.doi.org/10.1093/alh/ajt009.

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15

Harkin, Maureen. "Mackenzie's Man of Feeling: Embalming Sensibility." ELH 61, no. 2 (1994): 317–40. http://dx.doi.org/10.1353/elh.1994.0015.

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16

Reid, James. "Morality and Sensibility in Kant: Toward a Theory of Virtue." Kantian Review 8 (March 2004): 89–114. http://dx.doi.org/10.1017/s1369415400001886.

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… an immense gulf is fixed between the domain of the concept of nature, the sensible, and the domain of the concept of freedom, the supersensible, so that no transition from the sensible to the supersensible (and hence by means of the theoretical use of reason) is possible, just as if they were two different worlds. (Kant, Critique of Judgment, §II, 5: 175-6)
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17

Smith, Russell. "Radical Sensibility in ‘The End’." Journal of Beckett Studies 26, no. 1 (2017): 69–86. http://dx.doi.org/10.3366/jobs.2017.0188.

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This paper offers a historically contextualized reading of what is perhaps the most explicit engagement with radical politics in Beckett's work, the encounter in The End (1946), Beckett's first piece of postwar fiction, between the narrator, a homeless beggar, and a Marxist orator who abuses him as a ‘leftover’ and denounces the charity of the passers-by as a ‘crime’. With reference to Beckett's later rejection of existentialist interpretations of his work with the words ‘I'm no intellectual. All I am is feeling (sensibilité)’, and Theodor Adorno's contemporaneous diagnosis in Minima Moralia (1944–1947) of the ‘barbarism’ of cultural criticism's relentless demand to unmask the material relations enfolded in the notion of sensibility, this paper reads this scene as a parody of the callously unsentimental rhetoric of the Parti Communiste Français and the Sartrean existentialist humanism that was the official philosophy of de Gaulle's Fourth Republic. In particular, the orator's castigation of the protagonist as a leftover (un déchet) can be read as part of a long tradition of Marxist excoriations of the lumpenproletariat—the amorphous class of ne'er-do-wells to which so many of Beckett's postwar protagonists belong—that has a precise historical origin in Marx's Eighteenth Brumaire and its denunciation of the role of la bohème, the ‘scum, offal, refuse of all classes’, in the 1851 counter-revolutionary coup d’état of Louis-Bonaparte. Before 1851, however, the amorphous mass of the destitute and homeless was capable of serving as a figure of revolutionary potential, as Walter Benjamin's study of Baudelaire shows, where it was the ragpicker's ‘obscure state of revolt against society’ rather than the optimism of utopian theorists that inspired Baudelaire to fight on the barricades in the failed uprising of 1848. In its presentation of a confrontation between the callous optimism of political futurity and the contemporary extremes of human suffering, The End stakes an allegiance with the war's ‘leftovers’ that is out of step with the official radical politics of the time.
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18

Robbins. "The Sensibility of Michael Fried." Criticism 60, no. 4 (2018): 429. http://dx.doi.org/10.13110/criticism.60.4.0429.

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19

Shaw, P. "Sense and Sensibility, Godwin and the empiricists." Cambridge Quarterly 27, no. 3 (1998): 183–208. http://dx.doi.org/10.1093/camqtly/27.3.183.

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20

Edgecombe, Rodney Stenning. "Change and Fixity in Sense and Sensibility." SEL Studies in English Literature 1500-1900 41, no. 3 (2001): 605–22. http://dx.doi.org/10.1353/sel.2001.0026.

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21

Edgecombe, Rodney S. "Change and Fixity in "Sense and Sensibility"." Studies in English Literature, 1500-1900 41, no. 3 (2001): 605. http://dx.doi.org/10.2307/1556285.

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22

Brewer, John. "Sensibility and the Urban Panorama." Huntington Library Quarterly 70, no. 2 (2007): 229–49. http://dx.doi.org/10.1525/hlq.2007.70.2.229.

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23

Engh, Catherine. "Natural Education in Wollstonecraft’s Wrongs of Woman and Rousseau’s Emile." English Language Notes 57, no. 2 (2019): 43–57. http://dx.doi.org/10.1215/00138282-7716136.

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Abstract This essay places Wollstonecraft’s late novel Maria; or, The Wrongs of Woman (1798) in conversation with Rousseau’s thought on natural education in Emile (1762). In both texts, aesthetic sensibility is a foundation of religious belief and a crucial feature of a program of natural education that aims at freedom. Education falters, however, as Rousseau’s student and Wollstonecraft’s heroine are consigned to exile by a prejudiced society. Though Rousseau and Wollstonecraft make strong claims for the moral and liberating possibilities of aesthetic sensibility, they differ in their interpretation of exile. Wollstonecraft rewrites Rousseau’s portrait of the self-sufficient exile to highlight her outcast heroine’s estrangement from the vital forces that animate life and the mind. Natural education fails in Wrongs of Woman because the cultivation of sensibility remains separate from the work of reforming the social structures that discredit women’s reason.
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24

Andersen, Poul Houman, and Hanne Kragh. "Sense and sensibility: Two approaches for using existing theory in theory-building qualitative research." Industrial Marketing Management 39, no. 1 (2010): 49–55. http://dx.doi.org/10.1016/j.indmarman.2009.02.008.

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25

Lemos, André Luiz Martins, and Elias Bitencourt. "I feel my wrist buzz. Smartbody and performative sensibility in Fitbit devices." Galáxia (São Paulo), no. 36 (December 2017): 5–17. http://dx.doi.org/10.1590/1982-2554232919.

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Abstract This paper discusses the concepts of performative sensibility and smartbody. The central thesis is that performative sensibility highlights the instrumental nature of sensations in which objects act on the world. We show how the prescriptions of this new sensibility associated with wearables affect the body and subjectivity that we propose to call a smartbody. There were one hundred testimonials analyzed from the oldest thread with the greatest number of comments in the Fitbit user community forum. Quantitative tools and actor-network theory were used as a guide to assemble and analyze the corpus. The preliminary findings show that Fitbit users demonstrate particular changings in body care. Extreme behaviors, physical limits defined by system goals and quantification habits without utilizing the device are some of the examples found. These findings appear to indicate that the performative sensibility of wearables mobilizes new body performatic patterns and practices oriented by data.
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26

Connors, Catherine. "Scents and sensibility in Plautus′ Casina." Classical Quarterly 47, no. 1 (1997): 305–9. http://dx.doi.org/10.1093/cq/47.1.305.

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When Lysidamus arrives on stage in Plautus′ Casina, he delightedly announces that he is in love with the slave girl Casina. He is returning, he says, from an expedition to buy perfume which he hopes has made him appealing to his beloved. Casina′s name is derived from the fragrant spice casia. Cassia and the related spice cinnamon originate in the Far East and were imported to Rome through Arabia or Africa.Like other ancient spices, cassia was used as perfume, condiment, and in medicinal and religious contexts.
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27

Clough. "Worldly Sensibility and Digital Media." Cultural Critique 111 (2021): 159. http://dx.doi.org/10.5749/culturalcritique.111.2021.0159.

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28

Corker, Mairian. "Sensing Disability." Hypatia 16, no. 4 (2001): 34–52. http://dx.doi.org/10.1111/j.1527-2001.2001.tb00752.x.

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Disability theory privileges masculinist notions of presence, visibility, material “reality,” and identity as “given.” One effect of this has been the erasure of “sensibility,” which, it is argued, inscribes, materializes, and performs the critique of binary thought. Therefore, sensibility must be re-articulated in order to escape the “necessary error” of identity implicit in accounts of cultural diversity, and to dialogue across difference in ways that dislocate disability from its position of disvalue in feminist thought.
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29

Ahern, Stephen. "Nothing More Than Feelings?: Affect Theory Reads the Age of Sensibility." Eighteenth Century 58, no. 3 (2017): 281–95. http://dx.doi.org/10.1353/ecy.2017.0025.

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30

Crouch, Eleanor C. L. "Nerve Theory and Sensibility: ‘Delicacy’ in the Work of Fanny Burney." Literature Compass 11, no. 3 (2014): 206–17. http://dx.doi.org/10.1111/lic3.12131.

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31

Lather, Patti. "What new sensibility, configuration or ‘dominant’ logic now for educational theory?" Educational Philosophy and Theory 50, no. 14 (2018): 1602–3. http://dx.doi.org/10.1080/00131857.2018.1468651.

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32

Robinson, Daniel. "Della Crusca, Anna Matilda, and Ludic Sensibility." Wordsworth Circle 42, no. 2 (2011): 170–74. http://dx.doi.org/10.1086/twc24045854.

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33

Singh, G. "Sensibility and Imagination: The Poetry of Andrea Zanzotto." World Literature Today 76, no. 2 (2002): 68. http://dx.doi.org/10.2307/40157261.

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34

Folliot, Laurent. "Thomas Gray’s Sensibility and the Sublimity of Reserve." Études anglaises 72, no. 1 (2019): 29. http://dx.doi.org/10.3917/etan.721.0029.

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35

NANDREA, L. G. "Desiring Difference: Sympathy and Sensibility in Jane Eyre." Novel: A Forum on Fiction 37, no. 1-2 (2003): 112–34. http://dx.doi.org/10.1215/ddnov.037010112.

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36

Diah Sri Lestari, Ni Putu. "Derived Nouns in Austen’s Novel Sense and Sensibility." Udayana Journal of Social Sciences and Humanities (UJoSSH) 4, no. 1 (2020): 37. http://dx.doi.org/10.24843/ujossh.2020.v04.i01.p07.

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This study is entitled Derived Nouns in Austen’s Novel Sense and Sensibility. This study aims to identify kinds of derivational suffixes nouns found in Derived Nouns in Austen’s novel Sense and Sensibility and to explain meanings of the derived nouns. The data were taken from Austen’s novel Sense and Sensibility published in 1811. This study used library research and applied documentation method to collect the data. The method used in data analysis was the qualitative method. The technique of presenting data used the descriptive method for identifying the process of the derivational forming noun. This study applied the kinds of derived suffixes nouns proposed by McCarthy (2002) as the main theory, and meaning of derived nouns proposed by Haspelmath and Sims (2010) as the supporting theory. The findings showed that there were three classes; they are: suffixes forming nouns from nouns such as the suffixes –er, -ship and –hood, suffixes forming adjectives from nouns are the suffixes –ity, -ness, and –ism, and suffixes forming verb from nouns are the suffixes –ance, -ence, -ment, -ing, –((a)t)ion, and -al. The derivational meanings denoted deverbal nouns found in the data such as agent nouns and action nouns. The derivational meanings denoted deadjective nouns were quality nouns. On the other side, the derivational meanings denoted by denominal nouns were status nouns.
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37

Shmidt, Jane. "“Had I Died, It Would Have Been Self-Destruction”: Indulged Sensibility and Retaliatory Illness in Austen’sSense and Sensibility." English Studies 100, no. 4 (2019): 422–37. http://dx.doi.org/10.1080/0013838x.2019.1595899.

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38

Lindstrom, Eric. "Sense and Sensibility and Suffering; or, Wittgenstein’s Marianne?" ELH 80, no. 4 (2013): 1067–91. http://dx.doi.org/10.1353/elh.2013.0044.

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39

Tarpley, Joyce Kerr. "Sonship, Liberty, and Promise Keeping in Sense and Sensibility." Renascence 63, no. 2 (2011): 91–109. http://dx.doi.org/10.5840/renascence201163273.

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40

Collings, D. "The Poetics of Sensibility: A Revolution in Literary Style." Modern Language Quarterly 59, no. 2 (1998): 270–73. http://dx.doi.org/10.1215/00267929-59-2-270.

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41

Roulston, Christine. "Framing Sensibility: The Female Couple in Art and Narrative." SEL Studies in English Literature 1500-1900 46, no. 3 (2006): 641–55. http://dx.doi.org/10.1353/sel.2006.0031.

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42

Baker, Samuel E. "Raised a Teenage Kataphatic." Journal of Youth and Theology 14, no. 1 (2015): 45–71. http://dx.doi.org/10.1163/24055093-01401007.

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The framework for this study comes from the historical and contextual theory ofapophaticandkataphaticspiritual typologies within the “Circle of Sensibility” espoused by spiritual type theorists. This study analyses seven years of collected data, comparing spiritual type similarities and differences of late adolescent students at a private Christian university in the United States. A major premise of the study underscores the influence catechetical models have on faith development during mid-to-late adolescence. A subsidiary objective of the study measured participants’ perceptions of the importance and frequency of practice of twelve spiritual disciplines. The results of the study confirm outcomes in all four major spiritual type categories within the Circle of Sensibility. Based on the findings, the author offers several recommendations for research in utilising spiritual type theory for understanding catechetical models within youth ministry praxis.
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43

Prinz, Janosch. "Realism in Political Theory, Ethnographic Sensibility, and the Moral Agency of Bureaucrats." Polity 52, no. 1 (2020): 64–87. http://dx.doi.org/10.1086/706521.

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44

Jeong, Dong-Hee, and Jae-Woong Kim. "Research on Georges Schwizgebel's "The Subject of Picture" - Focus on Deleuze's Frame Theory and Sensibility Theory -." Journal of the Korea Contents Association 7, no. 5 (2007): 102–9. http://dx.doi.org/10.5392/jkca.2007.7.5.102.

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45

Haggerty, George E. "The Sacrifice of Privacy in Sense and Sensibility." Tulsa Studies in Women's Literature 7, no. 2 (1988): 221. http://dx.doi.org/10.2307/463680.

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46

Mazor, Yair. "Psalm 24: Sense and sensibility in biblical composition." Scandinavian Journal of the Old Testament 7, no. 2 (1993): 303–16. http://dx.doi.org/10.1080/09018329308585024.

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47

Waldron, Mary. "The poetics of sensibility: a revolution in style." Women's Writing 7, no. 1 (2000): 119–44. http://dx.doi.org/10.1080/09699080000200383.

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48

Reid, D. "A Crux in Sense and Sensibility." Notes and Queries 50, no. 3 (2003): 308–9. http://dx.doi.org/10.1093/nq/50.3.308.

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49

Carnevali, Barbara, and Francesca Montemaggi. "Social Sensibility. Simmel, the Senses, and the Aesthetics of Recognition." Simmel Studies 21, no. 2 (2018): 9–39. http://dx.doi.org/10.7202/1043789ar.

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In this article, I sketch a theory of social sensibility building on Simmel’s Sociology. I focus on the sense of smell and its “distancing” function, and I develop Simmel’s insights in line with the phenomenological theory of the “oral sense” (Oralsinn). Notions like atmosphere and Stimmung allow me to shed light on the almost subliminal functioning of social evaluation: sensible inclinations pre-condition deeply social relations. In addition, I focus on the link between recognition and esteem (Anerkennung and Schätzung) in its active meaning (how we value others through our feelings) as well as in its passive meaning (how we strive to please and how the quest for recognition is part of the search for distinction). I conclude by suggesting the need for a reciprocal integration between Simmel’s and Bourdieu’s reflections.
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50

Duckworth, Alistair M., and Moreland Perkins. "Reshaping the Sexes in 'Sense and Sensibility'." Modern Language Review 95, no. 1 (2000): 185. http://dx.doi.org/10.2307/3736392.

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